For best experience please turn on javascript and use a modern browser!
You are using a browser that is no longer supported by Microsoft. Please upgrade your browser. The site may not present itself correctly if you continue browsing.

Dr. A.M. (Abe) Geil

Faculty of Humanities
Departement Mediastudies

Visiting address
  • Turfdraagsterpad 9
Postal address
  • Postbus 94550
    1090 GN Amsterdam
Contact details
  • Publications

    2024

    • Geil, A. M. (in press). Leaves of Grass. In A. Ackerman, L. Arsenjuk, M. Olivero, & A. Solin (Eds.), Reading with Sergei Eisenstein (Reading with Filmmakers). caboose press.
    • Geil, A. M. (in press). Mécanisme de la physionomie humaine. In Reading with Sergei Eisenstein (Reading with Filmmakers). caboose press.
    • Geil, A. M. (in press). The Expression of Emotion in Man and Animals. In A. Ackerman, L. Arsenjuk, M. Olivero, & A. Solin (Eds.), Reading with Sergei Eisenstein (Reading with Filmmakers). caboose press.

    2023

    2020

    2019

    2018

    2017

    2016

    • Geil, A. (2016). Dynamic Typicality. In N. Kleiman, & A. Somaini (Eds.), Sergei M. Eisenstein: Notes for a General History of Cinema (pp. 333-346). (Film Theory in Media History). Amsterdam University Press. [details]

    2015

    • Geil, A. (2015). 'Let us save the heterogeneous sensible:' Vernacular Modernism vs. Cognitive Classicism in the Historical Turn of Film Studies. In A. Beltrame, G. Fidotta, & Andrea Mariani (Eds.), At the Borders of (Film) History: Temporality, Archaeology, Theories: XXI Convegno internazionale di studi sul cinema, Udine, 2-4 aprile 2014 (pp. 335-346). Forum. [details]

    2014

    2009

    • Geil, A. M. (2009). A Foothold for Pain: Movement, Recognition, Close-up. In F. Casetti, J. Gaines, & V. Re (Eds.), Dall'inizio, alle fine. Teorie del cinema in prospettiva / In the Very Beginning, at the Very End. Film Theories in Perspective Udine: Forum.

    2004

    • Geil, A. M., & Rabinovitz, L. (2004). Introduction. In Memory Bytes: History, Technology, and Digital Culture (pp. 1-21). Duke University Press. https://www.dukeupress.edu/Memory-Bytes/
    • Geil, A., & Rabinovitz, L. (Eds.) (2004). Memory Bytes: History, Technology and Digital Culture. Duke University Press.

    2013

    • Geil, A. (2013). The Spectator without Qualities. In P. Bowman (Ed.), Rancière and Film (pp. 53-82). (Critical connections). Edinburgh University Press. [details]

    2009

    2010

    Prize / grant

    • Geil, A. M. (2011). Andrew W. Mellon/ACLS Dissertation Completion Fellowship.
    • Geil, A. M. (2010). Julian Price Endowed Research Fellowship.

    2013

    • Geil, A. M. (2013). Plastic Recognition: Politics and Aesthetics of Facial Representation from Silent Cinema to Cognitive Neuroscience.
    This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list.
  • Ancillary activities
    • No ancillary activities