Organisatie

dhr. dr. A.T. (Alex) van Venrooij


  • Faculteit der Maatschappij- en Gedragswetenschappen
    Programmagroep: Dynamics of Citizenship and Culture
  • Nieuwe Achtergracht  166
    1018 WV  Amsterdam
  • A.T.vanVenrooij@uva.nl

Biography

Alex van Venrooij is Assistant Professor in cultural sociology at the Department of Sociology and Anthropology at the University of Amsterdam. He holds a MA degree (cum laude) in theoretical sociology from the University of Amsterdam and in 2009 received his PhD from Erasmus University Rotterdam. His dissertation research focused on cross-national differences and longitudinal changes in the discourse structures of popular music critics and was conducted as part of the VICI research project ' Cultural Classification Systems in Transitions '. He was a visiting student at the graduate school of sociology at Emory University in Atlanta and at the University of California, Santa Barbara. In 2012 he received a VENI/NWO grant for a 4-year research project 'The Dynamics of Genres: A Comparative Study of the Success and Failure of Electronic Dance Music in the US, Uk and the Netherlands'. 

2014

2013

  • A. van Venrooij & V. Schmutz (2013). De consequenties van categorieën: een analyse van grensoverschrijdende genre-identiteit in de populaire muziek. Tijdschrift voor Sociologie, 34 (3), 364-389.
  • A. van Venrooij & V. Schmutz (2013). De categorische imperatief in de populaire muziek. Sociologie, 9 (1), 73-96.

2011

  • A.T. van Venrooij (2011). An Ecology of Genres. Studying the Dynamics of Cultural Classification Systems. In 10th Conference of the European Sociological Association.
  • A.T. van Venrooij (2011). De dynamiek van culturele classificatiesystemen. In Dag van de Sociologie. Gent.
  • A. van Venrooij (2011). Classifying popular music in the United States and the Netherlands. American Behavioral Scientist, 55 (5), 609-623. doi: 10.1177/0002764211398082

2010

2009

  • A. van Venrooij (2009). Classifications in popular music: discourses and meaning structures in American, Dutch and German popular music reviews. Rotterdam: Erasmus Research Centre for Media, Communication and Culture.
  • A. van Venrooij (2009). The aesthetic discourse space of popular music: 1985-86 and 2004-05. Poetics, 37 (4), 315-332. doi: 10.1016/j.poetic.2009.06.005

2013

  • A. van Venrooij & M. Deinema (2013). Het Nederlandse kunstveld ontleed. In J.W. Duyvendak, C. Bouw, K. Gërxhani & O. Velthuis (Eds.), Sociale kaart van Nederland: over instituties en organisaties. - 2e, geheel herz. dr (pp. 207-221). Den Haag: Boom Lemma.

Prijs

  • A.T. van Venrooij (2012). The Dynamics of Genres: A Comparative Study of the Success and Failure of Electronic Dance Music in the US, UK and the Netherlands. NWO/VENI: (2013, January 1 - 2016, December 31). Recognition.

Spreker

  • A. van Venrooij & V. Schmutz (2012, November 7). ‘Competition, consensus and consecration in popular music’. Université de Poitiers (France), Reconnaissance et Consécration Artistiques, GRESCO.
  • A. van Venrooij & V. Schmutz (2012, August 17). 'Logics and consequences of boundary crossing in the field of popular music’. Denver, United States, paper presented at the Annual Meeting of the American Sociological Association.
  • A.T. van Venrooij & V. Schmutz (2008, June 18). The aesthetic discourse space of popular music: 2005. Rotterdam, Classification in the Arts and Media. The Impact of Commercialization and Globalization.

Tijdschriftredactie

  • A.T. van Venrooij (Ed.). (2015) Poetics.
  • A.T. van Venrooij (Ed.). (2011) Sociologie.
  • A.T. van Venrooij (Ed.). (2010) Sociologie.
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