Photographer: Jeroen Oerlemans

prof. dr. C.M.K.E. (Christa-Maria) Lerm-Hayes

Moderne en Hedendaagse Kunstgeschiedenis
  • Faculty of Humanities
    Capaciteitsgroep Kunstgeschiedenis
  • Visiting address
    BG 2
    Turfdraagsterpad 15  Room number: 2,07
  • Postal address:
    Turfdraagsterpad  9
    1012 XT  Amsterdam
  • C.M.K.E.Lerm-Hayes@uva.nl
    T: 0205253889

2017

  • Lerm-Hayes, C. M. K. E., & Thurston, N. (2017). Conceptual Writing and Artistic Research in the Force Field of De-/Re-Skilling. In International Association of Word and Image Studies conference
  • Lerm-Hayes, C. M. K. E. (2017). Artists’ Textual Strategies during the Cold War – Between Incriminating Evidence, Dissident Conceptualism and Overidentification: Pavel Büchler Tamás Szentjóby and KwieKulik. In American Comparative Literature Association, ACLA
  • Lerm-Hayes, C. M. K. E. (2017). Semi-Academic and Artistic Practices of Communal Reading: The Finnegans Wake Reading Group as Model for ‘Stealth Activities’. In Text, Performance, and the Production of Historical Knowledge conference
  • Lerm-Hayes, C-M. (2017). Art Since 1945: Word and Image, Brian, Patrick, and Art Writing. In C-M. Lerm Hayes (Ed.), Brian O’Doherty/Patrick Ireland: Word, Image and Institutional Critique (pp. 269-285). (Vis-à-vis). Amsterdam: Valiz. [details] 
  • Lerm-Hayes, C-M. (2017). Introduction, or the Crossdresser’s Secret. In C-M. Lerm Hayes (Ed.), Brian O’Doherty/Patrick Ireland: Word, Image and Institutional Critique (pp. 9-25). (Vis-á-vis). Amsterdam: Valiz. [details] 
  • Lerm-Hayes, C. M. (2017). Ljubav koja prihvaća i paradoksi (političke) umjetnosti u Sjevernoj Irskoj: Sandra Johnston = Accepting Love and the Paradoxes of (Political) Art in Northern Ireland: Sandra Johnston. Zivot Umjetnosti, 100, 28-43. [details] 
  • Benus, E., Breugelmans, T., Buta, C., Eckenhaussen, S., Kerchman, A., Lerm Hayes, C. M., ... Sperling, F. (2017). Strijd ∞, a Performative Exhibition. Sztuka i Dokumentacja, 16, 133-141. [details] 

2016

  • Lerm-Hayes, C. M. K. E., Pyle, D., & Evans, O. (2016). Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance. James Joyce Quarterly, 51(1), 181-191.

2015

  • Lerm-Hayes, C. M. (2015). Mad, Marginal, Minor (Artistic) Research. In C. Pontbriand (Ed.), Dora García: I see words, I hear voices (pp. 299-312). (Mad marginal: cahier; No. 4). Berlin: Sternberg Press. [details] 

2014

  • Evans, O., Lerm-Hayes, C. M., & Pyle, D. (2014). Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance. James Joyce Quarterly, 52(1), 693-706. DOI: 10.1353/jjq.2014.0043  [details] 

2013

  • McCleland, A., Peel, D., Lerm-Hayes, C. M. K. E., & Montgomery, I. (2013). A values-based approach to heritage planning: raising awareness of the dark side of destruction and conservation. Town Planning Review, 84(5), 583-603.

2012

  • Lerm-Hayes, C. M. K. E. (2012). Considering the Minor in the Literary and Photographic Works of Rodney Graham and Tacita Dean. In Minor Photography: Connecting Deleuze and Guattari to Photography Theory (pp. 85-102). Leuven: Leuven University Press.

2011

  • Lerm-Hayes, C. M. K. E. (2011). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean / Nachkriegsdeutschland und ‘Objektiver Zufall’: W.G. Sebald, Joseph Beuys und Tacita Dean. Goettingen: Steidl.
  • Lerm-Hayes, C. M. K. E. (2011). The Role of Diversity in the Production and Reception of Art in Belfast: Space Shuttle. In C. M. K. E. Lerm-Hayes, & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics (pp. 118-146). Berlin, Muenster: LIT Verlag.
  • Lerm-Hayes, C. M. K. E. (2011). ’The Joyce Effect’: Joyce in the Visual Arts. In R. Brown (Ed.), A Companion to James Joyce Malden, Oxford: Blackwell.

2010

  • Lerm-Hayes, C. M. K. E. (2010). Rodney Graham: Literature and What an Artist Does With It. In Rodney Graham: Through the Forest Hadje Cantz, MACBA, Museum fuer Gegenwartskunst Basel, Kunsthalle Hamburg, Ostfildern, Barcelona.

2008

  • Lerm-Hayes, C. M. K. E. (2008). Carola Giedion-Welcker: Misrepresented Mediator of Modernists. In K. M. Brown (Ed.), Women’s Contributions to Visual Culture, 1918-1939 (pp. 89-100). Hampshire: Ashgate.

2007

  • Lerm-Hayes, C. M. K. E. (2007). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean. In L. Patt (Ed.), Searching for Sebald: Photography After W.G.Sebald (pp. 412-439). Los Angeles: Institute of Cultural Inquiry.

2016

  • Lerm-Hayes, C. M. K. E. (2016). White Martyrdom: art on the Northern Irish ‘Troubles’ – from Richard Hamilton to Sandra Johnston Through James Joyce and Samuel Beckett. Paper presented at Canonization & Cross-Cultural Martyrdoms expert meeting Amsterdam School of Heritage, Memory and Material Culture, UvA, 9 December 2016, .
  • Lerm-Hayes, C. M. K. E. (Author). (2016). contributions to E-flux blog on Yates McKee's Strike Art, led by Gregory Sholette. Web publication/site, e-flux.
  • Lerm Hayes, C. M., Benus, E., Breugelmans, T., Eckenhaussen, S., Kerchman, A., Rhodes, E., ... Sperling, F. (2016). A Performative Exhibition: Strijd ∞. The Nomos of Images, [259]. [details] 

2015

  • Lerm-Hayes, C. M. (Author). (2015). Tino Sehgal: Constructed Situations, Joyce and Beuys. Web publication/site, Amsterdam: Sedelijk Museum, Amsterdam. [details] 
  • Lerm Hayes, C. M., & Talec, K. (2015). Performance Art and the Conflict in Northern Ireland: A Troubles Archive Essay. (Troubles Archive Essays). Belfast: Golden Thread Gallery. [details] 
  • Tuck, S., Long, D., O' Cuiv, R., Hanrahan, S., Lambe, T., Tubritt, G., ... Donnelly, D. (2015). Spectrality and Urbanism. In S. Tuck (Ed.), After the Agreement: Contemporary Photography in Northern Ireland (pp. 16-55). London: Black Dog. [details] 

2014

  • Lerm-Hayes, C. M. (2014). Conceptual Art. In C. Marshall, & P. Murray (Eds.), Art and Architecture of Ireland. -vol. 5: Twentieth Century (pp. 80-83). (Studies in British Art). Dublin/New Haven/London: Royal Irish Academy/Paul Mellon Centre/Yale University Press. [details] 
  • Lerm-Hayes, C. M. (2014). Concerning the Work of Royden Rabinowitch: Our Disenchanted Ontology or Paradoxical Hope. In R. Kurzmeyer, C-M. Lerm Hayes, F. Maes, R. Nachtigäller, & R. Rabinowitch (Eds.), Royden Rabinowitch: Ghent (pp. 21-36). Gent: AsaMER. [details] 
  • Lerm-Hayes, C. M. (2014). Sandra Johnston: Doubt, Gesture, Love and the Paradoxes of (Political) Art in Northern Ireland. In S. Johnston (Ed.), Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice (pp. 3-42). (European studies in culture and policy; No. 13). Wien: Lit. [details] 
  • Lerm-Hayes, C. M. (2014). Violer d'amores, 2004. In A. Rühl (Ed.), Jürgen Partenheimer: Das Archiv = The Archive (pp. 233-237). Berlin: Distanz. [details] 

2012

  • Lerm-Hayes, C. M. K. E. (2012). Polyhedra and Joyce: A Room for Thought. James Joyce Broadsheet, 91, 1-4.
  • Lerm-Hayes, C. M. K. E. (2012). Reading Ulysses: Brigid McLeer Performs. In One + One: Brigid McLeer (pp. 15-21). Drogheda: Highlanes Gallery Drogheda.

2011

  • Lerm-Hayes, C. M. K. E. (2011). I will re-create Finnegans Wake anyway. In L. de Domizio Durini (Ed.), Beuys Voice (pp. 480-481). Zurich, Milan: Kunsthaus Zurich, Electa.
  • Lerm-Hayes, C. M. K. E. (2011). Introduction. In C. M. K. E. Lerm-Hayes, & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics (pp. 1-17). Berlin, Muenster: LIT Verlag.

2010

  • Lerm-Hayes, C. M. K. E. (2010). Bloomova Stolice / Bloom Stool. In Pavel Buchler: Marna race / Labour in Vain (pp. 104-107). Prague: DOX Centre for Contemporary Art.

2009

  • Lerm-Hayes, C. M. K. E. (2009). Gary Coyle: The Daily Practice of Swimming. In Gary Coyle Dublin: Royal Hibernian Academy and Project Art Centre.
  • Lerm-Hayes, C. M. K. E. (2009). In the Wake (of) - as a Theory of Participatory Practice. The Recorder, 21,(2), 41-48.
  • Lerm-Hayes, C. M. K. E. (2009). The Loneliness of East Germany. Circa, 128, 54-57.

2016

  • Lerm-Hayes, C. M. K. E. (2016). Contemporary Artists’ Works in / on Museum Collections: Between Affirmation, Curation and Critique.

2015

  • Lerm Hayes, C. M. (2015). Inleiding. In H. Berger (Ed.), Bibliografie: Beeldende kunst en kunstnijverheid 1850-heden: 2010-2014 (pp. 5-7). Utrecht: Vereiniging van Nederlandse Kunsthistorici. [details] 

2014

  • Lerm-Hayes, C. M. (2014). Sticks from West Limerick Hedges. In Seanie Barron Limerick: Askeaton Contemporary Arts. [details] 

2012

  • Lerm-Hayes, C. M. K. E. (2012). [Exhibition review in Enclave review, Wordpress] [Review of: (2012) Kasper Koenig (curator): Before the Law: Post-War Sculptures and Spaces of Contemporary Art]. Enclave Review, 15-17.
  • Lerm-Hayes, C. M. (2012). Peter Richards in Conversation with Christa-Maria Lerm Hayes. In P. Richards (Ed.), Peter Richards: An Elective Family Album (pp. 23-29). Belfast: Queen's University Belfast. [details] 

2006

  • Lerm-Hayes, C. M. K. E. (2006). La disolución de los límites. La Tempestad, 48, 72-73.

2017

  • Lerm-Hayes, C. M. K. E., & Kovac, L. Vlado Martek
  • Lerm-Hayes, C. M. K. E. Pavel Büchler: Someone’s Got To Do It

2016

  • Lerm-Hayes, C. M. K. E., & de Bruijn, H. Opening Up / Making Current: Visual Artists’ Interventions in Museum Collections

2015

  • Lerm Hayes, C. M. (2015). Writing Art and Creating Back: What Can We Do With Art (History)? (oratiereeks). Amsterdam: Universiteit van Amsterdam. [details] 

Media appearance

  • Lerm-Hayes, Christa-Maria (05-12-2016): Inside Culture, RTE Radio 1, 5 December 2016 [Radio] RTE radio 1 (national broadcaster, Rep. Ireland). Inside Culture, RTE Radio 1, 5 December 2016: https://soundcloud.com/insideculture/inside-culture-33-amsterdam-special.

Book editor

  • Lerm-Hayes, C. M. K. E., Alberro, A., Belting, H., Bonnet, A-M., Cotter, L., Falguieres, P., ... Walsh, M-R. (2017). Brian O'Doherty / Patrick Ireland: Word, Image and Institutional Critique. (vis-a-vis). Amsterdam: Valiz.

Others

  • Lerm-Hayes, Christa-Maria (participant) (10-11-2017): Art and Ethics: the Flag of Compassion (participating in a conference, workshop, ...).
  • Lerm-Hayes, Christa-Maria (participant) (10-6-2017): Die Mediatisierung der Menschenrechte (participating in a conference, workshop, ...).
  • Lerm-Hayes, Christa-Maria (participant) (18-9-2016): CIHA, Global Art History Conference, Beijing (participating in a conference, workshop, ...).

2017

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  • No ancillary activities

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