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Prof. dr. M.G. (Maria) Bal

Faculty of Humanities
Photographer: onbekend
Visiting address
  • Spuistraat 134
Postal address
  • Postbus 15540
    1001 NA Amsterdam
Contact details
  • Profile

    Website Mieke Bal

    For more updated information and upcoming events, please check www.miekebal.org

    Website Mieke Bal Website Mère Folle

    (ASCA)Amsterdam SchoolforCultural Analysis

    Mieke Bal is Professor of Theory of Literature and a founding director of the Amsterdam School for Cultural Analysis (ASCA).

    ASCA webpages

    Recent News

    Koninklijke Nederlandse Akademie van Wetenschappen
    (Royal Netherlands Academy of Arts and Sciences)
    Professor Bal (1946) has been awarded an Academy Professorship for her original contributions to narratology and to her application of the principles of literary theoryto the visualarts. A prime example of her contributions in the field of narratology is her trilogy on the bible from a feminist perspective. Her application of the principles of literary theory to the visual arts is highly innovative, bold and imaginative. In the broad field of cultural analysis Professor Bal is both widely respected and highly admired.

    Koninklijke Nederlandse Akademie van Wetenschappen

    Full text and citations forProf. dr. M.G.Bal

    Click the link below to directly access Mieke Bal's work in the Digital Academic Repository at the University of Amsterdam
    N.B. full-text coming soon

    Digital Academic Repository (DARE)

    Fields of Interest

    theoretical :
    cultural analysis; critical semiotics; feminist theory; relations between verbal and visual arts; transcultural theory; anthropology; narratology; psychoanalysis; methodology of interdisciplinary approaches; museology  

    analytical :
    contemporary literature; French and English nineteenth-century literature; Hebrew Bible; seventeenth-century art (Rembrandt); popular culture; language and science

    Current Research

    From previous projects, four strands remain active:  

    - Narratology Between the Disciplines
    My ongoing interest in the revision of the nature, modes, functions and forms of narrativity incontemporary culture led to the thoroughlyrevised andexpanded version of my handbook Narratology (1997; or. Dutch 1979, Eng. 1987). However, I am not satisfied that the book as it now stands can remain valid for much longer. I envisage a completely new version, perhaps as a follow-up book, perhapsas a replacement. The intentionwill be tofully integrate the interdisciplinary perspective that I have developed over the past decade.  

    - Travelling Concepts
    This project results from my intense involvement with PhD training, both in the context of the ASCA Theory Seminar and in a large number of individual PhD projects. Through these pedagogical activities - traditionally and oddly credited as "research", not asteaching, in the Netherlands - I have developed insight into the indispensable contribution that can be expected to be made from reflecting on and deploying concepts in interdisciplinary cultural analysis. I am currently writing a book, contracted with the University of Toronto Press (the publisher of my previous pedagogically oriented work), which consists of an argument in favour of this view. Four case studies demonstrate the consequences of replacing paradigm- and discipline-based methodologies with an open re-examination of concepts that have a history of "travelling" between disciplines, historical periods and contexts,and even cultures.  

    - In Time: Between Performance and Performativity
    Performance is not; it occurs. It happens and takes time; it has a past and a future, and hence, a present. From linguistics and the philosophy of language, we take the notion that utterances do something: they perform an act that produces an event. From theatre, we borrow the notion of role-playing, which can be extended to include social role-playing, then restrict it to that aspect of playing that is effective in that it affects the viewer. From anthropology, we take the idea that the performative speech actin the extended sense requires the participation, in the productionof meaning, of the ethnographer's partner, that is, of the people belonging to the culture studied. In art, this entails the indispensable participation of the visitor to the museum or the viewer of the work, without whom the artwork is simply nothing, just adead object.In thisproject, then,due to this triple allegiance, the notion of "performance" must be taken in all its ambiguity. The term encompasses "performativity" as opposed to being distinct from it. I have tentatively worked with this cluster of aspects of the two terms in several recent articles on contemporary art not bound to specific traditional media. I would like to turn this into a book project, grounding it theoretically and using literary terms.  

    - Preposterous History
    This term was central to one of my recent books, but I am not satisfied I have fully grounded or exploited the underlying idea. Under the heading "indispensable anachronism" (Damisch), others have elaborated it differently. I am interested in joining this inquiry with current concerns about tradition, both cultural and academic, and with methodological issues of distance and proximity (Phillips), the place of the archive and museum presentations.

  • Books

    Selected books

    • Loving Yussuf. Chicago: University of Chicago Press 2007 (in press)
    • Sleeping Beauty. Chicago: University of Chicago Press 2007 (in press) (with John Sparagana)
    • A Mieke Bal Reader. Chicago: The University of Chicago Press (2006) Travelling Concepts in the Humanities: A Rough Guide . Toronto: University of Toronto Press 2002
    • Mieke Bal Kulturanalyse . Ed. Thomas Fechner-Smarsly and SonjaNeef. Frankfurtam Main: Suhrkamp2002
    • Louise Bourgeois' Spider : The Architecture of Art-writing. Chicago: University of Chicago Press 2001
    • Ann Veronica Janssens: Lichtspiel . German translation by Karen Lauer. Munich: Kunstverein München/Berliner Künstlerprogramm/DADD 2001
    • Looking In: The Art of Viewing . Edited, and with an introduction, by Norman Bryson. Amsterdam: G & B Arts International 2001
    • Quoting Caravaggio: Contemporary Art, Preposterous History . Chicago: University of Chicago Press 1999 (paperback 2001)
    • Jeannette Christensen's Time . Bergen: Center for the Study of European Civilization 1998
    • Schweben zwischen Gegenstand und Erei gnis: Begegnungen mit Lili Dujourie . München: Kunstverein München,München:Wilhelm Fink Verlag (trans. by SilviaFriedrich Rust) 1998. For 1998 München exhibition "Lili Dujourie: Frühe Werke, 1969-1983". English edition: Hovering Between Thing and Event: Encounters with Lili Dujourie. München: Kunstverein München, Brussels: Xavier Hufkens, London: Lisson Gallery 1998  
    • Images littéraires, ou comment lire visuellement Proust . Montréal: XYZ Editeur/Toulouse: Presses Universitaires de Toulouse 1997. English translation: The Mottled Screen: Reading Proust Visually. Stanford: Stanford University Press 1997 (trans. by Anna-Louise Milne)
    • Double Exposures: The Subject of Cultural Analysis , with Edwin Janssen, Das Gesicht an der Wand (The Stain/Face on the Wall). New York: Routledge 1996
    • On Meaning-Making: Essays in Semiotics . Sonoma, CA: Polebridge Press 1994
    • Reading "Rembrandt": Beyond the Word-Image Opposition . New York and Cambridge: Cambridge University Press 1991; 2nd edition (paperback) 1994
  • Videos

    Current Video Work

    • Mère Folle, with Michelle Williams (in production)
    • Separations, with Andréa Seligmann Silva, 2009
    • State of Suspension, with Benny Brunner, 2008
    • Becoming Vera, with Michelle Williams, 2007
    • Un Trabajo Limpio, with Gary Ward , 2007
    • Colony Cinema Suitcase, social documentary, 30 minutes. 2007
    • nothing is missing multiple-screen video installation, 25-35 minutes (looped). 2006
    • Road Movie, with Shahram Entekhabi, 16-minute video  
    • Access Denied, Cinema Suitcase Access Denied, Cinema Suitcase, social documentary, Amsterdam/Gaza 2005.
    • Glub (Hearts), with Shahram Entekhabi, 30-minute art film and an 8-screen video installation, Berlin 2004.
    • Favourite Spots, 15-minute video on the exhibition "Louise Bourgeois: Geometry of Desire", Zacheta Gallery of Contemporary Art, Warsaw 2003. 
    • Eye Contact, with ShahramEntekhabi, 10-minute video onthe exhibition "Intimate Abstractions: Louise Bourgeois", Akademie der Künste, Berlin 2003.  
    • Mille et unjours, Cinema Suitcase, 40-minute social documentary onmigration, Amsterdam/Paris 2003, distributed by VTape,Toronto.    
    • ArtClips, series of nine 6½-minute video clips on audience interaction with single art works. Los Angeles, The Getty Research Institute 2002
      Items in this series:
      - Rembrandt: Marking Time / The landscape of the face
      - David Reed: Looking with the body
      - Liz Larner: Moving Still
      - Bernardino Mei: Make Your Own Story
      - Francesco Maffei: Performing Gender
      - Louise Bourgeois: Scuttling Around
      - John Baldessari: Puzzling
      - Ingrid Calame: Wandering, Wondering
      - Marlene Dumas: Black-Out, Blind Eye
    •  
    Nota Bene:
    Videos by Cinema Suitcase distributed by Vtape, Toronto; works with Shahram Entekhabi distributed by Galerie Urs Meile, Zürich , and Play Gallery, Berlin    
  • Publications

    2014

    • Bal, M. (2014). Curating: Intercultural curating. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd. ed. - Vol. 2 (pp. 238-242). New York, Oxford: Oxford University Press. https://doi.org/10.1093/acref/9780199747108.001.0001 [details]
    • Bal, M. (2014). First Memories and Second Thoughts. In J. Carruthers, M. Knight, & A. Tate (Eds.), Literature and the Bible: a reader (pp. 306-312). (Routledge literature readers). London and New York: Routledge. [details]
    • Bal, M. (2014). Masterly Maxims: reading Spivak. Publications of the Modern Language Association of America, 129(3), 491-497. https://doi.org/10.1632/pmla.2014.129.3.491 [details]
    • Bal, M. (2014). Moving Images: Two-Way. In K. Brown (Ed.), Interactive Contemporary Art: Participation in Practice (pp. 17-36). London/New York: I.B. Tauris. [details]
    • Bal, M. (2014). Narrative: Narrative and the Visual and Literary Arts. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd ed. - Vol. 4 (pp. 458-461). New York/Oxford: Oxford University Press. https://doi.org/10.1093/acref/9780199747108.001.0001 [details]
    • Bal, M. (2014). Peirce, Charles Sanders (1839-1914). In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd ed. - Vol. 5 (pp. 82-84). New York, Oxford: Oxford University Press. https://doi.org/10.1093/acref/9780199747108.001.0001 [details]
    • Bal, M. (2014). Preface. In F. Davoine (Ed.), Mother Folly: a Tale (pp. xiii-xxiv). (Cultural Memory in the Present). Stanford, CA: Stanford University Press. [details]
    • Bal, M., & Bryson, N. (2014). Semiotics: Semiotics as a Theory of Art. In M. Kelly (Ed.), Encyclopedia of aesthetics. - 2nd ed. - Vol. 5 (pp. 534-538). New York, Oxford: Oxford University Press. https://doi.org/10.1093/acref/9780199747108.001.0001 [details]

    2013

    • Bal, M. (2013). Endless Andness: The Politics of Abstraction According to Ann Veronica Janssens. London: Bloomsbury. [details]
    • Bal, M. (2013). Thinking in Film: The Politics of Video Installation According to Eija-Liisa Ahtila. London: Bloomsbury. [details]
    • Bal, M. (2013). Affect and the Space We Share: Three Forms of Installation Art. In P. Baler (Ed.), The next thing: art in the twenty-first century (pp. 67-80). Madison: Fairleigh Dickinson University Press. [details]
    • Bal, M. (2013). Buñuel’s Critique of Nationalism: A Migratory Aesthetic? In R. Stone, & J. D. Gutiérrez-Albilla (Eds.), A companion to Luis Buñuel (pp. 116-137). (Wiley-Blackwell companions to film directors; No. 9). Malden, MA: Wiley-Blackwell. [details]
    • Bal, M. (2013). Deliver Us From A-Historicism: Metahistory for Non-Historians. In R. Doran (Ed.), Philosophy of history after Hayden White (pp. 67-88). (Bloomsbury studies in American philosophy). London: Bloomsbury. [details]
    • Bal, M. (2013). Imaging Madness: Inter-ships. InPrint, 2(1), 51-70. [5]. [details]
    • Bal, M. (2013). Intercultural Story-Telling. In A. Strohmaier (Ed.), Kultur - Wissen - Narration: Perspektiven transdisciplinärer Erzählforschung für die Kulturwissenschaften (pp. 289-306). Bielefeld: Transcript. [details]
    • Bal, M. (2013). Lexicon for Cultural Analysis. In A. Babka, D. Finzi, & C. Ruthner (Eds.), Die Lust an der Kultur-Theorie: transdisziplinäre Interventionen: für Wolfgang Müller-Funk (pp. 49-81). Wien-Berlin: Turia + Kant Verlag. [details]
    • Bal, M. (2013). Not So Stupid. Parallax, 19(3), 50-69. https://doi.org/10.1080/13534645.2013.808013 [details]
    • Bal, M., & Williams Gamaker, M. (2013). Scenography of Death: Figuration, Focalization and Finding Out. Performance Research, 18(3), 179-186. https://doi.org/10.1080/13528165.2013.818330 [details]

    2012

    • Bal, M. (2012). Curatorial Acts. Journal of Curatorial Studies, 1(2), 179-192. https://doi.org/10.1386/jcs.1.2.179_1 [details]
    • Bal, M. (2012). Facing: Intimacy Across Divisions. In G. Pratt, & V. Rosner (Eds.), The global and the intimate: feminism in our time (pp. 119-144). (Gender and culture). New York: Columbia University Press. [details]
    • Bal, M. (2012). Heterochrony in the Act: The Migratory Politics of Time. In I. Stevonić (Ed.), Symmeikta: zbornik radova povodom četrdeset godina Instituta za Istoriju Umetnosti Filozofskog Fakulteta Univerziteta u Beogradu = Collection of papers dedicated to the 40th anniversary of the Institute for Art History, Faculty of Philosophy, University of Belgrade (pp. 579-596). Beograd: Filozofski Fakultet, Univerzitet u Beogradu. [details]
    • Bal, M. (2012). Imaging Pain. In A. Grønstad, & H. Gustafsson (Eds.), Ethics and images of pain (pp. 115-143). (Routledge advances in art and visual studies; No. 1). New York: Routledge. [details]
    • Bal, M. (2012). L'interdisciplinarité: travailler avec des concepts. In F. Darbellay (Ed.), La circulation des savoirs: interdisciplinarité, concepts nomades, analogies, métaphores (pp. 25-58). Bern: Peter Lang. [details]
    • Bal, M. (2012). La maison: pour l'hospitalité. In J-F. Vallée, J. Klucinskas, & G. Dupuis (Eds.), Transmédiations: traversées culturelles de la modernité tardive: mélanges offerts à Walter Moser (pp. 25-40). Montréal: Presses de l'Université de Montréal. [details]
    • Bal, M. (2012). Mektoub: When Art Meets History, Philosophy, and Linguistics. In A. F. Repko, W. H. Newell, & R. Szostak (Eds.), Case studies in interdisciplinary research (pp. 91-122). Los Angeles, CA: Sage. [details]
    • Bal, M. (2012). Perpetual Contest. In J. N. Bremmer, & M. Formisano (Eds.), Perpetua's passions: multidisciplinary approaches to the Passio Perpetuae et Felicitatis (pp. 134-149). Oxford: Oxford University Press. [details]
    • Bal, M., Bleeker, M., Carpenter, B., & Korsten, F. W. (2012). Cultural analysis: the Joseph plays. In J. Bloemendal, & F-W. Korsten (Eds.), Joost van den Vondel (1587-1679): Dutch playwright in the Golden Age (pp. 317-340). (Drama and theatre in early modern Europe; No. 1). Leiden: Brill. [details]

    2011

    • Bal, M. (2011). A Thousand and One Voices. In M. A. Baggesgaard, & J. Ladegaard (Eds.), Confronting universalities: aesthetics and politics under the sign of globalisation (pp. 269-304). (Acta Jutlandica. Humanistisk serie; No. 4). Aarhus: Aarhus University Press. [details]
    • Bal, M. (2011). Baroque Matters. In H. Hills (Ed.), Rethinking the Baroque (pp. 183-202). Farnham: Ashgate. [details]
    • Bal, M. (2011). Food, Form, and Visibility: The Aesthetics of Everyday Life. In G. Blamberger, & D. Boschung (Eds.), Morphomata: kulturelle Figurationen: Genese, Dynamik und Medialität (pp. 175-196). (Morphomata; No. 1). München: Wilhelm Fink. [details]
    • Bal, M. (2011). Heterochrony in the act: the migratory politics of time. In M. Bal, & M. Á. Hernández-Navarro (Eds.), Art and visibility in migratory culture: conflict, resistance, and agency (pp. 211-238). (Thamyris intersecting: place, sex, and race; No. 23). Amsterdam: Rodopi. [details]
    • Bal, M. (2011). Losing It: Politics of the Other (Medium). Journal of Visual Culture, 10(3), 372-396. https://doi.org/10.1177/1470412911419773 [details]
    • Bal, M., & Hernández-Navarro, M. Á. (2011). Introduction. In M. Bal, & M. Á. Hernández-Navarro (Eds.), Art and visibility in migratory culture: conflict, resistance, and agency (pp. 9-20). (Thamyris intersecting: place, sex, and race; No. 23). Amsterdam: Rodopi. [details]
    • Bal, M., & Vardoulakis, D. (2011). An Inter-Action: Rembrandt and Spinoza. In D. Vardoulakis (Ed.), Spinoza now (pp. 277-306). Minneapolis, MN: University of Minnesota Press. [details]
    • Bal, M., & Williams Gamaker, M. (2011). Towards a Babel Ontology. European Journal of Women's Studies, 18(4), 439-447. https://doi.org/10.1177/1350506811415591 [details]

    2010

    • Bal, M. (2010). Deborah. In D. Patte (Ed.), The Cambridge dictionary of Christianity (pp. 313). New York, NY: Cambridge University Press. [details]
    • Bal, M. (2010). Religion and powerlessness: Elena in 'Nothing is missing'. In M. B. ter Borg, & J. W. van Henten (Eds.), Powers: religion as a social and spiritual force (pp. 209-239, 316). (The future of the religious past). New York, NY: Fordham University Press. [details]
    • Bal, M. (2010). The quoted artist: contemporary fascination with Caravaggio is, in itself, Baroque. Italian Journal, 20(3), 40-43. [details]
    • Bal, M. (2010). True lies: on Ana Torf's Du mentir-faux, or Some dilemmas of history. In R. Ottosen, & S. Steigen (Eds.), Framing war with facts and fiction in the cultural field: a seminar report (pp. 38-54). (HiO-report; No. 2010:12). Oslo: Oslo University College, Faculty of Journalism, Library and information Science. [details]

    2009

    • Bal, M. (2009). Fragments of matter: Jeanette Christensen. Bergen: KHiB. [details]
    • Bal, M. (2009). Becoming the world versus identity politics. Nordlit, 24, 9-30. [details]
    • Bal, M. (2009). Exhibition as a syntax of the face. MJ. Manifesta Journal, 7, 12-22. [details]
    • Bal, M. (2009). Response: Ariel Dorfman's quest for responsibility. The Art Bulletin, 91(1), 44-50. https://doi.org/10.1080/00043079.2009.10786172 [details]
    • Bal, M. (2009). Synesthesie: geur, klank en andere zintuiglijke ervaringen = Synaesthesis: smell, sound and other sense experiences. In M. Bal, & B. van Eekelen (Eds.), Annelies Planteijdt (pp. 5-92). Nijmegen: Galerie Marzee. [details]
    • Bal, M. (2009). The commitment to face. In B. Ö. Firat, S. De Mul, & S. van Wichelen (Eds.), Commitment and complicity in cultural theory and practice (pp. 120-136). Basingstoke: Palgrave Macmillan. [details]
    • Bal, M. (2009). Working with concepts. European Journal of English Studies, 13(1), 13-23. https://doi.org/10.1080/13825570802708121 [details]
    • Bal, M. (2009). Working with concepts. Slovo a smysl = Word & sense, 11/12, 202-212. [details]
    • Bal, M. (2009). ¿Arte narrativo? Reflexiones discontinuas. In M. Borja-Villel, & Y. Romero (Eds.), 10.000 francos de recompensa: el museo de arte contemporáneo vivo o muerto (pp. 121-138). [S.l.]: SEACEX. [details]

    2008

    • Bal, M. (2008). "You do what you have to do": a response to Josef Früchtl. Krisis, 9(1), 59-69. [details]
    • Bal, M. (2008). Balthus: obras y entrevista. Barcelona: Polígrafa. [details]
    • Bal, M. (2008). Balthus: oeuvres, écrits et entretiens. Paris: Hazan. [details]
    • Bal, M. (2008). Balthus: works and interviews. Barcelona: Polígrafa. [details]
    • Bal, M. (2008). Loving Yusuf: conceptual travels from present to past. (Afterlives of the Bible). Chicago: University of Chicago Press. [details]
    • Bal, M. (2008). Estéticas migratorias: movimiento doble. Exit, 32, 138-149. [details]
    • Bal, M. (2008). Exhibition as film. In R. Ostow (Ed.), (Re)visualizing national history: museums and national identities in Europe in the new millennium (pp. 15-43). (German and European studies). Toronto: University of Toronto Press. [details]
    • Bal, M. (2008). Migratory aesthetics: double movement. Exit, 32, 150-161. [details]
    • Bal, M. (2008). Migratory terrorism. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 297-309). Amsterdam: Amsterdam University Press. [details]
    • Bal, M. (2008). Mélanges. In E. de Haard, W. Honselaar, & J. Stelleman (Eds.), Literature and beyond: Festschrift for Willem G. Weststeijn: on the occasion of his 65th birthday (pp. 65-90). (Pegasus Oost-Europese Studies; No. 11-1). Amsterdam: Pegasus. [details]
    • Bal, M. (2008). Phantom sentences. In R. S. Kawashima, G. Philippe, & T. Sowley (Eds.), Phantom sentences: essays in linguistics and literature presented to Ann Banfield (pp. 17-41). Bern: Peter Lang. [details]
    • Sparagana, J., & Bal, M. (2008). Sleeping beauty: a one-artist dictionary. Chicago: University of Chicago Press. [details]

    2007

    • Bal, M. G. (2007). Autotopography: Louise Bourgeois as Builder. Reading Room: A Journal of Art and Culture, 1, 40-59.

    2006

    • Bal, M. G. (2006). A Mieke Bal Reader. Chicago: University of Chicago Press.
    • Bal, M. G. (2006). Affekt als kulturelle Kraft. Einleitung. In A. Krause-Wahl, & S. Wiemer (Eds.), Affekte. Analysen ästhetisch-medialer Prozesse (pp. 7-19). Bielefeld: Transcript Verlag.
    • Bal, M. G. (2006). Concepto. Estudios Visuales, 3, 28-77.
    • Bal, M. G. (2006). Erste Person, Zweite Person, Dieselbe Person. Zum Verhältnis von Ausstellen und Beschreiben aus narratologischer Sicht. Trans. Kersten Kazzazi. In S. Nieberle, & E. Strowick (Eds.), Narration und Geschlecht: Texte - Medien - Episteme (pp. 283-314). Köln: Böhlau Verlag.
    • Bal, M. G. (2006). Invisible Art, Hypervisibility, and the Aesthetics of Everyday Life. In M. Weinhart, & M. Hollein (Eds.), Nichts/Nothing (pp. 81-104). Frankfurt: Schirn Kunsthalle Frankfurt.
    • Bal, M. G. (2006). Metaphoring: Making a Niche of Negative Space. In M. Margaroni, & E. Yiannopoulou (Eds.), Metaphoricity and the Politics of Mobility (pp. 159-180). Amsterdam/New York: Rodopi.

    2005

    • Bal, M. G. (2005). A l 'Est d 'Eden/ East of Eden/ Ten Oosten van Eden. In Marthe Wéry; Les couleurs du monochrome (pp. 35-104-119-127). Tournai: Musée des Beaux-Arts. [details]
    • Bal, M. G. (2005). Grounds of Comparison. In M. G. Bal (Ed.), The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People (pp. 129-168). Chicago: University of Chicago Press. [details]
    • Bal, M. G. (2005). Interdisciplinary approaches to narrative. In D. Herman, & M. . Jahn (Eds.), Encyclopedia of Narrative Theory (pp. 250-252) [details]
    • Bal, M. G. (2005). Introduction. In M. Bal (Ed.), The Aremisia Files: Artmisia Gentileschi for Feminists and Other Thinking People (pp. IX-XXV). Chicago: University of Chicago Press. [details]
    • Bal, M. G. (2005). The Violence of Gender. In P. Essed, & D. T. Goldberg (Eds.), A Companion to Gender Studies (pp. 530-543). Blackwell Publishing. [details]
    • Bal, M. G. (2005). To Read a Picture. In J. Wolfreys (Ed.), The J. Hilis Miller Reader (pp. 82-88). Edinburgh: Edinburgh University Press. [details]
    • Bal, M. G. (2005). Visual Narrativity. In D. Herman, & M. Jahn (Eds.), Encyclopedia of Narrative Theory (pp. 629-633). London, New York: Routledge. [details]

    2004

    • Bal, M. G. (2004). Critique of Voice. The Open Score of her Face. In L. Fleischman, & C. Goelz (Eds.), Analysieren als Deuten. Wolf Schmid zum 60. Geburtstag (pp. 31-51). Hamburg: Hamburg University Press. [details]
    • Bal, M. G. (2004). Exposing the Public. In M. Hagener, & J. Schmidt (Eds.), Die Spur durch den Spiegel: Der Film in der Kultur der Moderne (pp. 51-64). Berlin: Bertz-Verlag. [details]
    • Bal, M. G. (2004). Light Writing: Portraiture in a Post-Traumatic Age. Mosaic (A Journal for the Interdisciplinary Study of Literature), 27(4), 1-19. [details]
    • Bal, M. G. (2004). Religious Canon and Literary Identity. In E. Borgman, & B. Philipsen (Eds.), Literary Canons and Religious Identities (pp. 9-32). Ashgate: Aldershot. [details]
    • Bal, M. G. (2004). Telling Objects: A Narrative Perspective on Collecting. In D. Preziosi, & C. Farago (Eds.), Grasping the World: The Idea of the Museum (pp. 84-102). Ashgate: Aldershot. [details]

    2003

    • Bal, M. (2003). Embracing the Horizon. Arcadia, 38(2), 414-418. https://doi.org/10.1515/arca.38.2.414 [details]
    • Bal, M. G. (2003). Autotopography: Louise Bourgeois as Builder. In S. Smith, & J. Watson (Eds.), Interfaces: Women, Autobiography, Image, Performance (pp. 163-185). Ann Arbor: University of Michigan Press. [details]
    • Bal, M. G. (2003). Critique of Voice: The Open Score of her Face. In N. Pedri (Ed.), Travelling Concepts III: Memory, Narrative, Image (pp. 91-114). Amsterdam: ASCA Press. [details]
    • Bal, M. G. (2003). De droom als theater: De droomduiding in het licht van hedendaagse cultuurstudies. In M. Taat (Ed.), De droomduiding herdacht: Essays over cultuuronderzoek en psychoanalyse (pp. 93-107). Amsterdam: Boom. [details]
    • Bal, M. G. (2003). From Cultural Studies to Cultural Analysis: A Controlled Reflection on the Formation of Method. In P. Bowman (Ed.), Interrogating Cultural Studies: Theory, Politics and Practice (pp. 30-40). Londen: Pluto Press. [details]
    • Bal, M. G. (2003). Mieke Bal's Reply to the Responses to her article "Visual essentialism and the object of visual culture". Journal of Visual Culture, 2(2), 260-268. [details]
    • Bal, M. G. (2003). Norman Bryson, British Historian of Art and Visual Culture. In C. Murray (Ed.), Key Writers on Art: The Twentieth Century (pp. 62-68). Londen, New York: Routledge. [details]
    • Bal, M. G. (2003). Visual essentialism and the object of visual culture. Journal of Visual Culture, 2(1), 5-32. https://doi.org/10.1177/147041290300200101 [details]

    2002

    • Bal, M. G. (2002). Kulturanalyse. Frankfurt am Main: Suhrkamp. [details]
    • Bal, M. G. (2002). Travelling Concepts in the Humanities: A Rough Guide. University of Toronto Press 2002. [details]
    • Bal, M. G. (2002). Autotopography: Louise Bourgeois as Builder. Biography: An Interdisciplinary Quarterly, 25(1), 180-202. https://doi.org/10.1353/bio.2002.0002 [details]
    • Bal, M. G. (2002). Der Rembrandt der Frauen. In M. Bickenbach, & A. Fliethmann (Eds.), Korrespondenzen: Visuelle Kulturen zwischen Früher und Gegenwart (pp. 27-54). Cologne: DuMont Literatur und Kunst Verlag. [details]
    • Bal, M. G. (2002). Descrizioni, costruzione di mondi e tempo della narrazione. Il romanzo, 2(Le Forme), 189-224. [details]
    • Bal, M. G. (2002). Descrizioni, costruzione di mondi e tempo della narrazione. Il romanzo, 2, 189-224. [details]
    • Bal, M. G. (2002). The Genius of Rome: Putting Things Together. Journal of Visual Culture, 1(1), 25-45. [details]

    2001

    • Bal, M. G. (2001). Ecstatic aesthetics: Metaphoring Bernini. (Critical Issues series 4/2000). Sydney: Artspace Visual Art Centre. [details]
    • Bal, M. G. (2001). Looking in: The Art of Viewing (with introduction by Norman Bryson). Amsterdam: G & B Arts International. [details]
    • Bal, M. G. (2001). Louise Bourgeois'Spider: The Architecture of Art-Writing. Chicago: University of Chicago Press. [details]
    • Bal, M. G. (2001). Auf die Haut / Unter die Haut: Barock es steigt an die Oberfläche. In P. J. Burgard (Ed.), Barock: Neue Sichtweisen einer Epoche (pp. 17-51). Vienna/Cologne/Weimar: Böhlau Verlag. [details]
    • Bal, M. G. (2001). Enfolding Feminism. In E. Bronfen, & M. Kavka (Eds.), Feminist Consequences: Theory for the New Century (pp. 321-52). New York: Columbia University Press. [details]
    • Bal, M. G. (2001). Introduction: Travelling Concepts and Cultural Analysis. In J. Goggin, & S. Neef (Eds.), Travelling Concepts: Text, Subjectivity, Hybridity (pp. 7-25). Amsterdam: ASCA Press. [details]
    • Bal, M. G. (2001). La répétition, la tête dans les nuages/Rehearsal, Head in the Clouds. In L. Gateau (Ed.), Action, on tourne/Action, we're Filming (pp. 34-73). Nice: Villa Arson. [details]
    • Bal, M. G. (2001). Legal Lust: Literary Litigations. The Australian Feminist Law Journal, 1-22. [details]
    • Bal, M. G. (2001). Mise en scène: Zur Inszenierung von Subjektivität. In J. Früchtl, & J. Zimmermann (Eds.), Ästhetik der Inszenierung. Dimensionen eines künstlerischen, kulturellen und gesellschaftlichen Phänomens (pp. 198-221). Frankfurt am Main: Suhrkamp Verlag. [details]
    • Bal, M. G. (2001). Mission Impossible: Postcards, Pictures, and Parasites. In H. de Vries, & S. Weber (Eds.), Religion and Media (pp. 241-68). Stanford: Stanford University Press. [details]
    • Bal, M. G. (2001). Performance and Performativity. Lier en Boog, (16), 108-24. [details]
    • Bal, M. G. (2001). Performance and Performitivity. In J. Huber (Ed.), Kultur - Analysen (pp. 197-241). Edition Voldemeer: Institut für Theorie der Gestaltung und Kunst. [details]
    • Bal, M. G. (2001). Postmodern Theology as Cultural Analysis. In G. Ward (Ed.), The Blackwell Companion to Postmodern Theology (pp. 3-23). Oxford: Blackwell. [details]
    • Bal, M. G. (2001). Pour une histoire pervertie. In N. Goyer, & W. Moser (Eds.), Résurgences baroques: les trajectoires d'un processus transculturel (pp. 61-88). Brussel: Éditions de la Lettre Volée. [details]
    • Bal, M. G. (2001). Three-Way Misreading. Diacritics, 30(1), 2-24. [details]
    • Bal, M. G. (2001). Voix/voie narrative: la voix métaphorée. In J-L. Brau (Ed.), La Voix Narrative: Cahier de Narratologie, Vol. 1 (pp. 9-36). Nice: Centre de Narratologie Appliquée. [details]

    2000

    • Bal, M. G. (2000). Ann Veronica Janssens: Light in Life's Lab/Labo de lumière. Brussel: La Lettre Volée. [details]
    • Bal, M. G. (2000). Beckoning Bernini. In L. Bourgeois (Ed.), Memory and Architecture Madrid: Museo Nacional Reina Sofia. [details]
    • Bal, M. G. (2000). Crossroad Theory and Travelling Concepts: From Cultural Studies to Cultural Analysis. In J. Baetens, & J. Lambert (Eds.), The Future of Cultural Studies: Essays in Honour of Joris Vlasselaers (pp. 3-21). Leuven: Leuven University Press. [details]
    • Bal, M. G. (2000). Cultural Analysis. In J. Lambert, & J. Baetens (Eds.), The Future of Cultural Studies: Essays in Honour of Joris Vlasselaers (pp. 3-21). Leuven: Leuven University Press. [details]
    • Bal, M. G. (2000). Fantasy and the Mirror of Nature. In K. Krüger, & A. Nova (Eds.), Imagination und Wirklichkeit: Zum Verhältnis von metalen und realen Bildern in der Kunst der frühen Neuzeit (pp. 183-94). Mainz: Verlag Philipp von Zabern. [details]
    • Bal, M. G. (2000). Heteroglossia. In L. Code (Ed.), Encyclopaedia of Feminist Theories (pp. 244-245). London: Routledge. [details]
    • Bal, M. G. (2000). Masterclass. Frame, (aug.2000), 148-150. [details]
    • Bal, M. G. (2000). Memory Acts: Performing Subjectivity. Performance Research, 5(3), 102-114. https://doi.org/10.1080/13528165.2000.10871753 [details]
    • Bal, M. G. (2000). Narratology. In L. Code (Ed.), Encyclopaedia of Feminist Theories (pp. 357-359). London: Routledge. [details]
    • Bal, M. G. (2000). Poetics Today. Poetics Today, 21(3), 479-502. https://doi.org/10.1215/03335372-21-3-479 [details]
    • Bal, M. G. (2000). Pour une interprétation intempestive. In M. Régis (Ed.), Où en est l'interprétation de l'oeuvre d'art? (pp. 239-67). Paris: Musée du Louvre and École Nationale Sup. des Beaux-Arts. [details]
    • Bal, M. G. (2000). Sticking Images: the Foreshortening of Time in an Art of Duration. In C. Bailey Gill (Ed.), Time and the Image (pp. 79-99). Manchester: Manchester University Press. [details]
    • Bal, M. G. (2000). The Spirit as Parasite. Western Humanities Review, LIII(4), 315-335. [details]
    • Bal, M. G. (2000). Visual Narrativity. In G. Coulter-Smith (Ed.), The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions (pp. 7-16). Southampton: Southampton Institute. [details]

    1999

    • Bal, M. G. (1999). All in the family: Familiarity and Estrangement According to Marcel Proust. In M. Hirsch (Ed.), The Familial Gaze (pp. 223-247). Dartmouth NH: University Press of New England. [details]
    • Bal, M. G. (1999). Basic Instincts and Their Discontents. In M. Huesser (Ed.), Text and Visuality: Word and Image Interactions 3 (pp. 13-32). Amsterdam/Atlanta: Rodopi. [details]
    • Bal, M. G. (1999). Close Reading Today: From Narratology to Cultural Analysis. In A. Solbach, & W. Grunzeig (Eds.), Grenzüberschreitungen: Narratologie im Kontext/Transcending Boundaries: Narratology in Context (pp. 19-40). Tübingen: Gunter Narr Verlag. [details]
    • Bal, M. G. (1999). Geelzucht en Schone Letteren. De Witte Raaf, 77, 1-3. [details]
    • Bal, M. G. (1999). Introduction. In J. Crewe, M. Bal, & L. Spitzer (Eds.), Acts of Memory: Cultural Recall in the Present (pp. VII-XVII). Hanover NH: University Press of New England. [details]
    • Bal, M. G. (1999). Memories in the Museum: Preposterous Histories. In J. Crewe, M. Bal, & L. Spitzer (Eds.), Acts of Memory: Cultural Recall in the Present (pp. 171-190). Hanover NH: University Press of New England. [details]
    • Bal, M. G. (1999). Narrative Inside Out: Louise Bourgeois' "Spider" as Theoretical Object. Oxford Art Journal, 22(2), 101-126. https://doi.org/10.1093/oaj/22.2.101 [details]
    • Bal, M. G. (1999). Ruumiiseen sisällytetty Tila (Space Incoporated). In K. Saarinkangas (Ed.), Kuvasta tilaan (pp. 299-333). Tampere: Vastapaino. [details]
    • Bal, M. G. (1999). Selbestporträt in einem facettierten Spiegel. In C. Lammer, & G. Buxbaum (Eds.), Schneewittchen: über den Mythos kalter Schönheit. Ein Eiskristalbuch (pp. 105-117). Tübingen: Konkursbuchverlag Claudia Gehrke. [details]
    • Bal, M. G. (1999). Snow White in the Wrong Story: Cultural Analysis, Aesthetics, and Catastrophic Culture. In J. Gripsrud (Ed.), Aesthetic Theory, Art and Popular Culture (pp. 33-57). (Kulturstudier; No. 8). Kristiansand: Nordic Academic Press. [details]

    1998

    • Bal, M. G. (1998). Hovering Between Thing and Event: Encounters with Lili Dujourie. Munchen: Kunstverein Munchen.
    • Bal, M. G. (1998). Jeannette Christensen's Time. Bergen/Noorwegen: Center for the Study of European Civilization.
    • Bal, M. G. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Munchen: Kunstverein Munchen. [details]
    • Bal, M. G. (1998). A Meagre One Thousand Words for Stefan Germer. Texte zur Kunst, 8 / 31, 43-45. [details]
    • Bal, M. G. (1998). A Meagre One Thousand Words for Stefan Germer. Texte zur Kunst, 8(31), 43-45. [details]
    • Bal, M. G. (1998). Alter Ego: le regard heteropathique dans A la recherche du temps perdu. In J. Leblanc (Ed.), Texte: Iconicite et Narrativite (pp. 107-125). Toronto: Trinity College. [details]
    • Bal, M. G. (1998). Back to the Future: Art and Its History. Semiotica, 3/4(119), 287-308. [details]
    • Bal, M. G. (1998). Charles Sanders Pierce. Encyclopedia of Aesthetics, 3, 448-451. [details]
    • Bal, M. G. (1998). David Reed's #275: A Story of Erotic Vision. In David Reed Paintings: Moving Pictures (pp. 36-49). San Diego: Museum of Contemporary Art.
    • Bal, M. G. (1998). Introduction to Reading "Rembrandt": Beyond the Word-Image Opposition. In W. H. Newell (Ed.), Interdisciplinarity: Essays from the Literature (pp. 363-387). New York: The College Entrance Examination Board.
    • Bal, M. G. (1998). Looking at the Other Side with Lili Dujourie. In The Fascinating Faces of Flanders: 58/98 Two Hours Wide or Two Hours Long (pp. 188-92). Antwerp: City of Antwerp. [details]
    • Bal, M. G. (1998). Narrative and the Visual and Literary Arts. Encyclopedia of Aesthetics, 3, 328-331. [details]
    • Bal, M. G. (1998). Reading Bathsheba: From Master Codes to Misfits. In A. Jensen Adams (Ed.), Rembrandt's "Bathsheba Reading King David's Letter (pp. 119-146). New York and Cambridge: Cambridge University Press.
    • Bal, M. G. (1998). Reading Bathsheba: From Master Codes to Misfits. In A. Jensen Adams (Ed.), Rembrandt's "Bathsheba Reading King David's Letter" (pp. 119-146). Cambridge/New York: Cambridge University Press.
    • Bal, M. G. (1998). Seeing Signs: The Use of Semiotics for the Understanding of Visual Art. In M. A. Holly, M. A. Cheetham, & K. Moxey (Eds.), The Subjects of Art History: Historical Objects in Contemporary Perspectives (pp. 74-93). New York: Cambridge University Press. [details]
    • Bal, M. G. (1998). Space, Inc., In J. E. Muller, E. W. B. Hess-Luttich, & A. van Zoest (Eds.), Signs & Space / Raum & Zeichen, Proceedings of International Conference on the Semiotics of Space and Culture in Amsterdam (pp. 199-223). Tubingen: Gunter Narr Verlag. [details]
    • Bal, M. G. (1998). Telling Objects: A Narrative Perspective on Collecting. In R. Cardinal, & J. Elsner (Eds.), The Cultures of Collecting (pp. 123-145). (Reaktion Books 1994). Tokyo: Kenkyusha Ltd..
    • Bal, M. G. (1998). Telling Objects: A Narrative Perspective on Collecting. In R. Cardinal, & J. Elsner (Eds.), The Cultures of Collecting (pp. 123-145). Tokyo: Reaktion Books 1994/Kenkyusha Ltd.. [details]
    • Bal, M. G. (1998). Tul a szo-kep oppozicion (an adaptation of Ch.1 of Reading "Rembrandt": Beyond the Word-Image Opposition. Enigma, 14-15, 132-164.
    • Bal, M. G., & Bryson, N. (1998). Semiotics and Art History: A Discussion of Context and Senders. In D. Preziosi (Ed.), The Art of Art History: A Critical Anthology (pp. 242-256). Oxford: Oxford University Press. [details]
    • Bal, M. G., & Bryson, N. (1998). Semiotics as a Theory of Art. Encyclopedia of Esthetics, 4, 263-267. [details]

    1997

    • Bal, M. G. (1997). Images Proustiennes, ou comment lire visuellement. Stanford: Stanford University Press. [details]
    • Bal, M. G. (1997). Images litteraires, ou comment lire visuellement Proust. Montreal: XYZ Editeur/Toulouse: Presses Universitaires de Toulouse. [details]
    • Bal, M. G. (1997). Narratology: Introduction to the Theory of Narrative. Toronto: University of Toronto Press. [details]
    • Bal, M. G. (1997). Narratology: Introduction to the Theory of Narrative. Toronto: University of Toronto Press. [details]
    • Bal, M. G. (1997). Documenta X: le parcours. Omnibus, oct., 8-40. [details]
    • Bal, M. G. (1997). Een jongetje van zes en een plaatje van een moeder. In V. Vasterling, H. H. Pott, R. Vall, v.d., & K. Vintges (Eds.), Liber amicorum. Over kunst, literatuur en filosofie (pp. 96-107). Meppel: Boom. [details]
    • Bal, M. G. (1997). Larger than Life: Ken Aptekar. Corcoran Gallery of Art, Washington D.C., oct., 5-12. [details]
    • Bal, M. G. (1997). Looking at Love: An Ethics of Vision. Diacritics, 1, 59-72.
    • Bal, M. G. (1997). Narcissus' Vision and Semiotic Space. S : European journal for semiotic studies, 9-1, 139-157. [details]
    • Bal, M. G., & (transl. by Milne, A. L. . (1997). The Mottled Screen: Reading Proust Visually. Stanford: Stanford University Press. [details]

    1996

    • Bal, M. G. (1996). Second-Person Narrative. Paragraph, 19-3, 179-204. https://doi.org/10.3366/para.1996.19.3.179 [details]
    • Bal, M. G. (1996). The Gaze in the Closet. In M. Jay, & T. Brennan (Eds.), Vision in Context: Historical and Contemporary Perspectives on Sight (pp. 139-154). London: Routledge.

    1995

    • Bal, M. G. (1995). Bird Watching: Visuality and Lesbian Desire in Marcel Proust's 'A la recherche du temps perdu'. Thamyris: mythmaking from past to present, 2(1), 45-66. [details]

    2014

    • Bal, M. (2014). Das Auge des Betrachters. In J. Bieber (Ed.), Real beauty (pp. 81-84). Goch: Pagina Verlag. [details]
    • Bal, M. (2014). Modus vivendi oder Das unvollendete Geschäft der Geschichte. In S. Folie, & I. Lafer (Eds.), Ulrike Grossarth - Wäre ich von Stoff, ich würde mich färben = Were I made of matter, I would color: Generali Foundation (pp. 35-51). Berlin: Sternberg Press. [details]
    • Bal, M. (2014). Modus vivendi, or History's unfinished business. In S. Folie, & I. Lafer (Eds.), Ulrike Grossarth - Wäre ich von Stoff, ich würde mich färben = Were I made of matter, I would color: Generali Foundation (pp. 295-308). Berlin: Sternberg Press. [details]
    • Bal, M. (2014). Mores leren. In A. Andeweg, & L. Wesseling (Eds.), Wat de verbeelding niet vermag! Essays bij het afscheid van Maaike Meijer (pp. 23-29). Nijmegen: Vantilt. [details]
    • Bal, M. (2014). The Beholder's Eye. In J. Bieber (Ed.), Real beauty (pp. 77-80). Goch: Pagina Verlag. [details]
    • Bal, M. (2014). Time on Show: Heterochrony in the Work of Stan Douglas. In F. Bradley, S. Baker, & M. Bal (Eds.), Stan Douglas (pp. 68-147). Edinburgh: Fruitmarket Gallery. [details]

    2013

    • Bal, M. (2013). Allo-Portraits: Inventing Deconstruction. In C. Gether, S. Høholt, M. Laurberg, C. Linvald, & N. Rasmussen (Eds.), Frida Kahlo: a life in art (pp. 56-67). Ishøj/Ostfildern: ARKEN Museum of Modern Art/Hatje Cantz. [details]
    • Bal, M. (2013). Art Moves. Arken Bulletin, 6, 25-29. http://www.arken.dk/bulletin/
    • Bal, M. (2013). Only so far: Drawing the Line, or Not. In Davant l’horitsó (pp. 197-223). Fundació Joan Miró.
    • Bal, M. (2013). Stasis: How to See. In M. Bal, & K. Stermole (Eds.), Trine Søndergaard: Stasis (pp. 7-24). Hatje Cantz Verlag. http://trinesondergaard.com/writings/stasis-how-to-see/

    2012

    • Bal, M. (2012). Extranjerías, or How to Exit Cultural Autism. In Knowledge politics and intercultural dynamics: actions, innovations, transformations: V Training Seminar of Young Researchers in Intercultural Dynamics (pp. 7-26). Barcelona: CIDOB edicions. [details]
    • Bal, M. (2012). Madame B.: l’analyse cinématographique d’un roman. Flaubert, Trad./Ad.(07 décembre 2012). [details]
    • Bal, M. (2012). Photograph. In M. J. Borja-Villel, & D. von Hantelmann (Eds.), James Coleman (pp. 246-253). Madrid: Museo Nacional Centro de Arte Reina Sofía.
    • Bal, M. (2012). Spatializing Film. In J. F. Hovden, & K. Knapskog (Eds.), Hunting high and low: skriftfest til Jostein Gripsrud på 60-årsdagen (pp. 160-182). Oslo: Scandinavian Academic Press. [details]

    2011

    • Bal, M. (2011). Fighting, Cutting, Crossing Him Out: Stripes Against Volume. In L. Cluitmans, & A. Zeqo (Eds.), He disappeared into complete silence: rereading a single artwork by Louise Bourgeois (pp. 73-82). (Onomatopee; No. 72). Haarlem: De Hallen [etc.]. [details]
    • Bal, M., & Hernández-Navarro, M. Á. (2011). Art and visibility in migratory culture: conflict, resistance, and agency. (Thamyris intersecting: place, sex, and race; No. 23). Amsterdam: Rodopi. [details]
    • Bal, M., & Williams Gamaker, M. (2011). Landscapes of Madness. In M. Hannula (Ed.), Landscapes of madness (pp. 12-21). [Amsterdam]: ASCA, University of Amsterdam. [details]

    2010

    • Bal, M. (2010). Of what one cannot speak: Doris Salcedo's political art. Chicago, IL: University of Chicago Press. [details]

    2009

    • Bal, M. (2009). Conversazioni sussurate. In I. Panicelli, M. Minini, M. Bal, G. Verzotti, & B. Schwabsky (Eds.), Betty Woodman (pp. 18). Brescia: Galleria Massimo Minini. [details]
    • Bal, M. (2009). Marcel y yo: Woodman a través de Proust = Marcel & me: Woodman through Proust. In I. Tejeda (Ed.), Francesca Woodman: retrospectiva = retrospective (pp. 114-141). Murcia: Región de Murcia, Espacio AV. [details]
    • Bal, M. (2009). Whispered conversations. In I. Panicelli, M. Minini, M. Bal, G. Verzotti, & B. Schwabsky (Eds.), Betty Woodman (pp. 19). Brescia: Galleria Massimo Minini. [details]
    • van Alphen, E., Bal, M., & Smith, C. (2009). The rhetoric of sincerity. (Cultural memory in the present). Stanford, CA: Stanford University Press. [details]

    2008

    • Bal, M. (2008). Double movement. In M. Bal, & Á. Hernández-Navarro (Eds.), 2move: video, art, migration (pp. 15-80). Murcia: Cendeac. [details]
    • Bal, M. (2008). Heterochronotopia. In M. Aydemir, & A. Rotas (Eds.), Migratory settings (pp. 35-56). (Thamyris/Intersecting: place, sex and race; No. 19). Amsterdam [etc.]: Rodopi. [details]

    2007

    • Bal, M. (2007). Exhibition as film. In S. MacDonald, & P. Basu (Eds.), Exhibition experiments (pp. 71-93). (New interventions in art history). Malden, MA: Blackwell. [details]
    • Bal, M. (2007). Lost in space, lost in the library. In S. Durrant, & C. M. Lord (Eds.), Essays in migratory aesthetic : cultural practices between migration and art-making (pp. 23-35). (Thamyris intersecting: place, sex and race; No. 17). New York: Rodopi. [details]
    • Bal, M. G. (2007). El arte contemporáneo y el mundo: el dolor de las imágines. In A. Férnandez, & et. al. (Eds.), Cuerpo y mirada, huellas del siglo XX (pp. 145-181). Madrid: Museo Nacional Centro de Arte Reina Sofía.
    • Bal, M. G. (2007). Forms of Movement. In Stereo Jesús Segura (pp. 9-16)
    • Bal, M. G. (2007). From Cultural Studies to Cultural Analysis. Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften, 2, 33-44.
    • Bal, M. G. (2007). Język afektu. Teksty Drugie, 1/2(103/104), 165-189.
    • Bal, M. G. (2007). Light politics. In M. Grynsztejn (Ed.), Take your time: Olafur Eliasson (pp. 153-182). New York & London: Thames and Hudson.
    • Bal, M. G. (2007). Lost in Space: the Violence of Language. In K. Kulavkova (Ed.), Violence and Art (pp. 53-68). (Interpretations: European Research Project for Poetics and Hermeneutics; No. 1). Skopje: Macedonian Academy of Sciences.
    • Bal, M. G. (2007). Migratory Aesthetics. In Another Publication (pp. 13-19). Rotterdam: the Piet Zwart Institute in collaboration with Revolver Archiv für Aktuelle Kunst.
    • Bal, M. G. (2007). The pain of Images. In M. Reinhardt, H. Edwards, & E. Duganne (Eds.), Beautiful Suffering: Photography and the Traffic in Pain (pp. 93-115). Chicago: University of Chicago Press.
    • Bal, M. G. (2007). Translating Translations. Journal of Visual Culture, 6(1), 5,109-11,124.
    • Bal, M. G. (2007). Women's Rembrandt. In G. Pollock, & J. Zemans (Eds.), Museums after Modernism: Strategies of Engagement (pp. 40-69). Blackwell Publishing.

    2006

    • Bal, M. G. (2006). Facing Severance. Intermedialités, 8, 189-210.
    • Bal, M. G. (2006). Nothing is missing. Intermedialités, 8, 189-224.
    • Bal, M. G., Spyer, P. E., & van Eekelen, B. (2006). Uncertain Territories. Boundaries in Cultural Analysis (Inge Boer). Amsterdam/New York: Rodopi.

    2004

    • Bal, M. G. (2004). Exposing the public. In M. Hagener, J. N. Schmidt, & M. Wedel (Eds.), Die Spur durch den Spiegel : der Film in der Kultur der Moderne (pp. 51-64). Berlin: Bertz. [details]
    • Bal, M. G. (2004). Religious canon and literary identity. In B. Philipsen, & E. Borgman (Eds.), Literary canons and religious identity (pp. 9-32). Aldershot: Ashgate. [details]

    2003

    • Bal, M. G. (2003). Allo-portraits. In D. Blostein, & P. Kleber (Eds.), Mirror or Mask? : Self-representation in the Modern Age (pp. 11-43). (Berliner Theaterwissenschaft; No. 11). Berlin: Vistas. [details]
    • Bal, M. G. (2003). Anthropometamorphose: sich verschweigende Pfade und Kristalle in Louise Bourgeois' Philosophie der Temporalität = Anthropometamorphosis: forking paths and crystals in Louise Bourgeois' Philosophy of temporality. In B. E. Stammer (Ed.), Louise Bourgeois: intime Abstraktionen = intimate abstractions (pp. 116-144). Berlin: Akademie der Künste. [details]
    • Bal, M. G. (2003). Anthropometamorphosis: forking paths and crystals in Louise Bourgeois' Philosophy of temporality. In J. Pienkos, & Kozinska (Eds.), Louise Bourgeois: geometry of desire (pp. 253-261). Warsaw: Zacheta Panstwowa Galeria Sztuki i Autorzy. [details]
    • Bal, M. G. (2003). Critique of voice: the open score of her face. In N. Pedri (Ed.), Travelling concepts: memory, narrative, image (pp. 91-114). Amsterdam: ASCA Press. [details]
    • Bal, M. G. (2003). Cultuur en traditie. In P. van Zilfhout (Ed.), Denken over cultuur: tekstbundel (pp. 225-255). Heerlen: Open Universiteit. [details]
    • Bal, M. G. (2003). Cultuur en traditie. In V. P. Zilfhout (Ed.), Denken over cultuur (pp. 225-255). Heerlen: Open Universiteit Nederland. [details]
    • Bal, M. G. (2003). De droom als theater: de droomduiding in het licht van hedendaagse cultuurstudies. In M. Taat (Ed.), De droomduiding herdacht : essays over cultuuronderzoek en psychoanalyse (pp. 93-107). Amsterdam: Boom. [details]
    • Bal, M. G. (2003). Ecstatic Aesthetics. In C. Farago, & R. Zwijnenberg (Eds.), Compelling Visuality: The Work of Art in and out of History (pp. 1-30). Minneapolis/London: University of Minnesota Press. [details]
    • Bal, M. G. (2003). Ecstatic aesthetics. In C. Farago, & R. Zwijnenberg (Eds.), Compelling visuality: the work of art in and out of history (pp. 1-30). Minneapolis: University of Minnesota Press. [details]
    • Bal, M. G. (2003). From cultural studies to cultural analysis: "A controlled reflection on the formation of method". In P. Bowman (Ed.), Interrogating cultural studies : theory, politics and practice (pp. 30-40). London: Pluto Press. [details]
    • Bal, M. G. (2003). Her Majesty's masters. In M. F. Zimmermann (Ed.), The art historian: national traditions and institutional practices (pp. 81-109). Williamstown, MA: Sterling and Francine Clark Art Institute. [details]
    • Bal, M. G. (2003). Meanwhile: literature in an expanded field. Journal of the Australasian Universities Language and Literature Association, 99 (May), 1-22. [details]
    • Bal, M. G. (2003). Meanwhile: literature in an expanded field. In I. Hoving, F. W. Korsten, & E. van Alphen (Eds.), Africa and its significant others : forty years of intercultural entanglement (pp. 183-198). (Thamyris intersecting: place, sex and race; No. 11). Amsterdam: Rodopi. [details]
    • Bal, M. G. (2003). Mieke Bal's reply to the responses to her article 'Visual essentialism and the object of visual culture'. Journal of Visual Culture, 2(2), 5-32. https://doi.org/10.1177/147041290300200101 [details]
    • Bal, M. G. (2003). Norman Bryson, British historian of art and visual culture. In C. Murray (Ed.), Key writers on art: the twentieth century (pp. 62-68). London: Routledge. [details]
    • Bal, M. G. (2003). Visual essentialism and the object of visual culture. Journal of Visual Culture, 2(1), 5-32. https://doi.org/10.1177/147041290300200101 [details]
    • Bal, M. G. (2003). Zwarte Piet's Bal Masque. In P. van Zilfhout (Ed.), Denken over cultuur : tekstbundel (pp. 225-255). Heerlen: Open Universiteit. [details]

    2002

    • Bal, M. G. (2002). Women as the Topic. In A. Dixon (Ed.), Women Who Ruled: Queens, Goddesses, Amazons in Renaissance and Baroque Art (pp. 61-96). London: Merrell. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (2002). Over literatuur. - 5e, herz. dr. Bussum: Coutinho. [details]

    2001

    • Bal, M. G. (2001). Anthropology with an Attitude: Critical Essays (Johannes Fabian). (Cultural memory in the Present). Stanford: Stanford University Press. [details]
    • Bal, M. G. (2001). Futures: Of Derrida (Richard Rand, ed.). (Cultural Memory in the Present). Stanford CA: Stanford University Press. [details]
    • Bal, M. G. (2001). In Prais of New Travelers: Reading Carribean Migrant Women Writers (Isabel Hoving). (Cultural memory in the Present). Stanford CA: Stanford University Press. [details]
    • Bal, M. G. (2001). Institution and Interpretation: Expanded Edition (Samuel Weber). (Cultural Memory in the Present). Stanford CA: Stanford University Press. [details]
    • Bal, M. G. (2001). Skyline: The Narcissistic City (Hubert Damisch, tr. John Goodman). (Cultural memory in the Present). Stanford CA: Stanford University Press. [details]
    • Bal, M. G. (2001). Soundproof Room: Malraux'Anti-Aesthetics (Jean-Francois Lyotard, tr. Robert Harvey). (Cultural Memory in the Present). Stanford CA: Stanford University Press. [details]
    • Bal, M. G. (2001). The Speculative Remark: (One of Hegel's bon mots) (Jean-Luc Nancy, tr. Céline Surprenant). (Cultural memory in the Present). Stanford CA: Stanford University Press. [details]
    • Bal, M. G. (2001). Veils (Helène Cixoux and Jacques Derrida, tr. Geoffrey Bennington, drawings by E. Pignon-Ernest). Stanford: Stanford University Press. [details]
    • Bal, M. G. (2001). Veils / Hélène Cixous, Jacques Derrida ; translated by Geoffrey Bennington ; with drawings by Ernest Pignon-Ernest. (Cultural memory in the present). Stanford, CA: Stanford University Press. [details]
    • Bal, M. G. (2001). Dreaming art. Journal of the Institute for Art History of the Academy of Sciences of the Czech Republic, XLIX(5), 370-383. [details]
    • Bal, M. G. (2001). Fragmented bodies. In M. G. Bal (Ed.), Louise Bourgeois' "Spider" : the architecture of art-writing (pp. 24-28). Chigaco: University of Chicago Press. [details]
    • Bal, M. G. (2001). George Deem and Peter Angelo Simon: timely conversation. In G. Deem, P. Angelo, & M. G. Bal (Eds.), George Deem and Peter Angelo Simon : paintings and photographs in conversation (pp. 4-40). Evansville: Evansville Museum of Arts and Science. [details]
    • Bal, M. G. (2001). Jeanette Christensen. Artwords, 57/58, 98-102. [details]
    • Bal, M. G. (2001). Prosthetic poetics. In N. Roelens, & W. Strauven (Eds.), Homo orthopedicus : le corps et ses prothèses à l'époque (post)moderniste (pp. 139-166). (L'ouverture philosophique). Paris: L'Harmattan. [details]
    • Bal, M. G. (2001). Three-way misreading [Review of: G.C. Spivak. Critique of postcolonial reason: toward a history of the vanishing present]. Diacritics, 30, 2-24.

    2000

    • Bal, M. G., & de Vries, H. (2000). David S. Ferris, Silent Urns: Romanticsm, Hellenism , Modernity. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Jacques Derrida/Anne Dufourmantelle, Of Hospitality: Anne Dufourmantelle Invites Jacques Derrida to Respond. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Jean-François Lyotard, The Confession of Augustine. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Jeffrey S. Librett, The Rhetoric of Cultural Dialogue: Jews and Germans from Moses Mendelssohn to Richard Wagner and Beyond. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Kaja Silverman, World Spectators. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Niklas Luhmann, The Reality of the Mass Media. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Samuel C. Wheeler III, Deconstruction as Analytic Philosophy. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Samuel Weber, The Legend of Freud: Expanded Edition. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). Ulrich Baer, Remnants of Song: Trauma and the Expereience of Modernity in Charles Baudelaire an Paul Celan. (New Series 1997). Stanford: Stanford University Press. [details]
    • Bal, M. G., & de Vries, H. (2000). William Rasch, Niklas Luhmann's Modernity: The Paradoxes of Differentation. Stanford: Stanford University Press. [details]

    1999

    • Bal, M. G. (1999). Quoting Caravaggio. Contemporary Art, Preposterous History. Chicago: The University of Chicago Press. [details]
    • Bal, M. G. (1999). Quoting Caravaggio: Contemporary Art, Preposterous History. Chicago: University of Chicago Press.
    • Bal, M. G. (1999). The practice of cultural analysis: exposing interdisciplinary interpretation. Stanford: Stanford University Press. [details]
    • Bal, M. G. (1999). Ann Veronica Janssens: Labo de Lumière/Light in Life's Lab. In For the exhibition on Ann Veronica Janssens in the Belgian Pavilion of the 1999 Venice Biennale (pp. 1-19). Brussel/Luik: /La lettre volée. [details]
    • Bal, M. G. (1999). Points of Departure: Portraits of the Body's Cover-up. In Exhibition Catalogue Jeannette Christensen / Kim Soo-Ja (pp. 4-23). Feldbach (Austria): Kunsthalle Feldbach. [details]
    • Bal, M. G., Crewe, J., & Spitzer, L. (1999). Acts of Memory: Cultural Recall in the Present. Hanover NH: University Press of New England. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1999). Over literatuur. - 4e druk. Bussum: Coutinho. [details]

    1998

    • Bal, M. G. (1998). Intellectual traditions in movement. (ASCA Brief; No. 3). Amsterdam: ASCA. [details]
    • Bal, M. G. (1998). Jeanette Christensen's time. Bergen: Centre for the Study of European Civilization. [details]
    • Bal, M. G. (1998). A meagre one thousand words for Stefan Germer. Texte zur Kunst, 8(31), 43-45. [details]
    • Bal, M. G. (1998). Alter ego: le regard hétéropathique dans A la recherche du temps perdu. In J. Leblanc (Ed.), Iconicité et narrativité (pp. 107-125). (Texte; No. 21/22). Toronto: Trinity College. [details]
    • Bal, M. G. (1998). Back to the future: art and its history. Semiotica, 119(3/4), 287-308. [details]
    • Bal, M. G. (1998). Charles Sanders Peirce. In M. Kelly (Ed.), Encyclopedia of aesthetics. Vol. 3 (pp. 448-451). New York: Oxford University Press. [details]
    • Bal, M. G. (1998). David Reed's # 275: a story of erotic vision. In E. Armstrong (Ed.), David Reed paintings : motion pictures (pp. 36-49). La Jolla: Museum of Contemporary Art. [details]
    • Bal, M. G. (1998). Frame her if you can! Art Bulletin of Nationalmuseum Stockholm, 5, 137-152. [details]
    • Bal, M. G. (1998). Introduction to Reading "Rembrandt": beyond the word-image opposition. In W.H. Newell (Ed.), Interdisciplinarity: essays from the literature (pp. 363-387). New York: College Entrance Examination Board. [details]
    • Bal, M. G. (1998). Looking at the other side with Lili Dujourie. In I. Kockelbergh, & B. Vanderlinden (Eds.), The fascinating faces of Flanders : 58\98 Two hours wide or two hours long (pp. 188-192). Antwerp: City of Antwerp. [details]
    • Bal, M. G. (1998). Narrative and the visual and literary arts. In M. Kelly (Ed.), Encyclopedia of aesthetics. Vol. 3 (pp. 328-331). New York: Oxford University Press. [details]
    • Bal, M. G. (1998). Quoting Caravaggio. In Center 18: Record of Activities and Research Reports, June 1997-May 1998 (pp. 45-48). Washington: National Gallery of Art, Center for Advanced Study in the Visual Arts. [details]
    • Bal, M. G. (1998). Reading Bathsheba: from master codes to misfits. In A. J. Adams (Ed.), Rembrandt's "Bathsheba reading King David's letter" (pp. 119-146). (Masterpieces of Western painting). New York: Cambridge University Press. [details]
    • Bal, M. G. (1998). Seeing signs: the use of semiotics for the understanding of visual art. In M. A. Cheetham, M. A. Holly, & K. Moxey (Eds.), The subjects of art history: historical objects in contemporary perspectives (pp. 74-93). New York: Cambridge University Press. [details]
    • Bal, M. G. (1998). Semiotics and art history: a discussion of context and senders. In D. Preziosi (Ed.), The art of art history: a critical anthology (pp. 242-256). (Oxford history of art). Oxford: Oxford University Press. [details]
    • Bal, M. G. (1998). Space, Inc. Kodikas. Supplement, 199-256. [details]
    • Bal, M. G. (1998). Túl a szó-kép oppozíción (an adaptation of Ch. 1 of Reading "Rembrandt": Beyond the Word-Image Opposition). Enigma, 14/15, 132-164. [details]
    • Bal, M. G., & Bryson, N. (1998). Semiotics as a Theory of Art. In M. Kelly (Ed.), Encyclopedia of aesthetics. Vol. 4 (pp. 231-267). New York: Oxford University Press. [details]
    • Bal, M. G., & Hartvig, G. (1998). Introduction: balancing vision and narrative: látvány és narrativa egyensúlya. (Narratívak; No. 1). Budapest: Kijarat. [details]
    • Bal, M. G., & Rust, S. F. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. M|nchen: Fink. [details]

    1997

    • Bal, M. G. (1997). Larger than life: reading the Corcoran Collection. In Boime (Ed.), Ken Aptekar : talking to pictures (pp. 5-12). Washington: Corcoran Gallery of Art. [details]
    • Bal, M. G. (1997). Looking at love: an ethics of vision [Review of: K. Silverman. The threshold of the visible world]. Diacritics, 27, 59-72.
    • Bal, M. G. (1997). Narratologie et dialogue. In D. Luzzati (Ed.), Le dialogique: colloque international sur les formes philosophiques, linguistiques, littéraires, et cognitives du dialogue (pp. 259-268). (Sciences pour la communication; No. 51). Bern: Peter Lang. [details]
    • Bal, M. G. (1997). Shifting visions: history and the contemporary collection (& discussion). In The curator, the museum, the collection: International Committee of Museums of Modern Art (CIMAM) Annual Meeting Barcelona 1997 (pp. 27-37). Barcelona: Fundación "a Caixa". [details]
    • Bal, M. G. (1997). Vers une narratologie visuelle: poétique du détail dans la narration : l'exemple de Proust, in María Concepción Pérez. In Los géneros literarios: curso superior de narratología narratividad-dramaticida (pp. 17-30). (Serie Literatura; No. 20). Sevilla: Universidad de Sevilla. [details]
    • Bal, M. G., Elsaesser, T., Pranger, M. B., de Vries, H., & Weststeijn, W. G. (1997). Visions and voices of otherness. (ASCA Brief; No. 2). Amsterdam: ASCA Press. [details]

    1996

    • Bal, M. G. (1996). Double Exposures. New York: Routledge. [details]
    • Bal, M. G. (1996). Focalization. In S. Onega, & J. A. García Landa (Eds.), Narratology: an introduction (pp. 115-128). (Longman critical readers). London: Longman. [details]
    • Bal, M. G. (1996). Gaze in the closet. In T. Brennan, & M. Jay (Eds.), Vision in context: historical and contemporary perspectives on sight (pp. 139-154). London: Routledge. [details]
    • Bal, M. G. (1996). Lacan in dialoog: Kaja Silverman en film. In K. Nuijten, & N. Kok (Eds.), In dialoog met Lacan (pp. 195-216). Meppel: Boom. [details]
    • Bal, M. G. (1996). Le verre grossissant. Etudes Litteraires, 28, 13-28. [details]
    • Bal, M. G. (1996). Proust et l'image primitive. Gravida, 1(1), 59-70. [details]
    • Bal, M. G. (1996). Reading art? In G. Pollock (Ed.), Generations and geographies in the visual arts: feminist reading (pp. 25-41). London: Routledge. [details]
    • Bal, M. G. (1996). Semiotic Elements in Academic Practices. Critical Inquiry, 569-585. [details]
    • Bal, M. G. (1996). Signs in Painting. The Art Bulletin, 78, 6-9. https://doi.org/10.2307/3046154 [details]
    • Bal, M. G. (1996). The Discourse of the Museum. In B. Ferguson, R. Greenberg, & D. Nairne (Eds.), Thinking About Museums (pp. 201-218). New York: Routledge. [details]
    • Bal, M. G. (1996). Un objet d'obsession: la photo d'outre-tombe. Vives Lettres, 1(2), 75-91. [details]
    • Bal, M., Elsaesser, T., Pranger, M. B., Spyer, P. E., de Vries, H., & Weststeijn, W. G. (1996). Issues in cultural analysis. (Brief: ASCA yearbook; No. 1). Kampen: Kok Pharos. [details]
    • Spyer, P. E., Bal, M. G., Elsaesser, T., Pranger, B., de Vries, H., & Weststeijn, W. (1996). Brief: Issues in Cultural Analysis, ASCA Yearbook. The Netherlands: Kok Pharos. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1996). Over literatuur. Bussum: Couthino. [details]

    1995

    • Bal, M. G. (1995). Meurtre et difference. Methodologie semiotique de textes anciens. Montreal: XYZ Editeur. [details]
    • Bal, M. G. (1995). Cultural studies and philosophy. Parallax, 1(1), 110-113. [details]
    • Bal, M. G. (1995). De verbeelding van vrouwen. Cahier Charlotte van Pallandt, sept.. [details]
    • Bal, M. G. (1995). Head Hunting: "Judith" on the Cutting Edge of Knowledge. In A. Brenner (Ed.), A Feminist comnpanion to Esther, Judith and Susanna (pp. 253-286). Sheffield: Sheffield Academic Press. [details]
    • Bal, M. G. (1995). Lire l'un avec l'autre: Chardin et Proust. In C. G. Meerhoff, & L. Hoek (Eds.), Rhetorique et image. Textes en hommage a A. Kibedi Varga (pp. 179-197). Amsterdam/Atlanta, GA: Rodopi. [details]
    • Bal, M. G. (1995). Over haar lijk: waarheid en cultuurverschil (met een naschrift). In A. van de Zande, & A. Verbiest (Eds.), Een zee van golven. 5 jaar Annie Romein-Verschoorlezingen (pp. 18-48). Nijmegen: Vita. [details]
    • Bal, M. G. (1995). Plaidoyer pour un personnage plat: a propos d'une page de Proust. In G. Lavergne (Ed.), Le personnage romanesque. Cahiers de narratologie (pp. 11-28). Nice: Ass. des Publications de la Faculte des Lettres de Nice. [details]
    • Bal, M. G. (1995). Reading the Gaze: The Construction of Gender in "Rembrandt". In B. Readings, & S. Melville (Eds.), Vision & Textuality (pp. 147-173). Londen: Macmillan. [details]
    • Bal, M. G. (1995). Zichtbaar ont-zettend: Proust en het fotografisch oog. In J. Plessen (Ed.), Marcel Proust Vereniging Jaarboek 1993/1994 (pp. 77-93). Amsterdam: Marcel Proustvereniging en Bosbespers. [details]

    1994

    • Bal, M. G. (1994). 'The Rape of Lucrece' and The Story of W. In A. J. Hoenselaars (Ed.), Reclamations of Shakespeare (pp. 75-104). Amsterdam: Rodopi. [details]
    • Bal, M. G. (1994). On Meaning-Making: Essays in Semiotics. Sonoma, CA: Polebridge Press. [details]
    • Bal, M. G. (1994). Reading Rembrandt: Beyond the Word-Image Opposition (2d edition). New York: Cambridge University Press. [details]
    • Bal, M. G. (1994). De Turner-turn. Over de ritueelgekte in de literatuurwetenschap in de jaren tachtig. Antropologische verkenningen, 13(4), 56-68. [details]
    • Bal, M. G. (1994). Dead Flesh, or the Smell of Painting. In M. Holly, N. Byrson, & K. Moxey (Eds.), Visual Culture: Theories and Interpretations (pp. 365-383). Hannover/Londen: Wesleyen University Press. [details]
    • Bal, M. G. (1994). Een gebruiksaanwijzing in gebruik: narratologie van onderzoek naar onderwijs. Nieuwe Taalgids, 87(4), 352-355. [details]
    • Bal, M. G. (1994). Give and Take. In K. Frank, C. Barrow, J. Phillips, & R. Sanderlin (Eds.), Gender, Race, Identity (pp. 3-9). Chattanooga, TN: Southern Humanities Press. [details]
    • Bal, M. G. (1994). Head Hunting: "Judith" on the Cutting Edge. Journal for the Study of the Old Testament, 63, 3-34. [details]
    • Bal, M. G. (1994). Identification et l'apprentissage de la compassion: Proust et la photographie. In C. Stevens, & S. van Dijk (Eds.), (En)jeux de la communication romanesque. Hommage a Francoise van Rossum-Guyon (pp. 241-256). Amsterdam/Philadelphia: Rodopi. [details]
    • Bal, M. G. (1994). Instantanes. In S. Bertho (Ed.), Proust contemporain (pp. 117-130). (C.R.I.N.; No. 28). Amnsterdam/Atlanta: Rodopi. [details]
    • Bal, M. G. (1994). Scared to Death: Metaphor, Theory and the Adventure of Scholarship. In M. Ledbetter, & D. Jasper (Eds.), In Good Company: Essays in Honor of Robert Detweiler (pp. 11-32). Atlanta: The Scholar Press. [details]
    • Bal, M. G. (1994). Telling Objects: A Narrative Perspective in Collecting. In R. Cardinal, & J. Elsner (Eds.), The Cultures of Collecting (pp. 97-115). Londen: Reaktion Books. [details]
    • Bal, M. G. (1994). Verbeelding: Verschijningsvormen van narcisme/Imagination: manifestations of narcissism. In E. Janssen (Ed.), Narcissus en de poel des verderfs/Narcissus and the Pool of Corruption (pp. 33-50). Rotterdam: Museum Boymans van Beuningen. [details]
    • Bal, M. G., & Boer, I. E. (1994). The Point of Theory Practices of Cultural Analysis. Amsterdam: Amsterdam University Press. [details]
    • Bal, M. G., & Boer, I. E. (1994). Scared to Death. In I. E. Boer, & M. G. Bal (Eds.), The Point of Theory: Practices of Cultural Analysis (pp. 32-47). Amsterdam: Amsterdam University Press. [details]

    1993

    • Bal, M. G. (1993). A body of Writing: Judges 19. In A. Brenner (Ed.), A Feminist Companion to Judges (pp. 208-230). Sheffield: Sheffield Academic Press. [details]
    • Bal, M. G. (1993). Cultuur en macht. In A. van Breemen, & J. Fabian (Eds.), Denken over cultuur: gebruik en misbruik van een concept (pp. 327-347). Open Universiteit: Heerlen. [details]
    • Bal, M. G. (1993). First person, second person, same person: narrative as epistemology. New Literary History, 24(2), 293-320. https://doi.org/10.2307/469408 [details]
    • Bal, M. G. (1993). Heroism and proper names, or the fruits of analogy. In A. Brenner (Ed.), A feminist companion to Ruth (pp. 42-70). (The feminist companion to the Bible; No. 3). Sheffield: Sheffield Academic Press. [details]
    • Bal, M. G. (1993). His master's eye. In D. M. Levin (Ed.), Modernity and the hegemony of vision (pp. 379-404). Berkeley, CA: University of California Press. [details]
    • Bal, M. G. (1993). Letteren, vrouwenstudies, psychoanalyse: een driehoeksverhouding met relatieproblemen. In Psychoanalyse en feminisme (pp. 89-106). (Allure: jaarschrift vrouwenstudies letteren; No. 1). Amsterdam: Amsterdam University Press. [details]
    • Bal, M. G. (1993). Light in painting: de-seminating art history. In P. Brunette, & D. Wills (Eds.), Deconstruction and the visual arts: art, media, architecture (pp. 49-64). (Cambridge studies in new art history and criticism). Cambridge: Cambridge University Press. [details]
    • Bal, M. G. (1993). Metaphors he lives by. In C. V. Camp (Ed.), Women, war, and metaphor: language and society in the study of the Hebrew Bible (pp. 185-207). (Semeia; No. 61). Atlanta, GA: Scholars Press. [details]
    • Bal, M. G. (1993). The Elders and Susanna. Biblical Interpretation, 1(1), 1-19. [details]
    • Bal, M. G. (1993). Vitsen med narratologi. Tidskrift för Litteraturvetenskap, 2-3, 2-25. [details]

    1992

    • Bal, M. G. (1992). Avec son regard de maître. Protée, 20(Automne), 54-68. [details]
    • Bal, M. G. (1992). De grenzen van wetenschappelijkheid. Forum der Letteren, 33(4), 275-283. [details]
    • Bal, M. G. (1992). Hou je nog van me?: de hang naar houvast is geen 'typische vrouwenkwaal'. Opzij, 20(2), 51-59. [details]
    • Bal, M. G. (1992). Narratology and the rhetoric of trashing [Review of: Coste. Narrative as communication]. Comparative Literature, 44, 543-552.
    • Bal, M. G. (1992). Over her dead body. In I. Kaur (Ed.), Literature and gender (pp. 556-594). (New world literature series; No. 60). New Delhi: B.R. Pub. Corp.. [details]
    • Bal, M. G. (1992). Prema kritickoj naratologiji. In V. Biti (Ed.), Suvremena teorija pripovijedanja (pp. 54-340). (Biblioteka Theoria universalis; No. 7). Zagred: Globus. [details]
    • Bal, M. G. (1992). Rape: problems of intention. In E. Wright (Ed.), Feminism and psychoanalysis (pp. 367-371). Oxford: Blackwell. [details]
    • Bal, M. G. (1992). Telling, showing, showing off: a walking tour. Critical Inquiry, 18(Spring), 556-594. https://doi.org/10.1086/448645 [details]
    • Bal, M. G. (1992). The predicament of semiotics [Review of: U. Eco. The limits of interpretation]. Poetics Today, 13, 293-306.
    • Bal, M. G. (1992). Who cares?: where stories come from and what they do. In A. van Berlo, & Y. de Kiwitz-de Ruijter (Eds.), Information in a healthy society: health in the information society (pp. 276-281). (Health information and health promotion; No. 1). Knegsel: Akontes Publishing. [details]
    • Bal, M. G., & Bryson, N. (1992). Reply. The Art Bulletin, 74(3), 528-531. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1992). Inleiding in de literatuurwetenschap. - 7e, herziene druk. Muiderberg: Coutinho. [details]

    1991

    • Bal, M. G. (1991). "Door zuiverheid gedreven": het troebele water van Het land van herkomst van E. du Perron. In E. van Alphen (Ed.), De canon onder vuur: Nederlandse literatuur tegendraads gelezen (pp. 122-142). Amsterdam: Van Gennep. [details]
    • Bal, M. G. (1991). On story-telling: essays in narratology. (Foundations & facets. Literary facets). Sonoma, CA: Polebridge Press. [details]
    • Bal, M. G. (1991). Lots of writing. Semeia, 54, 77-102. [details]
    • Bal, M. G. (1991). Mooie boel: een driehoeksverhouding in lagen. In R. T. Segers (Ed.), Visies op cultuur en literatuur: opstellen naar aanleiding van het werk van J.J.A. Mooij (pp. 157-162). Amsterdam: Rodopi. [details]
    • Bal, M. G. (1991). Murder and difference: uncanny sites in an uncanny world. Literature & Theology, 5(1), 11-19. [details]
    • Bal, M. G. (1991). The politics of citation [Review of: Malek Alloula. The colonial harem]. Diacritics, 21, 25-45.
    • Bal, M. G. (1991). Une ou deux choses... Protée, 19(1), 51-60. [details]

    1990

    • Bal, M. (1990). Dealing/with/women: daughters in the Book of Judges. In R. M. Schwartz (Ed.), The Book and the text : the Bible and literary theory (pp. 16-39). Cambridge, Mass.: Basil Blackwell. [details]
    • Bal, M. G. (1990). De theorie van vertellen en verhalen: inleiding in de narratologie. Muiderberg: Coutinho. [details]
    • Bal, M. G. (1990). Over haar lijk: waarheid, wetenschap en cultuurverschil. (Annie Romein-Verschoor lezingen; No. 1). Amsterdam: Dekker. [details]
    • Bal, M. G. (1990). Verf en verderf : lezen in Rembrandt. Amsterdam: Prometheus. [details]
    • Bal, M. G. (1990). De-disciplining the eye. Critical Inquiry, 16(3), 506-531. https://doi.org/10.1086/448544 [details]
    • Bal, M. G. (1990). Dis-semination: "Rembrandt" and the navel of the text". Literature, Interpretation, Theory, 2, 145-166. [details]
    • Bal, M. G. (1990). Experiencing murder: ritualistic interpretation of ancient texts. In K. M. Ashley (Ed.), Victor Turner and the construction of cultural criticism: between literature and anthropology (pp. 3-20). Bloomington, IN: Indiana University Press. [details]
    • Bal, M. G. (1990). Showcase. In R. Corbey, & P. van der Grijp (Eds.), Natuur en cultuur: beschouwingen op het raakvlak van antropologie en filosofie : liber amicorum voor Ton Lemaire (pp. 209-219). Baarn: Ambo. [details]
    • Bal, M. G. (1990). The point of narratology. Poetics Today, 11(4), 727-753. https://doi.org/10.2307/1773075 [details]
    • Bal, M. G. (1990). Visual poetics: reading with the other art. In M. Kreiswirth, & M. A. Cheetham (Eds.), Theory between the disciplines : authority, vision, politics (pp. 135-150). Ann Arbor, MI: University of Michigan Press. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1990). Over literatuur. - 2e herz. druk. Muiderberg: Coutinho. [details]

    1989

    • Bal, M. G. (1989). Anti-covenant: counter-reading women's lives in the Hebrew Bible. (Bible and literature series; No. 22). Sheffield: The Almond Press. [details]
    • Bal, M. G. (1989). Macht, mythe en misverstand, en het recht om verkeerd te lezen : over Richteren 19 en het interpretatieprobleem. Amsterdam: Katholieke Theologische Faculteit Amsterdam. [details]
    • Bal, M. G. (1989). Beste mensen. In H. van Dorsen (Ed.), Unknown (pp. 13-18). Voorburg: Protestantse Stichting tot Bevordering van het Bibliotheekwezen en de Lectuurvoorlichting in Nederland. [details]
    • Bal, M. G. (1989). Communicatie of eenzijdige macht: Susanna en de ouderlingen in de bijbel en bij Rembrandt. In L. Feenstra, R. O. Fock, & N. H. H. Beyer (Eds.), Communicatie (pp. 58-87). Meppel: Boom. [details]
    • Bal, M. G. (1989). Geheimpjes uit het rovershol: een reactie op Evelyn Kellers analyse van wetenschappelijke taal. Tijdschrift voor Vrouwenstudies, 38(10 : 2), 271-286. [details]
    • Bal, M. G. (1989). Language and its motivations. In Three cultures: fifteen lectures on the confrontation of academic cultures (pp. 31-42). The Hague: Universitaire Pers Rotterdam. [details]
    • Bal, M. G. (1989). Literature and its insistent other. Journal of the American Academy of Religion, 57(2), 373-383. [details]
    • Bal, M. G. (1989). Literatuurwetenschap interdisciplinair. In G. E. Booij (Ed.), 19 letterkundige squibs (pp. 336-339). (Spektator; No. 18, nr. 5). Dordrecht: Foris. [details]
    • Bal, M. G. (1989). On looking and reading: word and image, visual poetics, and comparative arts. Semiotica, 3/4, 283-320. [details]
    • Bal, M. G. (1989). Reading as empowerment: teaching the Bible from a feminist perspective. In B. N. Olshen, & Y. S. Feldman (Eds.), Approaches to teaching the Hebrew Bible as literature in translation (pp. 87-92). (Approaches to teaching world literature; No. 25). New York: Modern Language Association of America. [details]
    • Bal, M. G. (1989). The effects of language. In Three cultures: fifteen lectures on the confrontation of academic cultures (pp. 57-70). The Hague: Universitaire Pers Rotterdam. [details]
    • Bal, M. G. (1989). Visual readers and textual viewers. VS, 52/53, 133-150. [details]
    • van Luxemburg, J., Bal, M. G., & Weststeijn, W. G. (1989). Tentang sastra. (Serie ILDEP; No. 37). Jakarta: Intermasa. [details]

    1988

    • Bal, M. G. (1988). Death & dissymmetry: the politics of coherence in the Book of Judges. (Chicago studies in the history of Judaism). Chicago: The University of Chicago Press. [details]
    • Bal, M. G. (1988). Eine Notlüge. In R. Jost, M. Korenhof, & E. R. Schmidt (Eds.), Feministisch gelesen. Bd 2: Ausgewählte Bibeltexte für Gruppen und Gemeinden, Gebete für den Gottesdienst (pp. 47-54). Stuttgart: Kreuz Verlag. [details]
    • Bal, M. G. (1988). Introduction: Visual perception. Style, 22(2), 177-182. [details]
    • Bal, M. G. (1988). Rivalität zwischen Männer - Grund der Unterdrückung von Frauen. In E. R. Schmidt, M. Korenhof, & R. Jost (Eds.), Feministisch gelesen. Vol. 1: 32 ausgewählte Bibeltexte für Gruppen, Gemeinden und Gottesdienste (pp. 60-66). Stuttgart: Kreuz Verlag. [details]
    • Bal, M. G. (1988). The rape of narrative and the narrative of rape: speech acts and body language in Judges. In E. Scarry (Ed.), Literature and the body : essays on populations and persons (pp. 1-32). (Selected papers from the English Institute; No. 12). Baltimore: Johns Hopkins University Press. [details]
    • Bal, M. G. (1988). Tricky thematics. In J. C. Exum, & J. W. H. Bos (Eds.), Reasoning with the foxes : female wit in a world of male power (pp. 133-155). (Semeia; No. 42). Atlanta, GA: Scholars Press. [details]
    • Bal, M. G., & Gumpert, M. (1988). Murder and difference: gender, genre, and scholarship on Sisera's death. (Indiana studies in biblical literature). Bloomington, IN: Indiana University Press. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1988). Inleiding in de literatuurwetenschap. - 6e druk. Muiderberg: Coutinho. [details]

    1987

    • Bal, M. G. (1987). Het Rembrandt effect: visies op kijken. (Kwarto-reeks; No. 8). Utrecht: HES. [details]
    • Bal, M. G. (1987). Lethal love: feminist literary readings of biblical love stories. (Indiana studies in Biblical literature). Bloomington: Indiana University Press. [details]
    • Bal, M. G. (1987). Force and meaning: Rembrandt and the interdisciplinary struggle of psychoanalysiss Semiotics and aesthetics. Semiotica, 63(3/4), 244-317. [details]
    • Bal, M. G. (1987). Myth à la lettre: Freud, Mann, Genesis and Rembrandt, and the story of the son. In S. Rimmon-Kenan (Ed.), Discourse in psychoanalysis and literature (pp. 343-378). London: Methuen. [details]
    • Bal, M. G. (1987). Naar zijn beeld en gelijkenis, of de identiteit van en tussen vertelinstanties. Forum der Letteren, 28(1), 43-52. [details]
    • Bal, M. G. (1987). Speech, murder, tricks and gender. RSSI. Recherches Sémiotiques. Semiotic Inquiry, 7(2), 127-151. [details]
    • Bal, M. G. (1987). Tekst en geschiedenis: reflecties over de sociale kleur van literatuur. In L. Coumou (Ed.), Verbeelden (pp. 9-24). (Zomeruniversiteit Vrouwenstudies 1987; No. 10). Groningen: Zomeruniversiteit Vrouwenstudies. [details]
    • Bal, M. G. (1987). Tuer sur parole: pour une narratologie dynamique. In M. Souchard (Ed.), Sémiotique et analyse textuelle: description, paraphrase, métalangage (pp. 234-277). Winnipeg: Collège Saint Boniface. [details]
    • Bal, M. G. (1987). Virginity: toward a feminist philology. Dispositio, 12, 30-82. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1987). Inleiding in de literatuurwetenschap. - 5e, herz. druk. Muiderberg: Coutinho. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1987). Over literatuur. Muiderberg: Coutinho. [details]

    1986

    • Bal, M. G. (1986). Femmes imaginaires: l'Ancien Testament au risque d'une narratologie critique. (Ecrire les femmes; No. 1). Utrecht: HES. [details]
    • Bal, M. G. (1986). De Bijbel als volksliteratuur. In R. Lemaire (Ed.), Ik zing mijn lied voor al wie met mij gaat: vrouwen in de volksliteratuur (pp. 45-71). (Tekst en maatschappij; No. 2). Utrecht: HES. [details]
    • Bal, M. G. (1986). De tekenen des tijds en de tijd als teken. In A. J. A. van Zoest (Ed.), De macht van de tekens: opstellen over maatschappij, tekst en literatuur (pp. 71-84). Utrecht: HES. [details]
    • Bal, M. G. (1986). Inconsciences de Chéri: Chéri existe-t-il? In B. Bray (Ed.), Colette: nouvelles approches critiques: actes du colloque de Sarrebruck (22-23 juin 1984) (pp. 15-25). Paris: Nizet. [details]
    • Bal, M. G. (1986). Quelle est la faute de l'abbé Mouret?: pour une narratologie diachronique et polémique. Australian Journal of French Studies, 23(2), 149-168. https://doi.org/10.3828/AJFS.1986.11 [details]
    • Bal, M. G. (1986). Tell-tale theories [Review of: F.K. Stanzel. A theory of narrative]. Poetics Today, 7, 555-564.
    • Bal, M. G. (1986). The Bible as literature: a critical escape [Review of: R. Alter. The art of biblical poetry]. Diacritics, 16, 70-80.
    • Bal, M. G. (1986). The language of subjectivity. In T. d' Haen (Ed.), Linguistics and the study of literature (pp. 201-217). (DQR Studies in literature; No. 1). Amsterdam: Rodopi. [details]

    1985

    • Bal, M. G. (1985). Semiotiek in de literatuur: communiceren, vertellen, liegen: de narratieve semiotiek van Bernstein. In S. Haakma (Ed.), Semiotiek (pp. 40-54). (Utrecht). Studium Generale. [details]
    • Bal, M. G. (1985). Sexuality, sin and sorrow: the emergence of the female character: a reading of Genesis 1-3. In The female body in Western culture: semiotic perspectives (pp. 21-42). (Poetics today; No. 6). Tel Aviv: Tel Aviv University, Porter Institute for Poetics and Semiotics. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1985). Inleiding in de literatuurwetenschap. - 4e herz. dr. Muiderberg: Coutinho. [details]

    1984

    • Bal, M. G. (1984). Psychopoetics: theory. (Poetics; No. 13 : 4/5). Amsterdam: North-Holland. [details]
    • Bal, M. G. (1984). Mise en abyme and metatextuality: sexual politics in the Book of Ruth. In W. van Peer, & J. Renkema (Eds.), Pragmatics and stylistics (pp. 71-94). Leuven ; Amersfoort: Acco. [details]
    • Bal, M. G. (1984). Pour une théorie critique de la subjectivité narrative. Lalies, 4, 107-148. [details]
    • Bal, M. G. (1984). Réfléchir la réflexion: du nom propre à la mise en abyme. Annali - Istituto Universitario Orientale, 44, 7-48. [details]
    • Bal, M. G. (1984). The rhetoric of subjectivity. Poetics Today, 5(2), 337-376. https://doi.org/10.2307/1771936 [details]
    • Bal, M. G. (1984). Verteltheorie. In A. G. H. Bachrach (Ed.), Moderne encyclopedie van de wereldliteratuur. Vol. 10 (pp. 106-108). (Haarlem ; Antwerpen). De Haan ; De Standaard. [details]
    • Bal, M. G. (1984). Why I? discussing the subject in/of semiotics [Review of: D. Carroll. The subject in question: the languages of theory and the strategies of fiction]. Poetics Today, 5, 857-965.
    • Bal, M. G., Weststeijn, W. G., & Hartoko, D. (1984). Pengantar ilmu sastra. Jakarta: Penerbit PT Gramedia. [details]
    • Bal, M. G., van Dijk, F., & van Ginneken, G. (1984). En Sara in haar tent lachte : patriarchaat en verzet in bijbelverhalen. (Tekst en maatschappij; No. 1). Utrecht: HES. [details]

    1983

    • Bal, M. G. (1983). Hoe eng is de poort? Het boek Ruth vanuit een feministische visie. Schrift, 85, 30-39. [details]
    • Bal, M. G. (1983). Naar een kritisch gebruik van genre-begrippen. Schrift, 90, 234-240. [details]
    • Bal, M. G. (1983). Over interpretatie. Tijdschrift voor Vrouwenstudies, 4(13), 121-134. [details]
    • Bal, M. G. (1983). The narrating and the focalizing: a theory of the agents in narrative. Style, 17(2), 234-269. [details]
    • Bal, M. G. (1983). The semiotics of symmetry, or the use of hermeneutic models. VS, 35-36, 7-36. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1983). Inleiding in de literatuurwetenschap. - 3e herz. druk. Muiderberg: Coutinho. [details]

    1982

    • Bal, M. G. (1982). Delila's onschuld: narratologie, psychoanalyse en ideologiekritiek. Tijdschrift voor Vrouwenstudies, 3(9), 34-73. [details]
    • Bal, M. G. (1982). Mimesis and genre theory in Aristotle's Poetics [Review of: Aristoteles, R. Dupont-Roc. La poétique]. Poetics Today, 3, 171-180.
    • Bal, M. G. (1982). On meanings and descriptions. In The semiotics of literary signification (pp. 100-148). (Studies in 20th century literature; No. 6 : 1/2). Manhattan, Kansas: Kansas State University. [details]
    • Bal, M. G. (1982). Structuralism, history and the semiotics of the subject: recent developments in French literary theory. In E. Ibsch (Ed.), Schwerpunkte der Literaturwissenschaft ausserhalb des deutschen Sprachraums (pp. 55-78). (Amsterdamer Beiträge zur neueren Germanistik; No. 15). Amsterdam: Rodopi. [details]
    • Bal, M. G. (1982). Théorie de la description: l'exemple de Madame Bovary. In P. M. Wetherhill (Ed.), Flaubert: la dimension du texte (pp. 175-236). Manchester: Manchester University Press. [details]
    • Bal, M. G. (1982). Verteltheorie als instrument voor ideologiekritiek. In C. J. M. Halkes (Ed.), Feministische theologie (pp. 266-280). Nijmegen: Studium generale. [details]
    • Bal, M. G., & van Alphen, E. (1982). Wilde dieren, of de verscheurde eenheid: over "De Sirenen" van Maria Dermoût. In J. C. Hoogteijling, & F. C. de Rover (Eds.), Over verhalen gesproken : analyses van verhalen (pp. 97-124). Groningen: Wolters-Noordhoff. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1982). Inleiding in de literatuurwetenschap. - 2e herz. druk. Muiderberg: Coutinho. [details]

    1981

    • Bal, M. G. (1981). Aristoteles semioticus. Spektator, 10(6), 490-495. [details]
    • Bal, M. G. (1981). Logica en realisme: kanttekeningen bij J. A. Dautzenberg: "De logische opbouw van de verhaaltheorie". Forum der Letteren, 22(2), 204-206. [details]
    • Bal, M. G. (1981). Methoden in de literatuurwetenschap. Tijdschrift voor Vrouwenstudies, 2(7), 394-417. [details]
    • Bal, M. G. (1981). Notes on narrative embedding. In Narratology III: narration and perspective in fiction (pp. 41-59). (Poetics today; No. 2 : 2). Durham, NC: Duke University Press. [details]
    • Bal, M. G. (1981). Teksttypen en taalhoudingen. In M. G. Bal (Ed.), Literaire genres en hun gebruik (pp. 7-31). Muiderberg: Coutinho. [details]
    • Bal, M. G. (1981). The laughing mice, or On focalization. In Narratology III: narration and perspective in fiction (pp. 202-210). (Poetics today; No. 2 : 2). Durham, NC: Duke University Press. [details]
    • Bal, M. G., & Bremer, J. M. (1981). Literaire genres en hun gebruik. Muiderberg: Coutinho. [details]
    • van Luxemburg, J., Bal, M., & Weststeijn, W. G. (1981). Inleiding in de literatuurwetenschap. Muiderberg: Coutinho. [details]

    1980

    • Bal, M. G. (1980). Descriptions: étude du discours descriptif dans le texte narratif. Lalies, 1, 99-129. [details]
    • Bal, M. G. (1980). Flaubert. In A. G. H. Bachrach (Ed.), Moderne encyclopedie van de wereldliteratuur. Vol. 3 (pp. 243-246). Haarlem: De Haan. [details]
    • Bal, M. G. (1980). Huisje, boompje, beestje: over beschrijvingen in verhalende teksten. Spektator, 9(4), 304-334. [details]
    • Bal, M. G. (1980). L'iconicité narrative. Zagadnienia Rodzajôw Literackich, 23(1), 11-18. [details]
    • Bal, M. G. (1980). Tradition et renouvellement: enseigner la littérature, à quoi bon? Le Français dans le Monde, 20(154), 59-64. [details]
    • Bal, M. G., & van Zoest, A. (1980). Structure narrative et signification: le cas de Wuthering Heights. Neophilologus, 1980, 333-346. [details]

    1979

    • Bal, M. G. (1979). Mensen van papier: over personages in de literatuur. (Puntkomma-reeks : literatuur en kommunikatie; No. 1). Brugge: Orion. [details]
    • Bal, M. G. (1979). De homo semioticus en zijn interpretatie van de werkelijkheid. Hollands Maandblad, 20(374). [details]
    • Bal, M. G. (1979). Over lachende muizen en naïeve zieners. Forum der Letteren, 20(4), 471-476. [details]
    • Bal, M. G. (1979). Wat zijn personages en wat doen we ermee? In M. G. Bal (Ed.), Mensen van papier: over personages in de literatuur (pp. 1-13). (Puntkomma-reeks; No. 1). Assen: Van Gorcum. [details]

    1978

    • Bal, M. G. (1978). Gebruiksaanwijzing bij het bestuderen van de verhaaltheorie van Greimas. Utrecht: Instituut voor Algemene literatuurwetenschap, Rijksuniversiteit Utrecht. [details]
    • Bal, M. G. (1978). Mise en abyme et iconicité. In Le travail des mots (pp. 116-128). (Littérature; No. 29). Paris: Larousse. [details]
    • Bal, M. G. (1978). Over narratologie, narrativiteit en narratieve tekens. Spektator, 7/9, 528-548. [details]

    1977

    • Bal, M. G. (1977). Narratologie: essais sur la signification narrative dans quatre romans modernes. Utrecht: HES. [details]
    • Bal, M. G. (1977). L'analyse structurale du récit. Le Français dans le Monde, 17 juli, 6-14. [details]
    • Bal, M. G. (1977). L'enseignement de la narratologie. Rapports, 47(2), 59-64. [details]
    • Bal, M. G. (1977). Narration et focalisation. Poétique (Collection), 29, 107-127. [details]
    • Bal, M. G. (1977). Strukturalistische verhaalanalyse: een poging tot systematisering. Forum der Letteren, 18(2), 105-119. [details]
    • Bal, M. G. (1977). Wanbegrip is nog sterieler : reaktie op een reaktie. Forum der Letteren, 18(4), 301-304. [details]

    1974

    • Bal, M. G. (1974). La complexite d'un roman populaire: Paris: La Pensee universelle. [details]
    • Bal, M. G. (1974). Du nouveau sur Colette. Rapports, 41(4), 12-23. [details]
    • Bal, M. G. (1974). Fonction de la description romanesque. Revue des Langues Vivantes, 40(2), 132-149. [details]
    • Bal, M. G. (1974). Un roman dans le roman: encadrement ou enchâssement? Neophilologus, 57(1), 2-21. [details]

    1973

    • Bal, M. G. (1973). Fonction narrative de la description. In Actes de la journée de travail sur Madame Bovary (pp. 7-14). Paris: E.N.S.. [details]

    1971

    • van Baalen, K., Oskamp, A., Bal, M. G., & Mathijsen-Verkooijen, M. T. C. (1971). Scholing in aktie : kritiese leerstof in vakprojecten voor alle scholen voor voortgezet onderwijs en vormingsinstituten voor werkende jeugd. Purmerend: J.Muusses. [details]

    2017

    • Bal, M. (2017). Emma & Edvard looking sideways: Loneliness and the cinematic. New Haven: Yale University Press. [details]

    2011

    • Bal, M. (2011). Earth Aches: The Aesthetics of the Cut. In J. A. Gaitán, N. Schafhausen, & M. Szewczyk (Eds.), Cornerstones (pp. 212-227). Rotterdam / Berlin: Witte de With Publishers / Sternberg Press. [details]
    • Bal, M. (2011). I väntan på det politiska ögonblicket. In Doris Salcedo: Plegaria muda (pp. 88, 90, 92, 94, 96, 98, 100, 102, 104). München/London/New York: Prestel. [details]
    • Bal, M. (2011). La última frontera. In M. Bal, & M. Á. Hernández-Navarro (Eds.), La última frontera = The last frontier (pp. 16-24). [Murcia]: Fundación José García Jiménez. [details]
    • Bal, M. (2011). Memory as lace = Herinneringen van kant = Erinnerungen aus Spitze. In M. Rehkopp, M. Gesing, S. van Hout, R. Schulp, & G. Caspary (Eds.), Seet van Hout: Red Greenhouse (pp. 30-35). Rheine: Edition & Verlag Kloster Bentlage. [details]
    • Bal, M. (2011). Serendipiteit: Het mirakel van te zijn waar je bent. In M. Bal, C. Gohy, D. Snauwaert, S. Rocca, & A. Vandycke (Eds.), Ann Veronica Janssens: Serendipity (pp. 57-80). Brussel: WIELS. [details]
    • Bal, M. (2011). Serendipity: Le miracle d'être où l'on est. In M. Bal, C. Gohy, D. Snauwaert, S. Rocca, & A. Vandycke (Eds.), Ann Veronica Janssens: Serendipity (pp. 33-56). Bruxelles: WIELS. [details]
    • Bal, M. (2011). Serendipity: The Miracle of Being Where You Are. In M. Bal, C. Gohy, D. Snauwaert, S. Rocca, & A. Vandycke (Eds.), Ann Veronica Janssens: Serendipity (pp. 11-32). Brussels: WIELS. [details]
    • Bal, M. (2011). The Last Frontier. In M. Bal, & M. Á. Hernández-Navarro (Eds.), La última frontera = The last frontier (pp. 100-108). [Murcia]: Fundación José García Jiménez. [details]
    • Bal, M. (2011). The Moving Image as Witness. In I. Pohjola (Ed.), Eija-Liisa Ahtila: Marian ilmestys = The Annunciation (pp. 52-82). Helsinki: Crystal Eye.
    • Bal, M. (2011). Waiting for the political moment. In Doris Salcedo: Plegaria muda (pp. 79-86). München/London/New York: Prestel. [details]
    • Bal, M. (2011). À espera do momento político. In Doris Salcedo: Plegaria muda (pp. 87, 89, 91, 93, 95, 97, 99, 101, 103). München/London/New York: Prestel. [details]

    2010

    • Bal, M. (2010). Intertwined Dualities. In S. Folie, & D. Krystof (Eds.), Ana Torfs: Album, tracks A + B (pp. 176-177). Düsseldorf: Kunstsammlung Nordrhein-Westfalen [etc.]. [details]
    • Bal, M. (2010). Timely Remains. In Jussi Niva: Timely remains (pp. 66-116). Helsinki: Parvs. [details]
    • Bal, M. (2010). Verflochtene Dualitäten. In S. Folie, & D. Krystof (Eds.), Ana Torfs: Album, tracks A + B (pp. 119-121). Düsseldorf: Kunstsammlung Nordrhein-Westfalen [etc.]. [details]

    2009

    • Bal, M. (2009). Eija-Liisa Ahtila. In R. Olivares (Ed.), 100 video artists = 100 videoartistas (pp. 46-49). Madrid: Exit Publicaciones.

    2008

    • Bal, M. (2008). Gemengde gevoelens. In M. de Jong, M. Kommer, A. van Kooyk, M. Kristalijn, N. Spanjersberg, S. Zouridis, & R. Sluijs (Eds.), Denkwerk (pp. 118-133). (Cahier EAJ). Den Haag: Ministerie van Justitie. [details]

    2002

    • Bal, M. G. (2002). Yesterday Isn't What It Used to Be. Documents 21, 11-23. [details]

    1998

    • Bal, M. G. (1998). Hovering between thing and event: Encounters with Lili Dujourie. Munchen: Kunstverein Munchen. [details]
    • Bal, M. G. (1998). Jeannette Christensen's Time. Bergen Noorwegen: Center for the Study of European Civilization.
    • Bal, M. G. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Munchen: Kunstverein Munchen. [details]
    • Bal, M. G. (1998). Seeing Signs: The use of Semiotics for the Understanding of Visual Art. In M. A. Holly, M. A. Cheetham, & K. Moxey (Eds.), The Subjects of Art History: Historical Objects in Contemporary Perspectives (pp. 74-93). New York: Cambridge University Press. [details]

    1997

    • Bal, M. G. (1997). In het museum: hedendaags exhibitionisme. In A. J. A. Zoest, & J. C. A. van der Lubbe (Eds.), Teken en betekenis (pp. 126-140). Haarlem: Aramith. [details]

    1996

    • Bal, M. G. (1996). Franco Adami. Tableau. Fine Arts Magazine, 19(1), 106-111. [details]

    1994

    • Bal, M. G. (1994). De vertelsituatie. In E. H. R. Duyvendak (Ed.), Inleiding letterkunde. Literatuuranalyse (pp. 263-290). Heerlen: Open Universiteit. [details]
    • Bal, M. G. (1994). Delila's onschuld. Schrift, 151(maart), 21-31. [details]
    • Bal, M. G. (1994). Effecten. In E. H. R. Duyvendak (Ed.), Inleiding letterkunde (pp. 319-342). Heerlen: Open Universiteit. [details]
    • Bal, M. G. (1994). Interpretatie. In E. H. R. Duyvendak (Ed.), Inleiding letterkunde. Literatuuranalyse (pp. 343-364). Heerlen: Open Universiteit. [details]
    • Bal, M. G. (1994). Kiekjes. In D. Rijser, R. de Jong, & J. de Ruijter (Eds.), Virtute et conoscenza (pp. 63-72). Amsterdam: Barlaeus Gymnasium. [details]
    • Bal, M. G. (1994). Verhalende teksten. In E. H. R. Duyvendak (Ed.), Inleiding letterkunde. Literatuuranalyse (pp. 237-262). Heerlen: Open Universiteit. [details]
    • Bal, M. G. (1994). Weliswaar, maar: de binaire oppositie voorbij. Simulacrum, 3(1), 9-12. [details]

    1993

    • Bal, M. G. (1993). Als de dood: theorie, metaforen en het avontuur van wetenschap. Unknown Publisher. [details]

    2007

    • Bal, M. G. (2007). Earth Aches: the Aesthetics of the Cut. In Doris Salcedo: Shibboleth (pp. 40-63). London: Tate Modern Publishing.

    1995

    • Bal, M. G. (1995). Met bonzend hart. De tegenstrijdigheid van de detective. Argus, 2(2), 21-26. [details]
    • Bal, M. G. (1995). Therapie voor de Nederlandse cultuur. Hervormd Nederland, 51(33), 32-33. [details]

    2007

    • Bal, M. G. (Author). (2007). 2MOVE: Estéticas Migratorias. Digital or Visual Products
    • Bal, M. G. (Author). (2007). Un Trabajo Limpio, With Gary Ward (Cinema Suitcase) 21 minute video (looped). Digital or Visual Products

    Award

    • Bal, M. G. (2007). 'Exposing the Public' in 'A companion to Museum Studies'.

    Journal editor

    • Bal, M. (editor) & de Vries, H. (editor) (2007). Cultural Memory in the Present (Journal).
    • Bal, M. G. (editor) (1997). S : European journal for semiotic studies (Journal).

    Talk / presentation

    • Bal, M. G. (speaker) (12-12-2007). Montage in the Turbine Hall: Doris Salcedo's Political Aesthetics, Lecture at the Bartlett school of Architecture, London.
    • Bal, M. G. (speaker) (5-12-2007). Les stratégies esthétiques de Doris Salcedo, Lecture at the École Nationale des Beaux Arts, Lyon.
    • Bal, M. G. (speaker) (3-12-2007). The construction of the real in contemporary arts, Seminar at Ecole Nationale des Beaux Arts, Lyon, France.
    • Bal, M. G. (speaker) (26-11-2007). Intercultural filmmaking, the hardships of migration and the resilience of people, Workshop, The Netherlands Institute for Higher Education and the Faculty of Architecture, Middle East Technical University, Akara, Turkey.
    • Bal, M. G. (speaker) (19-9-2007). Heterochrony in the Act: The Migratory Politics of Time. Lecture at "Encuentro Migratory Politics", Lecture at "Encuentro Migratory Politics", Amsterdam School of Cultural Analysis, Universiteit van Amsterdam,, Amsterdam.
    • Bal, M. G. (speaker) (30-7-2007). Actos, huellas y contemporaneidad, Lecture at "Memoria Y Arte Contemporáneo" conference, El Escorial, Spain.
    • Bal, M. G. (speaker) (1-7-2007). Doris Salcedo, the Memorial, Art and Politics., Symposium Program, The Pulitzer Foundation for the Arts, St. Louis (USA).
    • Bal, M. G. (speaker) (7-5-2007). Double Movement, Migratory Aesthetics, Lecture at doctorate program "Studie sulla rappresentazione visiva. Storia, teoria e produzione delle arti e delle immagini"", Universita degli Studi di Siena, Siena (Italy).
    • Bal, M. G. (speaker) (27-4-2007). Proud to be a Monster, Lecture at "What IS research in the Visual Arts? Obsession, Archive", Sterling and Francis Clark Institute, Williamstown (MA, USA).
    • Bal, M. G. (speaker) (20-4-2007). Double movement: Video and Migration, Lecture at Columbia University, New York (USA).
    • Bal, M. G. (speaker) (12-3-2007). Double Movement. "Pensar la Movilidad en dos Direccines: Estéticas Migratorias" I Encuentro International, Lecture at CENDEAC (Center of Documentation and Advanced Studies of Contemporary Art), Murcia (Spain).
    • Bal, M. G. (speaker) (8-12-1994). Encountering Courbet: On Museums and Museology, CUNY Graduate Center, department of Art History, New York.
    • Bal, M. G. (speaker) (11-11-1994). The Handwriting on the Wall, New York University.
    • Bal, M. G. (speaker) (26-10-1994). The talking Museum, Bernard College Lecture Series, New York.
    • Bal, M. G. (speaker) (26-10-1994). Proust and Photography, Columbia University, Maison Francaise, New York.
    • Bal, M. G. (speaker) (20-10-1994). The gaze in the closet, Harvard University, Center for Literary and Cultural Studies, Cambridge.
    • Bal, M. G. (speaker) (11-7-1994). One Thing Leads to Another: Lateral Connections in the Berlin Gemaldegalerie, Columbia University Seminar on Modernism and Modernity.
    • Bal, M. G. (speaker) (11-6-1994). Psychoanalytische aspecten van beeldende kunst, Nederlands Psychoanalytisch Genootschap.
    • Bal, M. G. (speaker) (28-5-1994). Zichtbaar ont-zettend: Proust en het fotografische oog., Marcel Proust Vereniging.
    • Bal, M. G. (speaker) (16-4-1994). Plaidoyer pour un personnage plat: Proust et la Photographie., Discours inaugural, Congres "Le personnage romanesque", Centre de Narratologie Applique, Nice.
    • Bal, M. G. (speaker) (12-3-1994). Public lecture Shakespeare's Lucrece and the Politics of Talk, Senior Visiting Scholar of the Year, Carleton University, Ottawa.
    • Bal, M. G. (speaker) (12-3-1994). Public lecture Knowledge at the Cutting Edge, Senior Visiting Scholar of the Year, Carleton University, Ottawa.
    • Bal, M. G. (speaker) (12-3-1994). Seminar Murder and Differance, Senior Visiting Scholar of the Year, Carleton University, Ottawa.
    • Bal, M. G. (speaker) (12-3-1994). Seminar on narrative Subjectivity, Senior Visiting Scholar of the Year, Carleton University, Ottawa.
    • Bal, M. G. (speaker) (12-3-1994). Seminar on Framing, Senior Visiting Scholar of the Year, Carleton University, Ottawa.
    • Bal, M. G. (speaker) (9-3-1994). Judith, biblical Scholarship, and Painting as reading, 11th JSOT Lecture, University of Sheffield.
    • Bal, M. G. (speaker) (11-2-1994). The gaze in the closet: on Proust, Senter for Europesiske Kulturstudier, Universitet Bergen.
    • Bal, M. G. (speaker) (11-2-1994). De-disciplining the Eye, Senter for Europesiske Kulturstudier, Universitet Bergen.
    • Bal, M. G. (speaker) (11-2-1994). "Judith" and Confusion, Senter for Europesiske Kulturstudier, Universitet Bergen.

    Others

    • Bal, M. G. (other) (2007). Editoral Board, FlashPoints (other).

    2016

    2015

    • Gamaker, E. D. A. (2015). The genre mask: Rhetorical style and audience activation in the investigation film. [details]
    • Kuryel, A. (2015). Image acts and visual communities: everyday nationalism in contemporary Turkey. [details]
    • Pannier, C. M. J. (2015). Kunstgeschiedenis in het secundair onderwijs: een oncomfortabele contactzone. [details]
    • Souch, I. S. (2015). Tales of Russianness: Post-Soviet identity formation in popular film and television. [details]
    • van de Wiel, L. (2015). Freezing fertility: Oocyte cryopreservation and the gender politics of ageing. [details]
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    2014

    2013

    • Lafleur, B. M. (2013). Imaging settlement and displacement: at home in Ka-na-ta. [details]

    2012

    2011

    2010

    2009

    2008

    2007

    • Graebner, C. M. E. (2007). Off the page and off the stage: the performance of poetry and its public function. [details]

    2006

    2005

    2004

    • Aydemir, M. (2004). Images of bliss: ejaculation, masculinity, meaning. Amsterdam: in eigen beheer. [details]

    2003

    2002

    2001

    2000

    1999

    1998

    • Korsten, F. W. A. (1998). The Wisdom Brokers. Narrative's Interaction with Arguments in Cultural Critical Texts. Amsterdam: ASCA Press. [details]
    • Pol, C. M. (1998). Discourse on the frame. The making and unmaking of Indonesian women artists. Groningen: in eigen beheer. [details]

    1997

    • Efimova, A. (1997). Political humor in Soviet art. Rochester, N.Y. [details]
    • Smith, P. M. (1997). Colonial Obscene. Reading cultural Texts on Borneo, Ex-Centrically. [details]

    1996

    • Paasman, R. (1996). Leven in letters. Autobiografieen van Nederlandse schrijfsters. Amsterdam: in eigen beheer. [details]
    • Veeger, P. J. M. (1996). Manoeuvres. Proza uit de jaren vijftig en zestig. Hella Haase, Nel Noordzij, Aya Zikken, Andreas Burnier. Delft: Eburon. [details]

    1995

    • Buikema, R. L. (1995). De Loden Venus. Biografieen van vijf beroemde vrouwen door hun dochters. Kampen: Kok Agora. [details]
    • Hoving, I. (1995). The castration of Livingstone and other stories. Reading African and Caribbean migrant women's writing. [details]
    • Smelik, A. M. (1995). And the mirror cracked. A study of rhetoric in feminist cinema. Amsterdam: in eigen beheer. [details]
    • van de Biezenbos, L. (1995). Fantasmes maternels dans l'oeuvre de Marguerite Duras. Dialogue entre Duras et Freud. Amsterdam/Atlanta: Rodopi. [details]

    1988

    • Lucas, F. (1988). Livre d'images. La vision en acte dans la litterature de la modernite en France. Nijmegen: in eigen beheer. [details]

    1987

    • de Jong, I. J. F. (1987). Narrators and focalizers: the presentation of the story in the Iliad. Amsterdam: Grüner. [details]

    1960

    • Paalvast, P. A. W. M. (1960). Kunst & cultuur als nieuws. Het aanbod van kunst en cultuur in actualiteitenprogramma's op Nederland 3. Poeldijk: in eigen beheer. [details]

    1977

    • Bal, M. G. (1977). Narratologie: essais sur la signification narrative dans quatre romans modernes. Paris: Klincksieck.
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