Curriculum vitae

Born Dec. 19, 1932 in Uppsala, Sweden. 

• Lecturer in Scandinavian Studies, especially Swedish at Harvard University 1957-58.
• Research assistant at the Division for Drama Research, Uppsala Universitet, 1965-69.
• Doctorate in Compara-tive Literature, especially Drama, at Uppsala Universitet in 1969.
• Professor of Scandinavian Studies at Universiteit van Amster-dam 1969-97.
• Visiting scholar at Yale University 1965-66, at the Netherlands Insti-tute for Advanced Study 1982-83, at the University of Washington spring 1991, and at the Center for Ibsen Studies, Universitetet i Oslo, fall 1993.
• Organizer of the 8th international Strindberg conference, in Amsterdam, 1986.
• Has lectured widely in Europe and in the United States.
• Awarded the Strindberg prize in 2004.

A Drama of Souls

A Drama of Souls: Studies in O'Neill's Super-naturalistic Technique , diss., Uppsala: Almqvist & Wiksell, 1968 (paperback) and New Haven, CT/London: Yale University Press, 1969 (hardcover), 284 p. Standard book number: 300-01152-0

Contents:  I Introduction : O'Neill's Tragic Vision.  The Physical Theatre and the Dream Theatre. O'Neill's Super-naturalism. Aims of the Examination. II The Human Setting : Scenery. Lighting. III The Visualized Soul : Character Appearance. Illustrative Action. IV Where Words Fail : Mechanical Sounds. Laughter. Music and Songs. Silence. V The Verbalized Soul : Diction. Patterned Language. Audible Thinking. VI "Life inTerms ofLives" : Parallel Characters. Parallel Situations. VII Concluding Remarks . Chronologyof O'Neill's Plays. Bibliography. Indexes.

Bergman och Strindberg: Spöksonaten

Bergman och Strindberg:Spöksonaten - drama och iscensättning. Dramaten 1973 (Bergman and Strindberg: The Ghost Sonata - Drama and Production. Dramaten 1973), Stockholm: Prisma, 1973, 258 p. 30 ill. Hardback. ISBN 91-518-0811-0.

Innehåll: Förord.  Dramat : Bakgrund. Analys av dramat. Iscensättningen : Ur Spöksonatens scenhistoria. På väg mot en iscensättning. Speltexten. Analys av iscensättningen. Publiksvaret. Kritikermottagandet. Spöksonaten på svenska scener. Litteraturförteckning.

Svenska dramastrukturer

Svenska dramastrukturer (Swedish Drama Structures), Stockholm: Prisma, 1973, 172 p. Paperback. ISBN 91-518-0282-1

Innehåll: Förord. August Strindberg,  Första varningen .  Tor Hedberg, Johan Ulfstjerna. Hjalmar Bergman, Herr Sleeman kommer.  Pär Lagerkvist, Bödeln . Stig Dagerman, Den dödsdömde . Lars Forssell, Söndagspromenaden . Arbetsuppgifter vid dramaanalys. Noter. Litteratur om dramats formvärld. 

Strindbergian Drama

Strindbergian Drama: Themes and Structure , Stockholm: Almqvist &Wiksell and Atlantic Highlands, NJ: Humanities Press, 1982,259p.Hardcover. ISBN 91-22-00441-6.

Contents: 1 Introduction. 2 The First Warning --an Effective Drama. 3 Imagery in The Father . 4 Speech Situations in Miss Julie . 5 The Stronger --a Monodrama. 6 ToDamascus I --a Drama of Half-Reality. 7 The Plot of Erik XIV . 8 The Opening of The Dance of Death I . 9 The Coherence of A Dream Play . 10 The Web of The Burned House .  11 Sein and Schein in The Ghost Sonata . 12 Theme and Structure of The Pelican . 13 The Modernity of Strindbergian Drama. Appendix: Translating Strindbergian Drama. Spöksonaten in English. Notes. Strindberg's Plays. Strindberg's Plays in English Translation. Bibliography.   

Strindberg's Miss Julie

Strindberg's Miss Julie: A Play and Its Transpositions (together with Barry Jacobs), Norwich: Norvik Press, 1988, 302 p. 18 ill. Paperback. ISBN 1-870041-08-9.

Contents: Foreword. The Play. 1. Background. 2. Genre. 3. The Preface. 4. Structure. 5. Role Playing. 6. Ending. 7. Impact. The Transpositions. 8. Fröken Julie in Translation. 9. Miss Julie on the Stage. 10. Miss Julie as Radio Play. 11. Miss Julie as TV Play. 12. Miss Julie as Film. 13. Miss Julie as Opera. 14. Miss Julie as Ballet. Select Annotated List of Productions. Bibliography. Index. 

Transposing Drama

Transposing Drama: Studies in Representation , London: Macmillan, 1991.Avolume in the series New Directions in the Theatre. Series director: Julian Hilton. ISBN 0-333-44062-5 (hardcover).ISBN 0-333-44063-3 (paperback).

Translated into Spanish as El teatroen otra lengua y otro medio: Estudios sobre la representación , trans. Marta Mateo Martínez-Bartolomé,  Madrid: Arco/Libros S.L., 2002, 216 p. ISBN 84-7635-517-3.

Contents: 1. Textual, Aural, Visual. 2. Shakespeare, Macbeth. 3. Ibsen, A Doll's House. 4. Strindberg, The Ghost Sonata. 5. Pinter, The Homecoming.  6. Medium and Vision. Notes. Productions. Bibliography. Index.

Filmdiktaren Ingmar Bergman

Filmdiktaren Ingmar Bergman (Ingmar Bergman as a Poet of the Cinema), Stockholm: Arena, 1993, 142 p. 27 ill. ISBN 91 7843 050 X

Innehåll: Förord. Filmdiktaren Bergman. En Biblia pauperum för vår tid - Det sjunde inseglet . Drömmens klara bilder - Smultronstället . En bilddikt -  Persona. En kammarfilm - Viskningar och rop . Tonernas värld och ordens -  Höstsonaten . Den lilla världen och den stora - Fanny och Alexander.  Bilddiktaren Bergman. Noter. Bibliografi. 

Ibsen: A Doll's House

Ibsen: A Doll's House. Cambridge: CambridgeUniversity Press, 1995, 210 p. 12 ill. A volume in the series Plays in Production . Series editor: Michael Robinson. ISBN 0 521 43386X (hardback) ISBN 0 521 478669 (paperback)

Contents: 1. Prologue: background. 2. The drama text. 3. Translating Et Dukkehjem. 4.   A Doll's  House as stage play. 5. A Doll's House as Radio Drama. 6. A Doll'sHouse as teleplay. 7. A Doll's House as film.8. Trans-posing the end of A Doll'sHouse. 9. Epilogue: impact. Sequence scheme of Et Dukkehjem/A Doll's House . Select List of Productions. Notes. Select Bibliography. Index. 

Between Stage and Screen

Between Stage and Screen: Ingmar Bergman Directs , Amsterdam: Amsterdam University Press, 1995, 243p. 26 ill. A volume in the series Film Culture in Transition. Series editor: Thomas Elsaesser. ISBN 90 5356 137 4 (paperback). ISBN 90 5356 171 4 (hardcover).

Contents: Prologue. The Stage and the Screen. Part 1. The Stage Director: Strindberg, The Dream Play; Strindberg, The Ghost Sonata; Strindberg, Miss Julie ; O'Neill, Long Day's Journey into Night ; Ibsen, A Doll's House ; Shakespeare, The Winter's Tale.   Part 2. The Screen Director: The Sevent Seal ; Wild Strawberries ; Strindberg, Storm ; Persona ; Cries and Whispers ; Autumn Sonata; Fanny and Alexander.  Part 3. The Radio Director: Strindberg, Easter ;  A Matter of the Soul.  Epilogue.  Between Stage and Screen.  Notes. Select  Bibliography. List of illustrations. Index.                   

Ibsen, Strindberg and the Intimate Theatre

Ibsen, Strindbergand the Intimate Theatre: Studiesin TV Presentation , Amsterdam: AmsterdamUniversity Press, 1999, 240 p. 18 ill. A volume in the series Film Culture in Transition . Series editor: Thomas Elsaesser. ISBN 90 5356 371 7 (hardcover). ISBN 90 5356 350 4 (paperback).

Contents: 1. Preface. Prologue. 2. Page, Stage and Screen. Part One - Ibsen. 3. A Doll's House. 4. Ghosts. 5. The Wild Duck. 6. Hedda Gabler. 7. The Master Builder. 8. Little Eyolf . Part Two - Strindberg. 9. The Father. 10. Miss Julie. 11. The Stronger. 12. A Dream Play. 13. Thunder in the Air. 14. The Ghost Sonata. 15. The Pelican . Epilogue. Ibsen, Strindberg and the Small Screen. Notes. Productions. Select Bibliography.List of Illustrations. Index. 

Strindberg's The Ghost Sonata

Strindberg's The Ghost Sonata: From Text to Performance ,  Amsterdam: Amsterdam University Press, 2000, 269 p. 33 ill. ISBN 90 5356 435 7 (paperback). ISBN 90 5356 454 3 (hardcover).

Contents: Preface. Prologue . 1. Source text. 2. Target texts. 3. Stage productions. 4. Adaptations. Epilogue. Appendix 1: Configuration chart of Strindberg's drama text. Appendix 2: Configuration chart of Bergman's 1973 production. Appendix 3: Short rehearsal diary of Bergman's 1973 production. Appendix 4: Transcription of Bergman's 1973 production. Select annotated list of productions. Notes. Cited works. List of illustrations. Index. 

Det talade ordet

Det taladeordet: Om Strindbergs dramadialog (TheSpoken Word:On Strindberg's DramaticDialogue),  Stockholm: Carlsson, 2001, 262 p. ISBN 91 7203 4084 (hardcover).

Innehåll: Förord. Inledning. 1. Det skrivna och det talade ordet. 2. Konfiguration och talsituation. 3. Dialog och struktur. 4. Repliktyper, replikfunktioner, replikflätning. 5. Dialog och handling. 6. Dialog och rollfigur. 7. Dialog och bitext. 8. Stil. 9. Intertext. 10. Subtext. Appendix 1: Dialogen iscensatt. Appendix 2: Dialogen översatt. Konfigurationsschema för  Fröken  Julie och Fadren . Noter. Bibliografi. Pjäsregister. Sakregister.

Bergman's Muses

Bergman's Muses: Æsthetic Versatility in Film, Theatre, Television and Radio , Jefferson, NC/London: McFarland, 2003, 265 p. ISBN 0-7864-1603-3 (paperback).

Contents: Preface. Introduction. One. Transpositions. 1.  Ibsen's Ghosts . 2. Aural Strindberg. 3.  Bergman's The Communicants .   Two. Multimedia. 4. Mozart's The Magic Flute.  5. Moliere's Don Juan . 6. Euripides' The Bacchae.   7. Mishima's Madame de Sade .  Three.   Intermediality. 8. Bergman's After the Rehearsal.   9. Bergman's In the Presence of a Clown . 10. Enquist's The Image Makers .  Four. Presentational Aspects. 11. The Subjective Point of View. 12. TheVisualizedAudience. 13. The Hidden Observers. 14. The Silent Characters. 15. "This Is My Hand". Epilogue . Appendix: Subtitling Bergman. Notes. Bibliography. Index.

Eugene O'Neill

Eugene O'Neill: A Playwright's Theatre , Jefferson, NC/London: McFarland, 2004. 262 p. ISBN 0-7864-1713-7 (paperback).

Contents: Preface. Part One: Preliminaries . 1. The Playwright at Work. 2. Page and Stage. Part Two. Affinities: 3. Nietzsche. 4. Ibsen. 5. Strindberg. Part Three: Formalities. 6. Play Titles. 7. Time and Place. 8. Personal Names and Words of Address. 9. Language. 10. Intertextuality. 11. Audible Thinking. Part Four: Individualities . 12. Bound East for Cardiff . 13. Long Day's Journey Into Night . 14. A Touch of the Poet . Appendix 1: Ingmar Bergman, Lars Norén and Long Day's Journey Into Night . Appendix 2: Configuration Charts. Credits. Notes. O'Neill's Plays. Bibliography. Index.

Strindberg som TV-dramatiker

Strindberg som TV-dramatiker (Strindberg as a TV Dramatist), Stockholm: Carlsson, 2004, 344 p. 27 ill. ISBN 91 7203 638 9.

Innehåll: FÖRTEXT. Dramatextens dubbelhet. Från text till skärm. Strindberg som TV-dramatiker. HUVUDTEXT. Naturalistiska dramer .  Fadren. Fröken Julie. Fordringsägare. Dödsdansen I. Enaktare . Den starkare. Paria. Första varningen. Moderskärlek. Leka med elden. Bandet. Historiska dramer.   Mäster Olof. Gustav Vasa. Erik XIV. Carl XII. Gustav III. Drömspel.   Ett drömspel . Kammarspel .  Påsk, Oväder, Brända tomten. Spöksonaten. Pelikanen. Svarta handsken . EFTERTEXT.  Produktionsdata. Noter.Litteratur.Pjäsförteckning. 

Ibsen - byggmästaren

Ibsen - byggmästaren (Ibsen - the Master Builder). Amsterdam Contributions to Scandinavian Studies, Vol. 2, ed. Henk van der Liet, Amsterdam: Scandinavisch Instituut, Universiteit van  Amsterdam, 2006, 219 p. Paperback. ISBN 90-809186-3-6.

Innehåll: Förord. 1. Ibsens mottagare. 2. Handlingsföljden i  Et dukkehjem . 3. Strukturen i Gangangere . 4. Konsten att börja stycken:  Rosmersholm . 5. Vem vet vad i  Hedda Gabler ? 6. Sjukdomsmotivet i Bygmester Solness . 7. Förvandlingar i  Lille Eyolf . Konfigurationsscheman. Litteratur. Abstract. 

I Bergmans regi

 I Bergmans regi ( Bergman Directing). 297 p. Hardback. Amsterdam Contributions to Scandinavian Studies, Vol. 5, ed. Henk van der Liet. Amsterdam: Scandinavisch Instituut, Universiteit van Amsterdam, 2008. ISBN 978-90-809186-65.

Innehåll: Förord. 1. Utgångspunkter. 2. Teatrum mundi. 3. "I min fan-tasi!" 4. De tysta. 5. De dolda iakttagarna. 6. Nattvarden. 7. "Detta är min hand!" 8. Musiken. 9. Smultronstället . 10. Nattvardsgästerna . 11. Trollflöjten . 12. Efter repetitionen . 13. Fröken Julie . 14. Lång dags färd mot natt . 15. Ett dockhem . 16. Vintersagan. 17. Spöksonaten . 18. Gengångare . 19. Bergman om Bergman. Litteratur. Titel- och produktionsregister. Abstract.

Strindberg TheMaster Weaver

Strindberg The Master Weaver.
Biblioteca dello spettacolo nordica. Università degli Studi di Torino. Bari: Edizioni di Pagina, 2010. Paperback. 133 p. ISBN 978-88-7470-121-6

Contents: Preface. Reception. Texts. Opening. Subjectivism. Reliability. Time. Imagery. Genre. Cited Works. Play Index.

Strindbergs dramatiska bildspråk

Strindbergs dramatiska bildspråk ( Strindberg's Dramatic Imagery). Amsterdam Contributions to Scandinavian Studies, Vol. 7, ed. Henk van der Liet, Amsterdam : Scandinavisch Instituut, Universiteit van  Amsterdam, 2011, 251 p. Paperback. ISBN 978 809186 8 9.

Innehåll: Förord. 1. Utgångspunkter. 2. Fadren. 3. Fröken Julie . 4. Fordringsägare .  5. Till Damaskus I. 6. Påsk . 7. Karl XII. 8. Dödsdansen I . 9.  Ett drömspel 10. Oväder. 11. Brända tomten. 12. Spöksonaten. 13. Pelikanen. 14. Eftertankar. Appendix: Bildspråket översatt. Litteratur. Abstract.

Drama as Text and Performance/Drama som text och föreställning

Drama as Text and Performance: Strindberg's and Bergman's Miss Julie / Drama som text och föreställning: Strindbergs Fröken Julie och Bergmans. Amsterdam: Amsterdam University Press (Pallas Publications), 2012, 262 p. 20 ill. ISBN 978 90 855 068 6 (paperback), e-ISBN 978 90 4851 740 (pdf), e-ISBN 978 90 4851 7411(ePub).NUR 670/676.  

Contents / Innehåll: Foreword. Strindberg's Miss Julie . Bergman's Miss Julie. Conclusions. - Photos from the performance. - Förord. Strindbergs Fröken Julie.   Bergmans Fröken Julie. Slutsatser. - List of illustrations / Illustrationsförteckning. Production Data / Produktionsdata. References / Referenser.

• A more fully illustrated version on http://www.missjulie.eu/

Bibliography

A "Bibliography of Egil Törnqvist's Writings" 1961-97, compiled by Caroline Godfried, is found in Harry Perridon, ed., Strindberg, Ibsen & Bergman: Essays on Scandinavian Film and DramaOffered to Egil Törnqvist on the Occasion ofhis 65th Birthday , Maastricht: Shaker, 1998, 227-38. ISBN 90-423-0031-0.

Editorships

Ed. Drama och teater (Drama and Theatre), Stockholm: Almqvist & Wiksell, 1968.

Ed. Ibsens dramatik (Plays by Ibsen), Stockholm: Wahlström & Widstrand, 1971.

Ed. Scandinavië/Meulenhoff Editie, Amsterdam: Meulenhoff, 1979-85 (a series of Scandinavian novels in Dutch translation).

Co-ed. Tijdschrift voor Skandinavistiek , 1980-88.

Co-ed. Niet alleen Strindberg: Zweden op de planken / Not only Strindberg: Sweden on Stage , Amsterdam: Holland Festival, 1985.

Ed. Zweeds verhaal: Achttien moderne Zweedse schrijvers (Swedish Stories: Eighteen Modern Swedish Writers), Amsterdam: Meulenhoff,  1987.

Ed. Dit is het leven dat verder zal gaan: Twaalf moderne Zweedse dichters (This Is the Life that Will Continue: Twelve Modern Swedish Poets), Amsterdam: Meulenhoff, 1987.

Ed. Strindbergiana , 17, Stockholm: Atlantis, 2002.

Guest ed. De Tweede Ronde (Zweeds nummer), Lente 1989.

Co-ed. Europe: The Nordic Countries , Yearbook of European Studies, 10, Amsterdam: Rodopi, 1998.

Co-ed. Strindberg on Drama and Theatre , Amsterdam: Amsterdam University Press, 2007.

Hamlet och Spöksonaten . Meddelanden från Strindbergssällskapet , 37, 1965, 1-17.

Ibsen and O'Neill: A Study in Influence. Scandinavian Studies , 37:3, 1965, 211-235.

Personal Nomenclature in the Plays of O'Neill. Modern Drama , 8:1 ,1966, 362-373.

O'Neill-litteratur - en översikt. Samlaren: Tidskrift för svensk litteraturforskning , 87, 1966, 215-218.

Poet in the Space Age: A Theme in Aspenström's Plays. Scandinavian Studies , 39:1,1967, 1-15.

O'Neills sällsamma mellanspel. Studiekamraten , 5, 1967, 87-89.

Den dramatiska tekniken i Tor Hedbergs Johan Ulfstjerna . Edda , 68, 1968, 155-175.

Nietzsche and O'Neill: A Study in Affinity. Orbis Litte-rarum , 23, 1968, 97-126.

O'Neills arbetssätt. InEgil Törnqvist, ed. Drama och teater . Stockholm: Almqvist & Wiksell, 1968, 131-148.

Hamlet and The GhostSonata . Drama Survey , 7:1-2, 1969, 25-44.

Personal Addresses in the Plays of O'Neill. Quarterly Journal of Speech , 55:2, 1969, 126-130.

Fröken Julie och O'Neill. Meddelanden från Strindbergssällskapet , 42-43, 1969, 5-16.

Berättartekniken i Stig Dagermans roman Bränt barn . Svensk Litteraturtidskrift , 4, 1969, 25-37.

O'Neill's Lazarus: Dionysus and Christ. American Literature , 41:4, 1970, 543-554.

Sein und Schein in Strindbergs Spooksonate . Maatstaf , 10, 1970, 613-627.

Strindberg's The Stronger . Scandinavian Studies , 42:3, 1970, 297-309.

Jesus and Judas: On Biblical Allusions in O'Neill's Plays. Études anglaises , 24:1, 1971, 41-49.

The Illness Pattern in The Master Builder . Scandinavica, 11:1, 1972, 1-12.

Kring Spöksonatens tillkomst. Dramaten , 25, 1973, 5-8.

Ingmar Bergman regisserar Spöksonaten. Dramaten , 26, 1973, 3-6.

Bildspråket i Strindbergs Fadren. Meddelanden från Strindbergs-sällskapet , 51-52, 1973, 19-31.

Ingmar Bergman Directs Strindberg's Ghost Sonata . Theatre Quarterly , 3:11 , 1973, 3-14.

Monodrama: Term and Reality. In P. Binnerts et al., eds. Essays on Drama and Theatre: Liber Amicorum Benjamin Hunningher , Amsterdam: Moussault, 1973, 145-159.

Astrid Lindgrens halvsaga: Berättartekniken i Bröderna Lejonhjärta . Svensk Litteraturtidskrift ,2, 1975, 17-34.

Strindberg and the Drama of Half-reality: An Analysis of To Damascus I . In Carl-Reinhold Smedmark, ed. Strindberg and Modern Theatre , Stockholm: The Strindberg Society, 1975, 119-151.

Strindbergs Spöksonaten in het Engels. In Gerard Fritschy et al., eds. Vertalen vertolkt: Verhalen over vertalen , Amsterdam: Nederlands genootschap van vertalers, 1976, 71-79.

Hagar Olsson's First Play. Scandinavica , Supplement. Ed. Johan Wrede, 1976, 63-73.

Att översätta Strindberg: Spöksonaten på engelska. Svensk  Litteraturtidskrift , 2, 1976, 4-31.

Strindbergs syn på Fröken Julie. Värld och vetande , 4, 1976, 97-112.

Kammarspel på tre sätt. In Jan Stenkvist, ed. Från Snoilsky till Sonnevi: Litteraturvetenskapliga studier tillägnade Gunnar Brandell , Stockholm: Natur och Kultur, 1976, 76-94.

Miss Julie and O'Neill. Modern Drama , 19:4, 1976, 351-364.

Individualism in The Master Builder . In Harald Noreng et al., eds. Contemporary Approaches to Ibsen , 3. Oslo/Bergen/Tromsø: Universitetsforlaget, 1977, 134-146.

O'Neill's Work Method. Studia Neophilologica , 49, 1977, 43-59.

"Det dunkelt sagda är det mänskligt kända!" - Erik Lindegrens dikt "Hamlets himmelsfärd". In Antonine M.L.Marquart Scholtz and Ulla Musarra-Schrøder, eds. Studies in Skandinavistiek aangeboden aan Amy van Marke n. Groningen: Brouwer International Publishing, 1977, 175-187.

Intrigen i Strindbergs Erik XIV . Svensklärarföreningens årsskrift , Stockholm, 1977, 3-32.

Scenens Strindberg och verklighetens: Per OlovEnquists Tribadernas natt (1975) som dokumentärt drama. In A. Bolckmans, ed. Literature and Reality: Creatio Versus Mimesis. Problems in Modern Nordic Literature . Ghent: Seminarie voor Skandinavistiek, 1977, 195-211.

Ett dramatiskt dilemma. Svensk Litteraturtidskrift , 2, 1978, 18-29.

Första turen i Dödsdansen . Svensk Litteraturtidskrift , 3, 1978, 3-20.

Inledningssekvensen i Dödsdansen I. Tidskrift för litteraturvetenskap , 4, 1978, 236-249.

Talsituationerna i Fröken Julie . Värld och vetande , 1, 1979, 10-22.

Faust and The Ghost Sonata . In Wilhelm Friese,ed. Strindberg und die deutschsprachigen Länder: Beiträge zur nordischen Philologie , 8, Basel/Stuttgart: Helbing & Lichtenhahn, 1979, 71-84.

20th Century Drama in Sweden. In Johan Wrede et al., eds. 20th Century Drama in Scandinavia , Helsinki: University of Helsinki, 1979, 43-51.

The End of Ghosts . In Daniel Haakonsen, ed. Contemporary Approaches to Ibsen , 4. Oslo/Bergen/Tromsø: Universitets-forlaget, 1979, 50-62.

Platonic Love in O'Neill's Welded. In Virginia Floyd, ed. Eugene O'Neill: A World View . New York: Frederick Ungar, 1979, 73-84.  

Debewerking van de realiteit: het historie-drama. Scenarium , 4. Zutphen: De Walburg Pers, 1980, 9-21.

Der Schluss in Fröken Julie.Skandinavistik , 10:2, 1980, 134-146.

The Structure of Pelikanen . In Oscar Bandle et al., eds.  Strindbergs Dramen im Lichte neuerer Methodendiskussionen . Basel: Helbing & Lichtenhahn, 1981, 69-81.

Strindberg and O'Neill. In Marilyn Johns Blackwell, ed. Structures of Influence:A Comparative Approach to August Strindberg. Chapel Hill: University of North Carolina Press, 1981, 277-293.

Das Drama in historischer Perspektive. In HorstBien, ed. Die nordischen Literaturen als Gegenstand der Literaturgeschichtsschreibung . Greifswald: Hinstorff, 1982, 119-125.

Hur inleds Ibsens Gengangere ? Kringdramareceptionens metodologi. Tijdschrift voor Skandinavistiek , 4:1, 1983, 79-101.

Den lilla världen och den stora: Kring Ingmar Bergmans Fanny och Alexander. Chaplin , 25:6, 1983, 253-259.

Från novell till TV-spel: Kring mediaväxlingens problematik. In Mogens Brøndsted, ed. Kortprosa i Norden . Odense: Odense Universitetsforlag, 1983, 75-85.

The Little World and the Big: Concerning Ingmar Bergman's Fanny and Alexander. Chaplin , 25th Anniversary Issue, 1984, 12-20.

Tecken och strukturer i Lagerkvists Himlens hemlighet . In Wolfgang Butt and Bernhard Glienke, eds. Der nahe Norden: Otto Oberholzer zum 65. Geburtstag. Eine Festschrift . Frankfurt am Main: Peter Lang, 1984, 49-60.

De kleine wereld en de grote: Ingmar Bergmans Fanny en Alexander. De Gids , 148:1, 1985, 75-80.

De wereld als gekkenhuis: Ingmar Bergman regisseert Koning Lear /The World as Madhouse: Ingmar Bergman Directs King Lear . In E. Törnqvist and A. Sonnen, eds. Niet alleen Strindberg: Zweden op de planken/Not only Strindberg: Sweden on Stage . Amsterdam: Holland Festival, 1985, 62-66.

The Modern(ist) One-Act Play. In Janet Garton, ed. Facets of European Modernism: Essays in Honour of James McFarlane . Norwich: University of East Anglia, 1985, 175-199.

Att bearbeta verkligheten: Det historiska dramat. Nordica , 3, 1986, 103-120.

Translating for the Stage: Strindberg's Fröken Julie in English. In Sven H. Rossel and Birgitta Steene, eds. Scandinavian Literature in a Transcultural Context . Seattle: University of Washington, 1986, 230-235.

Strindberg i Nederländerna. In Karl-Åke Kärnell and Anita Persson, eds. Strindbergiana , 2. Stockholm: Atlantis, 1987, 43-47.

Ingmar Bergman met en scène: La Sonate des spectres .Tr. Terje Sinding. théâtre/public , 73, 1987, 83-88.

Le didascalie di Strindberg in scena. In Merete Kjøller Ritzu, ed. La didascalie nella letteratura teatrale Scandinava: Testo drammatico e sintesi scenica. Tr. M. Christina Lombartdi. Roma: Bulzoni editore, 1987, 111-126.

The Structure of Holberg's Jeppe paa Bjerget . Scandinavica , 26:1, 1987, 31-42.

Strindbergs bitext. In Hans-Göran Ekman et al., eds. Strindbergiana , 3. Stockholm: Atlantis, 1988, 15-33.

Den strindbergska enaktaren. In Bertil Nolin and Peter Fors-gren, eds. The Modern Breakthrough in Scandinavian Literature 1870-1905 , Göteborg: Litteraturvetenskapliga institutionen vid Göteborgs universitet, 17, 1988, 261-267.

Strindberg's Miss Julie and the Media. In Robert L. Erenstein, ed. Theatre and Television , Amsterdam: International Theatre Bookshop, 1988, 113-126.

Mordet på pastor Gregorius: Ett bidrag till tolkningen av Doktor Glas. In G. Laureys, H. Perridon and E. Törnqvist, eds. Skandinavistiek in de Nederlanden: Een bundel artikelen aangeboden aan Alex Bolckmans (Gent). Tijdschrift voor Skandinavistiek , 9:1-2, 1988, 144-156.

Staging A Dream Play. In Göran Stockenström, ed. Strindberg's Dramaturgy , Minneapolis: University of Minnesota Press, 1988, 256-291.

Ingmar Bergman y Largo viaje hacia la noche . Tr. Concha Manella, Primer Acto , 226:4, 1988, 63-69.

Slutet i Fröken Julie . In Hans-Göran Ekman et al., eds. Strindbergiana , 4, Stockholm: Atlantis, 1989, 37-56.

From  A Wife for a Life to A Moon for the Misbegotten : On O'Neill's Play Titles. In Marc Maufort, ed. Eugene O'Neill and the Emergence of American Drama. Amsterdam: Rodopi, 1989, 97-105.

IngmarBergman Directs Long Day's Journey into Night . New Theatre Quarterly , 5:20, 1989, 374-384.

Att översätta för scenen: Strindbergs Fröken Julie . In Otmar Werner, ed. Arbeiten zur Skandinavistik . Frankfurt am Main: Peter Lang, 1989, 317-328.

O'Neill's Firstborn. The Eugene O'Neill Review , 13:2, 1989, 5-11.

Visual and Verbal Scenery in Strindberg's Historical Plays: The Opening of Carl XII as Paradigmatic Example. Scandinavian Studies , 62:1, 1990, 76-84.

Strindberg and O'Neill and their Impact on the Dramatists of Today. In Claes Englund and Gunnel Bergström, eds. Strindberg, O'Neill and the Modern Theatre . Stockholm: Entré/Riksteatern, 1990, 15-24.

Theaterin Scandinavia. In Virpi Zuck, ed. Dictionary of Scandinavian Literature , Westport, CO: Greenwood Press, 1990, 602-607.

Strindberg's Secondary Text. Modern Drama , 33:4, 1990, 486-493.

Ibsen ensceneringssemiotisch gezien: Het eind van Et dukkehjem/Een poppenhuis . In M. de Moor, ed. De kracht van het woord. Honderd jaar Germaanse filologie aan de R.U.G. (1890-1990), Studia Germanica Gandensia, 24, Gent 1991, 311-317.

Ingmar Bergman's Doll's Houses. Scandinavica , 30:1, 1991, 63-76.

Strindberg, O'Neill, Norén: A Swedish-American Triangle. The Eugene O'Neill Review , 15:1, 1991, 65-78.

Lars Norén and Eugene O'Neill. In Claude Schumacher and Derek Fogg, eds. Small Is Beautiful: Small Countries Theatre Conference , Glasgow 1990. Glasgow; Glasgow University, 1991, 63-68.

Strindberg and Subjective Drama. In Michael Robinson, ed. Strindberg and Genre . Norwich: Norvik Press, 1991, 97-107.

Ibsen ur teatersemiotisk synvinkel: Kring slutet i Et dukkehjem. Studia Germanica Gandensia , 28/ Tijdschrift voor Skandinavistiek , 12:1&2, 1991, 111-118.

Ingmar Bergman and Long Day's Journey into Night . In Haiping Liu and Lowell Swortzell, eds. Eugene O'Neill in China: An International Centenary Celebration . Westport, CO: Greenwood Press, 1992, 241-248.

Visual and Verbal Scenery in Strindberg's Historical Plays: Carl XII as Paradigmatic Example. In Birgitta Steene, ed. Strindberg and History , Stockholm: Almqvist & Wiksell International, 1992, 103-112.

To Speak the Unspoken: Audible Thinking in O'Neill's Plays. The Eugene O'Neill Review , 16:1, 1992, 55-70.

Heroes and Hero-Worship: On Stig Dagerman's TheShadow of Mart. Scandinavica , 32:1, 1993, 69-78.

A 'Play'-within-the-Play: The Opening of Strindberg's The Father . Theatre Research International , 18, Supplementary Issue: Strindberg in Performance , 1993, 59-67.

Die grosse und die kleine Welt. In Lars Åhlander, ed. Gaukler im Grenzland: Ingmar Bergman , Berlin: Henschel Verlag, 1993, 200-218.

Edith Södergrans du. Tijdschrift voor Skandinavistiek , 14:2, 1993, 83-95.

Ingmar Bergman and Don Juan. In Eva Sormová, ed. Don Juan and Faust in the XXth Century. Prague: Czechoslovak Academy of Sciences/Faculty of Philosophy, Charles University, 1993, 244-249.

Ibsen on film and television. In James McFarlane, ed. The Cambridge Companion to Ibsen. Cambridge: Cambridge University Press, 1994, 205-216.

Long Day's Journey into Night: Bergman's TV Version of Oväder Compared to Smultronstället . In  Kela Kvam, ed. Strindberg's Post-Inferno Plays . København: Munksgaard, 1994, 186-195.

Exit Nora: The Ending of A Doll's House . In Faith Ingwersen and Harald Naess, eds. The Heroine in Norwegian Literature . Wisconsin Introductions to Scandinavia II, 6. Madison, WI: Department of Scandinavian Studies, University of Wisconsin, 1994, 1-16.

Comparative Performance Semiotics: The End of Ibsen's A Doll's House. Theatre Research International , 19:2, 1994, 156-164.

Då som nu: Det historiskadramat. In Hans Schottmann, ed. Arbeiten zur Skandinavistik , 11. Münster: Nordisches Seminar der Westfälischen Wilhelms-Universität, 1994, 310-322.

Stig Dagerman in The Netherlands. Tijdschrift voor Skandinavistiek , 15:2, 1994, 55-59.

Fixed Pictures, Changing Words: Subtitling and Dubbing the Film Babettes Gæstebud . Tijdschrift voor Skandinavistiek , 16:1, 1995, 47-64.

Strindberg the European. Tijdschrift voor Skandinavistiek , 16:2, 1995, 171-181.

Ibsen and Strindberg Conquer Paris. In Hub. Hermans, Wessel Krul and Hans van Maanen, eds. 1894: European Theatre in Turmoil. Meaning and Significance of the Theatre a Hundred Years Ago. Amsterdam/Atlanta, GA: Rodopi, 1996, 83-96.

"I min fantasi!" Subjektivt gestaltande hos Ingmar Bergman. In MargaretaWirmark, ed. Ingmar Bergman: Film och teater i växel verkan. Stockholm: Carlsson, 1996, 79-99.

Page, Stage and Screen: The Opening of Ibsen's Gengangere (Ghosts). Tijdschrift voor Skandinavistiek , 17:1, 1996, 53-70.

The Strindbergian One-Acter. In Winfried Herget and Brigitte Schulze, eds. Kurzformen des Dramas: Gattungspoetische, epochenspezifische und funktionale Horizonte . Tübingen/Basel: Francke Verlag, 1996, 133-143.

The Strindbergian One-Act Play. Scandinavian Studies , 68:3, 1996, 356-369.

Strindberg som fornisländare. Tijdschrift voor Skandinavistiek: Feestbundel Paula Vermeyden , 17:2, 1996, 7-19.

"Tid och rum existera icke." Tidsproblematiken i Strindbergs Ett drömspel. Agora: Journal for metafysisk spekulasjon , 3, 1996, 153-165.

Review of  Erik Näslund, Birgit Cullbergs Fröken Julie: En svensk balettklassiker (diss.), Stockholm 1995. Samlaren: Tidskrift för svensk litteraturvetenskaplig forskning , 177, Uppsala: Svenska Litteratursällskapet, 1996, 104-109.

Playwright on Playwright: Per Olov Enquist's Strindberg and Lars Norén's O'Neill. In Poul Houe and Sven Hakon Rossel, eds. Documentarism in Scandinavian Literature . Amsterdam-Atlanta, GA: Rodopi, 1997, 155-164.

Strindberg och den intima teatern: Pelikanen som TV-drama. In Birgitta Steene, ed. Strindbergiana ,12, Stockholm: Atlantis, 1997, 100-121.

Scandinavian or Nordic? In A. Swanson and E. Törnqvist, eds. Europe - The Nordic Countries. Yearbook of European Studies , 10. Amsterdam: Rodopi, 1998, 1-11.

Ingmar Bergman Abroad: The Problems of Subtitling . Amsterdam: Vossiuspers AUP,  23 p., 1998.

Ibsen's Double Audience. Nordic Theatre Studies , 10: Henrik Ibsen, ed. Svein Gladsø. Bergen: Föreningen Nordiska Teaterforskare, 1998, 74-83.

Heroes and Hero Worship: On Skuggan av Mart/The Shadow of Mart. In Georges Périlleux, ed. Stig Dagerman et l'Europe: Perspectives analytiques et comparatives . Paris: Didier Érudition, 1998, 85-93.

Stig Dagerman in the Netherlands. In Georges Périlleux, ed. Stig Dagerman et l'Europe: Perspectives analytiques et comparatives . Paris: Didier Érudition, 1998, 143-145.

Translating Strindbergian Imagery for the Stage. Tijdschrift voor Skandinavistiek ,19:1, 1998, 7-23.

Translating Docudrama: Per Olov Enquists Tribadernas natt in English and French. Tijdschrift voor Skandinavistiek , 19:1,1998, 129-148.

O'Neill's philosophical and literary paragons. In Michael Manheim, ed. The Cambridge Companion to Eugene O'Neill . Cambridge: Cambridge University Press, 1998, 18-32.

Screening Hedda Gabler . In Maria Deppermann et al., eds. Ibsen im europäischen Spannungsfeld zwischen Naturalismus und Symbolismus . Frankfurt am Main: Peter Lang, 1998, 205-213.

Transcending Boundaries: Bergman's Magic Flute. Nordic Theatre Studies , 11: Ingmar Bergman and the Arts , ed. Ann Carpenter Fridén. Bergen: Föreningen Nordiska Teaterforskare, 1998, 84-97.

Silence on Page, Stage and Screen: Strindberg's The Stronger . In Ann R. Cacoullos and Maria Sifianou, eds. Anatomies of Silence . Athens: University of Athens, 1998, 81-88.

Ingmar Bergmans dolda iakttagare, Nordica , 15, Odense: Odense Universitetsforlag, 1999, 139-159

Strindberg i Nederländerna. Strindbergiana , 14, ed. Birgitta Steene, Stockholm: Atlantis, 1999, 136-143.

Strindberg, Bergman and the Silent Character. Tijdschrift voor Skandinavistiek. Issue on Strindberg, Sjöberg and Bergman: The Artist and Cultural Identity , eds.Birgitta Steene and Egil Törnqvist, 20:1, 1999, 61-72.

Unreliable Narration in Strindbergian Drama. Scandinavica , 38:1, 1999, 61-79.

Screening August Strindberg's A Dream Play : Meaning and Style. In Michael Robinsonand Sven Hakon Rossel, eds. Expressionism and Modernism: New Approaches to August Strindberg , Wiener Studien zur Skandinavistik (WSS), 1.Wien: Edition Praesens, 1999, 233-241.

Henrik Schück as Historiographer of Swedish Literature. In Menno Spiering, ed. Nation Building and Writing Literary History. Yearbook of European Studies , 12. Amsterdam/Atlanta, GA: Rodopi, 1999, 13-26.

Review of Robert Lyons, Swedish Midsummer in Shakespeare's Dream: A Study of the Creating Process Resulting in Eva Bergman's 1989 Production of A Midsummer Night's Dream at Backa Theatre, Göteborg, Sweden (diss.). Göteborg, 1998. Samlaren: Tidskrift för svensk litteraturvetenskaplig forskning ,  120, Uppsala: Svenska Litteratursällskapet, 1999, 116-120.

Opening the Ibsen Teleplay: Variations within an Art Form. In Jan Erik Holst and Astrid Sæther, eds. Ibsen on Screen , Oslo: The Centre for Ibsen Studies/The Norwegian FilmInstitute, 2000, 61-72.

"This is my hand." Hand Gestures in the Films of Ingmar Bergman. In Ann-Charlotte Gavel Adams and Terje I. Leiren, eds. Stage and Screen: Studies in Scandinavian Drama and Film: Essays in Honor of Birgitta Steene . Seattle: DreamPlay Press  Northwest, 2000, 229-244.

A Life in the Theater: Intertextuality in Ingmar Bergman's Efter repetitionen. Scandinavian Studies , 73:1, 2000, 25-42.

Delad livssyn: Ibsen, Strindberg och deras regissörer. In Carl Reinhold Bråkenhielm and Torsten Pettersson, eds. Modernitetens ansikten: Livsåskådningar i nordisk 1900-talslitteratur , Nora: Nya Doxa, 2001, 361-372.

Ingmar Bergmans fjärde Spöksonat. In Birgitta Steene, ed. Strindbergiana , 16. Stockholm: Atlantis, 2001, 32-42.

Questions without Answers? An Aspect of Strindberg's Drama Dialogue. In Göran Rossholm, Barbro Ståhle Sjönell and Boel Westin, eds. Strindberg and Fiction , Stockholm: Almqvist & Wiksell International, 2001, 33-40.

La struttura di una tragedia. Tr. Gianna De Martino. In Franco Perrelli, ed. La signorina Julie di Strindberg: studi e prospetti , 2001, 39-54. 

"Själens finaste rörelser." Strindberg som TV-dramatiker. In Egil Törnqvist, ed. Strindbergiana, 17, Stockholm: Atlantis, 2002, 79-92.

Mediemöten påteaterscenen. In Hans Lund, ed. Intermedialitet: Ord, bild och ton i samspel, Lund: Studentlitteratur, 2002, 101-107.

"Die zartesten Regungen der Seele." Strindberg als Fernsehdramatiker. In Walter Baumgartner and Thomas Fechner-Smarsly, eds. August Strindberg: Der Dichter und die Medien . München: Wilhelm Fink Verlag, 2003, 276-285.

Från manus till film - Ingmar Bergmans Nattvardsgästerna. In Carl Reinhold Bråkenhielm and Torsten Pettersson, eds. Att fånga världen i ord: Litteratur och livsåskådning - teoretiska perspektiv , Skellefteå: Artos & Norma, 2003, 219-242.

Strindberg on Page and Stage: Miss Julie as Paradigmatic Example. In Kirsten Wechsel, ed. Strindberg and His Media. Proceedings of the 15 th International Strindberg Conference , Leipzig/Berlin: Kirchhof & Francke, 2003, 197-211.

"Tid och rum existera icke." Tidsproblematiken i Strindbergs Ett drömspel. In Birgitta Steene, ed. Strindbergiana , 19. Stockholm: Atlantis, 2004, 94-109.

The "new technique" in Strindberg's Kristina. Tijdschrift voor Skandinavistiek , 25:1, 2004, 3-18.

Holbergska dramastrukturer. In GunillaDahlberg, Peter Christensen Teilmannand Frode Thorsen, eds. Holberg i Norden: Om Ludvig Holbergs författarskap och dess kulturhistoriska betydelse. Göteborg/Stockholm: Makadam förlag, 2004, 340-359.

Komedia Ludviga Holberga Niezdecydowana: dramaturgia i tematyka. Tr. Ewa Mrozek-Sadowska. In Maria Sibińska and Katarzyna Michniewicz-Veisland, eds. Ludvig Holberg: Na Tropach wspólnej tożsamości północnoeuropejskiej . Gdańsk: Fundacja Rozwoju Uniwersytetu Gdańskiego, 2005, 75-86.

Grönsiskan och påskliljan: Två översättningsproblem. In Birgitta Steene, ed. Strindbergiana , 20. Stockholm: Atlantis, 2005, 117-129.

Motyw Wieczerzy Pańskiej w twórczości Ingmara Bergmana. Tr. Ewa Mrozek-Sadowska. Kwartalnik Filmowy , 49-50, 2005, 283-298.

Il theatrum mundi di Bergman. Tr. Martina Pellegrini. In Luciano de Giusti, ed. L'opera multiforme di Bergman: Oltre il commiato: 1982-2003 .Milano: Editrice Il Castoro, 2005, 113-125. 

The Structure of Ghosts . In Pål Bjørby, Alvhild Dvergsdal, Idar Stegane, eds. Ibsen on the Cusp of the 21 st Century: Critical Perspectives. A Festschrift in Honor of Asbjørn Aarseth . Laksevåg: Alvheim & Eide, 2005, 207-220.

Frans Hedberg som Ibsenöversättare. In Vigdis Ystad, Knut Brynhildsvoll, Roland Lysell, eds. "bunden af en takskyld uden lige": Om svenskspråkig Ibsen-formidling 1857-1906 . Oslo: Aschehoug, 2005, 201-227.

From Screenplay to Film: Bergman's The Communicants . Reprint of ch. 3 in Bergman's Muses (2003). In Jeffrey W. Hunter, ed. Contemporary Literary Criticism , 210, Detroit: Thomson Gale, 2006, 104-113.

Ingmar Bergmans Gengångare. Nordisk Tidskrift , 82:4, 2006, 289-297.

The Illness Pattern in The Master Builder. In Michael Robinson, ed., Turning the Century: Centennial Essays on Ibsen , Norwich: Norvik Press, 2006, 195-205.

En Strindbergsteater. In Per Stam, ed. Strindbergiana , 22,  Stockholm: Atlantis, 2007, 35-42.

"Ni berättar charmant...". Berättarinslag i Fröken Julie. In Per Stam, ed. Strindbergiana , 22, Stockholm: Atlantis, 2007, 116-133. 

Ролb музьlки в Фильмах Ингмара Бергмана [The Role of Music in Ingmar Bergman's Screen Productions]. Tr. Н. Гусейнова , Observatoria Kultury (Moscow), No. 1, 2007, 50-56.

Le rôle de la musique dans l'oeuvre cinématographique d'Ingmar Bergman. Tr. Elizabeth Giuliani, Bulletin de liaison de l'AFAS , No. 31, été-automne 2007, 2-15.

The following articles in The Columbia Encyclopedia of Modern Drama , ed. Gabrielle H. Cody & Evert Sprinchorn, 1-2, New York: Columbia University Press , 2007: Advent ; Bergman, Hjalmar; Bergman, Ingmar; Carl XII; Chamber Plays; Creditors; Crimes and Crimes ; Dagerman, Stig; Dance of Death, The; Dream Play, A; Easter; Enquist, Per Olov; Erik XIV; Father, The; Forssell, Lars; Ghost Sonata, The ; Gustav Vasa; Hangman, The ; Lagerkvist, Pär; Master Olof; Miss Julie; Night is Mother to the Day, The; Night of the Tribades, The; Norén, Lars; Strindberg, August; Stronger, The; Sunday Promenade, The ; Sweden; To Damascus.  

Drama Analysis via Translation. In Henk van der Liet & Suze van der Poll, eds. En internasjonal Ibsen. Ansterdam Contributionsto Scandinavian Studies , 4. Amsterdam: Scandinavisch Instituut, Universiteit van Amsterdam, 2007, 107-114.

'Long Day's Journey into Night': Ingmar Bergmans Wilde aardbeien . Tijdschrift voor Skandinavistiek , 28:2, 2007, 79-104.

Wspólny światopogląd? Ibsen, Strindberg i ich reżyserzy [Shared View of Life? Ibsen, Strindberg and their Directors], tr. Ewa Mrozek-Sadowska. In Zamki na lodzie: Szkice o Ibsenie [Castles in the Air : Ibsen Studies], Maria Sibińska and Katarzyna Michniewicz-Veisland, eds. Kraków: Księgarnia Akademicka, 2007, 171-182.

Proxemics on Page and Stage: O'Neill's Long Day's Journey into Night - and Bergman's. North-West Passage: Yearly Review of the Centre for Northern Performing Arts Studies (Torino), 5, 2008, 29-37.

Półbajka Astrid Lindgren. Technika narracji w Braciach Lwie Serce [Astrid Lindgrens halvsaga: Berättartekniken i Bröderna Lejonhjärta ]. Trans. Hanna Dymel-Trzebiatowska. In Astrid Lindgren 100 lat: interpretacje , Hanna Dymel-Trzebiatowska and Ewa Mrozek-Sadowska, eds. Gdańsk: Nordicum, 2008, 35-64.

Ibsen och Strindberg erövrar Paris. Parnass , 2, 2009, 10-13.

Sättet att börja stycken - om Strindbergs pjäsöppningar. Tijdschrift voor Skandinavistiek , 30:1, 2009, 305-323.

Martin Lamm and Strindbergian Drama. North-West Passage: Yearly Review of the Centre for Northern Performing Arts Studies (Torino), 6, 2009, 3-13.

Tilltal och omtal i Strindbergs Fröken Julie. Studia Universitatis Babeş-Bolyai: Series Philologia (Cluj-Napoca, Romania), 1, 2009, 289-294.

Bergman's Strindberg. In Michael Robinson, ed. The Cambridge Companion to Strindberg . Cambridge : Cambridge University Press, 2009, 149-163.

Att iscensätta klassiker: Ibsens Et Dukkehjem (1879). In Maria Sibińska, Katarzyna Michniewicz-Veisland, Ewa Mrozek-Sadowska, Agata Lubowicka, eds.  Nordisk drama. Fornyelser og transgressioner / Nordic Drama. Renewal and Transgression .  Gdańsk 2010, 56-70.

Ingmar Bergman - reżyser teatralny (Ingmar Bergman as Theatre Director). Tr. Dominika Górecka. Pamiętnik Teatralny, 59: 1-2. Warszawa: Polska Akademia Nauk, Instytut Sztuki, 2010.198-221, Summary 320.

In Search of Roots, Renewal and Reunion. North-West Passage: Yearly Review of the Centre for Northern Performing Arts Studies (Torino), 7, 2010, 19-32.

Att iscensätta klassiker. Ibsens Et Dukkehjem (1879). Nordisk drama. Fornyelser og transgressioner. Ed. Maria Sibińska m. fl. Gdańsk 2010, 56-70.

The Role of Music in Ingmar Bergman's Films. North-West Passage:Yearly Review of the Centre for Northern Performing Art Studies (Torino), 8, 2011, 25-46.

Il pellicano di Strindberg come dramma familiare. Trans. Patrizia Catalano. Atti & Sipari. 9, Oct. 2011, 25-27.

Strindbergs replikrubriker. Strindbergiana 27. Red. David Gedin/Per Stam. Stockholm: Atlantis, 2012, 110-125.

Bergman and Visual Art. www.ingmarbergman.se . 30 May 2012.

Tilltal och omtal i Strindbergs dramatik. In Henk van der Liet & Muriel Norde, eds. Language for its own Sake:Essays on Lan guage and Literature offered to Harry Perridon . Amsterdam Contributions to Scandinavian Studies. Amsterdam: Scandinavisch Instituut, Universiteit van Amsterdam, 2012, 139-158.

Strindberg in Bergman. www.ingmarbergman.se\ Universe. 20 Nov 2012.

”Ni – säg du!” Tilltal och omtal i Fröken Julie och Miss Julie. Strindbergiana 28. Red. Elena Balzamo, Anna Cavallin, David Gedin, Per Stam. Stockholm: Atlantis, 2013, 154-170.

Pålitligt och opålitligt i Strindbergs Den starkare [Reliability and unreliability in Strindberg’s The Stronger],  Acta Sueco-Polonica,19, Warszawa, 199-208.

Ingmar Bergman och moraliteten. European Journal of Scandinavian Studies. 44:1, 59-84.

 

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