Alexander Pushkin tells about the rivalry between two famous composers in his theatre play Mozart and Salieri (1830) ; André Maurois narrates the life story of Shelley in Ariel ou la vie de Shelley (1923); The Moon and Sixpence (1919) is a fictional biography of Paul Gauguin written by Somerset Maugham and Symphonie Pathétique (1935) is Klaus Mann’s biographical novel of Tchaikovsky. More recent examples are the literary biography of Jane Austen written by the Canadian novelist Carol Shields in 2001; Caryl Phillips’ Radio Play A Kind of Home: James Baldwin in Paris (2004) and Julian Barnes’s novel The Noise of Time (2016) in which he examines the biography of Shostakovich.
All these examples show literary writers who, in many different ways, construct their subject’s life stories in order to reflect on life and art and to define their own aesthetic position. Whether they criticize their ‘hero’ or identify with him/her as a formative model and make it their own, they establish a trans-national relation with this particular artist.
We will further investigate the dynamics of such transnational relations and appropriations in a two-day international workshop on artists’ biographies in the 19th-21st centuries. We will focus on the lives of artists, written by artists, such as literary biographies, biographical novels and operas or theatre plays that clearly rely on biographical elements.
Programme
Thursday 25 january
10.00-10.15
Coffee and Tea
Opening Session
10.15-10.30
Welcome and introduction
10.30-11.15
Keynote by Christopher Wiley (University of Surrey) ‘Musical Biography as a National and Transnational Genre’
11.15 -11.45
Discussion
11.45-12.00
Coffee break
Panel I : Literature, music and biography
12.00-12.30
Krisztina Lajosi, (University of Amsterdam), ‘The Musician as Icon. Liszt’s biography of Chopin’
12.30-13.00
Sarah Crombach (University of Amsterdam), ‘Nizami Ganjavi’s significance for nation building in Soviet Azerbeijan’
13.00-14.00
Lunch
Panel II: Literary Biography
14.00-14.30
Suze van der Poll (University of Amsterdam), ‘Edmund Gosse’s biography of Henrik Ibsen’
14.30-15.00
Maryam Thirriard (Aix-Marseille University), ‘English and French Aspects of Life-writing in Harold Nicolson’s Concept of Biography’
15.00-15.15
Coffee break
Panel III: Life, literature and art
15.15-15.45
Guido Snel (University of Amsterdam), ‘The lives of imaginary-real artists. From Schwob to Kiš to Bolaño – an attempt at a genealogy’
15.45-16.15
Maximiliano Jiménez (University of Amsterdam), ‘The impossible demands of life and art: The Transposition of the Artistic Gaze in Michael Cunningham’s The Hours’
16.15- 17.30
Drinks (and optional dinner in the evening)
Friday 26 January
09.30-09.45
Coffee and tea
Opening session
09.45-10.30
Keynote lecture Joanny Moulin (Aix-Marseille University) ‘Transnational Artists’ Lives are a Rare Species’
10.30-11.00
General discussion
11.00-11.15
Coffee break
Panel IV: Literature and the visual arts
11.15-11.45
Sander Bax (Tilburg University), ‘Art essays as (auto)biographies: K. Schippers’
11.45-12.15
Manet van Montfrans (University of Amsterdam), ‘La vie des autres – Das Leben der Anderen. Vie de Paula Modersohn Becker by Marie Darrieussecq: between Portrait and Selfportrait’
12.15-12.45
Marleen Rensen (University of Amsterdam), ‘Emile Verhaeren’s portrait of Rembrandt’
12.45-13.45
Lunch
Panel V: Engaging with artists’ lives
13.45- 14.15
Anna Menyhért (University of Amsterdam), ‘A Free Woman: Writing About Renée Erdős’s Life’
14.15-14.45
Tamar Hager (Tel-Hai College) , ‘A Crucial Meeting: Writing Julia Margaret Cameron’
Closure
14.45-15.00
Summing up and closure
Registration
Registration is free of charge. Please register before 15 January by sending an email to M.J.M.Rensen@uva.nl.
