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Prof. dr. H.J. (Henkjan) Honing

Muziekcognitie
Faculteit der Geesteswetenschappen
Faculteit der Natuurwetenschappen, Wiskunde en Informatica
Fotograaf: Bob Bronshoff

  • Publicaties

    2022

    2021

    2020

    2019

    • Honing, H., & Bouwer, F. L. (2019). Rhythm. In P. J. Rentfrow, & D. J. Levitin (Eds.), Foundations in Music Psychology: Theory and Research (pp. 33-69). The MIT Press. [details]

    2018

    2017

    • Honing, H. (2017). Musical cognition: A science of listening : with a new afterword by the author. Routledge. https://doi.org/10.4324/9781351297363 [details]
    • Janssen, B., Burgoyne, J. A., & Honing, H. (2017). Predicting Variation of Folk Songs: A Corpus Analysis Study on the Memorability of Melodies. Frontiers in Psychology, 8, [621]. https://doi.org/10.3389/fpsyg.2017.00621 [details]
    • Korsmit, I. R., Burgoyne, J. A., & Honing, H. (2017). If You Wanna Be My Lover … A Hook Discovery Game to Uncover Individual Differences in Long-term Musical Memory. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 106–111). Ghent University.
    • Mooren, N., Burgoyne, J. A., & Honing, H. (2017). Investigating grouping behaviour of dancers in a silent disco using overhead video capture. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 142-149). Ghent University.
    • Ravignani, A., Honing, H., & Kotz, S. A. (2017). The evolution of rhythm cognition: Timing in music and speech. Frontiers in Human Neuroscience, 11, [303]. https://doi.org/10.3389/fnhum.2017.00303 [details]
    • van der Weij, B., Pearce, M. T., & Honing, H. (2017). A Probabilistic Model of Meter Perception: Simulating Enculturation. Frontiers in Psychology, 8, [824]. https://doi.org/10.3389/fpsyg.2017.00824 [details]

    2016

    2015

    2014

    2013

    • Burgoyne, J. A., Bountouridis, D., Van Balen, J., & Honing, H. (2013). Hooked: A Game for Discovering What Makes Music Catchy. In A. de Souza Britto Jr., F. Gouyon, & S. Dixon (Eds.), Proceedings of the 14th International Society for Music Information Retrieval Conference: November 4-8, 2013, Curitiba, Brazil (pp. 245-250). ISMIR. [details]
    • Honing, H. (2013). Sin eso no hay música: La inducción del beat como un rasgo musical fundamental. Boletín de SACCOM, 5(3), 15-25. http://www.saccom.org.ar/saccom/boletin/v5n3/honing_sin_eso_no_hay_musica.pdf [details]
    • Honing, H. (2013). Structure and interpretation of rhythm in music. In D. Deutsch (Ed.), The Psychology of Music (3 ed., pp. 369-404). Elsevier / Academic Press. https://doi.org/10.1016/B978-0-12-381460-9.00009-2 [details]
    • Jaschke, A. C., Eggermont, L. H. P., Honing, H., & Scherder, E. J. A. (2013). Music education and its effect on intellectual abilities in children: a systematic review. Reviews in the Neurosciences, 24(6), 665-675. https://doi.org/10.1515/revneuro-2013-0023 [details]
    • Thompson-Schill, S., Hagoort, P., Dominey, P. F., Honing, H., Koelsch, S., Ladd, D. R., Lerdahl, F., Levinson, S. C., & Steedman, M. (2013). Multiple Levels of Structure in Language and Music. In M. A. Arbib (Ed.), Language, Music, and the Brain: A Mysterious Relationship (pp. 289-206). (Strüngmann Forum Reports; No. 10). MIT Press. https://mitpress.mit.edu/books/language-music-and-brain [details]

    2012

    2011

    • Honing, H., & Romeijn, J. W. (2011). Surprise! Assessing the value of risky predictions. In Proceedings of the thirteenth International Conference on Informatics and Semiotics in Organisations - Problems and Possibilities of Computational Humanities ( (pp. 185). Fryske Academy, series FA 1053.

    2010

    • Honing, H. (2010). Beat-induction as a fundamental musical skill. In S. M. Demorest, S. J. Morrison, & P. S. Campbell (Eds.), Proceedings of the International Conference on Music Perception and Cognition University of Washington.
    • Honing, H. (2010). Lure(d) into listening: The potential of cognition-based music information retrieval. Empirical Musicology Review, 5(4), 121-126. [details]

    2009

    2008

    2007

    • Coath, M., Denham, S. L., Smith, L. M., Honing, H., Hazan, A., & Purwins, H. (2007). An auditory model for the detection of perceptual onsets and beat tracking in singing. In H. P. D.R. Hardoon (Ed.), Workshop at Neural Information Processing Systems (NIPS) conference NIPS.
    • Honing, H. (2007). Is expressive timing relational invariant under tempo transformation? Psychology of Music, 35(2), 276-285. https://doi.org/10.1177/0305735607070380 [details]
    • Honing, H. (2007). Preferring the best fitting, least flexible, and most surprising prediction: Towards a Bayesian approach to model selection in music cognition. In Proceedings of the Society for Music Perception and Cognition (SMPC) (pp. 37). Concordia University.
    • Honing, H. (2007). The role of ICT in music research: a bridge too far? International Journal of Humanities and Arts Computing, 1(1), 61-69. https://doi.org/10.3366/E1753854808000104 [details]
    • Ladinig, O., & Honing, H. (2007). Complexity judgments as a measure for metric salience: Is there indeed a difference between musicians and non-musicians? In Proceedings of the Society for Music Perception and Cognition (SMPC) (pp. 27). Concordia University.
    • Smith, L. M., & Honing, H. (2007). Evaluation of multiresolution representations of musical rhythm. In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the International Conference on Music Communication Science MARCS. http://www.hcsnet.edu.au

    2006

    • Honing, H. (2006). Computational modeling of music cognition: a case study on model selection. Music Perception, 23(5), 365-376. https://doi.org/10.1525/mp.2006.23.5.365 [details]
    • Honing, H. (2006). Evidence for tempo-specific timing in music using a web-based experimental setup. Journal of Experimental Psychology. Human Perception and Performance, 32(3), 780-786. https://doi.org/10.1037/0096-1523.32.3.780 [details]
    • Honing, H. (2006). Music and Cognition: What cognitive science can learn from music cognition. In Proceedings of the Annual Conference of the Cognitive Science Society (pp. 2655). Lawrence Erlbaum Associates. [details]
    • Honing, H. (2006). On the growing role of observation, formalization and experimental method in musicology. Empirical Musicology Review, 1(1), 2-5. http://emusicology.org/v1n1/ [details]
    • Honing, H. (2006). The role of surprise in theory testing: Some preliminary observations. In Proceedings of the International Conference on Music Perception and Cognition (pp. 38-42). University of Bologna. [details]
    • Honing, H., & Ladinig, O. (2006). The effect of exposure and expertise on timing judgments: Preliminary results. In Proceedings of the International Conference on Music Perception and Cognition (pp. 80-85). University of Bologna. [details]
    • Sadakata, M., Desain, P., & Honing, H. (2006). The Bayesian way to relate rhythm perception and production. Music Perception, 23(3), 269-288. https://doi.org/10.1525/mp.2006.23.3.269 [details]
    • Smith, L. M., & Honing, H. (2006). Evaluating and extending computational models of rhythmic syncopation in music. In Proceedings of the International Computer Music Conference (pp. 688-691). ICMA. [details]

    2005

    • Honing, H. (2005). Is there a perception-based alternative to kinematic models of tempo rubato? Music Perception, 23(1), 79-85. https://doi.org/10.1525/mp.2005.23.1.79 [details]
    • Honing, H. (2005). Timing is tempo-specific. In Proceedings of the International Computer Music Conference (pp. 359-362). UPF.
    • Jongsma, M. L. A., Eichele, T., Quian Quiroga, R., Desain, P., & Honing, H. (2005). The effect of expectancy on ommision evoked potentials (OEPs) in musicians and nonmusicians. Psychophysiology, 42(2), 191-201. https://doi.org/10.1111/j.1469-8986.2005.00269.x [details]

    2004

    • Honing, H. (2004). The comeback of systematic musicology: new empiricism and the cognitive revolution. Dutch Journal of Music Theory, 9(3), 241-244. [details]
    • Honing, H. (2004). When a good fit is not good enough: a case study on the final ritard. In Ashley, R, & Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) (pp. 510-513). Northwestern University. [details]
    • Honing, H., Desain, P., & Sadakata, M. (2004). An analysis of rhythmic ratios in scores of various kinds of music. In Ashley, R, & Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) Northwestern University. [details]
    • Jongsma, M. A., Desain, P., & Honing, H. (2004). Rhythmic context influences the auditory evoked potentials of musicians and nonmusicians. Biological Psychology, 66, 129-152. https://doi.org/10.1016/j.biopsycho.2003.10.002 [details]
    • Sadakata, M., Desain, P., Honing, H., Patel, A., & Iversen, J. R. (2004). A cross-cultural study of the rhythm in English and Japanese popular music. In Proceedings of the International Symposium on Musical Acoustics (pp. 41-44). Nara University. [details]

    2003

    • Desain, P., & Honing, H. (2003). Single trial ERP allows Detection of Perceived and Imagined Rhythm. In K. Hirata (Ed.), Proceedings of the RENCON workshop, International Joint Conference on Artificial Intelligence (IJCAI) (pp. 1-4). NTT Communication Science Laboratories. [details]
    • Desain, P., & Honing, H. (2003). The formation of rhythmic categories and metric priming. Perception, 32(3), 341-365. https://doi.org/10.1068/p3370 [details]
    • Desain, P., Honing, H., van Rijn, C. M., & Jongsma, M. L. A. (2003). Evoked potentials to test rhythm perception theories. In G. Avanzin, et al. (Ed.), Annuals of the New York Academy of Sciences (Vol. 999, pp. 180-183). New York Academy of Sciences. [details]
    • Honing, H. (2003). Some comments on the relation between music and motion. Music Theory Online, 9(1). http://societymusictheory.org/mto/issues/mto.03.9.1/ [details]
    • Honing, H. (2003). The final ritard: on music, motion, and kinematic models. Computer Music Journal, 27(3), 66-72. https://doi.org/10.1162/014892603322482538 [details]
    • Honing, H., Desain, P., & Timmers, R. (2003). Music Performance Panel: NICI / MMM Position Statement. In Proceedings of the MOSART Midterm Meeting (pp. 318-322). DIKU. [details]
    • Honing, H., Patel, A., Sadakata, M., Desain, P., & Iversen, J. R. (2003). An analysis of rhythm in japanese and english popular music. In T. Taguti, et al. (Ed.), Proceedings of the Annual meeting of the Japanese Society for Music Perception and Cognition (pp. 1-4). International Symposium on Musiacl Acoustics. [details]
    • van Zaanen, M. M., Bod, R., & Honing, H. (2003). A memory-based approach to meter induction. In Proceedings of the ESCOM (pp. 250-253). ESCOM. [details]

    2002

    • Desain, P., & Honing, H. (2002). Rhythmic stability as explanation of category size. In K. Stevens (Ed.), Proceedings of the International Conference on Music Perception and Cognition (pp. 111-115). University of New South Wales. [details]
    • Desain, P., Honing, H., Windor, L., Timmers, R., & Ashley, R. (2002). Timing of ornaments in the theme of Beethoven's paisiello variations: Empirical data and a model. Music Perception, 20(1), 3-33. https://doi.org/10.1525/mp.2002.20.1.3 [details]
    • Honing, H. (2002). Structure and interpretation of rhythm and timing. Dutch Journal of Music Theory, 7(3), 227-232. [details]
    • Honing, H., & Timmers, T. (2002). Issuing an empirical musicology of performance. In Freedom and constraints in timing and ornamentation. Investigations of music performance (pp. 19-49\). Shaker Publishing. [details]
    • Honing, H., Sadakata, H. M., & Desain, P. (2002). The relation between rhythm perception and production: towards a bayesian model. In K. Ogushi (Ed.), Proceedings of the Japanese Society of Music Perception and Cogntion (pp. 123-127). [details]
    • Honing, H., van Rijn, T., Coenen, T., Jenks, K., & Desain, P. (2002). Omission evoked potentials (OEPS) in rhythmically trained and non-trained subjects. Journal of Cognitive Neuroscience, B90. [details]
    • Honing, H., van Rijn, T., Jongsma, M. A., & Desain, P. (2002). Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects. Journal of Cognitive Neuroscience, A94. [details]
    • Timmers, R., & Honing, H. (2002). On music performance, theories, measurement and diversity. Cognitive Processing International Quartely of Cognitive Sciences), 1/2, 1-19. [details]

    2001

    • Cemgil, A. T., Kappen, B., Desain, P., & Honing, H. (2001). On tempo tracking: tempogram Representation and Kalman filtering. Journal of New Music Research, 29(4), 259-273. https://doi.org/10.1080/09298210008565462 [details]
    • Honing, H. (2001). From time to time: The representation of timing and tempo. Computer Music Journal, 35(3), 50-61. [details]
    • Rossignol, S., Desain, P., & Honing, H. (2001). Refined knowledge-based pitch tracking: Comparing Three Frequency Extraction Methods. In Proceedings of the International Computer Music Conference ICMA. [details]
    • Rossignol, S., Desain, P., & Honing, H. (2001). State-of-the-art in fundamental frequency tracking. In Proceedings of workshop on Current Research Directions in Computer Music (pp. 244-245). UPF. [details]
    • Trilsbeek, P., Desain, P., & Honing, H. (2001). Spectral Analysis of Timing Profiles of Piano Performances. In Proceedings of the International Computer Music Conference ICMA. [details]

    2000

    • Cemgil, A. T., Kappen, B., Desain, P., & Honing, H. (2000). On tempo-tracking: tempogram representation and Kalman filtering. In Proceedings of the International Computer Music Conference (pp. 352-355) [details]
    • Desain, P., Honing, H., Aarts, R., & Timmers, R. (2000). Rhythmic aspects of vibrato. In Desain, P., & Windsor, W.L. (Eds.), Rhythm Perception and Production (pp. 203-216). Swets & Zeitlinger. [details]
    • Desain, P., Jansen, C., & Honing, H. (2000). How identification of rhythmic categories depends on tempo and meter. In Proceedings of the International Conference of Music perception and Cognition [details]
    • Heijink, H., Desain, P., Honing, H., & Windsor, W. L. (2000). Make me a match: an evaluation of different approaches to score-performance macthing. Computer Music Journal, 24(1), 43-56. https://doi.org/10.1162/014892600559173 [details]
    • Timmers, R., Desain, P., & Honing, H. (2000). Timing of grace notes in piano performances of a Beethoven theme. In Proceedings of the 8th Rhythm Perception and Production Workshop [details]
    • Windsor, W. L., Desain, P., Honing, H., Aarts, R., & Heijink, H. (2000). On time: the influence of tempo, structure and style on the timing of grace notes in skilled musical perfomance. In Desain, P., & Windsor, W. L. (Eds.), Rhythm perception and production (pp. 217-223). Swets & Zeitlinger. [details]

    1999

    • Desain, P., & Honing, H. (1999). Computational models of beat induction: the rule-based approach. Journal of New Music Research, 28(1), 29-42. https://doi.org/10.1076/jnmr.28.1.29.3123 [details]
    • Desain, P., & Honing, H. (1999). Modeling vibrato and portamento in music performance. Bulletin of the Council for Research in Music Education. [details]

    1998

    • Desain, P., & Honing, H. (1998). A reply to S. W. Smoliar's "Modelling musical perception: a critical view". In Griffith, N., & Todd, P. (Eds.), Musical networks, parallel distributed perception and performance (pp. 111-114). MIT Press. [details]
    • Desain, P., Honing, H., Aarts, R., & Timmers, R. (1998). Rhythmic aspects of vibrato. In Proceedings of the 1998 rhythm Perception and Production Workshop (pp. 34-34) [details]
    • Desain, P., Honing, H., Thienen, H., & Windsor, W. L. (1998). Computational modeling of music cognition: problem or solution? Music Perception, 16(1), 151-166. [details]

    1997

    • Dannenberg, R., Desain, P., & Honing, H. (1997). Programming language design for music. In de Poli, G., & Picalli, A (Eds.), Musical Signal Processing (pp. 271-315). Swets & Zeitlinger. [details]
    • Desain, P., & Honing, H. (1997). CLOSe to the edge? Advanced object oriented techniques in the representation of musical knowledge. Journal of New Music Research, 26(1), 1-16. https://doi.org/10.1080/09298219708570714
    • Desain, P., & Honing, H. (1997). Computational modelling of rhythm perception. In Proceedings of the workshop on Language and Music Perception [details]
    • Desain, P., & Honing, H. (1997). How to evaluate generative models of expression in music performance. In IJCAI workshop: Issues in AI and music evaluation and assessment (pp. 5-7) [details]
    • Desain, P., & Honing, H. (1997). Structural Expression Component Theory (SECT), and a method for decomposing expression in music performance. In Proceedings of the Society for Music Perception and Cognition (pp. 38-38) [details]
    • Desain, P., Honing, H., & Heijink, H. (1997). Robust score-performance matching: taking advantage of structural information. In Proceedings of the 1997 International Computer Music Conference (pp. 337-340) [details]
    • Windsor, W. L., Desain, P., Honing, H., Aarts, R., & Heijink, H. (1997). Graceful timing: ornaments, tempo and musical structure. In Proceedings of the 7t Rhythm Perception and Production Workshop (pp. 35-35) [details]

    1996

    • Desain, P., & Honing, H. (1996). Physical motion as a metaphor for timing in music: the final ritard. In Proceedings of the 1996 International Computer Music Conference (pp. 458-460). ICMA. [details]

    1995

    2022

    • Ning, Z-Y., Honing, H., & ten Cate, C. (2022). Zebra finches (Taeniopygia guttata) demonstrate cognitive flexibility in using phonology and sequence of syllables in auditory discrimination. Research Report. https://doi.org/10.21203/rs.3.rs-2247248/v1

    2021

    2014

    • Honing, H., & Merchant, H. (2014). Differences in auditory timing between human and nonhuman primates. Behavioral and Brain Sciences, 37(6), 557-558. https://doi.org/10.1017/S0140525X13004056 [details]
    • Honing, H., & Zuidema, W. (2014). Decomposing dendrophilia: Comment on "Toward a Computational Framework for Cognitive Biology: Unifying approaches from cognitive neuroscience and comparative cognition" by W. Tecumseh Fitch. Physics of Life Reviews, 11(3), 375-376. https://doi.org/10.1016/j.plrev.2014.06.020 [details]

    2013

    2012

    • Honing, H. (2012). Op zoek naar wat ons muzikale dieren maakt. (Van Foreest publiekslezing; Vol. 2012). Nieuw Amsterdam Uitgevers. http://www.musiccognition.nl/foreest/ [details]
    • Honing, H. (2012). Een vertelling. In S. van Maas, C. Hulshof, & P. Oldenhave (Eds.), Liber plurium vocum voor Rokus de Groot: Ter gelegenheid van zijn afscheid als hoogleraar in de Muziekwetenschap aan de Universiteit van Amsterdam, 1 juli 2012 (pp. 150-154). Universiteit van Amsterdam. [details]
    • Honing, H., Merchant, H., Háden, G., Prado, L., & Bartolo, R. (2012). Probing Beat Induction in Rhesus Monkeys: Is Beat Induction Species-Specific? In E. Cambouropoulos, C. Tsougras, P. Mavromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (pp. 454-455). Aristotle University of Thessaloniki. [details]
    • Háden, G. P., Honing, H., & Winkler, I. (2012). Newborn infants are sensitive to sound timing. In F. Cambouropoulos, C. Tsougras, P. Mavromatis, & K. Pastiadis (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music: July 23-28, 2012, Thessaloniki, Greece (pp. 378-379). Aristotle University of Thessaloniki. http://icmpc-escom2012.web.auth.gr/files/papers/378_Proc.pdf [details]

    2011

    2010

    2009

    • Honing, H. (2009). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek. Nieuw Amsterdam Uitgevers. [details]

    2008

    • Smith, L. M., & Honing, H. (2008). A multiresolution model of rhythmic expectancy. In K. Miyazaki, Y. Hiraga, M. Adachi, Y. Nakajima, & M. Tsuzaki (Eds.), Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10), Sapporo, Japan (pp. 360-365). Hokkaido University. http://cf.hum.uva.nl/mmm/papers/smith-honing-2008a.pdf [details]

    2005

    • Honing, H. (2005). Music cognition: Theory testing and model selection. In Proceedings of the Annual Conference of the Cognitive Science Society (pp. 38-38). University of Turin.
    • Honing, H. (2005). Muziek is geen geluid: Over muziek, kunst en wetenschap. BLIND : Interdisciplinair Tijdschrift, 4. https://www.ziedaar.nl/article.php?id=207

    1996

    • Desain, P., & Honing, H. (1996). Mentalist and physicalist models of expressive timing. In Abstracts of the 1996 Rhythm Perception and Production Workshop (pp. 14). Max Planck-Institute. [details]
    • Desain, P., & Honing, H. (1996). Modeling Continuous Aspects of Music Performance: Vibrato and Portamento. In Proceedings of the 4th International Music Perception and Cognition Conference McGill University. [details]

    1995

    • Honing, H., & Desain, P. (1995). Computational models of beat induction: the rule-based approach. In G. Widmer (Ed.), Working Notes: Artificial Intelligence and Music (pp. 1-10). IJCAI. [details]
    • Honing, H., & Desain, P. (1995). Computational models of beat induction: the rule-based approach. In G. Widmer (Ed.), Working Notes: Artificial Intelligence and Music (pp. 1-10). IJCAI. [details]
    • Honing, H., & Desain, P. (1995). Expresso: het retoucheren (en analyseren) van pianouitvoeringen. In Abstracts vijfde congres Nederlandse Vereniging voor Psychonomie (pp. 20-21). Vereniging voor Psychonomie. [details]
    • Honing, H., & Desain, P. (1995). Towards algorithmic descriptions for continuous modulations of musical parameters. In Proceedings of the 1995 International Computer Music Conference (pp. 393-395). ICMA. [details]
    • Kappert, P., Desain, P., & Honing, H. (1995). Expresso: het retoucheren (en analyseren) van pianouitvoeringen. In Abstracts vijfde congres Nederlandse Vereniging voor Psychonomie (pp. 20-21). Vereniging voor Psychonomie. [details]

    1994

    • Honing, H., & Desain, P. (1994). Advanced issues in beat induction modeling: syncopation, tempo and timing. Proceedings of the 1994 International Computer Music Conference, 20, 92-94. [details]
    • Honing, H., & Desain, P. (1994). Can music cognition benefit from computer music research? From foot-tapper systems to beat induction models. Proceedings of the ICMPC 1994, 3, 397-398. [details]
    • Honing, H., & Desain, P. (1994). Does expressive timing in music performance scale proportionally with tempo? Psychological Research, 56(4), 285-292. https://doi.org/10.1007/BF00419658 [details]
    • Honing, H., & Desain, P. (1994). Foot-tapping: a brief introduction to beat induction. Proceedings of the 1994 International Computer Music Conference, 20, 78-79. [details]
    • Honing, H., & Desain, P. (1994). Rule-based models of initial beat induction and an analysis of their behaviour. Proceedings of the 1994 International Computer Music Conference, 20, 80-82. [details]
    • Honing, H., & Desain, P. (1994). Towards algorithmic descriptions for continuous modulations of musical parameters. In Proceedings of the 1995 International Computer Music Conference (pp. 393-395). ICMA. [details]

    2020

    2011

    • Honing, H. (2011). Muziek is geen luxe ... maar wat dan wel? [Bespreking van: P Ball (2010) The music instinct: How music works and why we can't do without it]. De Academische Boekengids, 88.

    2010

    2008

    • Honing, H. (2008). De vergeten luisteraar. Boekman, 20(77), 42-47. [details]

    2007

    2006

    • Honing, H. (2006). How to make a machine listen? Intensive Science (Sony Computer Science Laboratoy), 21. [details]

    2004

    • Honing, H. (2004). Een vertelling over muziek, motoriek en metafoor. Mens & Melodie, 59(5), 5-9. [details]
    • Honing, H. (2004). Je weet niet wat je hoort: wiskunde en muziekcognitie. Nieuw Archief voor Wiskunde, 5/5(3), 228-231. http://www.nieuwarchief.nl/serie5/pdf/naw5-2004-05-3-228.pdf [details]
    • Honing, H. (2004). Muziek de maat genomen. Over de groeiende rol van theorie en observatie in de musicologie. De Academische Boekengids, 4(7), 23-23. [details]

    1998

    • Honing, H. (1998). Vergelijking MIDI-files: deskundige rapport (rechtzaak Utrecht). Universiteit van Amsterdam / Universiteit van Nijmegen. [details]

    1997

    • Desain, P., & Honing, H. (1997). Music, Mind, Machine: beatinductie computationeel modelleren. Informatie, 39, 48-53. [details]

    2017

    • Vaquero Patricio, C., Titov, I., & Honing, H. (2017). What score markings can say of the synergy between expressive timing and loudness. Abstract from European Society for Cognitive Sciences Of Music Conference, Ghent, Belgium.

    2014

    • Weidema, J. L., Roncaglia-Denissen, M. P., & Honing, H. (2014). The effect of musical pitch on the perception of lexical pitch in speakers of Madarin. 172. Abstract from ICMPC-APSCOM 2014.
    • van Balen, J., Karavellas, T., Burgoyne, J. A., Wiering, F., Bountouridis, D., & Honing, H. (2014). Modeling Music and Memory Using Information Retrieval Techniques and Games with a Purpose. Poster session presented at Digital Humanities Conference Benelux.

    2013

    2011

    • Honing, H. (2011). The role of surprise in theory testing. Abstract from Workshop on ‘All models are wrong: model uncertainty and selection in complex models’, Groningen, Netherlands.
    • Honing, H., & Bouwer, F. (2011). Is hierarchy in rhythm perception consciously learned?. Abstract from 13th International Rhythm Perception and Production Workshop, Leipzig, Saxony, Germany.

    2009

    • Honing, H., Ladinig, O., Háden, G. P., & Winkler, I. (2009). Do newborn infants sense the beat?. 200-201. Abstract from 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), Jyväskylä, Finland. http://urn.fi/URN:NBN:fi:jyu-2009411261 [details]

    2008

    • Honing, H. (2008). Musical competence and the role of exposure. 102. Abstract from Music and Language II Conference, Boston, Massachusetts, United States.
    • Honing, H., Ladinig, O., Winkler, I., & Háden, G. P. (2008). Probing emergent meter perception in adults and newborns using event-related brain potentials: a pilot study. 223. Abstract from The Neurosciences and Music III: Disorders and plasticity (Neuromusic III), Montreal, Canada.
    • Ladinig, O., & Honing, H. (2008). An empirically validated model of complexity: Longuet-Higgins and Lee reconsidered. 89. Abstract from 10th International Conference on Music Perception and Cognition (ICMPC 10), Sapporo, Japan.

    2010

    Prijs

    Lidmaatschap

    • Honing, H. (2019). Member elect of the Royal Netherlands Academy of Arts and Sciences (KNAW), KNAW.
    • Honing, H. (2015-2023). Lid van de wetenschapscommissie, Meertens Instituut KNAW.
    • Honing, H. (2013). Member Royal Holland Society of Sciences and Humanities (KHMW), Koninklijke Hollandsche Maatschappij der Wetenschappen (KHMW).

    Mediaoptreden

    Tijdschriftredactie

    • Honing, H. (editor) (2010). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2010). Music Perception (Journal).
    • Honing, H. (editor) (2010). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2009). Music Perception (Journal).
    • Honing, H. (editor) (2009). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2009). Music Theory Spectrum (Journal).
    • Honing, H. (editor) (2009). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2008). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2008). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2008). Music Theory Spectrum (Journal).
    • Honing, H. (editor) (2008). Music Perception (Journal).
    • Honing, H. (editor) (2006). Journal of New Music Research (Journal).
    • Honing, H. (editor) (2006). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2005). Empirical Musicology Review (Journal).
    • Honing, H. (editor) (2005). Journal of New Music Research (Journal).

    Spreker

    • Honing, H. (invited speaker) (15-12-2021). Chords of the Brain: Musicality explained, UvA Spui25. https://spui25.nl/programma/chords-of-the-brain
    • Honing, H. (invited speaker) (23-11-2021). Gala van de Wetenschap: Over muzikaliteitsonderzoek, Gala van de wetenschap. https://ita.nl/nl/voorstellingen/gala-van-de-wetenschap-2021/1655706/
    • Honing, H. (keynote speaker) (4-11-2021). What makes us musical animals?, Amsterdam UMC. https://www.amsterdamumc.org/en/research/institutes/amsterdam-institute-for-infection-and-immunity/events/-annual-phd-student-retreat-2021-of-aii.htm
    • Honing, H. (invited speaker) (9-9-2021). Muzikale dieren?, KNAW. https://www.knaw.nl/nl/actueel/agenda/hoe-communiceren-robots-en-dieren
    • Honing, H. (keynote speaker) (12-1-2021). Over muziek en biologie, Leiden University Medical Centre (LUMC), Leiden University, Leiden, The Netherlands..
    • Honing, H. (invited speaker) (11-1-2021). What makes us musical animals?, LIVE-Talk Musik / Natur / Wissenschaft / Geschichte, Berlin.
    • Honing, H. (keynote speaker) (21-12-2020). On the origins of musicality, Lecture series on music evolution, Tokyo.
    • Honing, H. (keynote speaker) (13-11-2020). On the origins of musicality, Cognition, Behavior & Evolution Network (CBEN).
    • Honing, H. (invited speaker) (28-10-2020). Research on music cognition and musicality, LUISTER/LISTEN project week, Den Haag.
    • Honing, H. (invited speaker), Cornelissen, B. (invited speaker) & de Heer Kloots, M. (invited speaker) (28-10-2020). Dancing cockatoos and headbanging sealions: Searching for the origins of musical listening., Koninklijk Conservatorium Den Haag. https://www.koncon.nl/listen-project-week-of-the-jazz-department/listen-teachers-and-speakers
    • Honing, H. (invited speaker) (19-9-2020). Iedereen is muzikaal (theatercollege), Theatercollege, Hoogezand.
    • Honing, H. (keynote speaker) (27-1-2020). The Evolving Animal Orchestra: In Search of What Makes Us Musical, Science & Cocktails 2020, Amsterdam. https://youtu.be/oaKsg5LoWrs
    • Honing, H. (invited speaker) (11-12-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, VU-ACTA Amsterdam .
    • Honing, H. (invited speaker) (26-11-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, Franchisedag Bagels & Beans, Delft.
    • Honing, H. (invited speaker) (19-11-2019). Iedereen is muzikaal, GAIN. https://www.vereniginggain.nl/nl/gain-event-2019
    • Honing, H. (keynote speaker) (6-11-2019). Muzikale dieren (Lezing op Studium Generale), RUG Rijksuniversiteit Groningen.
    • Honing, H. (keynote speaker) (5-11-2019). What makes us musical animals (Keynote ISMIR 2019), TU Delft.
    • Honing, H. (speaker) (1-11-2019). Der Affe schlägt den Takt, Buchpremiere, Berlin.
    • Honing, H. (invited speaker) (30-10-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, College, Franeker. https://www.academiefraneker.nl/agenda/iedereen-is-muzikaal-wat-we-weten-over-het-luisteren-naar-muziek/
    • Honing, H. (invited speaker) (2-10-2019). Iedereen is muzikaal: wat we weten over het luisteren naar muziek, Congres Podia | Festivals | Evenementen , Utrecht.
    • Honing, H. (keynote speaker) (15-9-2019). International Symposium on Room Acoustics (ISRA 2019), Acoustical Society of the Netherlands (NAG). https://www.isra2019.eu/keynote
    • Honing, H. (keynote speaker) (14-9-2019). Iedereen is muzikaal, Kiwanis. https://www.mcogebouw.nl/agenda/kiwanis-congres-2019/
    • Honing, H. (invited speaker) (12-4-2019). The Evolving Animal Orchresta: In Search of What Makes Us Musical, Science Night 2019, Amsterdam.
    • Honing, H. (speaker) (2-12-2018). Theatercollege, De Doelen, Rotterdam, Miracles of Music Show.
    • Honing, H. (speaker) (30-11-2018). Keynote Publieksdag ‘Daar zit muziek in’, UL Universiteit Leiden.
    • Honing, H. (speaker) (15-11-2018). Keynote Miracles of Music Congres, VU.
    • Honing, H. (speaker) (10-6-2018). Theatercollege, Stadsgehoorzaal, Leiden, Miracles of Music Show.
    • Honing, H. (speaker) (9-6-2018). Debat: Is muziek echt zo uniek?, Universiteitsdag, Amsterdam.
    • Honing, H. (speaker) (17-1-2018). Theatercollege Concertgebouw, Amsterdam, Miracles of Music Show.
    • Honing, H. (invited speaker) (22-11-2017). Diversity in Science, Diversity in Science, Utrecht. https://www.knaw.nl/en/news/calendar/diversity-in-science
    • Honing, H. (keynote speaker) (22-11-2017). Darwins vermoeden, Alcmeon Congres, Utrecht.
    • Honing, H. (invited speaker) (20-10-2017). Iedereen is muzikaal, De Buren, Brussel.
    • Honing, H. (keynote speaker) (12-10-2017). Darwins vermoeden, Publieksdag hersenstichting, Rotterdam.
    • Honing, H. (speaker) (17-6-2017). On the biological basis of musicality, Harvard Medical School.
    • Honing, H. (speaker) (2-6-2017). What makes us musical animals, UMC, University of Goningen.
    • Honing, H. (speaker) (26-5-2017). Iedereen is muzikaal, ABN AMRO, afd. communicatie Nederland.
    • Honing, H. (speaker) (23-5-2017). Van kunst naar wetenschap, Kunst als leermeester van de wetenschap?, Amsterdam.
    • Honing, H. (speaker) (18-5-2017). Muziek als medicijn?, Muziek als medicijn?, Amsterdam.
    • Honing, H. (speaker) (14-2-2017). Is iedereen muzikaal?, Kenniscafé Bibliotheek Kennemerland, Haarlem.
    • Honing, H. (invited speaker) (7-11-2016). Theatercollege Iedereen is muzikaal, De Leidse Schouwburg.
    • Honing, H. (invited speaker) (1-11-2016). Theatercollege Iedereen is muzikaal, De Meervaart.
    • Honing, H. (speaker) (31-10-2016). Interview met Colin Benders (Kyteman), Gesprek met Colin Benders, Trippenhuis, Academie voor Kunsten, KNAW, Amsterdam.
    • Honing, H. (speaker) (27-10-2016). Two cases of beat deafness: What does it mean?, Beat Deafness, Amsetrdam.
    • Honing, H. (keynote speaker) (20-10-2016). Distinguished Lecture on Musicality, CIRMTT, Montreal, CA.
    • Honing, H. (keynote speaker) (11-10-2016). What makes us musical animals, TU Dresden.
    • Honing, H. (invited speaker) (5-10-2016). Theatercollege Iedereen is muzikaal, Schouwburg De Lawei.
    • Honing, H. (invited speaker) (23-8-2016). Iedereen is muzikaal, Iedereen is muzikaal.
    • Honing, H. (invited speaker) (14-6-2016). The Art of Listening: Round table discussion with Olga Neuwirth et al., Holland Festival, Stadsschouwburg, Amsterdam.
    • Honing, H. (invited speaker) (13-5-2016). Iedereen is muzikaal, Grote Prijs van Nederland, Paradiso, Amsterdam.
    • Honing, H. (invited speaker) (17-4-2016). Iedereen is muzikaal, Museumweek, Instituut voor Beeld en Geluid.
    • Honing, H. (invited speaker) (13-4-2016). What makes us musical animals, Dutch Wednesday, Nederlands Institute St Petersburg (NIP).
    • Honing, H. (invited speaker) (11-4-2016). What makes us musical animals, Московская высшая школа социальных и экономических, Moscow, Russia.
    • Honing, H. (invited speaker) (7-4-2016). What makes us musical animals, Early Intervention Conference, University Medical Center, Groningen.
    • Honing, H. (invited speaker) (8-1-2016). 'Een aap met maatgevoel' Over de bouwstenen van muzikaliteit, Dies Natalis, Oude Lutherse kerk, Amsterdam. https://youtu.be/Ogt01uBpgP8
    • Honing, H. (speaker) (9-12-2015). Iedereen is muzikaal, Nationaal Bibliotheekcongres, Klokgebouw, Eindhoven, NL.
    • Honing, H. (speaker) (2-12-2015). Muziek is meer dan kunst alleen, Maatschappelijke impact van de geestes- en sociale wetenschappen, Adademiegebouw, Utrecht, NL.
    • Honing, H. (speaker) (29-11-2015). Hebben dieren gevoel voor muziek?, Eureka! Festival, Westergasfabriek, Amsterdam, NL.
    • Honing, H. (speaker) (18-11-2015). Breuken, Beats & Beethoven, BètaBreak, Universiteit van Amsterdam.
    • Honing, H. (speaker) (7-11-2015). Voor de muziek uit..., Nationaal congres Onze Taal, Chassé Theater, Breda, NL.
    • Honing, H. (speaker) (21-10-2015). Muziek en het brein, College Club, VonderlCS, Amsterdam, NL.
    • Honing, H. (speaker) (14-10-2015). Muziekcognitie, College in honourscourse, Universiteit van Utrecht, NL.
    • Honing, H. (speaker) (8-10-2015). Iedereen is muzikaal, Muziekeducatie Congres (OCW/ LKCA), Haagse Hogeschool, Den Haag, NL.
    • Honing, H. (speaker) (3-10-2015). 24/7 Lecture on Music Cognition, European Ig Nobel Show, Science Center Nemo.
    • Honing, H. (speaker) (19-9-2015). Iedereen is muzikaal, Nacht van Kunst en Kennis, Gebroeders de Nobel, Leiden, NL.
    • Honing, H. (speaker) (1-6-2015). What makes us musical animals?, ABC Brain Day, Brakke Grond, Amsterdam, NL.
    • Honing, H. (speaker) (30-4-2015). Musicality: Wired for music?, Science Café Wageningen, Wageningen, NL.
    • Honing, H. (speaker) (15-4-2015). What makes us musical animals, Keynote at RIME Conference, Exeter, UK.
    • Honing, H. (speaker) (17-3-2015). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek, Publiekslezing, Theater Reggehof.
    • Honing, H. (speaker) (3-2-2015). Muziek en Brein, Studium Generale, Universiteit van Twente.
    • Honing, H. (speaker) (5-1-2015). Wat maakt ons muzikale dieren?, Lezing in reeks georganiseerd door Koninklijke Maatschappij voor Natuurkunde, Theater Diligentia, Den Haag. http://www.natuurwetenschappen-diligentia.nl
    • Honing, H. (invited speaker) (19-9-2014). Creativiteit en muziek, KNAW-Muller Seminar, KNAW.
    • Burgoyne, J. A. (invited speaker), van Balen, J. (invited speaker), Bountouridis, D. (invited speaker), Karavellas, T. (invited speaker), Wiering, F. (invited speaker), Veltkamp, R. C. (invited speaker) & Honing, H. J. (invited speaker) (7-8-2014). The Contours of Catchiness, or Where to Look for a Hook, International Conference on Music Perception and Cognition, Seoul, South Korea.
    • Honing, H. (invited speaker) (24-5-2014). Nachtlezing -- Muziek in je hoofd, De Nacht van Kunst en Wetenschap, Groningen, NL.
    • Honing, H. (invited speaker) (20-5-2014). Verstand van Muziek, Interview Filmtheater, Hilversum, NL.
    • Honing, H. (invited speaker) (14-4-2014). Musical Animals. Can there be? Are we?, EvoLang/ EvoMus, Vienna, A.
    • Honing, H. (invited speaker) (7-10-2013). Debat muziek en het brein, EOS | Handelsbeurs, Ghent, B.
    • Honing, H. (invited speaker) (4-10-2013). What makes us musical animals, Workd Science Festival Preview, Amsterdam, NL.
    • Honing, H. (invited speaker) (29-8-2013). The tip of the iceberg, Congres Managing Your Talents, Amsterdam, NL.
    • Honing, H. (invited speaker) (16-6-2013). Modelling rhythm perception, Logic & Music workshop, Florence, I.
    • Honing, H. (invited speaker) (10-6-2013). Cognitie en de geesteswetenschappen, KNAW symposium, Amsterdam, NL.
    • Honing, H. (invited speaker) (30-5-2013). What makes us musical animals (ism Yuri Honing), Young Professionals, Concertgebouw, Amsterdam, NL.
    • Honing, H. (invited speaker) (29-5-2013). Het fascinerende brein, Amsterdam Brein en Cognitie, Spui25, Amsterdam. NL.
    • Honing, H. (invited speaker) (28-5-2013). Maatgevoel, IgNobel 24/7 Lecture, Leiden. NL.
    • Honing, H. (invited speaker) (8-5-2013). Muzikale dieren, Food for Thought (NRC/Spui25), Amsterdam, NL.
    • Honing, H. (invited speaker) (26-4-2013). What makes us musical animals, Studium Generale, Barcelona, S.
    • Honing, H. (invited speaker) (11-2-2013). Music, Cognition and the Origins of Music, Darwin Day 2013, Scientific Lecture, Oslo, N.
    • Honing, H. (invited speaker) (11-2-2013). What makes us musical animals, Darwin Day 2013, Public lecture, Oslo, N.
    • Honing, H. (speaker) (15-1-2013). Muziek en evolutie, Science Café Tilburg, Tilburg, NL.
    • Honing, H. (invited speaker) (6-1-2013). Bouwstenen van muziek en muzikaliteit, Paradisolezing (NWO/KNAW), Paradiso, Amsterdam, NL.
    • Honing, H. (speaker) (4-12-2012). KNAW tweegesprek over muziek, muzikaliteit en Afrika, KNAW tweegesprek, Spui25, Amsterdam, NL.
    • Honing, H. (invited speaker) (20-11-2012). Iedereen is muzikaal, Ziggo Congres, Ziggo Dome, Amsterdam, NL.
    • Honing, H. (invited speaker) (7-11-2012). Iedereen is muzikaal, Muziek Telt Congres, Amersfoort, NL.
    • Honing, H. (speaker) (27-10-2012). What makes us musical animals, Montesorri congres, Rome, I.
    • Honing, H. (speaker) (17-10-2012). What makes us musical animals, Congo Congres, Amsterdam, NL.
    • Honing, H. (invited speaker) (26-9-2012). Iedereen is muzikaal, Leerkrachten congres, Nemo Science eCenter, Amsterdam, NL.
    • Honing, H. (invited speaker) (23-9-2012). Over muziekcognitie, Koninklijke Hollandsche Maatschappij Wetenschap, Haarlem, NL.
    • Honing, H. (speaker) (3-9-2012). Wat ons muzikale dieren maakt, Glazenhuis, Universiteit van Amsterdam, Spui, Amsterdam.
    • Honing, H. (speaker) (19-4-2012). What makes us musical animals, Conference Access to Art and Culture throughout Childhood and Youth, Copenhagen, DK.
    • Honing, H. (invited speaker) (17-4-2012). Op zoek naar wat ons muzikale dieren maakt, Twaalfde Van Foreest Publiekslezing, Alkmaar.
    • Honing, H. (invited speaker) (10-4-2012). Iedereen is muzikaal, Jaarlijkse Kunst- en Wetenschapslezing, Studium Generale Utrecht, Utrecht.
    • Honing, H. (speaker) (7-1-2012). What makes humans unique?, Symposium Daniel Dennett, Aula van de Universiteit van Amsterdam.
    • Honing, H. (invited speaker) (25-11-2011). What makes us musical animals, TEDxAmsterdam, Stadsschouwburg, Amsterdam.
    • Honing, H. (invited speaker) (21-11-2011). Muziek, hersenen en stress. Debat met René Kahn en Marian Joëls, Utrecht Lezing Amsterdam, Lutherse kerk, Aula, Amsterdam.
    • Honing, H. (invited speaker) (29-9-2011). Wat ons muzikale dieren maakt, Congres Podiumkunsten, Enschede.
    • Honing, H. (invited speaker) (23-9-2011). Iedereen is muzikaal, Conferentie Kinderen maken Muziek, Kaap Doorn.
    • Honing, H. (speaker) (12-9-2011). Ons muzikale brein, Science Café Nijmegen, Nijmegen.
    • Honing, H. (invited speaker) (22-6-2011). Wat ons muzikale dieren maakt, Symposium Muziek Telt!, Amsterdam.
    • Honing, H. (speaker) (21-4-2011). Iedereen is muzikaal, Academische Club, Amsterdam.
    • Honing, H. (invited speaker) (26-3-2011). Iedereen is muzikaal, Studiedag Gehrels Muziekeducatie, Utrecht.
    • Honing, H. (invited speaker) (17-11-2010). Iedereen is muzikaal, Studium Generale, Technische Universiteit Eindhoven, Eindhoven.
    • Honing, H. (invited speaker) (13-11-2010). Iedereen is muzikaal, EPTA Conferentie, Nunspeet.
    • Honing, H. (invited speaker) (6-11-2010). Wanneer ben je muzikaal?, Kinderlezing Alumnidag UvA, Amsterdam.
    • Honing, H. (invited speaker) (20-10-2010). Iedereen is muzikaal (deel 2), Vredenburg Leeuwenberg, Utrecht.
    • Honing, H. (invited speaker) (16-10-2010). Wanneer ben je muzikaal?, Illustre School Kinderlezing, Amsterdam.
    • Honing, H. (invited speaker) (13-10-2010). Iedereen is muzikaal (deel 1), Vredenburg Leeuwenberg, Utrecht. http://www.vredenburg.nl/agenda/concerten/1725
    • Honing, H. (invited speaker) (8-10-2010). Iedereen is muzikaal, Cultureel café, Lochem.
    • Honing, H. (invited speaker) (7-7-2010). Is beat induction a fundamental musical skill?, Leipziger Neuromusik Gesprächskreis, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, G. http://www.musiccognition.nl/newborns
    • Honing, H. (invited speaker) (23-5-2010). Iedereen is muzikaal, Nemo Science Centre, Amsterdam.
    • Honing, H. (invited speaker) (17-4-2010). We're all musical animals, Music & Science Festival, Zutphen.
    • Honing, H. (invited speaker) (14-4-2010). Iedereen is muzikaal, Kunstcongres Rijksuniversiteit Groningen, Groningen.
    • Smith, L. M. (speaker) & Honing, H. (speaker) (2-7-2007). The continuous wavelet transform as a multiresolution representation of musical rhythm, Proceedings of the 11th Rhythm Perception and Production Workshop (RPPW), Dublin, Ireland.
    • Honing, H. (speaker) (23-11-2006). Muziek de maat genomen, DocArtes PhD Programme, Ghent, Belgium.
    • Honing, H. (speaker) (11-10-2006). Virtual Rhythm Space, Opening Virtual Knowledge Studio, KNAW, KNAW, Amsterdam, Netherlands.
    • Honing, H. (speaker) (6-10-2006). Zonder luisteraar geen muziek, Conference Harmonie in Gedrag, Haagse Hogeschool, The Haque, Netherlands.
    • Honing, H. (speaker) (22-8-2006). The role of surprise in theory testing: Some preliminary observations, International Conference on Music Perception and Cognition, Bologna, Italy.
    • Honing, H. (speaker) (25-7-2006). Music and Cognition: What cognitive science can learn from music cognition, Special session at CogSci2006 on Music Cognition, Vancouver, Canada.
    • Honing, H. (speaker) (24-6-2006). Music Cognition Lectures (guest professorship), Sound and Music Computing Summerschool, UPF, Barcelona, Spain.
    • Honing, H. (speaker) (16-12-2005). Computational modeling of music cogniton: a case study in model selection, Minisymposium Logic & Cognition, De Burcht, Amsterdam.
    • Honing, H. (speaker) (13-12-2005). From time to time: The representation of timing and tempo in music, Logic Tea, Euclides, Amsterdam.
    • Honing, H. (speaker) (10-12-2005). Computational modeling of music cognition, Current research topics and perspectives in systematic musicology, University of Cologne, Institute for Musicology.
    • Honing, H. (speaker) (1-12-2005). Perception and categorization of rhythm (EmCAP Workpackage 5), EU FP6-IST, EmCAP Kick-off Meeting, University Pompeu Fabra Computational Neuroscience.
    • Honing, H. (speaker) (2-11-2005). Muziekcognitie: mensen zijn muzikaler dan ze denken, Discussiebijeenkomst "Cognitie & Creatie", KNAW, Trippenhuis, Amsterdam.
    • Honing, H. (speaker) (18-10-2005). Muziek, cognitie en wetenschap, Utrechtse Studievereniging voor Cognitieve Kunstmatige Intelligentie, Universiteit van Utrecht.
    • Honing, H. (speaker) (8-9-2005). Rituelen, ritme en cognitie, Facultaire opening academisch jaar, Universiteit vanAmsterdam, Rode Hoed, Amsterdam.
    • Honing, H. (speaker) (22-6-2005). Muziek is geen geluid, Lezingencyclus "Een andere kijk op psychologie", Universiteit van Amsterdam.
    • Honing, H. (speaker) (1-10-2004). Muziekcognitie onderzoek en de rol van ICT, Nieuwe onderzoeksperspectieven voor de geesteswetenschappen en ICT, SURF, Amsterdam.
    • Honing, H. (speaker) (12-5-2004). Music cognition lectures III, Music Cognition Program, Northwestern University, Evanston, USA.
    • Honing, H. (speaker) (10-5-2004). Music cognition lectures II, Music Cognition Program, Northwestern University, Evanston, USA.
    • Honing, H. (speaker) (5-5-2004). Music cognition lectures I, Music Cognition Program, Northwestern University, Evanston, USA.
    • Honing, H. (speaker) (28-4-2004). Music cognition: on rhythm, timing and tempo, SARC Conference, SARC, Queens University, Belfast, Ireland.
    • Honing, H. (speaker) (29-1-2004). Muziekcognitie, Studium Generale, Thema "Lichaam en Geest", Maastricht University.
    • Honing, H. (speaker) (10-1-2004). Een slag in de ritme ruimte: over ritme, timing en tempo in muziek, Winter Meeting Koninklijk Wiskundig genootschap, Universiteit van Utrecht.
    • Honing, H. (speaker) (14-12-2001). Over het klonteren van tijd: categorieën en ritmeperceptie, Wintercongres NVP, Egmond aan Zee.
    • Honing, H. (speaker) (13-12-2001). Over het klonteren van tijd: categorieën en ritmeperceptie, Colloquium muziekwetenschap, Amsterdam.
    • Honing, H. (speaker) (14-11-2001). Current directions in computer music research, Mosart Meeting, Barcelona.
    • Honing, H. (speaker) (14-10-2001). MMM Position Statement, Member music performance panel, University Pompeu Fabra, Barcelona.
    • Honing, H. (speaker) (9-10-2001). Quantizatie van temporele patronen, STW/Congresgebouw, Den Haag.
    • Honing, H. (speaker) (16-4-2001). Modeling rhythm perception and quantization, Invited lecture, Music Technology Group, University Pompeu Fabra, Barcelona.
    • Honing, H. (speaker) (16-3-2001). Tutorial on rhythm perception, Mosart Meeting, University of Padoa, Padova.
    • Honing, H. (speaker) (19-1-2001). Music and Logic, Symposium Gent, Gent.

    Andere

    • Scherder, E. J. A. (examiner) & Honing, H. (examiner) (15-1-2019). Is Music a luxury? What we know - and do not know - about the Neurocognitive and Behavioural effects of music education (examination).
    • Honing, H. (participant) (11-10-2017). Theatercollege (other).
    • Honing, H. (participant) (21-8-2017). JOURNÉE D’ÉTUDE SUR LES ORIGINES DE LA MUSIQUE ET DU LANGAGE, Geneve. What makes us musical animals? (participating in a conference, workshop, ...).
    • Honing, H. (chair) (26-6-2017 - 30-6-2017). Summerschool on Music, Language and Cognition, Costa Masnaga (participating in a conference, workshop, ...).
    • Honing, H. (organiser) (17-6-2017). On the biological basis of musicality, Boston (organising a conference, workshop, ...).
    • Hamann, S. R. (organiser), Honing, H. (organiser), Pfeifer, J. (organiser) & Weidema, J. L. (organiser) (27-10-2016). Symposium on Congenital Amusia, Amsterdam (organising a conference, workshop, ...).
    • Honing, H. (organiser) & Daffertshofer, A. (organiser) (6-6-2015 - 8-6-2015). Rhythm Perception and Production Workshop (RPPW). RPPW is a biannual summit that seeks to explore innovative means of understanding rhythm production and perception. Rhythms are paramount in human (…) (organising a conference, workshop, ...). http://www.move.vu.nl/en/news-agenda/conferences-and-symposia/rppw15/index.aspx
    • Szymanik, J. K. (organiser), Zuidema, E. (organiser), Honing, H. J. (organiser) & Aboh, E. O. (organiser) (25-3-2015 - 27-3-2015). SMART International Conference (organising a conference, workshop, ...). http://smartcs.humanities.uva.nl/
    • Honing, H. (organiser) (7-4-2014 - 11-4-2014). Lorentz Workshop, Lorentz Center, Leiden. What Makes Us Musical Animals? Cognition, Biology and the Origins of Musicality (organising a conference, workshop, ...). http://www.lorentzcenter.nl/lc/web/2014/628/info.php3?wsid=628
    • Honing, H. (other) (2010). Member Computational Humanities program group, Royal Netherlands Academy of Arts and Sciences (KNAW) (other).
    • Honing, H. (other) (2010). Member steering commitee Cognitive Science Center Amsterdam, University of Amsterdam (other).
    • Honing, H. (other) (2009 - 2010). Member programme commitee Computational Humanities, Royal Netherlands Academy of Arts and Sciences (KNAW) (other).
    • Honing, H. (other) (2009). Vice-president Elect, European Society for the Cognitive Sciences of Music (ESCOM) (other).
    • Honing, H. (other) (2005). External Examiner, University of Edinburgh (other).

    2021

    • Keller, P. E., Varlet, M., Lenc, T., Nozaradan, S., Merchant, H. & Honing, H. (1-1-2021). Supplementary material from "Mapping between sound, brain and behaviour: four-level framework for understanding rhythm processing in humans and non-human primates". figshare Academic Research System. https://doi.org/10.6084/m9.figshare.c.5494961.v1
    • Nozaradan, S., Lenc, T., Honing, H., Keller, P. E., Merchant, H. & Varlet, M. (1-1-2021). Supplementary figures and methods from Mapping between sound, brain and behaviour: four-level framework for understanding rhythm processing in humans and non-human primates. figshare Academic Research System. https://doi.org/10.6084/m9.figshare.14899055.v2
    • Merchant, H., Nozaradan, S., Lenc, T., Varlet, M., Keller, P. E. & Honing, H. (1-1-2021). Supplementary figures and methods from Mapping between sound, brain and behaviour: four-level framework for understanding rhythm processing in humans and non-human primates. figshare Academic Research System. https://doi.org/10.6084/m9.figshare.14899055.v1
    • Lenc, T., Honing, H., Merchant, H., Keller, P. E., Nozaradan, S. & Varlet, M. (1-1-2021). Supplementary material from "Mapping between sound, brain and behaviour: four-level framework for understanding rhythm processing in humans and non-human primates". figshare Academic Research System. https://doi.org/10.6084/m9.figshare.c.5494961.v2
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