Art History

prof. dr. C.M.K.E. (Christa-Maria) Lerm-Hayes

Modern and Contemporary Art History
  • Faculty of Humanities
    Capaciteitsgroep Kunstgeschiedenis
  • Herengracht  286
    1016 BX  Amsterdam
    Room number: 305
  • C.M.K.E.Lerm-Hayes@uva.nl
    T:  0205253889

2013

  • A. McCleland, D. Peel, C.M.K.E. Lerm-Hayes & I. Montgomery (2013). A values-based approach to heritage planning: raising awareness of the dark side of destruction and conservation. Town Planning Review, 84 (5), 583-603.

2012

  • C.M.K.E. Lerm-Hayes (2012). Considering the Minor in the Literary and Photographic Works of Rodney Graham and Tacita Dean. In Minor Photography: Connecting Deleuze and Guattari to Photography Theory (pp. 85-102). Leuven: Leuven University Press.

2011

  • C.M.K.E. Lerm-Hayes (2011). The Role of Diversity in the Production and Reception of Art in Belfast: Space Shuttle. In C.M.K.E. Lerm-Hayes & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics (pp. 118-146). Berlin, Muenster: LIT Verlag.
  • C.M.K.E. Lerm-Hayes (2011). ’The Joyce Effect’: Joyce in the Visual Arts. In R. Brown (Ed.), A Companion to James Joyce. Malden, Oxford: Blackwell.
  • C.M.K.E. Lerm-Hayes (2011). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean / Nachkriegsdeutschland und ‘Objektiver Zufall’: W.G. Sebald, Joseph Beuys und Tacita Dean. Goettingen: Steidl.

2010

  • C.M.K.E. Lerm-Hayes (2010). Rodney Graham: Literature and What an Artist Does With It. In Rodney Graham: Through the Forest. Hadje Cantz, MACBA, Museum fuer Gegenwartskunst Basel, Kunsthalle Hamburg, Ostfildern, Barcelona.

2008

  • C.M.K.E. Lerm-Hayes (2008). Carola Giedion-Welcker: Misrepresented Mediator of Modernists. In K.M. Brown (Ed.), Women’s Contributions to Visual Culture, 1918-1939 (pp. 89-100). Hampshire: Ashgate.

2007

  • C.M.K.E. Lerm-Hayes (2007). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean. In L. Patt (Ed.), Searching for Sebald: Photography After W.G.Sebald (pp. 412-439). Los Angeles: Institute of Cultural Inquiry.

2014

  • C.M. Lerm-Hayes (2014). Violer d'amores, 2004. In A. Rühl (Ed.), Jürgen Partenheimer: Das Archiv = The Archive (pp. 233-237). Berlin: Distanz.
  • C.M. Lerm-Hayes (2014). Sandra Johnston: Doubt, Gesture, Love and the Paradoxes of (Political) Art in Northern Ireland. In S. Johnston (Ed.), Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice (European studies in culture and policy, 13) (pp. 3-42). Wien: LIT.
  • C.M. Lerm-Hayes (2014). Conceptual Art. In C. Marshall & P. Murray (Eds.), Art and Architecture of Ireland. -vol. 5: Twentieth Century (Studies in British Art) (pp. 80-83). Dublin/New Haven/London: Royal Irish Academy/Paul Mellon Centre/Yale University Press.
  • C.M. Lerm-Hayes (2014). Concerning the Work of Royden Rabinowitch: Our Disenchanted Ontology or Paradoxical Hope. In R. Kurzmeyer, C.-M. Lerm Hayes, F. Maes, R. Nachtigäller & R. Rabinowitch (Eds.), Royden Rabinowitch: Ghent (pp. 21-36). Gent: AsaMER.

2012

  • C.M.K.E. Lerm-Hayes (2012). Polyhedra and Joyce: A Room for Thought. James Joyce Broadsheet, 91, 1-4.
  • C.M.K.E. Lerm-Hayes (2012). Reading Ulysses: Brigid McLeer Performs. In One + One: Brigid McLeer (pp. 15-21). Drogheda: Highlanes Gallery Drogheda.

2011

  • C.M.K.E. Lerm-Hayes (2011). I will re-create Finnegans Wake anyway. In L. de Domizio Durini (Ed.), Beuys Voice (pp. 480-481). Zurich, Milan: Kunsthaus Zurich, Electa.
  • C.M.K.E. Lerm-Hayes (2011). Introduction. In C.M.K.E Lerm-Hayes & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics (pp. 1-17). Berlin, Muenster: LIT Verlag.

2010

  • C.M.K.E. Lerm-Hayes (2010). Bloomova Stolice / Bloom Stool. In Pavel Buchler: Marna race / Labour in Vain (pp. 104-107). Prague: DOX Centre for Contemporary Art.

2009

  • C.M.K.E. Lerm-Hayes (2009). Gary Coyle: The Daily Practice of Swimming. In Gary Coyle. Dublin: Royal Hibernian Academy and Project Art Centre.
  • C.M.K.E. Lerm-Hayes (2009). In the Wake (of) - as a Theory of Participatory Practice. The Recorder, 21, (2), 41-48.
  • C.M.K.E. Lerm-Hayes (2009). The Loneliness of East Germany. Circa, 128, 54-57.

2014

2012

  • C.M. Lerm-Hayes (2012). Peter Richards in Conversation with Christa-Maria Lerm Hayes. In P. Richards (Ed.), Peter Richards: An Elective Family Album (pp. 23-29). Belfast: Queen's University Belfast.
  • C.M.K.E. Lerm-Hayes (2012). [Exhibition review in Enclave review, Wordpress] [Review of the book Kasper Koenig (curator): Before the Law: Post-War Sculptures and Spaces of Contemporary Art]. Enclave Review, 15-17.

2006

  • C.M.K.E. Lerm-Hayes (2006). La disolución de los límites. La Tempestad, 48, 72-73.
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