Innemée, K. C. (2019). The Archangel Michael as Psychopomp in Christian Iconography in Egypt. In I. Gilhus, A. Tsakos, & M. C. Wright (Eds.), The Archangel Michael in Africa: History, Cult, and Persona (pp. 35-51). London, Oxford: Bloomsbury Academic.
Innemée, K. C., & Zielinska, D. (2018). The King and the Cross, the iconography of a painting in the throne-hall of Dongola. In M. Honegger (Ed.), Nubian Archaeology in the XXIst Century: Proceedings of the Thirteenth International Conference for Nubian Studies, Neuchâtel, 1st-6th September 2014 (pp. 615-24). (Orientalia Lovaniensia Analecta ; Vol. 273). Leuven: Peeters Publishers.
Innemée, K. C. (2017). Kellia, its decoration in painting and stucco. In G. Gabra (Ed.), Christianity and Monasticism in Northern Egypt (pp. 265-280). Cairo: American University in Cairo Press.
Innemée, K. C. (2017). The Monastery of St Macarius: Survey and Documentation Work 2009-2012. Eastern Christian Art, 10, 21-32.
Innemée, K. C. (2017). The paradox of monasticism, the transformation of monastic ideals between the fourth and seventh centuries. In N. van Doorn (Ed.), Copts in Context, Negotiating Identity, Tradition and Modernity (pp. 315-329). Columbia SC : University of South Carolina Press.
Innemée, K. C. (2016). Ecclesiastical Embroidery from Egypt and the Eastern Mediterranean. In G. Vogelsang (Ed.), Encyclopedia of Embroidery from the Arab World (pp. 261-285). London, Oxford: Bloomsbury Publishing.
Innemée, K. C. (2016). Monks and bishops in Old Dongola and what their costumes can tell us. In A. Lajtar, A. Obluski, & I. Zych (Eds.), Aegyptus et Nubia Christiana. : The Włodzimierz Godlewski Jubilee Volume on the Occasion of his 70th Birthday (pp. 411-434). Polish Center of Mediterranean Archaeology.
Innemée, K. C. (2019). Christian monasticism in Africa and Asia. In S. Whitfield (Ed.), Silk Roads: Peoples, Cultures, Landscapes (pp. 168-175). London: Thames & Hudson. [details]