mw. dr. S.C. (Saskia) Kersenboom

  • Faculteit der Geesteswetenschappen
  • Bezoekadres
    Nieuwe Doelenstraat 16-18  Amsterdam
  • Postadres:
    Nieuwe Doelenstraat  16-18
    1012 CP  Amsterdam


  • S. Kersenboom (2012). One is Two ... is Many... In S. van Maas, C. Hulshof & P. Oldenhave (Eds.), Liber plurium vocum voor Rokus de Groot: ter gelegenheid van zijn afscheid als hoogleraar in de Muziekwetenschap aan de Universiteit van Amsterdam, 1 juli 2012 (pp. 54-61). Amsterdam: Universiteit van Amsterdam.
  • S. Kersenboom (2012). Lady of Great Bliss, pilgrimage at Matraverebely, Hungary. In A. Hobart & T. Zarcone (Eds.), Pilgrimages and sanctuaries art, music and rituals. Paris: under negotiation.


  • S.C. Kersenboom (2011). Nityasumangalī: Devadasi tradition in South India. - 3rd reprint. Delhi: Motilal Banarsidass Publishers.


  • S. Kersenboom (2010). Ritual differs: beyond fixity and flexibility in South Indian Hindu ritual. In C. Brosius & U. Hüsken (Eds.), Ritual matters: dynamic dimensions in practice (pp. 311-329). New Delhi: Routledge.
  • S.C. Kersenboom (2010). The traditional repertoire of the Tiruttani temple dancers. In D. Soneji (Ed.), Bharatanatyam: a reader (pp. 53-68). New Delhi: Oxford University Press.



  • S. Kersenboom (2008). Dort wo Shiva tanzt. In J. Beltz (Ed.), Shiva Nataraja: der kosmische Tänzer (pp. 38-78). Zürich: Museum Rietberg.


  • S.C. Kersenboom (2007). Marabu - The Inherent Flexibility of the Karnatak Tradition- the Example of Bharata Natyam. In I. Visvanathan & D. Soneji (Eds.), Performing Pasts. Reinventing the Arts in Modern South India (pp. 197-224-6). Oxford, New Delhi: Oxford University Press India.
  • S.C. Kersenboom (2007). The Faculty of the Voice. In H. Brückner, E. Schömbucher & P.B. Zarrilli (Eds.), The Power of Performance: Actors, Audiences, and Observers of Cultural Performances in India (pp. 197-209). New Delhi: Manohar.[go to publisher's site]
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