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“After Dachau”: Of Private Vengeance, Collective Guilt, and Life in Ruins

Lecture by Werner Sollors, related to his book, The Temptation of Despair: Tales of the 1940s.

Thursday, December 4, 2014
5:30-7pm (doors open at 5)

 

Open to the public. All are welcome.
If possible, please register to nasa4december@gmail.com

 

Reception to follow at 7pm at Blue:

Singel 457 
1012WP Amsterdam 

(Blue is in the Winkelcentrum Kalvertoren. Take the elevator to the 3rd floor.)

Werner Sollors
Werner Sollors
Vaccaro-ruins
Photo by Tony Vaccaro
Universiteitsbibliotheek

Ruimte Doelenzaal, Universiteitsbibliotheek

Singel 425
1012 WP Amsterdam

About The Temptation of Despair 

(Harvard University Press, 2014):

In Germany, the years immediately following World War II call forward images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. The temptation of despair was hard to resist, and to contemporary observers the road toward democracy in the Western zones of occupation seemed rather uncertain. Drawing on a vast array of American, German, and other sources—diaries, photographs, newspaper articles, government reports, essays, works of fiction, and film—Werner Sollors makes visceral the experiences of defeat and liberation, homelessness and repatriation, concentration camps and denazification. 
          These tales reveal writers, visual artists, and filmmakers as well as common people struggling toexpress the sheer magnitude of the human catastrophe they witnessed. Some relied on traditional images of suffering and death, on Biblical scenes of the Flood and the Apocalypse. Others shaped the mangled, nightmarish landscape through abstract or surreal forms of art. Still others turned to irony and black humor to cope with the incongruities around them. Questions about guilt and complicity in a totalitarian country were raised by awareness of the Holocaust, making “After Dachau” a new epoch in Western history. 
            The Temptation of Despair is a book about coming to terms with the mid-1940s, the contradictory emotions of a defeated people—sorrow and anger, guilt and pride, despondency and resilience—as well as the ambiguities and paradoxes of Allied victory and occupation.

 

Sponsored by the Netherlands American Studies Association and the US Embassy, the Hague; in cooperation with the Duitsland Instituut, the English Department, the History Department and American Studies at the University of Amsterdam.