dhr. prof. dr. H.J. (Henkjan) Honing
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Faculteit der Geesteswetenschappen
Faculteit der Natuurwetenschappen, Wiskunde en Informatica
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POSTBUS
94242
1090 GE Amsterdam
Kamernummer: C 3.118 (Science Park 904); K1.01 (Nieuwe Doelenstraat 16)
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H.J.Honing@uva.nl
T: 0205254698
T: 0205256051
Henkjan Honing (1959) is professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam (UvA). He conducts his research under the auspices of the Institute for Logic, Language and Computation (ILLC) and the University of Amsterdam's Brain and Cognition (ABC) Center.
Honing obtained his PhD at City University (London) in 1991 with research into the representation of time and temporal structure in music. During the period between 1992 and 1997, he worked as a KNAW Research Fellow (Academieonderzoeker) at the University of Amsterdam's Institute for Logic, Language and Computation (ILLC), where he conducted a study on the formalization of musical knowledge. Up until 2003, he worked as a research coordinator at the Nijmegen Institute for Cognition and Information (NICI) where he specialized in the computational modeling of music cognition. In 2007, he was appointed Associate Professor in Music Cognition at the University of Amsterdam's Musicology capacity group. In 2010 he was awarded the KNAW-Hendrik Muller chair, designated on behalf of the Royal Netherlands Academy of Arts and Sciences (KNAW). In 2012 he was appointed strategic Professor of Cognitive and Computational Musicology, and in 2014 he became full professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam.
He is known as a passionate researcher in this new interdisciplinary field that gives us fundamental insights in the cognitive mechanisms underlying musicality. Honing has authored over 150 international publications in the area of music cognition and music technology. He recently published a book for the general public entitled Iedereen is muzikaal. Wat we weten over het luisteren naar muziek (Nieuw Amsterdam, 2009/2012), published in English as Musical Cognition: A Science of Listening (Transaction Publishers, 2011), and introduced at the 2011 edition of TEDxAmsterdam.
Henkjan Honing is the Distinguished Lorentz Fellow 2013/14, a prize granted by the Lorentz Center for the Sciences and the Netherlands Institute for Advanced Study in the Humanities and Social Sciences.
Music Cognition Group
The Music Cognition Group (MCG) is part of the Department of Musicology, the Institute for Logic, Language and Computation (ILLC), and Amsterdam Brain and Cognition (ABC) of the University of Amsterdam (UvA) and is housed at Science Park Amsterdam.
For an overview of the group members see here.
The research of the MCG has a special focus on the temporal and melodic aspects of music using theoretical, empirical and computational methods. The current research program addresses the following research questions:
- Cognition, Biology and the Origins of Musicality (2015-...)
- What is shared (and what unique) in music versus language processing? (NWO-Horizon, 2013-2017)
- What are the music structural and cognitive components that contribute to the memory, recall and transmission of melodies? (NWO-CATCH and KNAW-Tunes & Tales, 2012-2016)
- What are the cognitive mechanisms and neurological correlates of rhythm perception? (UvA-CSCA, 2011-2015)
- What are the cognitive and biological building blocks of musicality? (KNAW-Muller chair and Distinguished Lorentz Fellowship, 2010-2014)
Musical Cognition
Transaction Publishers, 2011/2013
Iedereen is muzikaal
Nieuw Amsterdam uitgevers, 2009/2012
The Illiterate Listener
Amsterdam University Press, 2011.
De ongeletterde luisteraar
Royal Netherlands Academy of Arts and Sciences (KNAW), 2010.
GRATIS DOWNLOAD (Inaugural Lecture 2010, published in Dutch both at AUP and KNAW; Dutch version can be downloaded for free via KNAW, paper-copies are available via AUP)
Op zoek naar wat ons muzikale dieren maakt
Nieuw Amsterdam uitgevers, 2012
GRATIS DOWNLOAD (iBook / iPad only)
2015
- H. Honing, C.J. ten Cate, I. Peretz & S. Trehub (2015). Without it no music: Cognition, biology, and evolution of musicality. Philosophical Transactions of the Royal Society B - Biological Sciences, 370 (1664), 1-8. doi: 10.1098/rstb.2014.0088
- B. Gingras, H. Honing, I. Peretz, L. Trainor & S.E. Fisher (2015). Defining the biological bases of individual differences in musicality. Philosophical Transactions of the Royal Society B - Biological Sciences, 370 (1664), 1-15. doi: 10.1098/rstb.2014.0092
- J. van der Aa, H. Honing & C.J. ten Cate (2015). The perception of regularity in an isochronous stimulus in zebra finches (Taeniopygia guttata) and humans. Behavioural processes. doi: 10.1016/j.beproc.2015.02.018
- G.P. Háden, H. Honing, M.E. Torok & I. Winkler (2015). Detecting the temporal structure of sound sequences in newborn infants. International Journal of Psychophysiology. doi: 10.1016/j.ijpsycho.2015.02.024
2014
- H. Honing, F.L. Bouwer & G.P. Háden (2014). Perceiving temporal regularity in music: The role of auditory event-related potentials (ERPs) in probing beat perception. In H. Merchant & V. de Lafuente (Eds.), Neurobiology of interval timing (Advances in Experimental Medicine and Biology, 829) (pp. 305-323). New York: Springer.
- H. Honing & H. Merchant (2014). Differences in auditory timing between human and non-human primates. Behavioral and Brain Sciences, 37 (6), 557-558. doi: 10.1017/S0140525X13004056
- H. Merchant & H. Honing (2014). Are non-human primates capable of rhythmic entrainment? Evidence for the gradual audiomotor evolution hypothesis. Frontiers in Neuroscience, 7 (275), 1-8. doi: 10.3389/fnins.2013.00274
- F.L. Bouwer, T.L. van Zuijen & H. Honing (2014). Beat processing is pre-attentive for metrically simple rhythms with clear accents: An ERP study. PLoS One, 9 (5), ee97467. doi: 10.1371/journal.pone.0097467
- C. Vaquero Patricio & H. Honing (2014). Generating expressive timing by combining rhythmic categories and Lindenmayer systems. In M Majid al-Rifaie, J Gow & S McGregor (Eds.), Proceedings of the 50th Anniversary Convention of the AISB (pp. 1-7). London: AISB.
- H. Honing & W.H. Zuidema (2014). Decomposing dendrophilia; Comment on "Toward a Computational Framework for Cognitive Biology: Unifying approaches from cognitive neuroscience and comparative cognition" by W. Tecumseh Fitch. Physics of Life Reviews, 11, 375-376. doi: 10.1016/j.plrev.2014.06.020
2013
- S. Thompson-Schill, P. Hagoort, H. Honing, S. Koelsch, F. Lerdahl, M. Steedman, S.C. Levinson, D.R. Ladd & P. F. Dominey (2013). Multiple Levels of Structure in Language and Music. In M. Arbib (Ed.), Language, Music, and The Brain: A Mysterious Relationship (Strüngmann Forum Reports, 10). Cambridge, MA.: MIT Press.
- J. van der Aa, H. Honing & C. ten Cate (2013). Interval based rhythm perception in the zebra finch (Taeniopygia guttata). Frontiers in Human Neuroscience. doi: 10.3389/conf.fnhum.2013.212.00004
- F.L. Bouwer & H. Honing (2013). How much beat do you need? An EEG study on the effects of attention on beat perception using only temporal accents. Frontiers in Human Neuroscience. doi: 10.3389/conf.fnhum.2013.212.00030
- H. Honing (2013). Musical Cognition. A science of listening (paperback edition, with new afterword). New Brunswick, U.S.A: Transaction Publishers.
- A.C. Jaschke, L.H.P. Eggermont, H. Honing & E.J.A. Scherder (2013). Music Education and its effect on intellectual abilities in children: a systematic review. Reviews in the Neurosciences. doi: 10.1515/revneuro-2013-0023
- A. Aljanaki, D. Bountouridis, J.A. Burgoyne, J. van Balen, F. Wiering, H. Honing & R.C. Veltkamp (2013). Designing Games with a Purpose for Music Research: Two Case Studies. In Proceedings of the Games and Learning Alliance Conference. Paris, France.
- J.A. Burgoyne, D. Bountouridis, J. van Balen & H. Honing (2013). Hooked: A Game for Discovering What Makes Music Catchy. In A. de Souza Britto, Jr., F. Gouyon & S. Dixon (Eds.), Proceedings of the 14th International Society for Music Information Retrieval Conference (pp. 245-250). Curitiba, Brazil.
- J.A. Burgoyne & H. Honing (2013). Hooked. In Biennial Meeting of the Society for Music Perception and Cognition.
- J.A. Burgoyne & H. Honing (2013). Does MIR Need to be More Catchy? In CogMIR 2013.
- H. Honing (2013). Sin eso no hay música: La inducción del beat como un rasgo musical fundamental. Boletín de SACCOM, 5 (3), 15-25.
- H. Honing (2013). Structure and interpretation of rhythm in music. In Psychology of Music, 3rd edition (pp. 369-404). London: Elsevier.
2012
- F.L. Bouwer & H. Honing (2012). Rhythmic regularity revisited: Is beat induction indeed pre-attentive? In International Conference on Music Perception and Cognition (pp. 122-127). Thessaloniki: Aristotle University of Thessaloniki.
- H. Honing (2012). If music isn’t a luxury, what is it? Journal of Music, Technology and Education, 5 (1), 114-117. doi: 10.1386/jmte.5.1.109_5
- H. Honing, H. Merchant, G.P. Háden, L. Prado & R. Bartolo (2012). Rhesus monkeys (Macaca mulatta) detect rhythmic groups in music, but not the beat. PLoS One, 7 (12), e51369. doi: 10.1371/journal.pone.0051369[go to publisher's site]
- H. Honing (2012). Without it no music: Beat induction as a fundamental musical trait. Annals of the New York Academy of Sciences, 1252 (The Neurosciences and Music IV — Learning and Memory), 85-91. doi: 10.1111/j.1749-6632.2011.06402.x
- H. Honing & A. Ploeger (2012). Cognition and the Evolution of Music: Pitfalls and Prospects. Topics in Cognitive Science, 4 (4), 513-524. doi: 10.1111/j.1756-8765.2012.01210.x
2011
- H. Honing & F. Bouwer (2011). Is hierarchy in rhythm perception consciously learned? In Rhythm Perception and Production Workshop (RPPW). Leipzig: Max Planck Institute for Human Cognitive and Brain Sciences.
- H. Honing & J.W. Romeijn (2011). Surprise! Assessing the value of risky predictions. In Proceedings of the thirteenth International Conference on Informatics and Semiotics in Organisations - Problems and Possibilities of Computational Humanities ( (pp. 185). Leeuwarden: Fryske Academy, series FA 1053.
- H. Honing (2011). The role of surprise in theory testing. In All models are wrong. Conference on model uncertainty & selection in complex models. Groningen: Rijksuniversiteit Groningen.
- O. Ladinig, H. Honing, G.P. Háden & I. Winkler (2011). Erratum to Probing attentive and pre-attentive emergent meter in adult listeners with no extensive music training. Music Perception, 26 (4), 444.
2010
- H. Honing (2010). Lure(d) into listening: The potential of cognition-based music information retrieval. Empirical Musicology Review, 5 (4), 121-126.
- F. Willekens, H. Honing & L.W.M. Bod (2010). Computational Humanities. Report of the Computational Humanities Programme Committee of the KNAW. (intern rapport). Amsterdam: Royal Netherlands Academy of Arts and Sciences.
- H. Honing (2010). Beat-induction as a fundamental musical skill. In S.M. Demorest, S.J. Morrison & P.S. Campbell (Eds.), Proceedings of the International Conference on Music Perception and Cognition. Seattle: University of Washington.
2009
- I. Winkler, G.P. Háden, O. Ladinig, I. Sziller & H. Honing (2009). Newborn infants detect the beat in music. Proceedings of the National Academy of Sciences of the United States of America, 106 (7), 2468-2471.[go to publisher's site]
- M. Rohrmeier, P. Rebuschat, H. Honing, P. Loui, G. Wiggins, M.T. Pearce & D. Müllensiefen (2009). Music cognition: Learning and processing. In N. Taatgen & H. van Rijn (Eds.), Proceedings of the Thirty-First Annual Conference of the Cognitive Science Society (pp. 41-42). Austin, TX: Cognitive Science Society.
- M. Coath, S.L. Denham, L.M. Smith, H. Honing, A. Hazan, P. Holonowicz & H. Purwins (2009). Model cortical responses for the detection of perceptual onsets and beat tracking in singing. Connection Science, 21 (2-3), 193-205.
- H. Honing & O. Ladinig (2009). Exposure influences expressive timing judgments in music. Journal of Experimental Psychology. Human Perception and Performance, 35 (1), 281-288.
- H. Honing, O. Ladinig, G.P. Háden & I. Winkler (2009). Is beat induction innate or learned? Probing emergent meter perception in adults and newborns using event-related brain potentials. In The Neurosciences and Music III: Disorders and plasticity Vol. 1169. Annals of the New York Academy of Sciences (pp. 93-96). New York: New York Academy of Sciences.
- O. Ladinig, H. Honing, G. Háden & I. Winkler (2009). Probing attentive and preattentive emergent meter in adult listeners without extensive music training. Music Perception, 26 (4), 377-386.[go to publisher's site]
2008
- H. Honing & U.-D. Reips (2008). Web-based versus lab-based studies: A response to Kendall (2008). Empirical Musicology Review, 3 (2), 73-77.[go to publisher's site]
- H. Honing & O. Ladinig (2008). The potential of the Internet for music perception research: A comment on lab-based versus Web-based studies. Empirical Musicology Review, 3 (1), 4-7.[go to publisher's site]
- L.M. Smith & H. Honing (2008). Time-frequency representation of musical rhythm by continuous wavelets. Journal of Mathematics and Music, 2 (2), 81-97.
- H. Honing (2008). De analfabetische luisteraar. In R. Diekstra & M. Hogenes (Eds.), Harmonie in gedrag: De maatschappelijke en pedagogische betekenis van muziek (pp. 29-35). Uithoorn: Karakter.
- H. Honing & W.B. de Haas (2008). Swing once more: Relating timing and tempo in expert jazz drumming. Music Perception, 25 (5), 471-476.[go to publisher's site]
2012
- H. Honing (2012). Op zoek naar wat ons muzikale dieren maakt. Amsterdam: Nieuw Amsterdam Uitgevers.
- H. Honing (2012). Een vertelling. In S. van Maas, C. Hulshof & P. Oldenhave (Eds.), Liber plurium vocum voor Rokus de Groot: ter gelegenheid van zijn afscheid als hoogleraar in de Muziekwetenschap aan de Universiteit van Amsterdam, 1 juli 2012 (pp. 150-154). Amsterdam: Universiteit van Amsterdam.
2011
- H. Honing (2011). Musical Cognition. A Science of Listening. New Brunswick, N.J.: Transaction Publishers.
- H. Honing (2011). The illiterate listener: on music cognition, musicality and methodology. Amsterdam: Amsterdam University Press.
2010
- H. Honing (2010). De ongeletterde luisteraar. Over muziekcognitie, muzikaliteit en methodologie. (Vossiuspers). Amsterdam: Amsterdam University Press.
2009
- H. Honing (2009). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek. Amsterdam: Nieuw Amsterdam Uitgevers.
2008
- L.M. Smith & H. Honing (2008). A multiresolution model of rhythmic expectancy. In K. Miyazaki, Y. Hiraga, M. Adachi, Y. Nakajima & M. Tsuzaki (Eds.), Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10), Sapporo, Japan (pp. 360-365). Sapporo: Hokkaido University.[go to publisher's site]
2011
- H. Honing (2011). Muziek is geen luxe ... maar wat dan wel? [Review of the book The music instinct: How music works and why we can't do without it]. .
2010
- H. Honing (2010). De ongeletterde luisteraar. Over muziekcognitie, muzikaliteit en methodologie. (2010, December 1). Amsterdam: Koninklijke Nederlandse Academie voor Wetenschappen.
- H. Honing (2010). De ongeletterde luisteraar: Over muziekcognitie, muzikaliteit en methodologie. (2010, December 1). Amsterdam: Koninklijke Nederlandse Akademie van Wetenschappen (KNAW).[go to publisher's site]
2008
- H. Honing (2008). De vergeten luisteraar. Boekman, 77, 42-47.
2014
- H. Honing (2014, November 03). Gaan we de kinderen weer horen zingen in de klas? Volkskrant (Opinie & Debat), pp. 22.
- H. Honing & W.J.M. Levelt (2014, May 19). Wetenschap is geen geloof. NRC Handelsblad
2013
- H. Honing (2013). Op zoek naar wat ons muzikale dieren maakt (iBook). Amsterdam: Nieuw Amsterdam uitgevers.
2012
- H. Honing (2012). Iedereen is muzikaal. Wat we weten over het luisteren naar muziek (5e druk, uitgebreide editie). Amsterdam: Nieuw Amsterdam Uitgevers.
2011
- H. Honing (2011, October 10). De mensen zijn muzikaal, de dieren niet. Friesch Dagblad
- H. Honing (2011, May 21). We zijn het enige dier met maatgevoel. Algemeen Dagblad
- H. Honing (2011, May 05). We zijn het enige dier met maatgevoel. Parool
- H. Honing, E.J.A. Scherder & D. Swaab (2011, June 18). Amuzikaal zijn is de grote uitzondering. Volkskrant, Opinie & Debat
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