Fotograaf: Jeroen Oerlemans

mw. prof. dr. C.M.K.E. (Christa-Maria) Lerm-Hayes

Moderne en Hedendaagse Kunstgeschiedenis
  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Kunstgeschiedenis
  • Bezoekadres
    BG 2
    Turfdraagsterpad 15  Amsterdam
    Kamernummer: 2,07
  • Postadres:
    Turfdraagsterpad  9
    1012 XT  Amsterdam
  • C.M.K.E.Lerm-Hayes@uva.nl
    T: 0205253889

2015

  • Lerm-Hayes, C. M. (2015). Mad, Marginal, Minor (Artistic) Research. In C. Pontbriand (Ed.), Dora García: I see words, I hear voices. (pp. 299-312). (Mad marginal: cahier; No. 4). Berlin: Sternberg Press. [details]

2013

  • McCleland, A., Peel, D., Lerm-Hayes, C. M. K. E., & Montgomery, I. (2013). A values-based approach to heritage planning: raising awareness of the dark side of destruction and conservation. Town Planning Review, 84(5), 583-603. [details]

2012

  • Lerm-Hayes, C. M. K. E. (2012). Considering the Minor in the Literary and Photographic Works of Rodney Graham and Tacita Dean. In Minor Photography: Connecting Deleuze and Guattari to Photography Theory. (pp. 85-102). Leuven: Leuven University Press. [details]

2011

  • Lerm-Hayes, C. M. K. E. (2011). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean / Nachkriegsdeutschland und ‘Objektiver Zufall’: W.G. Sebald, Joseph Beuys und Tacita Dean. Goettingen: Steidl. [details]
  • Lerm-Hayes, C. M. K. E. (2011). The Role of Diversity in the Production and Reception of Art in Belfast: Space Shuttle. In C. M. K. E. Lerm-Hayes, & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics. (pp. 118-146). Berlin, Muenster: LIT Verlag. [details]
  • Lerm-Hayes, C. M. K. E. (2011). ’The Joyce Effect’: Joyce in the Visual Arts. In R. Brown (Ed.), A Companion to James Joyce. Malden, Oxford: Blackwell. [details]

2010

  • Lerm-Hayes, C. M. K. E. (2010). Rodney Graham: Literature and What an Artist Does With It. In Rodney Graham: Through the Forest. Hadje Cantz, MACBA, Museum fuer Gegenwartskunst Basel, Kunsthalle Hamburg, Ostfildern, Barcelona. [details]

2008

  • Lerm-Hayes, C. M. K. E. (2008). Carola Giedion-Welcker: Misrepresented Mediator of Modernists. In K. M. Brown (Ed.), Women’s Contributions to Visual Culture, 1918-1939. (pp. 89-100). Hampshire: Ashgate. [details]

2007

  • Lerm-Hayes, C. M. K. E. (2007). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean. In L. Patt (Ed.), Searching for Sebald: Photography After W.G.Sebald. (pp. 412-439). Los Angeles: Institute of Cultural Inquiry. [details]

2016

  • Lerm Hayes, C. M., Benus, E., Breugelmans, T., Eckenhaussen, S., Kerchman, A., Rhodes, E., ... Sperling, F. (2016). A Performative Exhibition: Strijd ∞. The Nomos of Images, [259]. [details]
  • Lerm-Hayes, C. M. K. E. (Author). (2016). contributions to E-flux blog on Yates McKee's Strike Art, led by Gregory Sholette. e-flux. [details]

2015

  • Lerm Hayes, C. M., & Talec, K. (2015). Performance Art and the Conflict in Northern Ireland: A Troubles Archive Essay. (Troubles Archive Essays). Belfast: Golden Thread Gallery. [details] [PDF]
  • Lerm-Hayes, C. M. (Author). (2015). Tino Sehgal: Constructed Situations, Joyce and Beuys. Amsterdam: Sedelijk Museum, Amsterdam. [details]
  • Tuck, S., Long, D., O' Cuiv, R., Hanrahan, S., Lambe, T., Tubritt, G., ... Donnelly, D. (2015). Spectrality and Urbanism. In S. Tuck (Ed.), After the Agreement: Contemporary Photography in Northern Ireland. (pp. 16-55). London: Black Dog. [details]

2014

  • Lerm-Hayes, C. M. (2014). Conceptual Art. In C. Marshall, & P. Murray (Eds.), Art and Architecture of Ireland. -vol. 5: Twentieth Century. (pp. 80-83). (Studies in British Art). Dublin/New Haven/London: Royal Irish Academy/Paul Mellon Centre/Yale University Press. [details]
  • Lerm-Hayes, C. M. (2014). Concerning the Work of Royden Rabinowitch: Our Disenchanted Ontology or Paradoxical Hope. In R. Kurzmeyer, C-M. Lerm Hayes, F. Maes, R. Nachtigäller, & R. Rabinowitch (Eds.), Royden Rabinowitch: Ghent. (pp. 21-36). Gent: AsaMER. [details]
  • Lerm-Hayes, C. M. (2014). Sandra Johnston: Doubt, Gesture, Love and the Paradoxes of (Political) Art in Northern Ireland. In S. Johnston (Ed.), Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice. (pp. 3-42). (European studies in culture and policy; No. 13). Wien: Lit. [details]
  • Lerm-Hayes, C. M. (2014). Violer d'amores, 2004. In A. Rühl (Ed.), Jürgen Partenheimer: Das Archiv = The Archive. (pp. 233-237). Berlin: Distanz. [details]

2012

  • Lerm-Hayes, C. M. K. E. (2012). Polyhedra and Joyce: A Room for Thought. James Joyce Broadsheet, 91, 1-4. [details]
  • Lerm-Hayes, C. M. K. E. (2012). Reading Ulysses: Brigid McLeer Performs. In One + One: Brigid McLeer. (pp. 15-21). Drogheda: Highlanes Gallery Drogheda. [details]

2011

  • Lerm-Hayes, C. M. K. E. (2011). I will re-create Finnegans Wake anyway. In L. de Domizio Durini (Ed.), Beuys Voice. (pp. 480-481). Zurich, Milan: Kunsthaus Zurich, Electa. [details]
  • Lerm-Hayes, C. M. K. E. (2011). Introduction. In C. M. K. E. Lerm-Hayes, & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics. (pp. 1-17). Berlin, Muenster: LIT Verlag. [details]

2010

  • Lerm-Hayes, C. M. K. E. (2010). Bloomova Stolice / Bloom Stool. In Pavel Buchler: Marna race / Labour in Vain. (pp. 104-107). Prague: DOX Centre for Contemporary Art. [details]

2009

  • Lerm-Hayes, C. M. K. E. (2009). In the Wake (of) - as a Theory of Participatory Practice. The Recorder, 21,(2), 41-48. [details]
  • Lerm-Hayes, C. M. K. E. (2009). The Loneliness of East Germany. Circa, 128, 54-57. [details]
  • Lerm-Hayes, C. M. K. E. (2009). Gary Coyle: The Daily Practice of Swimming. In Gary Coyle. Dublin: Royal Hibernian Academy and Project Art Centre. [details]

2015

  • Lerm Hayes, C. M. (2015). Inleiding. In H. Berger (Ed.), Bibliografie: Beeldende kunst en kunstnijverheid 1850-heden: 2010-2014. (pp. 5-7). Utrecht: Vereiniging van Nederlandse Kunsthistorici. [details]

2014

  • Lerm-Hayes, C. M. (2014). Sticks from West Limerick Hedges. In Seanie Barron. Limerick: Askeaton Contemporary Arts. [details] [PDF]

2012

  • Lerm-Hayes, C. M. K. E. (2012). [Exhibition review in Enclave review, Wordpress] [Review of: (2012) Kasper Koenig (curator): Before the Law: Post-War Sculptures and Spaces of Contemporary Art]. Enclave Review, 15-17. [details]
  • Lerm-Hayes, C. M. (2012). Peter Richards in Conversation with Christa-Maria Lerm Hayes. In P. Richards (Ed.), Peter Richards: An Elective Family Album. (pp. 23-29). Belfast: Queen's University Belfast. [details]

2006

  • Lerm-Hayes, C. M. K. E. (2006). La disolución de los límites. La Tempestad, 48, 72-73. [details]

2015

  • Lerm Hayes, C. M. (2015). Writing Art and Creating Back: What Can We Do With Art (History)? (oratiereeks). Amsterdam: Universiteit van Amsterdam. [details] [PDF]
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications.
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