dhr. dr. A.M. (Abe) Geil


  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Media & Cultuur
  • Bezoekadres
    BG 1
    Turfdraagsterpad 9  
  • Postadres:
    Turfdraagsterpad  9
    1012 XT  Amsterdam
  • A.M.Geil@uva.nl

2016

  • Geil, A. (2016). Dynamic Typicality. In N. Kleiman, & A. Somaini (Eds.), Sergei M. Eisenstein: Notes for a General History of Cinema (pp. 333-346). (Film Theory in Media History). Amsterdam: Amsterdam University Press. [details] 

2015

  • Geil, A. (2015). 'Let us save the heterogeneous sensible:' Vernacular Modernism vs. Cognitive Classicism in the Historical Turn of Film Studies. In A. Beltrame, G. Fidotta, & Andrea Mariani (Eds.), At the Borders of (Film) History: Temporality, Archaeology, Theories: XXI Convegno internazionale di studi sul cinema, Udine, 2-4 aprile 2014 (pp. 335-346). Udine: Forum. [details] 

2014

2013

  • Geil, A. (2013). The Spectator without Qualities. In P. Bowman (Ed.), Rancière and Film (pp. 53-82). (Critical connections). Edinburgh: Edinburgh University Press. [details] 

2009

  • Geil, A. M. (Author). (2009). Invited response to N. Katherine Hayles, "Distributing/Disturbing the Chinese Room". On the Human: The National Humanities Center.
  • Geil, A. M. (2009). A Foothold for Pain: Movement, Recognition, Close-up. In F. Casetti, J. Gaines, & V. Re (Eds.), Dall'inizio, alle fine. Teorie del cinema in prospettiva / In the Very Beginning, at the Very End. Film Theories in Perspective. Udine: Forum.

2010

  • Geil, A. M., & Flaxman, G. (2010). [Review of: J. Hughes. Deleuze and the Genesis of Representation]. Notre Dame Philosophical Reviews, 2010(04.09).

2013

  • Geil, A. M. (2013). Plastic Recognition: Politics and Aesthetics of Facial Representation from Silent Cinema to Cognitive Neuroscience
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library  or the Pure staff  of your faculty / institute. Log in to Pure  to edit your publications.
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