Dr. A.L.S. (Abbie) Vandivere
Faculteit der Geesteswetenschappen
Capaciteitsgroep Conservering en Restauratie
Bezoekadres
- Johannes Vermeerplein 1
Postadres
- Postbus 94552
1090 GN Amsterdam
Contactgegevens
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Publicaties
2020
van Loon, A., Gambardella, A. A., Gonzalez, V., Cotte, M., De Nolf, W., Keune, K., Leonhardt, E., de Groot, S., Proaño Gaibor , A. N., & Vandivere, A. (2020). Out of the blue: Vermeer's use of ultramarine in Girl with a Pearl Earring. Heritage Science, 8, [25]. https://doi.org/10.1186/s40494-020-00364-5 [details]
2019
- The Girl in the Spotlight research team (2019). From ‘Vermeer Illuminated’ to ‘The Girl in the Spotlight’: approaches and methodologies for the scientific (re-)examination of Vermeer’s Girl with a Pearl Earring. Heritage Science, 7(1), [66]. https://doi.org/10.1186/s40494-019-0307-5
2017
- Ribits, J., & Vandivere, A. (2017). Gilded Goddess: The technical examination of an anonymous Italian gilt leather painting at the Mauritshuis. In J. Bridgland (Ed.), ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017 International Council of Museums. [details]
2014
- Ainsworth, M., & Vandivere, A. L. S. (2014). Judith with the Head of Holofernes: Jan Cornelisz Vermeyen's Earliest Signed Painting. Journal of Historians of Netherlandish Art, 6(2). https://doi.org/10.5092/jhna.jhna.2014.6.2.2
2017
- Townsend, J., & Vandivere, A. (2017). Studying the European Visual Arts 1800-1850: Paintings, Sculpture, Interiors and Art on Paper. London: Archetype. [details]
2011
- Filedt Kok, J. P., van Duijn, E., Vandivere, A., Wallert, A., & Wolters, M. (2011). De Leidse schilders aan het werk. In C. Vogelaar, J. P. Filedt Kok, H. Leeflang, & I. M. Veldman (Eds.), Lucas van Leyden en de Renaissance (pp. 78-101). Leiden: Museum De Lakenhal [etc.]. [details]
- van Duijn, E., Filedt Kok, J. P., Vandivere, A., Wallert, A., & Wolters, M. (2011). Developments in the underdrawing and painting technique of the sixteenth-century Leiden School, in particular the workshops of Cornelis Engebrechtsz and Lucas van Leyden. In M. Spring (Ed.), Studying old master paintings: technology and practice: the National Gallery technical bulletin 30th anniversary conference postprints (pp. 104-110). London: Archetype. [details]
2016
- Vandivere, A. (2016). "A translucent flesh-coloured primuersel": Intermediate layers in Jheronimus Bosch’s paintings. In J. Timmermans (Ed.), Jheronimus Bosch, his life and his work: 4th International Jheronimus Bosch Conference, April 14-16, 2016, Jheronimus Bosch Art Center, 's-Hertogenbosch, the Netherlands (pp. 352-369). 's Hertogenbosch: Jheronimus Bosch Art Center. [details]
- Vandivere, A., Pottasch, C., & Meloni, S. (2016). Beneath the Surface: Distinguishing materials and techniques in genre paintings. In A. van Suchtelen, & Q. Buvelot (Eds.), Genre Paintings in the Mauritshuis (pp. 26-39). Zwolle: Waanders Uitgeverij. [details]
2019
- Stols-Witlox, M. J. N. (Author), Groves, R. (Author), Kolfin, E. E. P. (Author), Hendriks, E. (Author), Hermens, H. H. M. (Author), Anisimov, A. (Author), Vandivere, A. L. S. (Author), d' Hont, L. S. (Author), Hall Aquitania, M. A. (Author), & Maria, M. (Author). (2019). Down to the Ground: a historical, visual and scientific analysis of coloured grounds in Netherlandish paintings, 1550-1650. Web publication/site https://www.smk.dk/wp-content/uploads/2019/08/Stols-Witlox-et-al_Down-to-the-Ground.pdf
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list. -
Nevenwerkzaamheden
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Mauritshuis, Den Haag
Restaurator schilderijen
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Mauritshuis, Den Haag
van Loon, A., Gambardella, A. A., Gonzalez, V., Cotte, M., De Nolf, W., Keune, K., Leonhardt, E., de Groot, S., Proaño Gaibor , A. N., & Vandivere, A. (2020). Out of the blue: Vermeer's use of ultramarine in Girl with a Pearl Earring. Heritage Science, 8, [25].