dr. S. (Sruti) Bala
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Faculty of Humanities
Theatre Studies
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Nieuwe Doelenstraat
16-18
1012 CP Amsterdam
Room number: 314
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S.Bala@uva.nl
T: 0205254785
Assistant Professor at the Dept. of Theatre and Performance Studies
Sep 2014 - Aug2015: Fellow at International Research Centre "Interweaving Performance Cultures", Freie Universität Berlin
2008-2013: Co-ordinator of the Erasmus Mundus MA International Performance Research Programme (MAIPR) at the University of Amsterdam. This programme was organised in collaboration with the universities of Warwick (UK), Helsinki/Tampere (Finland) and Belgrade (Serbia).
MAIPR Website University of Warwick
Visiting Faculty at the University of Ghent (Belgium), University of Hull at
Scarborough (UK), College of Music and Drama, Khartoum (Sudan), University of
Cape Town (South Africa), Central University of Hyderabad and Delhi University
(India).
Ph.D. from the University of Mainz (2007) with a study on the performativity of
nonviolent protest.
M.A. in German Literature (University of Bonn, 1999)
B.A. in German Philology (Bombay University, 1994)
Student of tabla with Niti Ranjan Biswas
Teaching
BA courses
20th Century European Theatre Avantgarde: Brecht
Applied Theatre
Participatory Art
MA Courses
Key Theories in International Performance Research
Dissertation Working Group
Key Issues and Methods in Theatre and Performance Studies: MA Colloquium
Art and Activism
Research Interests
Participatory art, Theatre of the Oppressed, art and activism, feminist theory, performance theory, pedagogy.
Professional Memberships
- Amsterdam School of Cultural Analysis
- Amsterdam Centre for Globalisation Studies
- International Federation for Theatre Research (IFTR/FIRT)
- Performance Studies international (PSi) Member of Working Group on "Performance and Pedagogy"
- Founding member of sabisa - performing change
- Editorial board member of Rupkatha Journal on Interdisciplinary Studies in the Humanities
Rethink UvA
I join and support the protests against the financialisation of the university and the struggle for the democratisation of higher education!
The Gestures of Participation
Presentation at Colloquium, Aesthetics of Applied Theatre (ERC Research Programme), Berlin
16 Apr 2015
The Micropolitics of Participatory Art
Presentation at Weekly Colloquium, Research Centre "Interweaving Performance Cultures", Berlin
03 Feb 2015
Guest Lecture:
THROUGH WORDS AND SILENCES: UNDERSTANDING WOMEN’S WORDS AND WOMEN’S LIVES IN INDIA
Dr. C.S. Lakshmi (Ambai)
11 December 2014
50 Jaar Theaterwetenschap Amsterdam
1964-2014 - Silver Jubilee Celebrations of Theatre Studies in the University of Amsterdam
24-25 October 2014
Conference and Publication Launch
Masterclass with Frie Leysen, Erasmus Prize Awardee 2014 "Localizing the International: Visions of Curatorship in Theatre and Performance" (together with Stichting Erasmus Praemium)
Research fellowship
International Research Centre "Interweaving Performance Cultures"
Freie Universität Berlin, Sep 2014 - Aug 2015
International Federation of Theatre Research (IFTR-FIRT) Conference 2014
University of Warwick (UK), 28 July - 01 August 2014
Paper on Elfriede Jelinek's 2011-12 performance text 'Kein Licht' (No Light) in the Feminist Working Group
Respondent on Special panel on "Terror and Performance" discussing the recent book by Rustom Bharucha
Visiting Fellow, Central University of Hyderabad
Seminar on Research Methodologies in Theatre and Performance Studies
Dept. of Theatre Arts, Sarojini Naidu School of Arts and Communication
14-18 July 2014
Feminist Performance, Activism, Humour?
A talk with Laia Ribera Americana Canenguez, Teatro Siluetas collective, Guatemala
Art and Activism Lecture and Discussion Series 2014
02 June 2014, 16-18hrs., University Theatre, Nieuwe Doelenstraat 16, Amsterdam
Inauguration of the Amsterdam Underground University
Friday, 23 May 2014, 15.00hrs, Basement, Nieuwe Doelenstraat 16, Amsterdam
The Underground University is an unofficial, autonomous, student-led initiative in the UvA, offering a space to critically explore the inner workings of university life, topics that are high on the student agenda, or issues that are usually left unspoken. Do you want to find out what is really going on amongst students? Come downstairs and check it out.
Post-migrant Turkish and Kurdish Theatre and Activism
Art and Activism Lecture and Discussion Series 2014
24 April 2014, 16-18hrs, University Theatre
Dr. Pieter Verstraete (PostDoc, Bilgi University, Istanbul) and Celil Toksöz (Theater RAST, Amsterdam)
Artistic Activism in the Museum
Excursion and Master-class in co-operation with Van Abbemuseum, Eindhoven
06 March and 10 March 2014
Details - registrations via nica-fgw@uva.nl
Moment!
Lecture Series at Dept. of Theatre Studies - Spring 2014
Conference: Politics of the Applied. Theatre and Art as Intervention
Paper on "The Art of Unsolicited Participation"
Free University of Berlin, Research Programme "Aesthetics of Applied Theatre"
30 Jan - 01 Feb 2014
Symposium: Global Activism
presentation together with Dr. V. Zangl: "Humour, Art and Activism in the Global Moment"
24-26 January 2014, ZKM Karlsruhe
Investigative Theatre: Discussion with Svetlana Sugako, Belarus Free Theatre
18 December 2013, 16-18 hrs, Nieuwe Doelenstr. 16, Amsterdam (Room 101 A)
Women, Environment and the Media in India's North-East: Discussion with Tongam Rina
16 December 2013, 16h | Atria Institute for Gender Equality | Vijzelstraat 20, Amsterdam (Atria Library)
Moment! Lecture Series at the Dept. of Theatre Studies
Panel discussion: Humour and Cultural Differences
Stichting de Visiefabriek, Hogeschool van Amsterdam
06 November 2013
Performance and Pedagogy: A Scrapbook for Imaginative Teaching and Learning (2014)
Call for Papers
Exploratory Workshop "Humorous Approaches to Art and Activism in Conflict"
co-organised with Dr. Veronika Zangl
18-20 September 2013 - NIAS (Netherlands Institute of Advanced Studies), Wassenaar
Launch event "Humorous Approaches to Art and Activism in Conflict"
18 September 2013 at Spui25, Amsterdam
ASCA Article Award 2013
Sruti Bala, Performance Anxieties in Elfriede Jelinek’s online private novel 'Envy'. Jaarboek voor Vrouwengeschiedenis, 32, 2012, 31-44.
ACGS Lecture: The Figure of the Minority: Dismantling Queer in India
Dr. Ashley Tellis, Associate Professor, Jindal Global University, Haryana, India
12 June 2013
NICA Masterclass: What is a Minority?
13 June 2013
2014
- S. Bala (2014). 'Translation is the making of a subject in reparation': Elfriede Jelinek's response to Fukushima in 'Kein Licht'. Austrian Studies, 22, 183-198. doi: 10.5699/austrianstudies.22.2014.0183[go to publisher's site]
2013
- S. Bala (2013). Waging nonviolence: reflections on the history writing of the Pashtun nonviolent movement Khudai Khidmatgar. Peace and Change, 38 (2), 131-154. doi: 10.1111/pech.12009[go to publisher's site]
- S. Bala (2013). The Entangled Vocabulary of Performance. Rupkatha Journal on Interdisciplinary Studies in Humanities, 5 (2), 12-21.[go to publisher's site]
- S. Bala & A.I. Albacan (2013). Workshopping the revolution? On the phenomenon of joker training in the Theatre of the Oppressed. Research in Drama Education, 18 (4), 388-402. doi: 10.1080/13569783.2013.836915[go to publisher's site]
2012
- S. Bala (2012). Performance anxieties in Elfriede Jelinek’s online private novel, 'Envy'. Jaarboek voor Vrouwengeschiedenis, 32, 31-44.
- S. Bala (2012). Vectors of participation in contemporary theatre and performance. Theatre Research International, 37 (3), 236-248. doi: 10.1017/S0307883312000892[go to publisher's site]
2011
- S. Bala (2011). 'Unsere Waffe ist die Beharrlichkeit': Auftreten, Konzept und Aktivitäten der gewaltfreien paschtunischen Armee der Khudai Khidmatgar (1929-1948). In R. Steinweg & U. Laubenthal (Eds.), Gewaltfreie Aktion: Erfahrungen und Analysen (pp. 119-125). Frankfurt am Main: Brandes & Apsel.
2009
- S. Bala (2009). The performativitiy of nonviolent protest in South Asia (1918-1948). Mainz: Universitätsbibliothek Mainz.
2007
- S. Bala (2007). Embodying autonomy: Gandhi's fasts as a form of nonviolent protest. In F.E. Boucher, S. David & J. Przychodzen (Eds.), La paix: esthétique d'une éthique (pp. 37-50). Bern: Peter Lang.
2006
- S. Bala (2006). Konzepte engagierten Schreibens. Berlin: Logos.
2014
- S. Bala (2014). Losse speculaties over de internationalisering van performance onderzoek. In S. Alting van Geusau, P. Eversmann & R. van der Zalm (Eds.), Theaterwetenschap aan de Amstel: vijftig jaar onderzoek en onderwijs aan de Universiteit van Amsterdam (pp. 121-135). Amsterdam: Amsterdam University Press.
2012
- S. Bala (2012). De-stultifying spectatorship in the theatre of the oppressed. In A. Klöck (Ed.), The politics of being on stage (Schriften / Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig, 4) (pp. 229-246). Hildesheim [etc.]: Olms.
2009
- S. Bala (2009). Khuda-i Khidmatgar: Pashtun non-violent resistance force (1929-1948). In I. Ness (Ed.), The international encyclopaedia of revolution and protest: 1500 to the present (pp. 1965-1970). Malden, MA: Wiley-Blackwell.
- H. Reich & S. Bala (2009). Theaterräume als Methode der Wissensgenerierung in der Friedensarbeit: das Unsagbare zeigen. In M.M. Baumann, H.M. Birkenbach, V. Brandes, S. Dieterich, U. Gundermann & U. Suhr (Eds.), Friedensforschung und Friedenspraxis: Ermutigung zur Arbeit an der Utopie: Festschrift für Reiner Steinweg zum 70. Geburtstag (pp. 193-205). Frankfurt am Main: Brandes & Apsel.
2008
- S. Bala (2008). The dramaturgy of fasting in Gandhian nonviolent action. In M. Wagner & W.D. Ernst (Eds.), Performing the matrix: mediating cultural performances (pp. 289-306). München: ePODIUM.
- S. Bala (2008). Mirar algo a la luz de las candilejas: consideraciones teóricas acerca de la performance. Apuntes de Teatro, 130, 140-147.
2014
- S. Bala (2014). Voorwoord: The Art and Craft of Formaat. In L. Opdebeeck & K. Bevers (Eds.), Een scene schoppen: theorie en praktijk van het Participatief Drama. Rotterdam: Formaat Werkplaats Participatief Drama.
- S. Bala (2014). Theatre for Women’s Participation in Sustainable Development. (overig). www.theaterforschung.de. (available: 26 jun 2014).
- S. Bala (2014). [Review of the book Wenn die Burka plötzlich fliegt: Einblicke in die Arbeit mit dem Theater der Unterdrückten in Afghanistan. - 2e Aufl.]. Applied Theatre Research, 2(2), 197-198.[go to publisher's site]
- S. Bala (2014). [Review of the book Dharamvir Bharati. Andha yug: the age of darkness]. Asian Theatre Journal, 31(1), 334-336.[go to publisher's site]
2013
- S. Bala (2013). [Review of the book Development dramas: reimagining rural political action in Eastern India]. Research in Drama Education, 18(1), 99.[go to publisher's site]
2012
- S. Bala (2012). [Review of the book Das Drama des Prekären: über die Wiederkehr der Ethik in Theater und Performance]. Theatre Research International, 37(3), 292-293.[go to publisher's site]
- S. Bala (2012). [Review of the book Community art: the politics of trespassing]. Research in Drama Education, 17(1), 127-129.
- S. Bala (2012). [Review of the book Engaging performance: theatre as call and response]. Theatre Research International, 37(1), 93-94.
2011
- S. Bala (2011). [Review of the book Performing conquest : five centuries of theater, history, and identity in Tlaxcala, Mexico]. Theatre Research International, 36(3), 303-304.
- S. Bala (2011). [Review of the books Performance in place of war & Violence performed: local roots and global routes of conflict]. Theatre Survey, 52(1), 209-211.
2010
- S. Bala (2010). [Review of the books Theatre and globalization: Irish drama in the Celtic Tiger era & Theatres of the troubles: theatre, resistance and liberation in Ireland]. Theatre Research International, 35(1), 78-79.
- S. Bala (2010). [Review of the book Performance affects: applied theatre and the end of effect]. Theatre Research International, 35(3), 301-302.
2009
- S. Bala (2009). Von den Chancen der Intervention in Krisen. Impuls (Internationales Theaterinstitut Zentrum Bundesrepublik Deutschland), 2009 (2), 23-25.
2014
- S. Bala (2014). De speelruimte van theater. India Nu, 209-210, 26-27.
2013
- S. Bala (2013, January 07). Eredoctoraat voor kapitalistische Ratan Tata schaadt geloofwaardigheid van UvA. Volkskrant.nl[go to publisher's site]
2009
- S. Bala (2009, August 18). Dancing is painting smoke on stage: Pina Bausch dies at 68. New Indian Express
- S. Bala (2009, September 20). Explosions on an emotional minefield. Theatre in conflict zones. New Indian Express
- S. Bala (2009, May 17). A lifelong rehearsal for revolution: Augusto Boal. New Indian Express
- No ancillary activities
