Christian Olesen investigates the implications digitisation has for scholarly film historiography. He argues there is a deficit in our critical understanding of knowledge production with digital methods and their representational practices in film historical research. He develops a meta-historical framework that accounts for such practices to further the critical analysis and conceptualisation of digital archive-based scholarship.
C.G. Olesen: Film History in the Making: Film Historiography, Digitised Archives and Digital Research Dispositifs.
Prof. J.J. Noordegraaf
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