Fotograaf: Eduard Lampe

mw. dr. T.K. (Tarja) Laine


  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Media & Cultuur
  • Bezoekadres
    BG 1
    Turfdraagsterpad 9  Amsterdam
  • Postadres:
    Turfdraagsterpad  9
    1012 XT  Amsterdam
  • T.Laine@uva.nl
    T: 0205252852

Biography

Dr. Tarja Laine (Finland, 1971), Assistant Professor in Film Studies, is the author of Bodies in Pain: Emotion and the Cinema of Darren Aronofsky (2015),  Feeling Cinema: Emotional Dynamics in Film Studies (2011) and Shame and Desire: Emotion, Intersubjectivity, Cinema (2007). Her essays on emotions and sensations in cinema and media have been published in journals such as Film-Philosophy, Midwest Studies in Philosophy, Media, Culture & Society, Discourse: Journal for Theoretical Studies in Media and Culture, Studies in European Cinema, New Review of Film and Television Studies, PostScript and Film and Philosophy . Her research interests include cinematic emotions, film aesthetics and film-phenomenology.

Selected Publications

 

Books

Bodies in Pain: Emotion and the Cinema of Darren Aronofsky. New York: Berghahn Books, 2015. 

Feeling Cinema: Emotional Dynamics in Film Studies. New York: Continuum, 2011. 

Shame and Desire: Emotion, Intersubjectivity, Cinema. Brussels: P.I.E. Peter Lang, 2007.

 

Contributions to books  

"Religion as Environmental Ethics: Darren Aronofsky’s Noah." In Close Encounters between Bible and Film: An Interdisciplinary Engagement, edited by Laura Copier and Caroline Vander Stichele, 173-183. Atlanta: SBL Press, 2016.

"Mea Maxima Vulva: Appreciation and aesthetics of chance in Nymphomaniac." In Lars von Trier's Women, edited by Rex Butler and David Denny, 233-246. New York: Bloomsbury, 2016.

"Negative Feelings as Emotional Enhancement in Cinema: The Case of Ulrich Seidl's Paradise Trilogy." In The Palgrave Handbook of Posthumanism in Film and Television, edited by Michael Hauskeller, Thomas D. Philbeck and Curtis D. Carbonell, 246-258. New York: Palgrave Macmillan, 2015.

"Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction." In Acting and Performance in Moving Image Culture: Bodies, Screens, Renderings, edited by Jörg Sternagel, Deborah Levitt and Dieter Mersch, 248-258. Bielefeld: Transcript, 2012.

"Hidden Shame Exposed: Hidden and the Spectator. In The Cinema of Michael Haneke, edited by Ben McCann and David Sorfa, 247-255. London: Wallflower Press, 2012.

"Haneke's 'Funny' Games with the Audience (Revisited)." In On Michael Haneke, edited by Brian Price and John David Rhodes, 51-62. Detroit: Wayne State University Press, 2010.

  "Failed Tragedy and Traumatic Love in Ingmar Bergman's Shame ." In Mind the Screen: Media Concepts According to Thomas Elsaesser, edited by Jaap Kooijman, Patricia Pisters and Wanda Strauven, 60-70. Amsterdam: Amsterdam University Press, 2008.

"Family Matters in Eat Drink Man Woman: Food Envy, Family Longing, or Intercultural Knowledge through the Senses?" In Shooting the Family: Transnational Media and Intercultural Values, edited by Patricia Pisters and Wim Staat, 103-114. Amsterdam: Amsterdam University Press, 2005.

 

International refereed journals   

"Art as a Guaranty for Sanity: The Skin I Live In." Alphaville: Journal of Film and Screen Media 7 (Summer 2014).  http://www.alphavillejournal.com/Issue7/HTML/ArticleLaine.html

"Imprisoned in Disgust: Roman Polanski's Repulsion ." Film-Philosophy 2 (2011): 35-50. http://www.film-philosophy.com/index.php/f-p/article/view/275

"Entangled Life: The Double Life of Véronique ." Film and Philosophy 15 (2011): 127-136: http://www.lhup.edu/dshaw/images/veron%202.pdf 

"SMS Scandals: Sex, Media and Politics in Finland." Media, Culture & Society 1 (2010): 151-160.

"'It's the Sense of Touch.' Skin in the Making of Cinematic Consciousness." Discourse: Journal for Theoretical Studies in Media and Culture 1(2007): 35-48.

"Lars von Trier, Dogville, and the Hodological Space of Cinema." Studies in European Cinema 2 (2006): 129-141.

 

International non-refereed journals  

" The Diving Bell and the Butterfly as an Emotional Event." Midwest Studies in Philosophy 1 (2010): 295-305.

"Affective Telepathy, or the Intuition of the Heart: Persona with Mulholland Drive ." New Review of Film and Television Studies 3 (2009): 325-338.

"The Synaesthetic Turn" (with Wanda Strauven). New Review of Film and Television Studies 3 (2009): 249-255.

"Love is a Dangerous Game: Power and the Rules of Intimacy in Michael Winterbottom's Code 46 ." Cinemascope 6 (2006): http://www.cinemascope.it.

"Cinema as Second Skin: Under the Membrane of Horror Film." New Review of Film and Television Studies 2 (2006): 93-106.

  "Eija-Liisa Ahtila's Affective Images in House ." Mediascape 2 (2006): http://www.tft.ucla.edu/mediascape/Spring06_Eija-LiisaAhtila.html

"Shame on Us: Shame, National Identity and the Finnish Doping Scandal." The International Journal of the History of Sport 1 (2006): 67-81.

" American Psycho : A Double Portrait of Serial Yuppie Patrick Bateman" (with Jaap Kooijman). PostScript 3 (2003): 46-56.

"Jim Carrey: The King of Embarrassment." CineAction 55 (2001): 50-56.

"Empathy, Sympathy and the Philosophy of Horror in Kubrick's The Shining ." Film and Philosophy (2001): 72-88.

 

Popular scientific journals

"The Bear Necessities: Steam of Life." In Media Res (2013):  http://mediacommons.futureofthebook.org/imr/2013/01/30/bear-necessities-steam-life

2016

  • Laine, T. K. (2016). Mea Maxima Vulva: Appreciation and aesthetics of chance in Nymphomaniac. In R. Butler, & D. Denny (Eds.), Lars von Trier's Women. (pp. 233-246). New York: Bloomsbury. [details]
  • Laine, T. K. (2016). Religion as Environmental Ethics: Darren Aronofsky’s Noah. In L. Copier, & C. Vander Stichele (Eds.), Close Encounters between Bible and Film: An Interdisciplinary Engagement. (pp. 173-183). Atlanta: SBL Press. [details]

2015

  • Laine, T. (2015). Bodies in Pain: Emotion and the Cinema of Darren Aronofsky. New York: Berghahn Books. [details]
  • Laine, T. (2015). Lonely Birthday Eaters Anonymous: The Chinese Wall. Short Film Studies, 5(1), 99-102. DOI: 10.1386/sfs.5.1.99_1 [details]

2014

  • Laine, T. (2014). Art as a Guaranty of Sanity: The Skin I Live In. Alphaville, 7, [2]. [details] [PDF]

2013

2011

  • Laine, T. (2011). Entangled life: The double life of Veronique. Film and Philosophy, 15, 127-138. [details]
  • Laine, T. (2011). Imprisoned in disgust: Roman Polanski's Repulsion. Film-Philosophy, 15(2), 36-50. [details] [PDF]

2010

  • Laine, T. (2010). SMS scandals: sex, media and politics in Finland. Media, Culture & Society, 32(1), 151-160. DOI: 10.1177/0163443709350379 [details]
  • Laine, T. (2010). Haneke's 'Funny' Games with the audience (revisited). In B. Price, & J. D. Rhodes (Eds.), On Michael Haneke. (pp. 50-60). (Contemporary approaches to film and television series). Detroit, MI: Wayne State University Press. [details] [PDF]

2009

  • Laine, T. (2009). Affective telepathy, or the intuition of the heart: 'Persona' with 'Mulholland Drive'. New Review of Film and Television Studies, 7(3), 325-338. DOI: 10.1080/17400300903047078 [details]
  • Laine, T., & Strauven, W. (2009). The synaesthetic turn. New Review of Film and Television Studies, 7(3), 249-255. DOI: 10.1080/17400300903047029 [details]

2008

  • Laine, T. (2008). Failed tragedy and traumatic love in Ingmar Bergman's 'Shame'. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser. (pp. 60-70). Amsterdam: Amsterdam University Press. [details]

2007

  • Laine, T. K., & Kooijman, J. W. (2007). American Psycho Analysis : A Double Portrait of Serial Yuppie Patrick Bateman. Contemporary Literary Criticism, 229[details]
  • Laine, T. (2007). It's the sense of touch: skin in the making of cinematic consciousness. Discourse : Journal for Theoretical Studies in Media and Culture, 29(1), 35-48. DOI: 10.1353/dis.0.0022 [details]

2006

  • Laine, T. K. (2006). Cinema as Second Skin: Under the Membrane of Horror Film. New Review of Film and Television Studies, 4(2). [details]
  • Laine, T. K. (2006). Eija-Liisa Ahtila's Affective Images in The House. Mediascape, 1(2). [details]
  • Laine, T. K. (2006). Lars von Trier, Dogville, and the Hodological Space of Cinema. Studies in European Cinema, 3(2). [details]
  • Laine, T. K. (2006). Love is a Dangerous Game: Power and the Rules of Intimacy in Michael Winterbottom's Code 46. Cinemascope, 2(6). [details]
  • Laine, T. K. (2006). Shame on Us: Shame, National Identity and the Finnish Doping Scandal. The International Journal of the History of Sport, 23(1). [details] [PDF]

2015

  • Laine, T. (2015). Negative Feelings as Emotional Enhancement in Cinema: The Case of Ulrich Seidl's Paradise Trilogy. In M. Hauskeller, T. D. Philbeck, C. D. Carbonell, & C. D. Carbonell (Eds.), The Palgrave Handbook of Posthumanism in Film and Television. (pp. 246-256). Houndmills, Basingstoke: Palgrave Macmillan. [details]

2012

  • Laine, T. (2012). Dangerous liaisons and counterfeit affections: cinema as seduction. In J. Sternagel, D. Levitt, & D. Mersch (Eds.), Acting and performance in moving image culture: bodies, screens, renderings. (pp. 247-258). (Metabasis: Transkriptionen zwischen Literaturen, Künsten und Medien; No. 7). Bielefeld: Transcript. [details]

2011

  • Laine, T. (2011). Feeling cinema: emotional dynamics in film studies. New York: Continuum. [details]
  • Laine, T. (2011). Hidden Shame Exposed: Hidden and the Spectator. In B. McCann, & D. Sorfa (Eds.), The cinema of Michael Haneke: Europe Utopia. (pp. 247-257). London: Wallflower Press. [details]

2010

2007

  • Laine, T. K. (2007). ''Man bites Dog'' and 'the Vanishing ''. In S. J. Schneider (Ed.), 100 European Horror Films. Londen: BFI. [details]
  • Laine, T. K. (2007). Shame and Desire : Emotion, Intersubjectivity, Cinema. (Repenser le cinéma / Rethinking Cinema; No. 3). Brussel: Peter Lang Publishing Group. [details]

2013

  • Laine, T. (2013). [Review of: L. McMahon (2012) Cinema and contact: the withdrawal of touch in Nancy, Bresson, Duras, and Denis]. New Review of Film and Television Studies, 11(3), 390-393. DOI: 10.1080/17400309.2013.776756 [details]
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications.
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