dr. S.Y. (Sophie) Berrebi
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Faculty of Humanities
Capaciteitsgroep Kunstgeschiedenis
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Herengracht
286
1016 BX Amsterdam
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S.Y.Berrebi@uva.nl
T: 0205253014
SOPHIE BERREBI
Sophie Berrebi is a writer, art historian and occasional curator. Her writing has appeared in frieze, Afterall, Metropolis M, and Art and Research, among other publications. She received her PhD from the Courtauld Insitute of Art, University of London in 2003, and is based at the University of Amsterdam where she teaches the history and theory of photography and contemporary art. She is a member of ASCA, the Amsterdam School for Cultural Analysis.
For all information concerning her research, publications and exhibition curating, please go to www.sophieberrebi.net
TEACHING AND THESIS SUPERVISION
Sophie Berrebi welcomes all B.A and M.A students wishing to write their final thesis in English on 20th century art. while a generalist, her specialty areas include: art and photography, contemporary art, globalisation, Art and Cinema, contemporary art and aesthetics, Art of the post-war period in Europe and the United States, exhibition history, the politics of the museum.
2014
- S. Berrebi (2014). The Shape of Evidence: Contemporary Art and the Document. Amsterdam: Valiz.
2013
- S. Berrebi (2013). Metromania or The Undersides of Painting. In C. Lindner & A. Hussey (Eds.), Paris-Amsterdam underground: essays on cultural resistance, subversion, and diversion (Cities and cultures) (pp. 23-36). Amsterdam: Amsterdam University Press.[go to publisher's site]
2011
- S. Berrebi (2011). Jean-Luc Moulène: photography as training manual. Afterall, 28, 34-41. doi: 10.1086/662969
2009
- S. Berrebi (2009). Dubuffet's myth. [Review of the book Dubuffet]. Art History, 32(3), 639-642.
2008
- S. Berrebi (2008). Everything you wanted to know about Jacques Rancière but were afraid to ask... Art & Research, 2 (1).[go to publisher's site]
- S. Berrebi (2008). Jacques Rancière: aesthetics is politics. Art & Research, 2 (1).[go to publisher's site]
2007
- S. Berrebi (2007). Dubuffet as model. In R. Leeman (Ed.), Histoire et historiographie: l'art du second XXe siècle (20/21. siècles, 5/6) (pp. 113-122). Nanterre: Centre Pierre Francastel.
- S.Y. Berrebi (2007). Jean-Luc Moulène’s Dialectical Documents. Papers of Surrealism.
2013
- S.Y. Berrebi (2013). Jean-Luc Moulène: Fotografi som övningsmanual. Stockholm: Co-op editions.
- S. Berrebi (2013). Not-So-Transparent Things. In D. Roelstraete (Ed.), The Way of the Shovel: on the archaeological imaginary in art (pp. 266-277). Chicago: University of Chicago Press.[go to publisher's site]
2012
- S. Berrebi (2012). Neither fish nor fowl, but real bodies: the films of Sven Augustijnen. Afterall, 31, 86-93.[go to publisher's site]
- S. Berrebi (2012). Exposing the Seams of Pictures. In E. Schmidt & I. Rüttinger (Eds.), Lieber Aby Warburg - was tun mit den Bildern? Vom Umgang mit fotografischem Material = Dear Aby Warburg, what can be done with images? Dealing with photographic material (pp. 205-207). Heidelberg: Kehrer Verlag.
- S. Berrebi (2012). Die Nahtstellen der Bilder sichtbar machen. In E. Schmidt & I. Rüttinger (Eds.), Lieber Aby Warburg - was tun mit den Bildern? Vom Umgang mit fotografischem Material = Dear Aby Warburg, what can be done with images? Dealing with photographic material (pp. 203-205). Heidelberg: Kehrer Verlag.
2011
- S. Berrebi (2011). 'Med ett positivt sinne och en pocketkamera’: Konstnären som dokumentarist. OEI, 53-54, 333-338.
- S. Berrebi (2011). Jean-Luc Moulènes dialektiska dokument. OEI, 53-54, 301-308.
2010
- S. Berrebi (2010). Goats, lamb, veal, breast: strategies of organisation in Zoe Leonard's 'Analogue'. Afterall, 25, 30-37. doi: 10.1086/657460
- S. Berrebi (2010). 'The story of Muriel cannot be told': Alain Resnais, Wendelien van Oldenborgh and How to decolonise the document. Simulacrum, 18 (2/3), 98-101.
2009
- S. Berrebi (2009). Over fotograferen, bouwen en borduren: een gesprek met Berend Strik = On photographing, building and stitching: a conversation with Berend Strik. In B. Strik (Ed.), Thixotropy: bewerkte, bestikte foto's = transfixed, stitched photographs (pp. 6-23). Amsterdam: Valiz.
2007
- S.Y. Berrebi (2007). Documentary evidence. In M. Schavemaker & M. Rakier (Eds.), Right about now: art & theory since the 1990s (pp. ??). Amsterdam: Valiz.
- S.Y. Berrebi (). The historiography of art since 1945, part 2. Paris, Paper given in research seminar at the INHA (Institut National d'Histoire de l'Art).
2013
- S. Berrebi (2013). Il faut que le masque ait dansé = Het masker moet gedanst hebben. Maastricht: Marres Centrum voor Contemporaine Cultuur.
- S. Berrebi (2013). Il faut que le masque ait dansé = The mask needs to have danced. Maastricht: Marres Centre for Contemporary Culture.
2011
- S. Berrebi (2011). The world in eighteen lessons: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 2011 (2), 115-117.
- S. Berrebi (2011). De wereld in 18 lessen: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 2011 (2), 36-45.
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