Fotograaf: onbekend

dhr. M.J. (Melle) Kromhout MA


  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Muziekwetenschap
  • Bezoekadres
    BG 2
    Nieuwe Doelenstraat 16-18  Amsterdam
  • Postadres:
    Nieuwe Doelenstraat  16-18
    1012 CP  Amsterdam
  • M.J.Kromhout@uva.nl

Biography

Melle Jan Kromhout is PhD Fellow at the Amsterdam School for Cultural Analysis, University of Amsterdam. His research project entitled “Noise Identities” focuses on the revaluation of noise in recorded sound and music. The project aims to develop noise identities as a concept for assessing the relation between recording media and musical significance. He presented his work at conferences around the globe and published several articles including “‘Over the Ruined Factory There's a Funny Noise': Throbbing Gristle and the mediatized roots of noise in/as music” (2011), “As Distant and Close as Can Be. Lo-fi Recording: Site-specificity and (In)authenticity” (2012), "An Exceptional Purity of Sound: Noise Reduction Technology and the Inevitable Noise of Sound Recording" (2014) and “'Antennas Have Long Since Invaded Our Brains’: Listening to the ‘Other Music’ in Friedrich Kittler” (forthcoming, 2015).

Other activities

2015

  • Kromhout, M. J. (2015). ‘Antennas Have Long Since Invaded Our Brains’: Listening to the ‘Other Music’ in Friedrich Kittler. In S. van Maas (Ed.), Thresholds of Listening: Sound, Technics, Space. (pp. 89-104). New York: Fordham University Press. [details]

2014

  • Kromhout, M. (2014). An Exceptional Purity of Sound: Noise Reduction Technology and the Inevitable Noise of Sound Recording. Journal of Sonic Studies, 7[details] [PDF]

2012

  • Kromhout, M. J. (2012). As distant and close as can be. Lo-fi recording: site-specificity and (in)authenticity. Soundscapes, 15(Autumn 2012). [details]

2011

  • Kromhout, M. J. (2011). 'Over the ruined factory there’s a funny noise': Throbbing Gristle and the mediatized roots of noise in/as music. Popular music and society, 34(1), 23-34. DOI: 10.1080/03007766.2011.539814 [details]

2009

  • Kromhout, M. (2009). As distant and close as can be: lo-fi recording: site-specificity and (in)authenticity. In ARP 2009 proceedings: the Fifth Annual Art of Record Production Conference hosted by the Division of Music and Sound, ATRiuM, University of Glamorgan, Cardiff, S. Wales on November 13th-15th 2009. [S.l.]: Association For The Study Of The Art Of Record Production. [details] [PDF]

2012

  • Kromhout, M. J. (2012). Noise. Sound. Media. Revaluing noise in the media-age. Abstract from Supersonix Conference, . [details]

Andere

  • Rutten, E. (organiser) & Kromhout, M.J. (organiser) (18-6-2015): Noise in the Gallery workshop, Allard Pierson Museum/UvA, Amsterdam (organising a conference, workshop, ...).

Spreker

  • Kromhout, M.J. (speaker) (4-10-2013): The Exceptional Purity of Sound: Noise Reduction and the (dys)functionality of noise in recorded music, Functional Sounds: 1st International Conference of the European Sound Studies Association, Berlin.
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications.

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