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Vandivere, A., Kneepkens, I., & Pottasch, C. (2022). Reconstructing Rogier: Practical Insights into the Original Appearance of the Lamentation Attributed to Rogier van der Weyden, Based on Student Reconstructions. Materia: Journal of Technical Art History, 2. https://issue-2.materiajournal.com/vandivere/
2021
D'Imporzano, P., Keune, K., Koornneef, J. M., Hermens, E., Noble, P., Vandivere, A. L. S., & Davies, G. R. (2021). Time-dependent variation of lead isotopes of lead white in 17th century Dutch paintings. Science Advances, 7(49), [eabi5905]. https://doi.org/10.1126/sciadv.abi5905
2020
van Loon, A., Gambardella, A. A., Gonzalez, V., Cotte, M., De Nolf, W., Keune, K., Leonhardt, E., de Groot, S., Proaño Gaibor , A. N., & Vandivere, A. (2020). Out of the blue: Vermeer's use of ultramarine in Girl with a Pearl Earring. Heritage Science, 8, [25]. https://doi.org/10.1186/s40494-020-00364-5[details]
Vandivere, A., Wadum, J., van den Berg, K. J., van Loon, A., & The Girl in the Spotlight research team (2019). From ‘Vermeer Illuminated’ to ‘The Girl in the Spotlight’: approaches and methodologies for the scientific (re-)examination of Vermeer’s Girl with a Pearl Earring. Heritage Science, 7, [66]. https://doi.org/10.1186/s40494-019-0307-5[details]
Ainsworth, M., & Vandivere, A. L. S. (2014). Judith with the Head of Holofernes: Jan Cornelisz Vermeyen's Earliest Signed Painting. Journal of Historians of Netherlandish Art, 6(2). https://doi.org/10.5092/jhna.jhna.2014.6.2.2
2017
Townsend, J., & Vandivere, A. (2017). Studying the European Visual Arts 1800-1850: Paintings, Sculpture, Interiors and Art on Paper. Archetype. [details]
2011
Filedt Kok, J. P., van Duijn, E., Vandivere, A., Wallert, A., & Wolters, M. (2011). De Leidse schilders aan het werk. In C. Vogelaar, J. P. Filedt Kok, H. Leeflang, & I. M. Veldman (Eds.), Lucas van Leyden en de Renaissance (pp. 78-101). Museum De Lakenhal [etc.]. [details]
van Duijn, E., Filedt Kok, J. P., Vandivere, A., Wallert, A., & Wolters, M. (2011). Developments in the underdrawing and painting technique of the sixteenth-century Leiden School, in particular the workshops of Cornelis Engebrechtsz and Lucas van Leyden. In M. Spring (Ed.), Studying old master paintings: technology and practice: the National Gallery technical bulletin 30th anniversary conference postprints (pp. 104-110). Archetype. [details]
2016
Vandivere, A. (2016). "A translucent flesh-coloured primuersel": Intermediate layers in Jheronimus Bosch’s paintings. In J. Timmermans (Ed.), Jheronimus Bosch, his life and his work: 4th International Jheronimus Bosch Conference, April 14-16, 2016, Jheronimus Bosch Art Center, 's-Hertogenbosch, the Netherlands (pp. 352-369). Jheronimus Bosch Art Center. [details]
Vandivere, A., Pottasch, C., & Meloni, S. (2016). Beneath the Surface: Distinguishing materials and techniques in genre paintings. In A. van Suchtelen, & Q. Buvelot (Eds.), Genre Paintings in the Mauritshuis (pp. 26-39). Waanders Uitgeverij. [details]
2019
Stols-Witlox, M. J. N. (Author), Groves, R. (Author), Kolfin, E. E. P. (Author), Hendriks, E. (Author), Hermens, H. H. M. (Author), Anisimov, A. (Author), Vandivere, A. L. S. (Author), d' Hont, L. S. (Author), Hall Aquitania, M. A. (Author), & Maria, M. (Author). (2019). Down to the Ground: a historical, visual and scientific analysis of coloured grounds in Netherlandish paintings, 1550-1650. Web publication/site https://www.smk.dk/wp-content/uploads/2019/08/Stols-Witlox-et-al_Down-to-the-Ground.pdf
2013
Vandivere, A. L. S. (2013). From the ground up: Surface and sub-surface effects in fifteenth- and sixteenth-century Netherlandish paintings. [details]
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