mw. prof. dr. P.P.R.W. (Patricia) Pisters
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Faculteit der Geesteswetenschappen
Capaciteitsgroep Media & Cultuur
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Turfdraagsterpad
9
1012 XT Amsterdam
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P.P.R.W.Pisters@uva.nl
T: 0205254593
2015
- P. Pisters (2015). Image as Gesture: Notes on Aernout Mik's Communitas and the Modern Political Film. Journal for Cultural Research, 19 (1), 69-81. doi: 10.1080/14797585.2014.920186
2014
- P. Pisters (2014). Transplanting Life: Bios and Zoe in Images with Imagination. In B. Blaagaard & I. van der Tuin (Eds.), The subject of Rosi Braidotti: politics and concepts (pp. 65-72). London and New York: Bloomsbury Academic.
- P. Pisters (2014). Heart of the Matter: Bodies without Organs and Biopolitics in Organ Transplant Film. Angelaki, 19 (4), 23-36. doi: 10.1080/0969725X.2014.984430
- P. Pisters (2014). The Neurothriller. New Review of Film and Television Studies, 12 (2), 83-93. doi: 10.1080/17400309.2014.878153
- P. Pisters (2014). A Metaphysical Star War? Celestial Consciousness in Contemporary Cinema. In S. Neef, H. Sussman & D. Boschung (Eds.), Astroculture: figurations of cosmology in media and arts (Morphomata, 17) (pp. 181-194). München: Wilhelm Fink.
2013
- P. Pisters (2013). The Chirping of a Little Bird: Some (Film) Theoretical Reflections. In K. Bijsterveld (Ed.), Soundscapes of the urban past: staged sound as mediated cultural heritage (Sound studies, 5) (pp. 117-125). Bielefeld: Transcript-Verlag.
- P. Pisters (2013). Art as Circuit Breaker: Surveillance Screens and Powers of Affect. In B. Papenburg & M. Zarzycka (Eds.), Carnal aesthetics: transgressive imagery and feminist politics (pp. 198-213). Londen: I.B. Tauris.
2012
- P. Pisters (2012). Form, punch, caress: Johan van der Keuken's global Amsterdam. In M. de Waard (Ed.), Imagining global Amsterdam: history, culture, and geography in a world city (Cities and cultures, 1) (pp. 125-141). Amsterdam: Amsterdam University Press.
- P. Pisters (2012). The Universe as Metacinema. In J. Jagodzinski (Ed.), Psychoanalyzing cinema: a productive encounter with Lacan, Deleuze, and Žižek (pp. 169-204). New York: Palgrave MacMillan.
- P. Pisters (2012). The neuro-image: a Deleuzian film-philosophy of digital screen culture (Cultural memory in the present). Stanford, CA: Stanford University Press.
- F. Lysen & P. Pisters (2012). Introduction: The smooth and the striated. Deleuze Studies, 6 (1), 1-5. doi: 10.3366/dls.2012.0042[go to publisher's site]
2011
- P. Pisters (2011). The mosaic film: nomadic style and politics in transnational media culture. In M. Bal & M.Á. Hernandez-Navarro (Eds.), Art and visibility in migration culture: conflict, resistance and agency (Thamyris intersecting: place, sex, and race, 23) (pp. 175-190). Amsterdam [etc.]: Rodopi.[go to publisher's site]
- P. Pisters (2011). Flashforward: the future is now. Deleuze Studies, 5 (suppl.), 98-115. doi: 10.3366/dls.2011.0039[go to publisher's site]
- P. Pisters (2011). Synaptic signals: time travelling through the brain in the neuro-image. Deleuze Studies, 5 (2), 261-274. doi: 10.3366/dls.2011.0020[go to publisher's site]
2010
- P. Pisters (2010). Filming the times of Tangier: nostalgia, postcolonial agency, and preposterous history. In D. Iordanova, D. Martin-Jones & B. Vidal (Eds.), Cinema at the periphery (Contemporary approaches to film and television series) (pp. 175-189). Detroit, MI: Wayne State University Press.
- P. Pisters (2010). Violence and laughter: paradoxes of nomadic thought in postcolonial cinema. In S. Bignall & P. Patton (Eds.), Deleuze and the postcolonial (Deleuze connections) (pp. 201-219). Edinburgh: Edinburgh University Press.
- P. Pisters (2010). Numbers and fractals: neuroaesthetics and the scientific subject. In P. Gaffney (Ed.), The force of the virtual: Deleuze, science, and philosophy (pp. 229-251). Minneapolis, MN: University of Minnesota Press.
- P. Pisters (2010). Logistics of perception 2.0: multiple screen aesthetics in Iraq War films. Film-Philosophy, 14 (1), 232-252.[go to publisher's site]
2009
- P. Pisters (2009). Illusionary perception and cinema: experimental thoughts on film theory and neuroscience. In M. Poster & D. Savat (Eds.), Deleuze and new technology (Deleuze connections) (pp. 224-240). Edinburgh: Edinburgh University Press.
- P. Pisters (2009). Homi K. Bhabha. In F. Colman (Ed.), Film, theory and philosophy: the key thinkers (pp. 296-307). London: Acumen.
- P. Pisters (2009). Micropolitiek. In E. Romein, M. Schuilenburg & S. van Tuinen (Eds.), Deleuze compendium (pp. 224-236). Amsterdam: Boom.
2008
- P. Pisters (2008). Sınır kent: Tanca. In M. Öztürk (Ed.), Sinematografik kentler: mekânlar, hatıralar, arzular (Sinema, 26) (pp. 380-397). İstanbul: Agora Kitaplığı.
- P. Pisters (2008). Delirium cinema or machines of the invisible? In I. Buchanan & P. MacCormack (Eds.), Deleuze and the schizoanalysis of cinema (pp. 102-115). London [etc.]: Continuum.
- P. Pisters (2008). Lili and Rachel: Hollywood, history and women in Fassbinder and Verhoeven. In J. Kooijman, P. Pisters & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 177-187). Amsterdam: Amsterdam University Press.
2007
- P.P.R.W. Pisters (2007). La Ville- Frontiere. In L. Creton & K. Feigelson (Eds.), Theoreme 10 < Ville cinematographiques : Cine - Lieux.> (pp. 191-197). Parijs: la sorbonne nouvelle.
- P. Pisters (2007). Het scherm en de werkelijkheid : het 'tussen'-denken en de status van het beeld. In H. Oosterling, H. Slager & R. van de Vall (Eds.), Intermediale reflecties: kruisbestuivingen en dwarsverbanden in de hedendaagse kunst (DAF cahiers, 1) (pp. 74-82). Rotterdam: Dutch Aesthetics Federation.
- P.P.R.W. Pisters (2007). The Refusal of Reproduction : Paradoxes of Becoming - Woman in Transnational Moroccan Filmmaking. In K. Marciniak, A. Imre & A. O'healy (Eds.), Transnational Feminism in Film and Media (pp. 71-92). NewYork: Palgrave Macmillan.
2006
- P. Pisters (2006). Arresting the flux of images and sounds: free indirect discourse and the dialectics of political cinema. In I. Buchanan & A. Parr (Eds.), Deleuze and the contemporary world (Deleuze connections) (pp. 175-193). Edinburgh: Edinburgh University Press.
- P.P.R.W. Pisters (2006). The Spiritual Dimension of the Brain as Screen: Zigzagging from Cosmos to Earth (and Back). In M. Punt & R. Pepperel (Eds.), Screen Consciousness: Cinema, Mind and World (pp. 123-137). New York, Amsterdam: Rodopi.
2005
- P. Pisters & W. Staat (Eds.). (2005). Shooting the family: transnational media and intercultural values. Amsterdam: Amsterdam University Press.
- W. Staat & P.P.R.W. Pisters (2005). Introduction. In Shooting the Family. Transnational Media and Intercultural Values (pp. 7-21). Amsterdam: Amsterdam University Press.
- P.P.R.W. Pisters (2005). Micropolitics of the Migrant Family in Accented Cinema: Love and Creativity in Empire. In P. Pisters & W. Staat (Eds.), Shooting the Family: Transnational Media and Intercultural Values (pp. 197-212). Amsterdam: Amsterdam University Press.
2002
- P.P.R.W. Pisters (2002). Quiet and Dark: Aesthetic and Conceptual Translation Degree Zero. In Translation and Transformation (pp. 202-212). Budapest: University of Budapest.
- P.P.R.W. Pisters (2002). Lessen van Hitchcock. Een inleiding in mediatheorie. Amsterdam: Amsterdam University Press.
2001
- P.P.R.W. Pisters (2001). Verlos ons van ons lijden, boekbespreking van Inez van der Spek [Review of the book Eindeloze Lichamen]. Tijdschrift voor Genderstudies, 4(2), 62-63.
- P.P.R.W. Pisters (Ed.). (2001). Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari. Amsterdam: Amsterdam University Press.
2013
- P. Pisters (2013). Madness, Miracles, Machines: Living in a Delirious World without Walls. In A. De Boever & W. Neidich (Eds.), Psychopathologies of cognitive capitalism. Part One (pp. 157-184). Berlin: Archive Books.
- M. Prak, E. Ansenk, K. Brown, K. de Jonge, D. Meijers, P. Pisters, F. Scholten & H. van de Velden (2013). Verschilzicht: beweging in het kunsthistorisch onderzoek in Nederland. (extern rapport). Amsterdam: Koninklijke Nederlandse Akademie van Wetenschappen.[go to publisher's site]
2011
- P. Pisters (2011). The Neuro-Image: Alain Resnais's Digital Cinema without the Digits. Zeitschrift für Medien- und Kulturforschung, 2011 (2), 23-38.
2009
- P. Pisters (2009). Une temporalité de Tanger: histoire, mémoire et le temps postcolonial dans l'archive audiovisuelle. In A. Kaddouri & I. van der Poel (Eds.), Villes d'échange(s): Maghreb - Europe: actes de colloque, Amsterdam 2008 (pp. 101-110). Casablanca: Faculté des Lettres et des Sciences Humaines Ben Msik.
- P. Pisters (2009). Logistics of perception 2.0: multiple screen aesthetics in Iraq War films. In J. Korkmaz (Ed.), Images et éthique: actes du colloque, 4-5 décembre 2008 Vol. 11. Regards (pp. 65-80). Beyrouth: Université Saint-Joseph, IESAV.
2008
- J. Kooijman, P. Pisters & W. Strauven (2008). Mind the screen: media concepts according to Thomas Elsaesser. Amsterdam: Amsterdam University Press.
- J. Kooijman, P. Pisters & W. Strauven (2008). A looking glass for old and new screens. In J. Kooijman, P. Pisters & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 9-15). Amsterdam: Amsterdam University Press.
- P. Pisters (2008). Media en migratie: verbeelding van gemende gevoelens. In M. de Jong, M. Kommer, A. van Kooyk, M. Kristalijn, N. Spanjersberg, S. Zouridis & R. Sluijs (Eds.), Denkwerk (Cahier EAJ) (pp. 111-117). Den Haag: Ministerie van Justitie.
- P. Pisters (2008). Manifesto for a schizo-analysis of media culture. Masters of Media, 25-5-2008.
2007
- P.P.R.W. Pisters (2007). Si Gak Moon Hwa Ui Matrix (The Matrix of Visual Culture). Seoul: Cheol- hak gwa hyun sil sa.
- P. Pisters (2007). Lessen van Hitchcock: een inleiding in mediatheorie. Amsterdam: Amsterdam University Press.
2005
- P.P.R.W. Pisters (2005). Micropolitics of the Migrant Family in Accented Cinema: Love and Creativity in Empire. In P.P.R.W. Pisters & W. Staat (Eds.), Shooting the Family: Transnational Media and Intercultural Values (pp. 197-212). Amsterdam: Amsterdam University Press.
- P.P.R.W. Pisters & W. Staat (Eds.). (2005). Shooting the Family. Transnational Media and Intercultural Values. Amsterdam: Amsterdam University Press.
- P.P.R.W. Pisters (2005). Opereren in de werkelijkheid. Politieke cinema en de vrije indirecte rede. Amsterdam: Vossius Pers.
- P.P.R.W. Pisters & W. Staat (2005). Introduction. In P.P.R.W. Pisters & W. Staat (Eds.), Shooting the Family: Transnational Media and Intercultural Values (pp. 7-21). Amsterdam: Amsterdam University Press.
2004
- P.P.R.W. Pisters (2004). 'Touched by a Cardboard Sword: Aesthtetic Creation and Non-Personal Subjectivity in Dancer in the Dark and Moulin Rouge. In J. de Bloois, S. Houppermans & F.-W. Korsten (Eds.), Discern(e)ments : Deleuzian aesthetics = esthétiques deleuziennes Faux Titre (pp. 151-169). Amsterdam [etc.]: Rodopi.
- P.P.R.W. Pisters (2004). Migrantenfilm als performance van identiteit: 'In het huis van mijn vader' en 'Onmacht'. In R.L. Buikema & M.J.M. Meijer (Eds.), Kunsten in beweging 1980-2000. Cultuur en migratie in Nederland (pp. 189-202). Den Haag: Sdu Uitgevers.
- P.P.R.W. Pisters (2004). Madonna's girls in the mix: performance of femininity beyond the beautiful. In S. Fouz-Hernández & F. Jarman-Ivens (Eds.), Madonna's drowned worlds : new approaches to her subcultural transformations (pp. 22-35). Aldershot: Ashgate.
2003
- P.P.R.W. Pisters (2003). 'Wan pipel', zwarte tulpen en boeroes. In T. Boerman, P.P.R.W. Pisters & J. Segal (Eds.), Beeldritsen: visuele cultuur en etnische diversiteit in Nederland. (pp. 28-39). Amsterdam: De Balie.
- P.P.R.W. Pisters (2003). The matrix of visual culture : working with Deleuze in film theory. Stanford, Cal.: Stanford University Press.
- P.P.R.W. Pisters (2003). The Matrix of Visual Culture: Working with Deleuze in Film Theory. Stanford: Stanford University Press.
- T. Boerman, P.P.R.W. Pisters & J. Segal (Eds.). (2003). Beeldritsen : visuele cultuur en etnische diversiteit in Nederland. Amsterdam: De Balie.
- P.P.R.W. Pisters (2003). Material Aspects of Subjectivity in Cinema. New Review of Film and Television Studies, 1 (1), 77-99.
- T. Boerman, P. Pisters & J. Segal (Eds.). (2003). Beeldritsen: visuele cultuur en etnische diversiteit in Nederland. Amsterdam: De Balie.
2001
- P.P.R.W. Pisters (2001). Experimenting with the sensible [Review of the book Pure immanence: essays on a life]. Leonardo Reviews.
- P.P.R.W. Pisters (2001). Glamour and glycerine: surplus and residual of the network society. From 'Glamorama' to 'Fight club'. In P.P.R.W. Pisters (Ed.), Micropolitics of media culture: reading the rhizomes of Deleuze and Guattari. (pp. 125-141). Amsterdam: Amsterdam University Press.
2014
- P. Pisters (2014). Hersenen en beeldschermen: cinema, neuro-beeld en digitale cultuur (voor)bij Deleuze. Wijsgerig Perspectief op Maatschappij en Wetenschap, 54 (2), 30-37.
2012
- P. Pisters (2012). Het neuro-beeld: confrontatie met de waanzin. Parmentier, 21 (1), 31-38.
2008
- P. Pisters (2008). De openbaring: Pisters leest Morin. Nieuwsbrief Faculteit der Geesteswetenschappen, Universiteit van Amsterdam, 107, 6-7.[go to publisher's site]
2012
- P. Pisters (2012). Von Triers temporele kleurklanken. Simulacrum, 20 (3/4), 8-10.
2010
- P. Pisters (2010). Fictie onderzoekt verleden. De Nieuwe Reporter, 26.9.2010.
- P. Pisters (2010). The mythological power of Avatar. De Filmkrant, 318, 19.
2009
- P.P.R.W. Pisters (2009). Mooie Hervormingen Bedenken en Uitvoeren. X.I., 17 (2), 14.
- P.P.R.W. Pisters (2009). Cinema's Utopische Affectieve Kracht [Review of the book Deleuze and the cinemas of performance: powers of affection]. Skrien, 40(8), 91-91.
2008
- P. Pisters (2008). Neurocinema: ruïne in het hoofd. De Filmkrant, 300, 10.[go to publisher's site]
2007
- P.P.R.W. Pisters (2007). Politiek in Filmsterrenland. Vrij Nederland, 40 (68), 76-79.
- P.P.R.W. Pisters (2007). De Ontsnapping. Vrij Nederland, 41 (68), 64-65.
- P.P.R.W. Pisters (2007). Het is een wonder te leven. Vrij Nederland, 30 (68), 70-73.
- P.P.R.W. Pisters (2007). Obscene Tulpen. Vrij Nederland, 24 (68), 79.
Tijdschriftredactie
- F. Lysen & P. Pisters (Eds.). (2012) Deleuze Studies, 6(1).
Boekredactie
- R. Braidotti & P. Pisters (Eds.). (2012). Revisiting normativity with Deleuze (Continuum studies in continental philosophy). London, New Delhi, New York & Sydney: Bloomsbury.
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