mw. dr. A. (Annet) Dekker


  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Media & Cultuur
  • Bezoekadres
    BG 1
    Turfdraagsterpad 9  Amsterdam
    Kamernummer: 1.03
  • Postadres:
    Turfdraagsterpad  9
    1012 XT  Amsterdam
  • A.Dekker@uva.nl

2017

  • Dekker, A., Giannachi, G., & Van Saaze, V. (2017). Expanding Documentation, and Making the Most of ‘the Cracks in the Wall'. In T. Sant (Ed.), Performing Documentation. Bloomsbury Publishing. [details]

2016

  • Dekker, A. (2016). Exploring the Conservation of Net Art: A Call for Authentic Alliances. In E. Hermens, & F. Robertson (Eds.), Authenticity in Transition: Changing Practices in Art Making and Conservation. (pp. 179-88). Archetype Publications. [details]
  • Dekker, A. (2016). What We Talk About When We Talk About Online Cultures. In E. Reyes-Garcia, P. Chatel-Innocenti, & K. Zreik (Eds.), Archiving and Questioning Immateriality. Proceedings of the 5th Computer Art Congress. [details]

2015

  • Dekker, A. (2015). Curating in Progress: Moving Between Objects and Processes. In R. Pereira, H. Barranha, & S. Martins (Eds.), Uncertain Spaces: Virtual Configurations in Contmeporary Art and Museums Fundaçao Calouste Gulbenkian. [details]
  • Dekker, A. (2015). Embracing Authenticity in Net Art. In CHArt, Computers and the History of Art Kings' College. [details]

2014

  • Dekker, A. (2014). Assembling traces, or the conservation of net art. NECSUS, 3(1), 171-193. DOI: 10.5117/NECSUS2014.1.DEKK [details]
  • Dekker, A. (2014). Networks of care, or how in the future museums will no longer be the sole caretakers of art. In A. Maragiannis (Ed.), Digital Research in the Humanities and Arts University of Greenwich. [details]
  • Dekker, A. (2014). Re-Collecting the Museum: A review of Re-collection. Art, New Media, and Social Memory by Richard Rinehart and Jon Ippolito (The MIT Press, Cambridge, MA 2014). Computational Culture[details]

2013

  • Dekker, A. (2013). Enjoying the Gap: Comparing Contemporary Documentation Strategies. In J. Noordegraaf, C. Saba, B. Le Maître, & V. Hediger (Eds.), Preserving and Exhibiting Media Art: Challenges and Perspectives (pp. 149-69). Amsterdam University Press. [details]
  • Dekker, A., & Van Saaze, V. (2013). Surprising usages of a documentation model: On the notion of boundary objects and beyond. International Journal of Performance Arts and Digital Media, 9(1), 99-113 . [details]

2016

  • Dekker, A. (2016). Enabling a Future, or how to survive FOREVER. In C. Paul (Ed.), A Companion to Digital Art. (pp. 553-74). (Companions to art history). Wiley Blackwell. [details]

2014

  • Dekker, A. (2014). A Fun Aesthetic and Art. In O. Goriunova (Ed.), Fun and Software: Exploring Pleasure, Paradox, and Pain in Computing (pp. 233-52). Bloomsbury Publishing. [details]

2013

  • Dekker, A. (2013). Post-Internet Art. In J. M. Hedinger , & T. Meyer (Eds.), What’s Next?: Kunst Nach der Krise. Ein Reader (pp. 161-3). Kulturverlag Kadmos. [details]

2012

  • Dekker, A. (2012). Born-Digital Kunstwerken in Nederland. (Research). Virtueel Platform. [details]

2011

  • Dekker, A. (2011). Archiving the Digital. (Research). Virtueel Platform. [details]
  • Dekker, A., & Somers Miles, R. (2011). Blast Theory. (Research). Virtueel Platform. [details]
  • Dekker, A., & Kerssens, N. (2011). Patching Zone. (Research). Virtueel Platform. [details]

Andere

  • Dekker, Annet (organiser) (2-3-2017 - 21-5-2017): How Much Of This Is Fiction (organising a conference, workshop, ...).
  • Dekker, Annet (organiser) (20-1-2017 - 5-3-2017): As If (organising a conference, workshop, ...).
  • Dekker, Annet (organiser) (21-1-2017): Vox Populi and The Syrian Archive (organising a conference, workshop, ...).
  • Dekker, Annet (participant) (3-2-2017): Transmediale (organising a conference, workshop, ...).
  • Dekker, Annet (participant) (7-2-2017 - 9-2-2017): Future Proof (participating in a conference, workshop, ...).

Boekredactie

  • Dekker, A. (Ed.) (2017). Lost and Living (in) Archives: Collectively Shaping New Memories. Valiz Publishers. [details]
  • Dekker, A. (Ed.) (2012). Speculative Scenarios: or what will happen to born-digital art in the (near) future. Baltan Laboratories. [details]
  • Dekker, A. (Ed.) (2010). Archive2020: Sustainable Archiving of Born Digital Cultural Content. Virtueel Platform. [details]
  • Dekker, A. (Ed.) (2009). Walled Garden. Virtueel Platform. [details]
  • Dekker, A., & Cathy, B. (Eds.) (2009). Navigating e-culture. Virtueel Platform. [details]
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications.
  • London South Bank University
    Visiting Lecturer en co-director Centre for Study of Networked Image
  • Stimuleringsfonds Creatieve Industrie
    Commissie-lid e-cultuur
  • Mondriaan Fonds
    Commissielid

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