Fotograaf: Mark Vicente

dhr. dr. T. (Toni) Pape

  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Media & Cultuur
  • Bezoekadres
    BG 1
    Turfdraagsterpad 9  Kamernummer: 1.09
  • Postadres:
    Turfdraagsterpad  9
    1012 XT  Amsterdam

Toni Pape is Assistant Professor at the  Department of Media Studies at the University of Amsterdam. His research focuses on the aesthetics of contemporary television and participatory media cultures.

Toni earned his Ph.D. in 2014 from the  Department of Comparative Literature at Université de Montréal, with a thesis entitled "Figures of Time: Preemptive Narratives in Recent Television Series." A condensed introduction to the topic has been published as "Preemptive Narratives, Modes of Attention, and the Politics of Perception" in  Spectator 43.2 (Fall 2014): 63-72, available for download  here.

Toni's current research project, entitled "The Aesthetics of Stealth," investigates modes of disappearance in video games, television series, and contemporary art.

Toni is a member of the  Senselab, an international laboratory for thought in motion with hubs in North America, Europe, and Australia. He is a co-applicant of the SSHRC Partnership Grant " Immediations: Art, Media, Event," housed at Concordia University, Montreal, Canada.


Co-authored with Jorrit Groot and Chrys Vilvang. " Diagramming Double Vision.Inflexions 8 (2015): 49-58.

Co-authored with Ilona Hongisto. " Unexpected Artivism: The Fabulatory Function in  Kumaré.Studies in Documentary Film 9.1 (2015): 69-83.

Co-authored with Noémie Solomon and Alanna Thain. " Welcome to   This Situation: Tino Sehgal’s Impersonal Ethics.Dance Research Journal 46.3 (2014): 89-100.

" Preemptive Narratives, Modes of Attention, and the Politics of Perception.Spectator 34.2 (2014): 63-71.

" Writing Resistance: Sleeplessness, Poetry, and the Right to the City under Financial Capitalism. [Review Essay]TOPIA: Canadian Journal of Cultural Studies 30-31 (2014): 301-309.

" Christian Marclay’s  The Clock as Relational Environment  .Inflexions 7 (2014): 194-207.

" Negotiating Value in Reality TV Game Shows: From Professional to Affective Labor  .Le coût et la gratuité. Vol. 2:  Le prix de l’art. Ed. Catherine Naugrette. Paris: L’Harmattan, 2013. 55-60.

Temporalities on Collision Course: Time, Knowledge, and Temporal Critique in  Damages.Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming. Ed. Melissa Ames. Jackson: University of Mississippi Press, 2012, p. 165-177.

" ‘Cut the Shitcom’: Meta-Television in  EntourageExtras, and  30 Rock.Previously On: Interdisciplinary Studies on TV Series in the Third Golden Age of Television [Suppl.  Frame Magazine]. Dir. Miguel A. Pérez-Gómez, 2011, p. 91-104.


" Un temps qui fuit de toutes parts: L'impression de vitesse dans  Boyhood."   Liberté no. 307 (2015): 65.

" L’horreur du placard [sur  Tom à la ferme].Liberté no. 304 (2014): 65.

"Entrevue avec Christa Blümlinger." Sound recording.  Globe sonore., April 23, 2014.

" The Time of Experimentation.Archée: Revue d’art en ligne. Online. April 2014.

With Ji-Yoon Han. "Entrevue avec Nicolas Bourriaud." Sound recording.  Globe sonore, May 12, 2013.


  • Brunner, C., Kuipers, H. H., & Pape, T. (2017). Introduction: For an Ethology of Exhaustion. Inflexions, 10, i-ix. [details] 
  • Bordeleau, É., Brunner, C. (Ed.), Kuipers, H. (Ed.), Chi, N. N., & Pape, T. (Ed.) (2017). Modes of Exhaustion. Inflexions, 10. [details] 
  • Pape, T., Hongisto, I., & Thain, A. (Eds.) (2017). #True: The Ring of the True in Contemporary Media. NECSUS, (Spring 2017).
  • Pape, T. (2017). The aesthetics of stealth: Towards an activist philosophy of becoming-imperceptible in contemporary media. Feminist Media Studies, 17(4), 630-645. DOI: 10.1080/14680777.2017.1326564  [details] 
  • Pape, T., Thain, A., & Hongisto, I. (2017). Introduction: The ring of the true in contemporary media. NECSUS.
  • Bordeleau, É., Pape, T., Ronald, R-A., & Adam, S. (2017). Fabulations nocturnes: Écologie, vitalité et opacité dans le cinéma d’Apichatpong Weerasethakul. London: Open Humanities Press. [details] 
  • Bordeleau, É., Pape, T., Ronald, R-A., & Adam, S. (2017). Nocturnal Fabulations: Ecology, Vitality and Opacity in the Cinema of Apichatpong Weerasethakul. London: Open Humanities Press. [details] 




  • Bordeleau, E., Manning, E., Massumi, B., Pape, T., Rose-Antoinette, R., Szymanski, A., & Thain, A. (2014). La sensation présente: l’art contemporain et la question du temps. In S. Fortin (Ed.), L’avenir = (Looking Forward): BNLMTL 2014 (pp. 42-49). Montréal: Biennale de Montréal. [details] 
  • Bordeleau, E., Manning, E., Massumi, B., Pape, T., Rose-Antoinette, R., Szymanski, A., & Thain, A. (2014). The Present Feeling: Contemporary Art and the Question of Time. In S. Fortin (Ed.), L’avenir = (Looking Forward): BNLMTL 2014 (pp. 175-181). Montréal: Biennale de Montréal. [details] 
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