Fotograaf: Eduard Lampe

dhr. prof. dr. H.J. (Henkjan) Honing

Muziekcognitie
  • Faculteit der Geesteswetenschappen
    Faculteit der Natuurwetenschappen, Wiskunde en Informatica
  • Bezoekadres
    Science Park 107
    Science Park 107  Amsterdam
    Kamernummer: F2.05
  • Postadres:
    Postbus  94242
    1090 GE  Amsterdam
  • H.J.Honing@uva.nl
    T: 0205254698
    T: 0205256051

Henkjan Honing (1959) is professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam (UvA). He conducts his research under the auspices of the Institute for Logic, Language and Computation (ILLC) and the University of Amsterdam's Brain and Cognition (ABC) Center.

Honing obtained his PhD at City University (London) in 1991 with research into the representation of time and temporal structure in music. During the period between 1992 and 1997, he worked as a KNAW Research Fellow (Academieonderzoeker) at the University of Amsterdam's Institute for Logic, Language and Computation (ILLC), where he conducted a study on the formalization of musical knowledge. Up until 2003, he worked as a research coordinator at the Nijmegen Institute for Cognition and Information (NICI) where he specialized in the computational modeling of music cognition. In 2007, he was appointed Associate Professor in Music Cognition at the University of Amsterdam's Musicology capacity group. In 2010 he was awarded the KNAW-Hendrik Muller chair, designated on behalf of the Royal Netherlands Academy of Arts and Sciences (KNAW). In 2012 he was appointed strategic Professor of Cognitive and Computational Musicology, and in 2014 he became full professor in Music Cognition at both the Faculty of Humanities and the Faculty of Science of the University of Amsterdam. In 2013 he received a Distinguished Lorentz Fellowship, a prize granted by the Lorentz Center for the Sciences and the Netherlands Institute for Advanced Study in the Humanities and Social Sciences.

Henkjan Honing  is known as a passionate researcher in this new interdisciplinary field that gives us fundamental insights in the cognitive mechanisms underlying musicality. He has authored over 150 international publications in the area of music cognition and music technology. He recently published a book for the general public entitled Iedereen is muzikaal. Wat we weten over het luisteren naar muziek (Nieuw Amsterdam, 2009/2012), published in English as Musical Cognition: A Science of Listening (Transaction Publishers, 2011/2013), and introduced at the 2011 edition of TEDxAmsterdam.

 

Music Cognition Group

The Music Cognition Group (MCG) is part of the Department of Musicology, the Institute for Logic, Language and Computation (ILLC), and Amsterdam Brain and Cognition (ABC) of the University of Amsterdam (UvA) and is housed at Science Park Amsterdam.

For an overview of the group members see here.

The research of the MCG has a special focus on the temporal and melodic aspects of music using theoretical, empirical and computational methods. The research program aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality.

  1. Cognition, Biology and the Origins of Musicality (2017-...)
  2. What is shared (and what unique) in music versus language processing? (NWO-Horizon, 2013-2017)
  3. What are the music structural and cognitive components that contribute to the memory, recall and transmission of melodies? (NWO-CATCH and KNAW-Tunes & Tales, 2012-2016)
  4. What are the cognitive mechanisms and neurological correlates of rhythm perception? (UvA-CSCA, 2011-2015)
  5. What are the cognitive and biological building blocks of musicality? (KNAW-Muller chair and Distinguished Lorentz Fellowship, 2010-2014)

 

Musical Cognition

Routledge/Transaction Publishers, 2011/2013

Iedereen is muzikaal

Nieuw Amsterdam uitgevers, 2009/2012

The Illiterate Listener

Amsterdam University Press, 2011.

FREE DOWNLOAD

De ongeletterde luisteraar

Royal Netherlands Academy of Arts and Sciences (KNAW), 2010.

GRATIS DOWNLOAD (Inaugural Lecture 2010, published in Dutch both at AUP and KNAW; Dutch version can be downloaded for free via KNAW, paper-copies are available via AUP)

Op zoek naar wat ons muzikale dieren maakt

Nieuw Amsterdam uitgevers, 2012

GRATIS DOWNLOAD (iBook / iPad only)

 

2018

  • Honing, H. (in press). The Origins of Musicality. Cambridge, Mass.: The MIT press.
  • Honing, H. (in press). Musicality as an upbeat to music: Introduction and research agenda. In H. Honing (Ed.), The Origins of Musicality Cambridge, Mass.: The MIT press.
  • Honing, H., & Bouwer, F. L. (in press). Rhythm. In P. J. Rentfrow, & D. J. Levitin (Eds.), Foundations in Music Psychology: Theory and Research Cambridge, Mass.: The MIT press.
  • Gingras, B., Honing, H., Peretz, I., Trainor, L. J., & Fisher, S. E. (in press). Defining the biological bases of individual differences in musicality. In H. Honing (Ed.), The Origins of Musicality Cambridge, Mass.: The MIT press.

2017

  • Ravignani, A., Honing, H., & Kotz, S. A. (2017). The evolution of rhythm cognition: Timing in music and speech. Frontiers in Human Neuroscience, 11, [303]. DOI: 10.3389/fnhum.2017.00303  [details] 
  • van der Weij, B., Pearce, M. T., & Honing, H. (2017). A Probabilistic Model of Meter Perception: Simulating Enculturation. Frontiers in Psychology, 8, [824]. DOI: 10.3389/fpsyg.2017.00824  [details] 
  • Janssen, B., Burgoyne, J. A., & Honing, H. (2017). Predicting Variation of Folk Songs: A Corpus Analysis Study on the Memorability of Melodies. Frontiers in Psychology, 8, [621]. DOI: 10.3389/fpsyg.2017.00621  [details] 
  • Korsmit, I. R., Burgoyne, J. A., & Honing, H. (2017). If You Wanna Be My Lover … A Hook Discovery Game to Uncover Individual Differences in Long-term Musical Memory. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 106–111). Ghent: Ghent University.
  • Roncaglia-Denissen, M. P., Bouwer, F. L., & Honing, H. (in preparation). Language and music syntax: the simultaneous processing of long-distance dependencies. Frontiers in Psychology.
  • Mooren, N., Burgoyne, J. A., & Honing, H. (2017). Investigating grouping behaviour of dancers in a silent disco using overhead video capture. In E. Van Dijck (Ed.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 142-149). Ghent: Ghent University.

2016

2015

  • Bouwer, F. L., & Honing, H. (2015). Temporal attending and prediction influence the perception of metrical rhythm: Evidence from reaction times and ERPs. Frontiers in Psychology, 6, [1094]. DOI: 10.3389/fpsyg.2014.01094  [details] 
  • Burgoyne, J. A., Hofman, A. D., van der Maas, H. L. J., & Honing, H. (2015). Adaptive music recognition games for dementia therapy. In Proceedings of the European Society for the Cognitive Sciences of Music Manchester, England.
  • Honing, H., ten Cate, C., Peretz, I., & Trehub, S. E. (2015). Without it no music: Cognition, biology, and evolution of musicality. Philosophical Transactions of the Royal Society B - Biological Sciences, 370(1664), [20140088]. DOI: 10.1098/rstb.2014.0088  [details] 
  • Háden, G. P., Honing, H., Török, M., & Winkler, I. (2015). Detecting the temporal structure of sound sequences in newborn infants. International Journal of Psychophysiology, 96(1), 23-28. DOI: 10.1016/j.ijpsycho.2015.02.024  [details] 
  • Olthof, M. E., Janssen, B. D., & Honing, H. (2015). The Role of Absolute Pitch Memory in the Oral Transmission of Folk Songs. Empirical Musicology Review, 10(3), 161-174.
  • Gingras, B., Honing, H., Peretz, I., Trainor, L. J., & Fisher, S. E. (2015). Defining the biological bases of individual differences in musicality. Philosophical Transactions of the Royal Society B - Biological Sciences, 370(1664), [20140092]. DOI: 10.1098/rstb.2014.0092  [details] 
  • van der Aa, J., Honing, H., & ten Cate, C. (2015). The perception of regularity in an isochronous stimulus in zebra finches (Taeniopygia guttata) and humans. Behavioural processes, 115, 37-45. DOI: 10.1016/j.beproc.2015.02.018  [details] 

2014

  • Bouwer, F. L., van Zuijen, T. L., & Honing, H. (2014). Beat processing is pre-attentive for metrically simple rhythms with clear accents: An ERP study. PLoS One, 9(5), [e97467]. DOI: 10.1371/journal.pone.0097467  [details] 
  • Honing, H., Bouwer, F. L., & Háden, G. P. (2014). Perceiving temporal regularity in music: The role of auditory event-related potentials (ERPs) in probing beat perception. In H. Merchant, & V. de Lafuente (Eds.), Neurobiology of interval timing (pp. 305-323). (Advances in Experimental Medicine and Biology; Vol. 829). New York: Springer. DOI: 10.1007/978-1-4939-1782-2_16  [details] 
  • Vaquero Patricio, C., & Honing, H. (2014). Generating expressive timing by combining rhythmic categories and Lindenmayer systems. In M. Majid al-Rifaie, J. Gow, & S. McGregor (Eds.), Proceedings of the 50th Anniversary Convention of the AISB. (pp. 1-7). London: AISB. DOI: http://doc.gold.ac.uk/aisb50/AISB50-S04/AISB50-S4-Patricio-paper.pdf 
  • Merchant, H., & Honing, H. (2014). Are non-human primates capable of rhythmic entrainment? Evidence for the gradual audiomotor evolution hypothesis. Frontiers in Neuroscience, 7, [274]. DOI: 10.3389/fnins.2013.00274  [details] 

2013

  • Bouwer, F. L., & Honing, H. (2013). How much beat do you need? An EEG study on the effects of attention on beat perception using only temporal accents. Frontiers in Human Neuroscience. DOI: 10.3389/conf.fnhum.2013.212.00030 
  • Burgoyne, J. A., Bountouridis, D., van Balen, J., & Honing, H. (2013). Hooked: A Game for Discovering What Makes Music Catchy. In A. de Souza Britto, Jr., F. Gouyon, & S. Dixon (Eds.), Proceedings of the 14th International Society for Music Information Retrieval Conference (pp. 245-250). Curitiba, Brazil.
  • Honing, H. (2013). Musical Cognition. A science of listening (paperback edition, with new afterword). New Brunswick, U.S.A: Transaction Publishers.
  • Honing, H. (2013). Sin eso no hay música: La inducción del beat como un rasgo musical fundamental. Boletín de SACCOM, 5(3), 15-25.
  • Honing, H. (2013). Structure and interpretation of rhythm in music. In D. Deutsch (Ed.), The Psychology of Music. - 3rd edition (pp. 369-404). Amsterdam: Elsevier. DOI: 10.1016/B978-0-12-381460-9.00009-2 
  • Aljanaki, A., Bountouridis, D., Burgoyne, J. A., van Balen, J., Wiering, F., Honing, H., & Veltkamp, R. C. (2013). Designing Games with a Purpose for Music Research: Two Case Studies. In Proceedings of the Games and Learning Alliance Conference Paris, France.
  • Jaschke, A. C., Eggermont, L. H. P., Honing, H., & Scherder, E. J. A. (2013). Music education and its effect on intellectual abilities in children: a systematic review. Reviews in the Neurosciences, 24(6), 665-675. DOI: 10.1515/revneuro-2013-0023  [details] 
  • Thompson-Schill, S., Hagoort, P., Honing, H., Koelsch, S., Lerdahl, F., Steedman, M., ... Dominey, P. F. (2013). Multiple Levels of Structure in Language and Music. In M. Arbib (Ed.), Language, Music, and The Brain: A Mysterious Relationship. (Strüngmann Forum Reports; No. 10). Cambridge, MA.: MIT Press.
  • van der Aa, J., Honing, H., & ten Cate, C. (2013). Interval based rhythm perception in the zebra finch (Taeniopygia guttata). Frontiers in Human Neuroscience. DOI: 10.3389/conf.fnhum.2013.212.00004 

2012

  • Bouwer, F. L., & Honing, H. (2012). Rhythmic regularity revisited: Is beat induction indeed pre-attentive? In International Conference on Music Perception and Cognition. (pp. 122-127). Thessaloniki: Aristotle University of Thessaloniki.
  • Honing, H. (2012). If music isn’t a luxury, what is it? Journal of Music, Technology and Education, 5(1), 114-117. DOI: 10.1386/jmte.5.1.109_5 
  • Honing, H. (2012). Without it no music: Beat induction as a fundamental musical trait. Annals of the New York Academy of Sciences, 1252(The Neurosciences and Music IV — Learning and Memory), 85-91. DOI: 10.1111/j.1749-6632.2011.06402.x 
  • Honing, H., Merchant, H., Háden, G. P., Prado, L., & Bartolo, R. (2012). Rhesus monkeys (Macaca mulatta) detect rhythmic groups in music, but not the beat. PLoS One, 7(12), e51369. [e51369]. DOI: 10.1371/journal.pone.0051369  [details] 
  • Honing, H., & Ploeger, A. (2012). Cognition and the Evolution of Music: Pitfalls and Prospects. Topics in Cognitive Science, 4(4), 513-524. DOI: 10.1111/j.1756-8765.2012.01210.x  [details] 

2011

  • Honing, H., & Romeijn, J. W. (2011). Surprise! Assessing the value of risky predictions. In Proceedings of the thirteenth International Conference on Informatics and Semiotics in Organisations - Problems and Possibilities of Computational Humanities (. (pp. 185). Leeuwarden: Fryske Academy, series FA 1053.

2010

  • Honing, H. (2010). Beat-induction as a fundamental musical skill. In S. M. Demorest, S. J. Morrison, & P. S. Campbell (Eds.), Proceedings of the International Conference on Music Perception and Cognition. Seattle: University of Washington.
  • Honing, H. (2010). Lure(d) into listening: The potential of cognition-based music information retrieval. Empirical Musicology Review, 5(4), 121-126.

2009

  • Honing, H., & Ladinig, O. (2009). Exposure influences expressive timing judgments in music. Journal of Experimental Psychology. Human Perception and Performance, 35(1), 281-288. DOI: 10.1037/a0012732  [details] 
  • Honing, H., Ladinig, O., Háden, G. P., & Winkler, I. (2009). Is beat induction innate or learned? Probing emergent meter perception in adults and newborns using event-related brain potentials. Annals of the New York Academy of Sciences, 1169, 93-96. DOI: 10.1111/j.1749-6632.2009.04761.x  [details] 
  • Ladinig, O., Honing, H., Háden, G., & Winkler, I. (2009). Probing attentive and preattentive emergent meter in adult listeners without extensive music training. Music Perception, 26(4), 377-386. DOI: 10.1525/MP.2009.26.4.377  [details] 
  • Coath, M., Denham, S. L., Smith, L. M., Honing, H., Hazan, A., Holonowicz, P., & Purwins, H. (2009). Model cortical responses for the detection of perceptual onsets and beat tracking in singing. Connection Science, 21(2-3), 193-205. DOI: 10.1080/09540090902733905  [details] 
  • Rohrmeier, M., Rebuschat, P., Honing, H., Loui, P., Wiggins, G., Pearce, M. T., & Müllensiefen, D. (2009). Music cognition: Learning and processing. In N. Taatgen, & H. van Rijn (Eds.), Proceedings of the Thirty-First Annual Conference of the Cognitive Science Society (pp. 41-42). Austin, TX: Cognitive Science Society. [details] 
  • Winkler, I., Háden, G. P., Ladinig, O., Sziller, I., & Honing, H. (2009). Newborn infants detect the beat in music. Proceedings of the National Academy of Sciences of the United States of America, 106(7), 2468-2471. DOI: 10.1073/pnas.0809035106  [details] 

2008

  • Honing, H. (2008). De analfabetische luisteraar. In R. Diekstra, & M. Hogenes (Eds.), Harmonie in gedrag: De maatschappelijke en pedagogische betekenis van muziek (pp. 29-35). Uithoorn: Karakter. [details] 
  • Honing, H., & Reips, U-D. (2008). Web-based versus lab-based studies: A response to Kendall (2008). Empirical Musicology Review, 3(2), 73-77. [details] 
  • Honing, H., & de Haas, W. B. (2008). Swing once more: Relating timing and tempo in expert jazz drumming. Music Perception, 25(5), 471-476. DOI: 10.1525/mp.2008.25.5.471  [details] 
  • Honing, H., & Ladinig, O. (2008). The potential of the Internet for music perception research: A comment on lab-based versus Web-based studies. Empirical Musicology Review, 3(1), 4-7. [details] 
  • Smith, L. M., & Honing, H. (2008). Time-frequency representation of musical rhythm by continuous wavelets. Journal of Mathematics and Music, 2(2), 81-97. DOI: 10.1080/17459730802305336  [details] 

2007

  • Honing, H. (2007). Is expressive timing relational invariant under tempo transformation? Psychology of Music, 35(2), 276-285. DOI: 10.1177/0305735607070380  [details] 
  • Honing, H. (2007). Preferring the best fitting, least flexible, and most surprising prediction: Towards a Bayesian approach to model selection in music cognition. In Proceedings of the Society for Music Perception and Cognition (SMPC). (pp. 37). Montreal, CA: Concordia University.
  • Honing, H. (2007). The role of ICT in music research: a bridge too far? International Journal of Humanities and Arts Computing, 1(1), 61-69. DOI: 10.3366/E1753854808000104  [details] 
  • Ladinig, O., & Honing, H. (2007). Complexity judgments as a measure for metric salience: Is there indeed a difference between musicians and non-musicians? In Proceedings of the Society for Music Perception and Cognition (SMPC). (pp. 27). Montreal, CA.: Concordia University.
  • Smith, L. M., & Honing, H. (2007). Evaluation of multiresolution representations of musical rhythm. In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, & C. Stevens (Eds.), Proceedings of the International Conference on Music Communication Science. Sydney, AUS: MARCS.
  • Coath, M., Denham, S. L., Smith, L. M., Honing, H., Hazan, A., & Purwins, H. (2007). An auditory model for the detection of perceptual onsets and beat tracking in singing. In H. P. D.R. Hardoon (Ed.), Workshop at Neural Information Processing Systems (NIPS) conference. Whistler, CA: NIPS.

2006

  • Honing, H. (2006). Computational modeling of music cognition: a case study on model selection. Music Perception, 23(5), 365-376. DOI: 10.1525/mp.2006.23.5.365  [details] 
  • Honing, H. (2006). Evidence for tempo-specific timing in music using a web-based experimental setup. Journal of Experimental Psychology. Human Perception and Performance, 32(3), 780-786. DOI: 10.1037/0096-1523.32.3.780  [details] 
  • Honing, H. (2006). Music and Cognition: What cognitive science can learn from music cognition. In Proceedings of the Annual Conference of the Cognitive Science Society. (pp. 2655). New Jersey: Lawrence Erlbaum Associates. [details] 
  • Honing, H. (2006). On the growing role of observation, formalization and experimental method in musicology. Empirical Musicology Review, 1(1), 2-5. [details] 
  • Honing, H. (2006). The role of surprise in theory testing: Some preliminary observations. In Proceedings of the International Conference on Music Perception and Cognition. (pp. 38-42). Bologna: University of Bologna. [details] 
  • Honing, H., & Ladinig, O. (2006). The effect of exposure and expertise on timing judgments: Preliminary results. In Proceedings of the International Conference on Music Perception and Cognition. (pp. 80-85). Bologna, Italy: University of Bologna. [details] 
  • Smith, L. M., & Honing, H. (2006). Evaluating and extending computational models of rhythmic syncopation in music. In Proceedings of the International Computer Music Conference. (pp. 688-691). San Francisco: ICMA. [details] 
  • Sadakata, M., Desain, P., & Honing, H. (2006). The Bayesian way to relate rhythm perception and production. Music Perception, 23(3), 269-288. DOI: 10.1525/mp.2006.23.3.269  [details] 

2005

  • Honing, H. (2005). Is there a perception-based alternative to kinematic models of tempo rubato? Music Perception, 23(1), 79-85. DOI: 10.1525/mp.2005.23.1.79  [details] 
  • Honing, H. (2005). Timing is tempo-specific. In Proceedings of the International Computer Music Conference. (pp. 359-362). Barcelona: UPF.
  • Jongsma, M. L. A., Eichele, T., Quian Quiroga, R., Desain, P., & Honing, H. (2005). The effect of expectancy on ommision evoked potentials (OEPs) in musicians and nonmusicians. Psychophysiology, 42(2), 191-201. DOI: 10.1111/j.1469-8986.2005.00269.x  [details] 

2004

  • Honing, H. (2004). The comeback of systematic musicology: new empiricism and the cognitive revolution. Dutch Journal of Music Theory, 9(3), 241-244. [details] 
  • Honing, H. (2004). When a good fit is not good enough: a case study on the final ritard. In Ashley, R, & Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC). (pp. 510-513). Evanston: Northwestern University. [details] 
  • Honing, H., Desain, P., & Sadakata, M. (2004). An analysis of rhythmic ratios in scores of various kinds of music. In Ashley, R, & Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC). Evanston: Northwestern University. [details] 
  • Jongsma, M. A., Desain, P., & Honing, H. (2004). Rhythmic context influences the auditory evoked potentials of musicians and nonmusicians. Biological Psychology, 66, 129-152. DOI: 10.1016/j.biopsycho.2003.10.002  [details] 
  • Sadakata, M., Desain, P., Honing, H., Patel, A., & Iversen, J. R. (2004). A cross-cultural study of the rhythm in English and Japanese popular music. In Proceedings of the International Symposium on Musical Acoustics. (pp. 41-44). Nara: Nara University. [details] 

2003

  • Honing, H. (2003). Some comments on the relation between music and motion. Music Theory Online, 9(1). [details] 
  • Honing, H. (2003). The final ritard: on music, motion, and kinematic models. Computer Music Journal, 27(3), 66-72. DOI: 10.1162/014892603322482538  [details] 
  • Honing, H., Desain, P., & Timmers, R. (2003). Music Performance Panel: NICI / MMM Position Statement. In Proceedings of the MOSART Midterm Meeting. (pp. 318-322). Kopenhagen, Denemarken: DIKU. [details] 
  • Honing, H., Patel, A., Sadakata, M., Desain, P., & Iversen, J. R. (2003). An analysis of rhythm in japanese and english popular music. In T. Taguti, et al. (Ed.), Proceedings of the Annual meeting of the Japanese Society for Music Perception and Cognition. (pp. 1-4). Nara, Japas: International Symposium on Musiacl Acoustics. [details] 
  • van Zaanen, M. M., Bod, R., & Honing, H. (2003). A memory-based approach to meter induction. In Proceedings of the ESCOM. (pp. 250-253). Luik: ESCOM. [details] 
  • Desain, P., & Honing, H. (2003). Single trial ERP allows Detection of Perceived and Imagined Rhythm. In K. Hirata (Ed.), Proceedings of the RENCON workshop, International Joint Conference on Artificial Intelligence (IJCAI). (pp. 1-4). Kyoto: NTT Communication Science Laboratories. [details] 
  • Desain, P., & Honing, H. (2003). The formation of rhythmic categories and metric priming. Perception, 32(3), 341-365. DOI: 10.1068/p3370  [details] 
  • Desain, P., Honing, H., van Rijn, C. M., & Jongsma, M. L. A. (2003). Evoked potentials to test rhythm perception theories. In G. Avanzin, et al. (Ed.), Annuals of the New York Academy of Sciences. (Vol. 999, pp. 180-183). New York: New York Academy of Sciences. [details] 

2002

  • Honing, H. (2002). Structure and interpretation of rhythm and timing. Dutch Journal of Music Theory, 7(3), 227-232. [details] 
  • Honing, H., & Timmers, T. (2002). Issuing an empirical musicology of performance. In Freedom and constraints in timing and ornamentation. Investigations of music performance. (pp. 19-49\). Shaker Publishing. [details] 
  • Honing, H., Sadakata, H. M., & Desain, P. (2002). The relation between rhythm perception and production: towards a bayesian model. In K. Ogushi (Ed.), Proceedings of the Japanese Society of Music Perception and Cogntion. (pp. 123-127). Kyoto, Japan. [details] 
  • Honing, H., van Rijn, T., Coenen, T., Jenks, K., & Desain, P. (2002). Omission evoked potentials (OEPS) in rhythmically trained and non-trained subjects. Journal of Cognitive Neuroscience, B90. [details] 
  • Honing, H., van Rijn, T., Jongsma, M. A., & Desain, P. (2002). Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects. Journal of Cognitive Neuroscience, A94. [details] 
  • Desain, P., & Honing, H. (2002). Rhythmic stability as explanation of category size. In K. Stevens (Ed.), Proceedings of the International Conference on Music Perception and Cognition. (pp. 111-115). Sydney, Australia: University of New South Wales. [details] 
  • Desain, P., Honing, H., Windor, L., Timmers, R., & Ashley, R. (2002). Timing of ornaments in the theme of Beethoven's paisiello variations: Empirical data and a model. Music Perception, 20(1), 3-33. DOI: 10.1525/mp.2002.20.1.3  [details] 
  • Timmers, R., & Honing, H. (2002). On music performance, theories, measurement and diversity. Cognitive Processing International Quartely of Cognitive Sciences), 1/2, 1-19. [details] 

2001

  • Honing, H. (2001). From time to time: The representation of timing and tempo. Computer Music Journal, 35(3), 50-61. [details] 
  • Cemgil, A. T., Kappen, B., Desain, P., & Honing, H. (2001). On tempo tracking: tempogram Representation and Kalman filtering. Journal of New Music Research, 29(4), 259-273. DOI: 10.1080/09298210008565462  [details] 
  • Rossignol, S., Desain, P., & Honing, H. (2001). Refined knowledge-based pitch tracking: Comparing Three Frequency Extraction Methods. In Proceedings of the International Computer Music Conference. San Fransisco: ICMA. [details] 
  • Rossignol, S., Desain, P., & Honing, H. (2001). State-of-the-art in fundamental frequency tracking. In Proceedings of workshop on Current Research Directions in Computer Music. (pp. 244-245). Barcelona: UPF. [details] 
  • Trilsbeek, P., Desain, P., & Honing, H. (2001). Spectral Analysis of Timing Profiles of Piano Performances. In Proceedings of the International Computer Music Conference. San Fransisco: ICMA. [details] 

2000

  • Cemgil, A. T., Kappen, B., Desain, P., & Honing, H. (2000). On tempo-tracking: tempogram representation and Kalman filtering. In Proceedings of the International Computer Music Conference. (pp. 352-355) [details] 
  • Desain, P., Honing, H., Aarts, R., & Timmers, R. (2000). Rhythmic aspects of vibrato. In Desain, P., & Windsor, W.L. (Eds.), Rhythm Perception and Production. (pp. 203-216). Lisse: Swets & Zeitlinger. [details] 
  • Desain, P., Jansen, C., & Honing, H. (2000). How identification of rhythmic categories depends on tempo and meter. In Proceedings of the International Conference of Music perception and Cognition. [details] 
  • Heijink, H., Desain, P., Honing, H., & Windsor, W. L. (2000). Make me a match: an evaluation of different approaches to score-performance macthing. Computer Music Journal, 24(1), 43-56. DOI: 10.1162/014892600559173  [details] 
  • Timmers, R., Desain, P., & Honing, H. (2000). Timing of grace notes in piano performances of a Beethoven theme. In Proceedings of the 8th Rhythm Perception and Production Workshop. [details] 
  • Windsor, W. L., Desain, P., Honing, H., Aarts, R., & Heijink, H. (2000). On time: the influence of tempo, structure and style on the timing of grace notes in skilled musical perfomance. In Desain, P., & Windsor, W. L. (Eds.), Rhythm perception and production. (pp. 217-223). Lisse: Swets & Zeitlinger. [details] 

1999

  • Desain, P., & Honing, H. (1999). Computational models of beat induction: the rule-based approach. Journal of New Music Research, 28(1), 29-42. DOI: 10.1076/jnmr.28.1.29.3123  [details] 
  • Desain, P., & Honing, H. (1999). Modeling vibrato and portamento in music performance. Bulletin of the Council for Research in Music Education. [details] 

1998

  • Desain, P., & Honing, H. (1998). A reply to S. W. Smoliar's "Modelling musical perception: a critical view". In Griffith, N., & Todd, P. (Eds.), Musical networks, parallel distributed perception and performance. (pp. 111-114). Cambridge: MIT Press. [details] 
  • Desain, P., Honing, H., Aarts, R., & Timmers, R. (1998). Rhythmic aspects of vibrato. In Proceedings of the 1998 rhythm Perception and Production Workshop. (pp. 34-34) [details] 
  • Desain, P., Honing, H., Thienen, H., & Windsor, W. L. (1998). Computational modeling of music cognition: problem or solution? Music Perception, 16(1), 151-166. [details] 

1997

  • Dannenberg, R., Desain, P., & Honing, H. (1997). Programming language design for music. In de Poli, G., & Picalli, A (Eds.), Musical Signal Processing. (pp. 271-315). Lisse: Swets & Zeitlinger. [details] 
  • Desain, P., & Honing, H. (1997). CLOSe to the edge? Adavnced object oriented techniques in the representation of musical knowledge. Journal of New Music Research, 2, 1-16.
  • Desain, P., & Honing, H. (1997). Computational modelling of rhythm perception. In Proceedings of the workshop on Language and Music Perception. [details] 
  • Desain, P., & Honing, H. (1997). How to evaluate generative models of expression in music performance. In IJCAI workshop: Issues in AI and music evaluation and assessment. (pp. 5-7) [details] 
  • Desain, P., & Honing, H. (1997). Structural Expression Component Theory (SECT), and a method for decomposing expression in music performance. In Proceedings of the Society for Music Perception and Cognition. (pp. 38-38) [details] 
  • Desain, P., Honing, H., & Heijink, H. (1997). Robust score-performance matching: taking advantage of structural information. In Proceedings of the 1997 International Computer Music Conference. (pp. 337-340) [details] 
  • Windsor, W. L., Desain, P., Honing, H., Aarts, R., & Heijink, H. (1997). Graceful timing: ornaments, tempo and musical structure. In Proceedings of the 7t Rhythm Perception and Production Workshop. (pp. 35-35) [details] 

1996

  • Desain, P., & Honing, H. (1996). Physical motion as a metaphor for timing in music: the final ritard. In Proceedings of the 1996 International Computer Music Conference. (pp. 458-460). San Francisco: ICMA. [details] 

1995

2014

  • Honing, H. (Author). (2014). Iedereen is muzikaal (public website).
  • Honing, H., & Merchant, H. (2014). Differences in auditory timing between human and nonhuman primates. Behavioral and Brain Sciences, 37(6), 557-558. DOI: 10.1017/S0140525X13004056  [details] 
  • Honing, H., & Zuidema, W. (2014). Decomposing dendrophilia: Comment on "Toward a Computational Framework for Cognitive Biology: Unifying approaches from cognitive neuroscience and comparative cognition" by W. Tecumseh Fitch. Physics of Life Reviews, 11(3), 375-376. DOI: 10.1016/j.plrev.2014.06.020  [details] 
  • Weidema, J. L., Roncaglia-Denissen, M. P., & Honing, H. (2014). The effect of musical pitch on the perception of lexical pitch in speakers of Madarin. In M. K. Song (Ed.), Proceedings, ICMPC-APSCOM 2014 Joint Conference (pp. 172-172). Seoul: College of Music, Yonsei University.

2013

  • Honing, H. (Author). (2013). Music Cognition Group (public website).
  • Burgoyne, J. A., & Honing, H. (2013). Does MIR Need to be More Catchy? In Proceedings of CogMIR 2013.
  • Burgoyne, J. A., & Honing, H. (2013). Hooked. In Proceedings of the Biennial Meeting of the Society for Music Perception and Cognition

2012

  • Honing, H. (2012). Op zoek naar wat ons muzikale dieren maakt. Amsterdam: Nieuw Amsterdam Uitgevers.
  • Honing, H. (2012). Een vertelling. In S. van Maas, C. Hulshof, & P. Oldenhave (Eds.), Liber plurium vocum voor Rokus de Groot: ter gelegenheid van zijn afscheid als hoogleraar in de Muziekwetenschap aan de Universiteit van Amsterdam, 1 juli 2012. (pp. 150-154). Amsterdam: Universiteit van Amsterdam.
  • Honing, H., Merchant, H., Háden, G. P., Prado, L., & Bartolo, R. (2012). Probing beat induction in rhesus monkeys: Is beat induction species-specific? In International Conference on Music Perception and Cognition. (pp. 454-455). Thessaloniki: Aristotle University of Thessaloniki.
  • Háden, G. P., Honing, H., & Winkler, I. (2012). Newborn infants are sensitive to sound timing. In International Conference on Music Perception and Cognition. (pp. 378-379). Thessaloniki: Aristotle University of Thessaloniki.

2011

  • Honing, H. (2011). Musical Cognition. A Science of Listening. New Brunswick, N.J.: Transaction Publishers.
  • Honing, H. (2011). The illiterate listener: on music cognition, musicality and methodology. Amsterdam: Amsterdam University Press.
  • Honing, H. (2011). The role of surprise in theory testing. In All models are wrong. Conference on model uncertainty & selection in complex models. Groningen: Rijksuniversiteit Groningen.
  • Honing, H., & Bouwer, F. (2011). Is hierarchy in rhythm perception consciously learned? In Rhythm Perception and Production Workshop (RPPW). Leipzig: Max Planck Institute for Human Cognitive and Brain Sciences.

2010

  • Honing, H. (Author). (2010). Iedereen is muzikaal (demonstraties en luistertests bij boek).
  • Honing, H. (Author). (2010). Music Matters | A blog on music cognition.
  • Honing, H. (2010). De ongeletterde luisteraar. Over muziekcognitie, muzikaliteit en methodologie. (Oratiereeks; Vol. 374). Amsterdam: Vossiuspers.
  • Willekens, F., Honing, H., & Bod, L. W. M. (2010). Computational Humanities. Report of the Computational Humanities Programme Committee of the KNAW. Amsterdam: Royal Netherlands Academy of Arts and Sciences.

2009

  • Honing, H. (2009). Iedereen is muzikaal: Wat we weten over het luisteren naar muziek. Amsterdam: Nieuw Amsterdam Uitgevers. [details] 
  • Honing, H., Ladinig, O., Háden, G. P., & Winkler, I. (2009). Do newborn infants sense the beat? In J. Louhivuori, T. Eerola, S. Saarikallio, T. Himberg, & P-S. Eerola (Eds.), Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), Jyväskylä, Finland. (pp. 200-201). Jyväskylä: Jyväskylä University.

2008

  • Honing, H. (2008). Musical competence and the role of exposure. In Proceedings of the Music and Language II Conference. (pp. 102). Boston: Tufts University.
  • Honing, H., Ladinig, O., Winkler, I., & Háden, G. P. (2008). Probing emergent meter perception in adults and newborns using event-related brain potentials: a pilot study. In Proceedings of the Neurosciences & Music III Conference. (pp. 223). Montreal: McGill University.
  • Ladinig, O., & Honing, H. (2008). An empirically validated model of complexity: Longuet-Higgins and Lee reconsidered. In Proceedings of the International Conference on Music Perception and Cognition. (pp. 89-89). Saporro, Japan: Hokkaido University.
  • Smith, L. M., & Honing, H. (2008). A multiresolution model of rhythmic expectancy. In K. Miyazaki, Y. Hiraga, M. Adachi, Y. Nakajima, & M. Tsuzaki (Eds.), Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10), Sapporo, Japan (pp. 360-365). Sapporo: Hokkaido University. [details] 

2005

  • Honing, H. (2005). Music cognition: Theory testing and model selection. In Proceedings of the Annual Conference of the Cognitive Science Society. (pp. 38-38). Stressa: University of Turin.
  • Honing, H. (2005). Muziek is geen geluid. Over muziek, kunst en wetenschap. BLIND : Interdisciplinair Tijdschrift, (4).

1996

  • Desain, P., & Honing, H. (1996). Mentalist and physicalist models of expressive timing. In Abstracts of the 1996 Rhythm Perception and Production Workshop. (pp. 14). Munchen: Max Planck-Institute. [details] 
  • Desain, P., & Honing, H. (1996). Modeling Continuous Aspects of Music Performance: Vibrato and Portamento. In Proceedings of the 4th International Music Perception and Cognition Conference. Montreal: McGill University. [details] 

1995

  • Honing, H., & Desain, P. (1995). Computational models of beat induction: the rule-based approach. In G. Widmer (Ed.), Working Notes: Artificial Intelligence and Music. (pp. 1-10). Montreal: IJCAI. [details] 
  • Honing, H., & Desain, P. (1995). Computational models of beat induction: the rule-based approach. In G. Widmer (Ed.), Working Notes: Artificial Intelligence and Music. (pp. 1-10). Montreal: IJCAI. [details] 
  • Honing, H., & Desain, P. (1995). Expresso: het retoucheren (en analyseren) van pianouitvoeringen. In Abstracts vijfde congres Nederlandse Vereniging voor Psychonomie. (pp. 20-21). Leiden: Vereniging voor Psychonomie. [details] 
  • Honing, H., & Desain, P. (1995). Towards algorithmic descriptions for continuous modulations of musical parameters. In Proceedings of the 1995 International Computer Music Conference. (pp. 393-395). San Francisco: ICMA. [details] 
  • Kappert, P., Desain, P., & Honing, H. (1995). Expresso: het retoucheren (en analyseren) van pianouitvoeringen. In Abstracts vijfde congres Nederlandse Vereniging voor Psychonomie. (pp. 20-21). Leiden: Vereniging voor Psychonomie. [details] 

1994

  • Honing, H., & Desain, P. (1994). Advanced issues in beat induction modeling: syncopation, tempo and timing. Proceedings of the 1994 International Computer Music Conference, 20, 92-94. [details] 
  • Honing, H., & Desain, P. (1994). Can music cognition benefit from computer music research? From foot-tapper systems to beat induction models. Proceedings of the ICMPC 1994, 3, 397-398. [details] 
  • Honing, H., & Desain, P. (1994). Does expressive timing in music performance scale proportionally with tempo? Psychological Research, 56(4), 285-292. DOI: 10.1007/BF00419658  [details] 
  • Honing, H., & Desain, P. (1994). Foot-tapping: a brief introduction to beat induction. Proceedings of the 1994 International Computer Music Conference, 20, 78-79. [details] 
  • Honing, H., & Desain, P. (1994). Rule-based models of initial beat induction and an analysis of their behaviour. Proceedings of the 1994 International Computer Music Conference, 20, 80-82. [details] 
  • Honing, H., & Desain, P. (1994). Towards algorithmic descriptions for continuous modulations of musical parameters. In Proceedings of the 1995 International Computer Music Conference. (pp. 393-395). San Francisco: ICMA. [details] 

2011

  • Honing, H. (2011). Muziek is geen luxe ... maar wat dan wel? [Bespreking van: P Ball (2010) The music instinct: How music works and why we can't do without it]. In Onbekend. (88). Amsterdam: Academische Boekengids.

2008

2007

  • Honing, H. (2007). Noten of letters: de taal van de muziek en het plezier van het luisteren. De Academische Boekengids, 63, 6-7. [details] 

2006

  • Honing, H. (2006). How to make a machine listen? Intensive Science (Sony Computer Science Laboratoy), 21. [details] 

2004

  • Honing, H. (2004). Een vertelling over muziek, motoriek en metafoor. Mens & Melodie, 59(5), 5-9. [details] 
  • Honing, H. (2004). Je weet niet wat je hoort: wiskunde en muziekcognitie. Nieuw Archief voor Wiskunde, 5/5(3), 228-231. [details] 
  • Honing, H. (2004). Muziek de maat genomen. Over de groeiende rol van theorie en observatie in de musicologie. De Academische Boekengids, 4(7), 23-23. [details] 

1998

  • Honing, H. (1998). Vergelijking MIDI-files: deskundige rapport (rechtzaak Utrecht). Nijmegen: Universiteit van Amsterdam / Universiteit van Nijmegen. [details] 

1997

  • Desain, P., & Honing, H. (1997). Music, Mind, Machine: beatinductie computationeel modelleren. Informatie, 39, 48-53. [details] 

2014

  • van Balen, J., Karavellas, T., Burgoyne, J. A., Wiering, F., Bountouridis, D., & Honing, H. J. (2014). Modeling Music and Memory Using Information Retrieval Techniques and Games with a Purpose. Poster session presented at Digital Humanities Conference Benelux, .

2010

  • Honing, H. (Author). (2010). Iedereen is muzikaal (YouTube Channel bij boek). University of Amsterdam.
  • Honing, H. (2010). De ongeletterde luisteraar: Over muziekcognitie, muzikaliteit en methodologie. Amsterdam: Koninklijke Nederlandse Akademie van Wetenschappen. [details] 

Prijs

  • Honing, H. (2013): Distinguished Lorentz Fellowship Award 2013/14.
  • Honing, H. (2008): Vice-President Elect of the European Society for the Cognitive Sciences of Music.

Mediaoptreden

  • Honing, Henkjan (17-09-2017): Mike Boddé (in Podium Witteman) de O van Oorwurm: [Television] NTR. Mike Boddé: de O van Oorwurm.
  • Honing, Henkjan (17-09-2017): Korties Kwesties (in Podium Witteman) [Television] Podium Witteman. Korties Kwesties: Zijn dieren muzikaal?.
  • Honing, Henkjan (25-08-2017): Duif houdt componisten uit elkaar, geelkuifkaketoe heeft maatgevoel en spreeuw herkent toonladders [Print] Volkskrant | Wetenschap. Wat muzikale dieren ons kunnen leren.
  • Honing, Henkjan (11-08-2017): Muziektherapie werkt, maar vraag niet waarom [Print] NRC Handelsblad. Muzikaal medicijn.
  • Honing, Henkjan (01-07-2017): Smart Tunes [Print] Holand Herald. Smart Tunes.
  • Honing, Henkjan (01-07-2017): Wat is muzikaliteit? [Print] Nederlands Tijdschrift voor Natuurkunde. Wat is muzikaliteit?.
  • Honing, Henkjan (28-06-2017): Zwarte kaketoes hebben een drumtalent vergelijkbaar met dat van een mens [Print] Volkskrant. Drummende kaketoes.
  • Honing, Henkjan (27-05-2017): Geboren voor de beat [Print] Trouw. Geboren voor de beat.
  • Honing, Henkjan (29-04-2017): Magisch gevoel voor muziek [Print] Elsevier. Magisch gevoel voor muziek.
  • Honing, Henkjan (05-04-2017): Muziek is te lang als luxe gezien [Web] NewScientist. Muziek is te lang als luxe gezien.
  • Honing, Henkjan (06-01-2017): Commentaar Volkskrant Wetenschap [Print]. 'Muziek tijdens operatie leidt tot minder angst en pijn'.
  • Honing, Henkjan (04-08-2016): Commentaar Parool Wetencschap [Print]. 'Slaapliedjes'.
  • Honing, Henkjan (14-07-2016): Commentaar Trouw Wetenschap [Print]. 'Liefde voor harmonische klanken is aangeleerd'.
  • Honing, Henkjan (01-01-2016): Cemmentaar Psychologie Magzine [Print]. 'Fluisterzen; Het trance-effect van ASMR'.
  • Honing, Henkjan (05-11-2015): Henkjan Honing [Television] http://www.npo.nl/de-nachtzoen/05-11-2015/VPWON_1248835. Henkjan Honing.
  • Honing, Henkjan (08-10-2015): Hebben dieren ook muzikaal gevoel? [Television] http://www.npo.nl/de-universiteit-van-nederland/08-10-2015/VPWON_1247584. Hebben dieren ook muzikaal gevoel?.
  • Honing, Henkjan (23-09-2015): Journalistiek gesprek over muzikaliteit [Print] De Vorstin, Hilversum. NL. Journalistiek gesprek over muzikaliteit.
  • Honing, Henkjan (19-02-2015): In gesprek met... [Television] http://www.npo.nl/oba-live-ikon-19-02-2015/19-02-2015/WO_NCRV_793774. In gesprek met....
  • Honing, Henkjan (29-01-2015): Hebben dieren muzikaal gevoel? [Television] http://www.npo.nl/de-universiteit-van-nederland/29-01-2015/VPWON_1240194. Hebben dieren muzikaal gevoel?.
  • Honing, Henkjan (19-11-2014): Over openingsfilm IFDA [Television] Amsterdam, VPRO Tv. Over openingsfilm IFDA.
  • Honing, Henkjan (03-11-2014): Kamer debat muziekonderwijs [Radio]. Kamer debat muziekonderwijs.
  • Honing, Henkjan (29-10-2014): Muziekcognitie [Radio] Amsterdam, http://www.foliaweb.nl/radio/. Muziekcognitie.
  • Honing, Henkjan (07-10-2014): Muziek en gamen [Radio] http://www.mcg.uva.nl/press/press-Pages/page-137.html. Muziek en gamen.
  • Honing, Henkjan (25-09-2014): Talkshow Tijd voor Max [Television] http://www.mcg.uva.nl/press/press-Pages/page-136.html, Hilversum. Talkshow Tijd voor Max.
  • Honing, Henkjan (19-09-2014): Nacht van de Klasieke Muziek [Television] Amsterdam, http://www.mcg.uva.nl/press/press-Pages/page-135.html. Nacht van de Klasieke Muziek.
  • Honing, Henkjan (14-05-2014): Over WK Liedjes en (in)haken [Television]. Over WK Liedjes en (in)haken.
  • Honing, Henkjan (19-04-2014): Wetenschap ondekt de groove [Radio]. Wetenschap ondekt de groove.
  • Honing, Henkjan (19-04-2014): TROS Nieuwsshow [Radio]. TROS Nieuwsshow.
  • Honing, Henkjan (23-01-2014): Nieuwe Feiten [Radio]. Nieuwe Feiten.
  • Honing, Henkjan (16-12-2012): Distinguished Lorentz Award [Television]. Distinguished Lorentz Award.
  • Honing, Henkjan (14-12-2011): De man zonder ritme [Television]. De man zonder ritme.
  • Honing, Henkjan (14-12-2011): Muziek en wetenschap [Television] NTR | VPRO, Hilversum. Muziek en wetenschap.
  • Honing, Henkjan (09-12-2011): Muzikaliteit [Television]. Muzikaliteit.
  • Honing, Henkjan (08-12-2011): Over Canto [Television] http://www.hum.uva.nl/mmm/press/press-Pages/page-086.html. Over Canto.
  • Honing, Henkjan (25-11-2011): TEDx Interview met Aldith Hunkar [Web] Amsterdam, http://youtu.be/WixGaiPz4L4. TEDx Interview met Aldith Hunkar.
  • Honing, Henkjan (25-11-2011): What makes us musical animals [Web] uva/int/illc/LaCo. What makes us musical animals.
  • Honing, Henkjan (21-06-2011): Met het oog op morgen [Radio] Hilversum. Met het oog op morgen.
  • Honing, Henkjan (23-04-2011): Over muziek en emotie [Radio] Hilversum. Over muziek en emotie.
  • Honing, Henkjan (27-03-2011): Muziek in het brein [Radio] Hilversum. Muziek in het brein.
  • Honing, Henkjan (10-02-2011): Documentaire over ritmegevoel [Radio] Brussel. Documentaire over ritmegevoel.

Tijdschriftredactie

  • Honing, H. (editor) (2010): Empirical Musicology Review (Journal).
  • Honing, H. (editor) (2010): Music Perception (Journal).
  • Honing, H. (editor) (2010): Journal of New Music Research (Journal).
  • Honing, H. (editor) (2009): Music Perception (Journal).
  • Honing, H. (editor) (2009): Journal of New Music Research (Journal).
  • Honing, H. (editor) (2009): Music Theory Spectrum (Journal).
  • Honing, H. (editor) (2009): Empirical Musicology Review (Journal).
  • Honing, H. (editor) (2008): Empirical Musicology Review (Journal).
  • Honing, H. (editor) (2008): Journal of New Music Research (Journal).
  • Honing, H. (editor) (2008): Music Theory Spectrum (Journal).
  • Honing, H. (editor) (2008): Music Perception (Journal).
  • Honing, H. (editor) (2006): Journal of New Music Research (Journal).
  • Honing, H. (editor) (2006): Empirical Musicology Review (Journal).
  • Honing, H. (editor) (2005): Empirical Musicology Review (Journal).
  • Honing, H. (editor) (2005): Journal of New Music Research (Journal).

Spreker

  • Honing, Henkjan (speaker) (2-6-2017): What makes us musical animals, UMC, University of Goningen.
  • Honing, Henkjan (speaker) (26-5-2017): Iedereen is muzikaal, ABN AMRO, afd. communicatie Nederland.
  • Honing, Henkjan (speaker) (23-5-2017): Van kunst naar wetenschap, Kunst als leermeester van de wetenschap?, Amsterdam, Netherlands.
  • Honing, Henkjan (speaker) (18-5-2017): Muziek als medicijn?, Muziek als medicijn?, Amsterdam.
  • Honing, Henkjan (speaker) (14-2-2017): Is iedereen muzikaal?, Kenniscafé Bibliotheek Kennemerland, Haarlem.
  • Honing, Henkjan (invited speaker) (7-11-2016): Theatercollege Iedereen is muzikaal, De Leidse Schouwburg.
  • Honing, Henkjan (invited speaker) (1-11-2016): Theatercollege Iedereen is muzikaal, De Meervaart.
  • Honing, Henkjan (speaker) (31-10-2016): Interview met Colin Benders (Kyteman), Gesprek met Colin Benders, Trippenhuis, Academie voor Kunsten, KNAW, Amsterdam, Netherlands.
  • Honing, Henkjan (speaker) (27-10-2016): Two cases of beat deafness: What does it mean?, Beat Deafness, Amsetrdam, Netherlands.
  • Honing, Henkjan (keynote speaker) (20-10-2016): Distinguished Lecture on Musicality, CIRMTT, Montreal, CA.
  • Honing, Henkjan (keynote speaker) (11-10-2016): What makes us musical animals, TU Dresden.
  • Honing, Henkjan (invited speaker) (5-10-2016): Theatercollege Iedereen is muzikaal, Schouwburg De Lawei.
  • Honing, Henkjan (invited speaker) (23-8-2016): Iedereen is muzikaal, Iedereen is muzikaal.
  • Honing, H. (invited speaker) (14-6-2016): The Art of Listening: Round table discussion with Olga Neuwirth et al., Holland Festival, Stadsschouwburg, Amsterdam.
  • Honing, H. (invited speaker) (13-5-2016): Iedereen is muzikaal, Grote Prijs van Nederland, Paradiso, Amsterdam.
  • Honing, H. (invited speaker) (17-4-2016): Iedereen is muzikaal, Museumweek, Instituut voor Beeld en Geluid.
  • Honing, H. (invited speaker) (13-4-2016): What makes us musical animals, Dutch Wednesday, Nederlands Institute St Petersburg (NIP).
  • Honing, H. (invited speaker) (11-4-2016): What makes us musical animals, Московская высшая школа социальных и экономических, Moscow, Russia.
  • Honing, H. (invited speaker) (7-4-2016): What makes us musical animals, Early Intervention Conference, University Medical Center, Groningen.
  • Honing, H. (invited speaker) (8-1-2016): 'Een aap met maatgevoel' Over de bouwstenen van muzikaliteit, Dies Natalis, Oude Lutherse kerk, Amsterdam.
  • Honing, H. (speaker) (9-12-2015): Iedereen is muzikaal, Nationaal Bibliotheekcongres, Klokgebouw, Eindhoven, NL.
  • Honing, H. (speaker) (2-12-2015): Muziek is meer dan kunst alleen, Maatschappelijke impact van de geestes- en sociale wetenschappen, Adademiegebouw, Utrecht, NL.
  • Honing, H. (speaker) (29-11-2015): Hebben dieren gevoel voor muziek?, Eureka! Festival, Westergasfabriek, Amsterdam, NL.
  • Honing, H. (speaker) (18-11-2015): Breuken, Beats & Beethoven, BètaBreak, Universiteit van Amsterdam.
  • Honing, H. (speaker) (7-11-2015): Voor de muziek uit..., Nationaal congres Onze Taal, Chassé Theater, Breda, NL.
  • Honing, H. (speaker) (21-10-2015): Muziek en het brein, College Club, VonderlCS, Amsterdam, NL.
  • Honing, H. (speaker) (14-10-2015): Muziekcognitie, College in honourscourse, Universiteit van Utrecht, NL.
  • Honing, H. (speaker) (8-10-2015): Iedereen is muzikaal, Muziekeducatie Congres (OCW/ LKCA), Haagse Hogeschool, Den Haag, NL.
  • Honing, H. (speaker) (3-10-2015): 24/7 Lecture on Music Cognition, European Ig Nobel Show, Science Center Nemo.
  • Honing, H. (speaker) (19-9-2015): Iedereen is muzikaal, Nacht van Kunst en Kennis, Gebroeders de Nobel, Leiden, NL.
  • Honing, H. (speaker) (1-6-2015): What makes us musical animals?, ABC Brain Day, Brakke Grond, Amsterdam, NL.
  • Honing, H. (speaker) (30-4-2015): Musicality: Wired for music?, Science Café Wageningen, Wageningen, NL.
  • Honing, H. (speaker) (15-4-2015): What makes us musical animals, Keynote at RIME Conference, Exeter, UK.
  • Honing, H. (speaker) (17-3-2015): Iedereen is muzikaal: Wat we weten over het luisteren naar muziek, Publiekslezing, Theater Reggehof.
  • Honing, H. (speaker) (3-2-2015): Muziek en Brein, Studium Generale, Universiteit van Twente.
  • Honing, H. (speaker) (5-1-2015): Wat maakt ons muzikale dieren?, Lezing in reeks georganiseerd door Koninklijke Maatschappij voor Natuurkunde, Theater Diligentia, Den Haag.
  • Honing, H. (invited speaker) (19-9-2014): Creativiteit en muziek, KNAW-Muller Seminar, KNAW.
  • Burgoyne, J.A. (invited speaker), van Balen, J. (invited speaker), Bountouridis, D. (invited speaker), Karavellas, T. (invited speaker), Wiering, F. (invited speaker), Veltkamp, R.C. (invited speaker) & Honing, H.J. (invited speaker) (7-8-2014): The Contours of Catchiness, or Where to Look for a Hook, International Conference on Music Perception and Cognition, Seoul, South Korea.
  • Honing, H. (invited speaker) (24-5-2014): Nachtlezing -- Muziek in je hoofd, De Nacht van Kunst en Wetenschap, Groningen, NL.
  • Honing, H. (invited speaker) (20-5-2014): Verstand van Muziek, Interview Filmtheater, Hilversum, NL.
  • Honing, H. (invited speaker) (14-4-2014): Musical Animals. Can there be? Are we?, EvoLang/ EvoMus, Vienna, A.
  • Honing, H. (invited speaker) (7-10-2013): Debat muziek en het brein, EOS | Handelsbeurs, Ghent, B.
  • Honing, H. (invited speaker) (4-10-2013): What makes us musical animals, Workd Science Festival Preview, Amsterdam, NL.
  • Honing, H. (invited speaker) (29-8-2013): The tip of the iceberg, Congres Managing Your Talents, Amsterdam, NL.
  • Honing, H. (invited speaker) (16-6-2013): Modelling rhythm perception, Logic & Music workshop, Florence, I.
  • Honing, H. (invited speaker) (10-6-2013): Cognitie en de geesteswetenschappen, KNAW symposium, Amsterdam, NL.
  • Honing, H. (invited speaker) (30-5-2013): What makes us musical animals (ism Yuri Honing), Young Professionals, Concertgebouw, Amsterdam, NL.
  • Honing, H. (invited speaker) (29-5-2013): Het fascinerende brein, Amsterdam Brein en Cognitie, Spui25, Amsterdam. NL.
  • Honing, H. (invited speaker) (28-5-2013): Maatgevoel, IgNobel 24/7 Lecture, Leiden. NL.
  • Honing, H. (invited speaker) (8-5-2013): Muzikale dieren, Food for Thought (NRC/Spui25), Amsterdam, NL.
  • Honing, H. (invited speaker) (26-4-2013): What makes us musical animals, Studium Generale, Barcelona, S.
  • Honing, H. (invited speaker) (11-2-2013): Music, Cognition and the Origins of Music, Darwin Day 2013, Scientific Lecture, Oslo, N.
  • Honing, H. (invited speaker) (11-2-2013): What makes us musical animals, Darwin Day 2013, Public lecture, Oslo, N.
  • Honing, H. (speaker) (15-1-2013): Muziek en evolutie, Science Café Tilburg, Tilburg, NL.
  • Honing, H. (invited speaker) (6-1-2013): Bouwstenen van muziek en muzikaliteit, Paradisolezing (NWO/KNAW), Paradiso, Amsterdam, NL.
  • Honing, H. (speaker) (4-12-2012): KNAW tweegesprek over muziek, muzikaliteit en Afrika, KNAW tweegesprek, Spui25, Amsterdam, NL.
  • Honing, H. (invited speaker) (20-11-2012): Iedereen is muzikaal, Ziggo Congres, Ziggo Dome, Amsterdam, NL.
  • Honing, H. (invited speaker) (7-11-2012): Iedereen is muzikaal, Muziek Telt Congres, Amersfoort, NL.
  • Honing, H. (speaker) (27-10-2012): What makes us musical animals, Montesorri congres, Rome, I.
  • Honing, H. (speaker) (17-10-2012): What makes us musical animals, Congo Congres, Amsterdam, NL.
  • Honing, H. (invited speaker) (26-9-2012): Iedereen is muzikaal, Leerkrachten congres, Nemo Science eCenter, Amsterdam, NL.
  • Honing, H. (invited speaker) (23-9-2012): Over muziekcognitie, Koninklijke Hollandsche Maatschappij Wetenschap, Haarlem, NL.
  • Honing, H. (speaker) (3-9-2012): Wat ons muzikale dieren maakt, Glazenhuis, Universiteit van Amsterdam, Spui, Amsterdam.
  • Honing, H. (speaker) (19-4-2012): What makes us musical animals, Conference Access to Art and Culture throughout Childhood and Youth, Copenhagen, DK.
  • Honing, H. (invited speaker) (17-4-2012): Op zoek naar wat ons muzikale dieren maakt, Twaalfde Van Foreest Publiekslezing, Alkmaar.
  • Honing, H. (invited speaker) (10-4-2012): Iedereen is muzikaal, Jaarlijkse Kunst- en Wetenschapslezing, Studium Generale Utrecht, Utrecht.
  • Honing, H. (speaker) (7-1-2012): What makes humans unique?, Symposium Daniel Dennett, Aula van de Universiteit van Amsterdam.
  • Honing, H. (invited speaker) (25-11-2011): What makes us musical animals, TEDxAmsterdam, Stadsschouwburg, Amsterdam.
  • Honing, H. (invited speaker) (21-11-2011): Muziek, hersenen en stress. Debat met René Kahn en Marian Joëls, Utrecht Lezing Amsterdam, Lutherse kerk, Aula, Amsterdam.
  • Honing, H. (invited speaker) (29-9-2011): Wat ons muzikale dieren maakt, Congres Podiumkunsten, Enschede.
  • Honing, H. (invited speaker) (23-9-2011): Iedereen is muzikaal, Conferentie Kinderen maken Muziek, Kaap Doorn.
  • Honing, H. (speaker) (12-9-2011): Ons muzikale brein, Science Café Nijmegen, Nijmegen.
  • Honing, H. (invited speaker) (22-6-2011): Wat ons muzikale dieren maakt, Symposium Muziek Telt!, Amsterdam.
  • Honing, H. (speaker) (21-4-2011): Iedereen is muzikaal, Academische Club, Amsterdam.
  • Honing, H. (invited speaker) (26-3-2011): Iedereen is muzikaal, Studiedag Gehrels Muziekeducatie, Utrecht.
  • Honing, H. (invited speaker) (17-11-2010): Iedereen is muzikaal, Studium Generale, Technische Universiteit Eindhoven, Eindhoven.
  • Honing, H. (invited speaker) (13-11-2010): Iedereen is muzikaal, EPTA Conferentie, Nunspeet.
  • Honing, H. (invited speaker) (6-11-2010): Wanneer ben je muzikaal?, Kinderlezing Alumnidag UvA, Amsterdam.
  • Honing, H. (invited speaker) (20-10-2010): Iedereen is muzikaal (deel 2), Vredenburg Leeuwenberg, Utrecht.
  • Honing, H. (invited speaker) (16-10-2010): Wanneer ben je muzikaal?, Illustre School Kinderlezing, Amsterdam.
  • Honing, H. (invited speaker) (13-10-2010): Iedereen is muzikaal (deel 1), Vredenburg Leeuwenberg, Utrecht.
  • Honing, H. (invited speaker) (8-10-2010): Iedereen is muzikaal, Cultureel café, Lochem.
  • Honing, H. (invited speaker) (7-7-2010): Is beat induction a fundamental musical skill?, Leipziger Neuromusik Gesprächskreis, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, G.
  • Honing, H. (invited speaker) (23-5-2010): Iedereen is muzikaal, Nemo Science Centre, Amsterdam.
  • Honing, H. (invited speaker) (17-4-2010): We're all musical animals, Music & Science Festival, Zutphen.
  • Honing, H. (invited speaker) (14-4-2010): Iedereen is muzikaal, Kunstcongres Rijksuniversiteit Groningen, Groningen.
  • Smith, L.M. (speaker) & Honing, H. (speaker) (2-7-2007): The continuous wavelet transform as a multiresolution representation of musical rhythm, Proceedings of the 11th Rhythm Perception and Production Workshop (RPPW), Dublin, Ireland.
  • Honing, H. (speaker) (23-11-2006): Muziek de maat genomen, DocArtes PhD Programme, Ghent, Belgium.
  • Honing, H. (speaker) (11-10-2006): Virtual Rhythm Space, Opening Virtual Knowledge Studio, KNAW, KNAW, Amsterdam, Netherlands.
  • Honing, H. (speaker) (6-10-2006): Zonder luisteraar geen muziek, Conference Harmonie in Gedrag, Haagse Hogeschool, The Haque, Netherlands.
  • Honing, H. (speaker) (22-8-2006): The role of surprise in theory testing: Some preliminary observations, International Conference on Music Perception and Cognition, Bologna, Italy.
  • Honing, H. (speaker) (25-7-2006): Music and Cognition: What cognitive science can learn from music cognition, Special session at CogSci2006 on Music Cognition, Vancouver, Canada.
  • Honing, H. (speaker) (24-6-2006): Music Cognition Lectures (guest professorship), Sound and Music Computing Summerschool, UPF, Barcelona, Spain.
  • Honing, H. (speaker) (16-12-2005): Computational modeling of music cogniton: a case study in model selection, Minisymposium Logic & Cognition, De Burcht, Amsterdam.
  • Honing, H. (speaker) (13-12-2005): From time to time: The representation of timing and tempo in music, Logic Tea, Euclides, Amsterdam.
  • Honing, H. (speaker) (10-12-2005): Computational modeling of music cognition, Current research topics and perspectives in systematic musicology, University of Cologne, Institute for Musicology.
  • Honing, H. (speaker) (1-12-2005): Perception and categorization of rhythm (EmCAP Workpackage 5), EU FP6-IST, EmCAP Kick-off Meeting, University Pompeu Fabra Computational Neuroscience.
  • Honing, H. (speaker) (2-11-2005): Muziekcognitie: mensen zijn muzikaler dan ze denken, Discussiebijeenkomst "Cognitie & Creatie", KNAW, Trippenhuis, Amsterdam.
  • Honing, H. (speaker) (18-10-2005): Muziek, cognitie en wetenschap, Utrechtse Studievereniging voor Cognitieve Kunstmatige Intelligentie, Universiteit van Utrecht.
  • Honing, H. (speaker) (8-9-2005): Rituelen, ritme en cognitie, Facultaire opening academisch jaar, Universiteit vanAmsterdam, Rode Hoed, Amsterdam.
  • Honing, H. (speaker) (22-6-2005): Muziek is geen geluid, Lezingencyclus "Een andere kijk op psychologie", Universiteit van Amsterdam.
  • Honing, H. (speaker) (1-10-2004): Muziekcognitie onderzoek en de rol van ICT, Nieuwe onderzoeksperspectieven voor de geesteswetenschappen en ICT, SURF, Amsterdam.
  • Honing, H. (speaker) (12-5-2004): Music cognition lectures III, Music Cognition Program, Northwestern University, Evanston, USA.
  • Honing, H. (speaker) (10-5-2004): Music cognition lectures II, Music Cognition Program, Northwestern University, Evanston, USA.
  • Honing, H. (speaker) (5-5-2004): Music cognition lectures I, Music Cognition Program, Northwestern University, Evanston, USA.
  • Honing, H. (speaker) (28-4-2004): Music cognition: on rhythm, timing and tempo, SARC Conference, SARC, Queens University, Belfast, Ireland.
  • Honing, H. (speaker) (29-1-2004): Muziekcognitie, Studium Generale, Thema "Lichaam en Geest", Maastricht University.
  • Honing, H. (speaker) (10-1-2004): Een slag in de ritme ruimte: over ritme, timing en tempo in muziek, Winter Meeting Koninklijk Wiskundig genootschap, Universiteit van Utrecht.
  • Honing, H. (speaker) (14-12-2001): Over het klonteren van tijd: categorieën en ritmeperceptie, Wintercongres NVP, Egmond aan Zee.
  • Honing, H. (speaker) (13-12-2001): Over het klonteren van tijd: categorieën en ritmeperceptie, Colloquium muziekwetenschap, Amsterdam.
  • Honing, H. (speaker) (14-11-2001): Current directions in computer music research, Mosart Meeting, Barcelona.
  • Honing, H. (speaker) (14-10-2001): MMM Position Statement, Member music performance panel, University Pompeu Fabra, Barcelona.
  • Honing, H. (speaker) (9-10-2001): Quantizatie van temporele patronen, STW/Congresgebouw, Den Haag.
  • Honing, H. (speaker) (16-4-2001): Modeling rhythm perception and quantization, Invited lecture, Music Technology Group, University Pompeu Fabra, Barcelona.
  • Honing, H. (speaker) (16-3-2001): Tutorial on rhythm perception, Mosart Meeting, University of Padoa, Padova.
  • Honing, H. (speaker) (19-1-2001): Music and Logic, Symposium Gent, Gent.

Andere

  • Honing, Henkjan (chair) (26-6-2017 - 30-6-2017): Summerschool on Music, Language and Cognition (participating in a conference, workshop, ...).
  • Honing, Henkjan (organiser) (17-6-2017): On the biological basis of musicality (organising a conference, workshop, ...).
  • Hamann, S.R. (organiser), Honing, Henkjan (organiser), Pfeifer, J. (organiser) & Weidema, J.L. (organiser) (27-10-2016): Symposium on Congenital Amusia (organising a conference, workshop, ...).
  • Honing, H. (organiser) & Daffertshofer, A. (organiser) (6-6-2015 - 8-6-2015): Rhythm Perception and Production Workshop (RPPW) (organising a conference, workshop, ...).
  • Szymanik, J.K. (organiser), Zuidema, E. (organiser), Honing, H.J. (organiser) & Aboh, E.O. (organiser) (25-3-2015 - 27-3-2015): SMART International Conference (organising a conference, workshop, ...).
  • Honing, H. (organiser) (7-4-2014 - 11-4-2014): Lorentz Workshop, Lorentz Center, Leiden (organising a conference, workshop, ...).
  • Honing, H. (other) (2010): Member Computational Humanities program group, Royal Netherlands Academy of Arts and Sciences (KNAW) (other).
  • Honing, H. (other) (2010): Member steering commitee Cognitive Science Center Amsterdam, University of Amsterdam (other).
  • Honing, H. (other) (2009 - 2010): Member programme commitee Computational Humanities, Royal Netherlands Academy of Arts and Sciences (KNAW) (other).
  • Honing, H. (other) (2009): Vice-president Elect, European Society for the Cognitive Sciences of Music (ESCOM) (other).
  • Honing, H. (other) (2005): External Examiner, University of Edinburgh (other).
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library  or the Pure staff  of your faculty / institute. Log in to Pure  to edit your publications.
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