Photographer: onbekend

dr. M.A.M.B. (Marie) Lous Baronian

  • Faculty of Humanities
    Capaciteitsgroep Media & Cultuur
  • Visiting address
    BG 1
    Turfdraagsterpad 9  
  • Postal address:
    Turfdraagsterpad  9
    1012 XT  Amsterdam
    T: 0205257254

Marie-Aude Baronian is a Senior Lecturer in Film and Visual Culture and a member of ASCA (Amsterdam School for Cultural Analysis). Her most recent publications include Mémoire et Image. Regards sur la Catastrophe arménienne (L'Age d'Homme, 2013), and Cinéma et Mémoire. Sur Atom Egoyan (Editions Académie Belgique, 2013). Her next book La Caméra à la nuque. Penser l'image filmique avec Emmanuel Lévinas will appear in 2014. She currently works on costume, fashion and design in film and in philosophy.

Fields of interest:

-Armenian diasporic cinema

-Contemporary French thought

-Film and Traumatic History

-Archive and Testimony

-Costume, Fashion and Design

-Fim Theory and Film Aesthetics


  • Baronian, M-A. (2017). Close to the Clothes: Materiality and Sophisticated Archaism in Alexander van Slobbe’s Design Practices. Journal of Design History, 30(1), 68-86. DOI: 10.1093/jdh/epw047 , 10.1093/jdh/epw047  [details] 
  • Baronian, M-A. (2017). The Dress is the Screen: Dancing Fashion, Dancing Media. NECSUS.
  • Lous Baronian, M. A. M. B. (2017). Screening Memory: The Prosthetic Images of Atom Egoyan. Brussels: Royal Academy Belgium.


  • Lous Baronian, M. A. M. B. (2016). La Nuque et le Choc. Une lecture lévinassienne. Mémoires en jeu.


  • Baronian, M. A. (2015). Missing Images: Textures of Memory in Diaspora. In A. Demirdjian (Ed.), The Armenian Genocide Legacy (pp. 303-313). New York: Palgrave Macmillan. DOI: 10.1007/978-1-137-56163-3_20  [details] 
  • Baronian, M. A. (2015). Mémoire, tissage et esthétique du déplacement. Témoigner. Entre Histoire et Mémoire, 120, 97-106.


  • Baronian, M. A. (2014). Archive, Memory, and Loss: Constructing Images in the Armenian Diaspora. In C. De Cesari, & A. Rigney (Eds.), Transnational Memory: Circulation, Articulation, Scales (pp. 79-97). (Media and Cultural Memory; No. 19). New York/Berlin: De Gruyter. DOI: 10.1515/9783110359107.79  [details] 
  • Baronian, M. A. (2014). Fashion and Philosophy. In M. Kelly (Ed.), Encyclopedia of Aesthetics. -2nd ed. -vol. 3 (pp. 15-19). Oxford/New york: Oxford University Press. [details] 
  • Baronian, M. A. (2014). Image et Immémorial. In E. Alloa, & S. Kristensen (Eds.), Témoignage et survivance (pp. 273-288). (Imprescriptible). Genève: Metis Presses. [details] 


  • Baronian, M. A. (2013). Cinéma et Mémoire. Sur Atom Egoyan. (Collection "L'académie en poche"; No. 17). Bruxelles: Académie royale de Belgique. [details] 
  • Baronian, M. A. (2013). Mémoire et Image. Regards sur la Catastrophe arménienne. Lausanne: L'Âge d'homme. [details] 


  • Baronian, M. A. (2010). Exil, image et traduction. In D. Bourque, & N. Hogikyan (Eds.), Femmes et exils: formes et figures (pp. 213-230). Québec: Presses de l 'Université Laval. [details] 
  • Baronian, M. A. (2010). Image, displacement, prosthesis: reflections on making visual archives of the Armenian genocide. Photographies, 3(2), 205-223. DOI: 10.1080/17540763.2010.499612  [details] 


  • Baronian, M. A. (2009). Jacques Rancière et l'a-disciplinarité. In J. Rancière (Ed.), Et tant pis pour les gens fatigués: entretiens (pp. 474-489). Paris: Éditions Amsterdam.


  • Baronian, M. A. (2008). "La caméra à la nuque" ou esthétique et politique dans le cinéma des frères Dardenne. In J. Aubenas (Ed.), Jean-Pierre et Luc Dardenne (pp. 151-157). Bruxelles: Luc Pire. [details] 


  • Besser, S., Baronian, M. A., & Jansen, Y. (2006). Introduction: Diaspora and Memory. Figures of Displacment in Contemporary Literature, Arts and Politics. Thamyris / Intersecting, 13, 9-16.


  • Baronian, M. A. (2013). Penser, comparer, pardonner: Réflexions sur le déni de la mémoire. Laïcité. La Pensée et les Hommes, 90.


  • Baronian, M. A. (2011). The Library of Memory: On Usage and Passage. In Mekhitar Garabedian: Something about Today (pp. 17-32). Ghent: SMAK. [details] 


  • Baronian, M. A., & Rosello, M. (2008). Jacques Rancière and indisciplinarity. Art & Research, 2(1). [details] 


  • Baronian, M. A. (2007). 'La camera à la nuque': esthetiek en politiek in films van de broers Dardenne. Krisis, 8(2), 46-57. [details] 
  • Baronian, M. A., Lafuente, P., Lütticken, S., Rosello, M., & de Boer, S. (2007). Grensganger tussen disciplines: over Jacques Rancière. (Text & Context). Amsterdam: Valiz. [details] 
  • Baronian, M. A., & Rosello, M. (2007). Grensganger tussen disciplines: interview met Jacques Rancière. In M. A. Baronian, P. Lafuente, S. Lütticken, M. Rosello, & S. de Boer (Eds.), Grensganger tussen disciplines: over Jacques Rancière (pp. 81-107). (Tekst & Context). Amsterdam: Valiz. [details] 


  • Baronian, M. A. (2015). Répétitions, inscriptions, lieux. L'Art Même, 66, 46. [details] 


  • Baronian, M. A. (2010). [Review of: G. Lipovetsky, J. Serroy (2007) L'écran global: culture-médias et cinéma à l'âge hypermoderne]. Historical Journal of Film, Radio and Television, 30(1), 125-128. DOI: 10.1080/01439680903577391  [details] 

Book editor

  • Baronian, M-A., D'Aloia, A., & Pedroni, M. (2017). Fashionating Images: Audiovisual Media Studies Meet Fashion. April 2017: Comunicazioni Sociali: Journal of Media, Performing Arts and Cultural Studies.
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library  or the Pure staff  of your faculty / institute. Log in to Pure  to edit your publications. Log in to Personal Page Publication Selection tool  to manage the visibility of your publications on this list.
  • No ancillary activities

edit contact information edit tabs