dhr. prof. dr. H.J. (Henkjan) Honing

Muziekcognitie
  • Faculteit der Geesteswetenschappen
    Faculteit der Natuurwetenschappen, Wiskunde en Informatica
  • POSTBUS  94242
    1090 GE  Amsterdam
    Kamernummer: C 3.118 (Science Park 904); K1.01 (Nieuwe Doelenstraat 16)
  • H.J.Honing@uva.nl
    T:  0205254698
    T:  0205256051

Henkjan Honing (1959) is professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam (UvA). He conducts his research under the auspices of the Institute for Logic, Language and Computation (ILLC) and the University of Amsterdam's Brain and Cognition (ABC) Center.

Honing obtained his PhD at City University (London) in 1991 with research into the representation of time and temporal structure in music. During the period between 1992 and 1997, he worked as a KNAW Research Fellow (Academieonderzoeker) at the University of Amsterdam's Institute for Logic, Language and Computation (ILLC), where he conducted a study on the formalization of musical knowledge. Up until 2003, he worked as a research coordinator at the Nijmegen Institute for Cognition and Information (NICI) where he specialized in the computational modeling of music cognition. In 2007, he was appointed Associate Professor in Music Cognition at the University of Amsterdam's Musicology capacity group. In 2010 he was awarded the KNAW-Hendrik Muller chair, designated on behalf of the Royal Netherlands Academy of Arts and Sciences (KNAW). In 2012 he was appointed strategic Professor of Cognitive and Computational Musicology, and in 2014 he became full professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam.

He is known as a passionate researcher in this new interdisciplinary field that gives us fundamental insights in the cognitive mechanisms underlying musicality. Honing has authored over 150 international publications in the area of music cognition and music technology. He recently published a book for the general public entitled Iedereen is muzikaal. Wat we weten over het luisteren naar muziek (Nieuw Amsterdam, 2009/2012), published in English as Musical Cognition: A Science of Listening (Transaction Publishers, 2011), and introduced at the 2011 edition of TEDxAmsterdam.

Henkjan Honing is the Distinguished Lorentz Fellow 2013/14, a prize granted by the Lorentz Center for the Sciences and the Netherlands Institute for Advanced Study in the Humanities and Social Sciences.

Music Cognition Group

The Music Cognition Group (MCG) is part of the Department of Musicology, the Institute for Logic, Language and Computation (ILLC), and Amsterdam Brain and Cognition (ABC) of the University of Amsterdam (UvA) and is housed at Science Park Amsterdam.

For an overview of the group members see here.

The research of the MCG has a special focus on the temporal and melodic aspects of music using theoretical, empirical and computational methods. The current research program addresses the following research questions:

 

  1. Cognition, Biology and the Origins of Musicality (2015-...)
  2. What is shared (and what unique) in music versus language processing? (NWO-Horizon, 2013-2017)
  3. What are the music structural and cognitive components that contribute to the memory, recall and transmission of melodies? (NWO-CATCH and KNAW-Tunes & Tales, 2012-2016)
  4. What are the cognitive mechanisms and neurological correlates of rhythm perception? (UvA-CSCA, 2011-2015)
  5. What are the cognitive and biological building blocks of musicality? (KNAW-Muller chair and Distinguished Lorentz Fellowship, 2010-2014)

 

Musical Cognition

Transaction Publishers, 2011/2013

Iedereen is muzikaal

Nieuw Amsterdam uitgevers, 2009/2012

The Illiterate Listener

Amsterdam University Press, 2011.

FREE DOWNLOAD

De ongeletterde luisteraar

Royal Netherlands Academy of Arts and Sciences (KNAW), 2010.

GRATIS DOWNLOAD (Inaugural Lecture 2010, published in Dutch both at AUP and KNAW; Dutch version can be downloaded for free via KNAW, paper-copies are available via AUP)

Op zoek naar wat ons muzikale dieren maakt

Nieuw Amsterdam uitgevers, 2012

GRATIS DOWNLOAD (iBook / iPad only)

 

2015

2014

2013

2012

2011

  • H. Honing & F. Bouwer (2011). Is hierarchy in rhythm perception consciously learned? In Rhythm Perception and Production Workshop (RPPW). Leipzig: Max Planck Institute for Human Cognitive and Brain Sciences.
  • H. Honing & J.W. Romeijn (2011). Surprise! Assessing the value of risky predictions. In Proceedings of the thirteenth International Conference on Informatics and Semiotics in Organisations - Problems and Possibilities of Computational Humanities ( (pp. 185). Leeuwarden: Fryske Academy, series FA 1053.
  • H. Honing (2011). The role of surprise in theory testing. In All models are wrong. Conference on model uncertainty & selection in complex models. Groningen: Rijksuniversiteit Groningen.
  • O. Ladinig, H. Honing, G.P. Háden & I. Winkler (2011). Erratum to Probing attentive and pre-attentive emergent meter in adult listeners with no extensive music training. Music Perception, 26 (4), 444.

2010

  • H. Honing (2010). Lure(d) into listening: The potential of cognition-based music information retrieval. Empirical Musicology Review, 5 (4), 121-126.
  • F. Willekens, H. Honing & L.W.M. Bod (2010). Computational Humanities. Report of the Computational Humanities Programme Committee of the KNAW. (intern rapport). Amsterdam: Royal Netherlands Academy of Arts and Sciences.
  • H. Honing (2010). Beat-induction as a fundamental musical skill. In S.M. Demorest, S.J. Morrison & P.S. Campbell (Eds.), Proceedings of the International Conference on Music Perception and Cognition. Seattle: University of Washington.

2009

2008

2012

  • H. Honing (2012). Op zoek naar wat ons muzikale dieren maakt. Amsterdam: Nieuw Amsterdam Uitgevers.
  • H. Honing (2012). Een vertelling. In S. van Maas, C. Hulshof & P. Oldenhave (Eds.), Liber plurium vocum voor Rokus de Groot: ter gelegenheid van zijn afscheid als hoogleraar in de Muziekwetenschap aan de Universiteit van Amsterdam, 1 juli 2012 (pp. 150-154). Amsterdam: Universiteit van Amsterdam.

2011

  • H. Honing (2011). Musical Cognition. A Science of Listening. New Brunswick, N.J.: Transaction Publishers.
  • H. Honing (2011). The illiterate listener: on music cognition, musicality and methodology. Amsterdam: Amsterdam University Press.

2010

2009

  • H. Honing (2009). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek. Amsterdam: Nieuw Amsterdam Uitgevers.

2008

2011

  • H. Honing (2011). Muziek is geen luxe ... maar wat dan wel? [Review of the book The music instinct: How music works and why we can't do without it]. .

2010

2008

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