For best experience please turn on javascript and use a modern browser!
You are using a browser that is no longer supported by Microsoft. Please upgrade your browser. The site may not present itself correctly if you continue browsing.

Prof. dr. M. (Millie) Taylor

Musical
Faculty of Humanities
Theatre Studies
Photographer: Kirsten van Santen
Visiting address
  • Nieuwe Doelenstraat 16-18
Postal address
  • Postbus 93065
    1090 BB Amsterdam
Contact details
  • Publications

    2023

    • Taylor, M., & Rush, A. (2023). Musical Theatre Histories: Expanding the Narrative. Methuen Drama. [details]

    2020

    • Taylor, M. (2020). Miss Littlewood and Me: Performing Ethnography. Studies in Musical Theatre, 14(1), 65-76.

    2019

    • Taylor, M. (2019). 'Title of Chapter'. In J. Sternfeld, & E. L. Wollman (Eds.), The Routledge Companion to the Contemporary Musical (pp. 17-26). Routledge Academic.

    2018

    • Taylor, M. (2018). Theatre Music and Sound at the RSC: Macbeth to Matilda. (Palgrave Studies in British Musical Theatre). Palgrave Macmillan.

    2016

    • Taylor, M. (2016). Lionel Bart: British Vernacular Musical Theatre. In R. Gordon, & O. Jubin (Eds.), The Oxford Handbook of the British Musical (pp. 483). Oxford University Press.
    • Taylor, M., Gordon, R., & Jubin, O. (2016). British Musical Theatre Since 1950. Bloomsbury Publishing.

    2014

    • Taylor, M. (2014). Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975). In D. Symonds, & M. Taylor (Eds.), Gestures of Music Theater: The Performativity of Song and Dance (pp. 276-92). Oxford University Press.
    • Taylor, M. (2014). Sweeney Todd: From Melodrama to Musical Tragedy. In R. Gordon (Ed.), The Oxford Handbook of Sondheim Studies (pp. 335-349). Oxford University Press.
    • Taylor, M., & Symonds, D. (2014). Studying Musical Theatre: Theory and Practice. Palgrave Macmillan.
    • Taylor, M., & Symonds, D. (Eds.) (2014). Gestures of Music Theater: The Performativity of Song and Dance. Oxford University Press.

    2013

    • Taylor, M. (2013). From Screen to Stage: Dirty Dancing Live. In Y. Tzioumakis, & S. Lincoln (Eds.), The Time of Our Lives: Dirty Dancing and Popular Culture (pp. 281-296). Wayne State University Press.

    2012

    • Taylor, M. (2012). Musical Theatre, Realism and Entertainment. (Ashgate Interdisciplinary Studies in Opera). Routledge Academic.

    2010

    • Taylor, M. (2010). Continuity and Transformation in Twentieth Century Pantomime. In J. Davis (Ed.), Victorian Pantomime: A Collection of Critical Essays (pp. 185-200). Palgrave Macmillan.
    • Taylor, M. (2010). Experiencing Live Musical Theatre Performance: La Cage Aux Folles and Priscilla, Queen of the Desert. Popular Entertainment Studies, 1(1), 44-58.

    2009

    • Taylor, M. (2009). Drawing Attention to the Significant: Exploring the functions of music in The Overcoat (1998). Studies in Musical Theatre, 2(3), 261-281.
    • Taylor, M. (2009). Integration and Distance in Musical Theatre: The Case of Sweeney Todd. Contemporary Theatre Review, 19(1), 47-60.

    2007

    • Taylor, M. (2007). British Pantomime Performanc. Intellect Books.
    • Taylor, M. (2007). Don't Dream It, Be It: Exploring Signification, Empathy and Mimesis in relation to The Rocky Horror Show. Studies in Musical Theatre, 1(1), 57-71.

    2006

    • Taylor, M. (2006). Exploring the Grain: The Sound of the Voice in Bruce Nauman's Raw Materials. Studies in Theatre and Performance, 23(2), 289-296.

    2005

    • Taylor, M. (2005). Layers of Representation: Instability in the characterization of Jenny in Aufstieg und Fall der Stadt Mahagonny by Brecht and Weill. In G. Kaymer, & L. B. Zvi (Eds.), Bertolt Brecht: Performance and Philosophy (pp. 159-176). Assaph Book Series.
    • Taylor, M. (2005). Playing with Distance in Pantoland. NTQ : New Theatre Quarterly, 21(4), 331-339.
    • Taylor, M. (2005). Schrodinger's Research: When does Practice as Research Occur. South African Theatre Journal: SATJ, 19, 183-190.

    2003

    • Taylor, M. (2003). Collaboration or Conflict: Music and Lyrics by Brecht, Weill and Eisler. Studies in Theatre and Performance, 23(2), 117-124.

    1999

    • Taylor, M. (1999). Conventions in Contemporary Pantomime Music. Studies in Theatre production, 19, 139-158.

    1997

    • Taylor, M., & Towse, R. (1997). The Value of Performers' Rights: An Economic Approach. Media, Culture and Society, 20(4), 631-652.

    2008

    • Taylor, M. (2008). Singing for Musicals: A Practical Guide. Crowood Press.
    This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list.
  • Ancillary activities
    No ancillary activities
edit contact information   edit profile page