dhr. dr. N. (Niall) Martin
Faculteit der Geesteswetenschappen
Spuistraat 134 Amsterdam
1012 VB Amsterdam
Niall Martin is an Assistant Professor in the department of Literary and Cultural Analysis and is also co-director of the ASCA Cities Project.
After completing his research MA in Literary Studies in 2008 and an ASCA-funded Ph.D in 2012 he was awarded a postdoctoral fellowship by the ACGS to work on a project titled: 'London's Demons: Noise in the Global City'.
This research is incorporated in his book Iain Sinclair: Noise, Neoliberalism and the Matter of London (Bloomsbury, 2015).
Niall is currently working on a project titled ' Noise worlds: Reading globalisation through noise' which examines the different ways in which concepts of noise interact with and produce our ideas of globalisation.
He recently co-edited a special edition of Culture Theory and Critique on 'Disorientation' together with Professor Mireille Rosello which was published in March 2016.
A selection of articles and conference papers are available here.
In the academic year 2015-2016 Niall is teaching the following courses.
Office hours by appointment.
In the current academic year Niall is teaching:
In the academic year 2011-2012 Niall taught:
'Against Culture: Radical Theory from the Situationists to the Present'
Zeven Meesterwerken: 'Ulysses'
Literaire Werelden: 'Gilgamesh'; 'Magical Realism'.
Previously Niall has taught courses in eighteenth-century British literature and culture at the University of Amsterdam; foundation courses in English literature and literary theory at the University of Edinburgh and British and American Modernism at the Scottish Universities International Summer School (SUISS).
Current Research: 'Noise Worlds: Reading Globalisation Through Noise'
This project examines the different ways in which concepts of noise interact with and produce our ideas of globalisation.
Post-doctoral Research: 'London's Demons: Noise in the Global City'
In this project I examine the nexus between London as a neoliberal city and
globalization through the concept of noise. Specifically the project
investigates the paradoxical objects and spaces that emerge when we think of
noise as both an obstacle to, and the precondition of, communication.
These objects range from the geographical and topographical spaces that are constructed through the intersection of mutually incomprehensible languages, to the global city itself which as a transnational entity is constituted as both a space of homogeneity and of heterogeneity.
Ph.D Research: 'Noise, Neoliberalism and Iain Sinclair'
This project focused on the concept of noise in relation to the production of space in neoliberal Britain with particular reference to the work of British writer and film-maker Iain Sinclair.
Conceptualising noise as both an obstacle to, and precondition of, the production of meaning, the project notes classic liberalism's contradictory investment in the economies of noise. From a liberal perspective noise is at once that which must be eliminated from a system to ensure the smooth circulation of information, but at the same time, liberal theories of the market are predicated on the systems theory maxim that what is noise at one point in a system is information elsewhere in the same system.
Arguing that urban space is a privileged site for the expression of this contradiction, the project explores the ways in which the concept of noise informs the representation of the city through such aesthetic categories as the urban sublime and the architectural uncanny. The project's primary focus is on the representation of London during the neoliberal revolution of the 1980s in the work of Iain Sinclair and Patrick Keiller, but constellates that concern with earlier articulations of noisy space in the work of Thomas de Quincey and John Clare. Supervisor: Prof. dr. M.D. Rosello
The project is affiliated with the ASCA Cities Project
A selection of articles and conference papers are available here.
Conference Papers, Presentations and Invited Lectures
'On Beckton Alp: Garbage and (Ob)scenery in Iain Sinclair and Stanley Kubrick' . Global Garbage Conference. Centre for the Study of European and North African Relations (SENAR), University of London Institute in Paris, June 12-13, 2014.
'Becoming Shameless: Shame, shamelessness and the embarrassments of post-ideological subjectivity'. Leiden University Lectures in Media, Art & Politics. Invited lecture. 2014.
'This is a Muslim area: Virality, Parasitism and the Vigilantism of the Other'. The Lisbon Consortium, Summer School for the study of Culture 2013.
'The Viscerality of the Other: Disoriented consumption in Marc Isaacs' All White in Barking'.International Workshop 'Disorientation', 15 June, 2012, UVA.
'Unacknowledged Cities: Modernity and Acknowledgement in the work of China Miéville and Marc Isaacs'. International Conference 'Questioning Urban Modernity' 18 May, 2012, UVA. (Programme)
'"[A] more generous sentence": economies of the unpoetic in Iain Sinclair's Lud Heat' . International Conference 'Poetry and the Unpoetic' 20-21 May 2011, UVA.
'Misrecognition and Re-forgetting in Iain Sinclair's Edge of the Orison .' ASCA Workshop and International Conference, March 2010, UVA.
Co-organiser of the ASCA 2011 International Conference and Workshop: 'Imagining, Resisting, Remembering' with keynote speakers: Meltem Ahiska, Ed Cohen, Lawrence Grossberg, Jacques Rancière.
- N. Martin (2016). The (Dis)Locative Effect of Noise: Globalisation, Disorientation and Noise in Marc Isaacs’ Lift. Culture, Theory and Critique, 57 (1), 62-76. doi: 10.1080/14735784.2015.1118640
- N. Martin & M. Rosello (2016). Disorientation: An Introduction. Culture, Theory and Critique, 57 (1), 1-16. doi: 10.1080/14735784.2015.1128675[go to publisher's site]
- N. Martin (2015). On Beckton Alp: Iain Sinclair, Garbage and ‘Obscenery’. In C.P. Lindner & M. Meissner (Eds.), Global Garbage: Urban imaginaries of waste, excess, and abandonment (Routledge Research in Sustainable Urbanism). New York: Routledge.
- N. Martin (2015). Iain Sinclair: Noise, Neoliberalism and the Matter of London. (Bloomsbury Studies in the City). London: Bloomsbury.
- N. Martin (2015). Ghost Storage: Between Archive and Ash: The Case of Rachel Lichtenstein and Iain Sinclair’s Rodinsky’s Room. The Literary London Journal, 12 (1-2), 46-61.[go to publisher's site]
- N. Martin (2013). Unacknowledged Cities: Modernity and Acknowledgement in China Miéville's The City & The City and Marc Isaacs' All White in Barking. European Journal of Cultural Studies, 16 (6), 710-724. doi: 10.1177/1367549413497692
- N. Martin (2013, March 15). Spaces of Precarity: Rhythm and Hospitality in Marc Isaacs' 'Lift'. Amsterdam, The Cities Seminar.
- N. Martin (2012, March 09). Noise, neoliberalism and Iain Sinclair. Universiteit van Amsterdam (vi, 248 pag.). Supervisor(s): prof.dr. M.D. Rosello.
- N. Martin, A. Chambers, A. Kuryel, I.S. Souch & H.H. Stuit (2011). Practicing Theory: Imagining, Resisting, Remembering. ASCA International Conference & Workshop: Amsterdam (2011, March 2 - 2011, March 4).
- Geen nevenwerkzaamheden