dhr. dr. A.M. (Abe) Geil
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Faculteit der Geesteswetenschappen
Capaciteitsgroep Media & Cultuur
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Turfdraagsterpad
9
1012 XT Amsterdam
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A.M.Geil@uva.nl
2014
- A. Geil (2014). Writing, Repetition, Displacement: An Interview with Jacques Rancière. Novel, 47 (2), 301-310. doi: 10.1215/00295132-2647203
2013
- A. Geil (2013). The Spectator without Qualities. In P. Bowman (Ed.), Rancière and Film (Critical connections) (pp. 53-82). Edinburgh: Edinburgh University Press.
2009
- A.M. Geil (2009). Invited response to N. Katherine Hayles, "Distributing/Disturbing the Chinese Room". (blog). On the Human: The National Humanities Center.
- A.M. Geil (2009). A Foothold for Pain: Movement, Recognition, Close-up. In Francesco Casetti, Jane Gaines & Valentina Re (Eds.), Dall'inizio, alle fine. Teorie del cinema in prospettiva / In the Very Beginning, at the Very End. Film Theories in Perspective. Udine: Forum.
2010
- A.M. Geil & Gregory Flaxman (2010). Deleuze and the Genesis of Representation. [Review of the book Deleuze and the Genesis of Representation by Joe Hughes]. Notre Dame Philosophical Reviews.
2013
- A.M. Geil. Plastic Recognition: Politics and Aesthetics of Facial Representation from Silent Cinema to Cognitive Neuroscience. Duke University. Supervisor(s): dr. Mark BN Hansen & dr. Gregory Flaxman.
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