Fotograaf: Eduard Lampe

mw. prof. dr. P.P.R.W. (Patricia) Pisters

Filmwetenschap
  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Media & Cultuur
  • Bezoekadres
    BG 1
    Turfdraagsterpad 9  Amsterdam
    Kamernummer: 108
  • Postadres:
    Turfdraagsterpad  9
    1012 XT  Amsterdam
  • P.P.R.W.Pisters@uva.nl
    T: 0205254593

2016

  • Pisters, P. (2016). Filming for the Future: The Work of Louis van Gasteren. (Framing Film). Amsterdam: Amsterdam University Press. [details]
  • Pisters, P. (2016). Cutting and Folding the Borgesian Map: Film as Complex Temporal Object in the Industrialization of Memory. In U. Ekman, J. D. Bolter, L. Díaz, M. Søndergaard, & M. Engberg (Eds.), Ubiquitous computing, complexity, and culture (pp. 324-335). New York: Routledge. [details]
  • Pisters, P. (2016). Memory is no longer what it used to be. In S. Groes (Ed.), Memory in the twenty-first century: New critical perspectives from the arts, humanities, and sciences (pp. 213-216). New York: Palgrave. [details]
  • Pisters, P. (2016). The Filmmaker as Metallurgist: Political Cinema and World Memory. Film-Philosophy, 20(1), 149-167. DOI: 10.3366/film.2016.0008 [details / files]

2015

  • Pisters, P. (2015). Dexters Plastisches Gehirn: Empathie im Film durch Mentalisierung und Spiegelung. In B. Kracke, & M. Ries (Eds.), Expanded Senses: Neue Sinnlichkeit und Sinnesarbeit in der Spätmoderne (pp. 137-153). Bielefeld: Transcript. [details]
  • Pisters, P. (2015). Image as Gesture: Notes on Aernout Mik's Communitas and the Modern Political Film. Journal for Cultural Research, 19(1), 69-81. DOI: 10.1080/14797585.2014.920186 [details] [PDF]
  • Pisters, P. (2015). Neurothriller. In O. Sanders, & R. Winter (Eds.), Bewegungsbilder nach Deleuze (pp. 181-197). (Klagenfurter Beiträge zur visuellen Kultur; No. 4). Köln: Herbert von Halem Verlag. [details]
  • Pisters, P. (2015). Temporal Explorations in Cosmic Consciousness: Intra-Agential Entanglements and the Neuro-Image. Cultural Studies Review, 21(2), 120-144. DOI: 10.5130/csr.v21i2.4323 [details] [PDF]

2014

  • Pisters, P. (2014). A Metaphysical Star War? Celestial Consciousness in Contemporary Cinema. In S. Neef, H. Sussman, & D. Boschung (Eds.), Astroculture: figurations of cosmology in media and arts (pp. 181-194). (Morphomata; No. 17). München: Wilhelm Fink. [details]
  • Pisters, P. (2014). Dexter’s Plastic Brain: Mentalizing and Mirroring in Cinematic Empathy. Cinéma & Cie, XIV(22/23), 53-63. [details] [PDF]
  • Pisters, P. (2014). Heart of the Matter: Bodies without Organs and Biopolitics in Organ Transplant Film. Angelaki, 19(4), 23-36. DOI: 10.1080/0969725X.2014.984430 [details]
  • Pisters, P. (2014). The Neurothriller. New Review of Film and Television Studies, 12(2), 83-93. DOI: 10.1080/17400309.2014.878153 [details]
  • Pisters, P. (2014). Transplanting Life: Bios and Zoe in Images with Imagination. In B. Blaagaard, & I. van der Tuin (Eds.), The subject of Rosi Braidotti: politics and concepts (pp. 65-72). London and New York: Bloomsbury Academic. [details]

2013

  • Pisters, P. (2013). Art as Circuit Breaker: Surveillance Screens and Powers of Affect. In B. Papenburg, & M. Zarzycka (Eds.), Carnal aesthetics: transgressive imagery and feminist politics (pp. 198-213). London: I.B. Tauris. [details]
  • Pisters, P. (2013). The Chirping of a Little Bird: Some (Film) Theoretical Reflections. In K. Bijsterveld (Ed.), Soundscapes of the urban past: staged sound as mediated cultural heritage (pp. 117-125). (Sound studies; No. 5). Bielefeld: Transcript-Verlag. [details]

2012

  • Lysen, F., & Pisters, P. (2012). Introduction: The smooth and the striated. Deleuze Studies, 6(1), 1-5. DOI: 10.3366/dls.2012.0042 [details] [PDF]
  • Pisters, P. (2012). The neuro-image: a Deleuzian film-philosophy of digital screen culture. (Cultural memory in the present). Stanford, CA: Stanford University Press. [details]
  • Pisters, P. (2012). Form, punch, caress: Johan van der Keuken's global Amsterdam. In M. de Waard (Ed.), Imagining global Amsterdam: history, culture, and geography in a world city (pp. 125-141). (Cities and cultures; No. 1). Amsterdam: Amsterdam University Press. [details] [PDF]
  • Pisters, P. (2012). The Universe as Metacinema. In J. Jagodzinski (Ed.), Psychoanalyzing cinema: a productive encounter with Lacan, Deleuze, and Žižek. (pp. 169-204). New York: Palgrave Macmillan. DOI: 10.1057/9781137116949.0015 [details]

2011

  • Pisters, P. (2011). Flashforward: the future is now. Deleuze Studies, 5(suppl.), 98-115. DOI: 10.3366/dls.2011.0039 [details] [PDF]
  • Pisters, P. (2011). Synaptic signals: time travelling through the brain in the neuro-image. Deleuze Studies, 5(2), 261-274. DOI: 10.3366/dls.2011.0020 [details] [PDF]
  • Pisters, P. (2011). The mosaic film: nomadic style and politics in transnational media culture. In M. Bal, & M. Á. Hernandez-Navarro (Eds.), Art and visibility in migration culture: conflict, resistance and agency (pp. 175-190). (Thamyris intersecting: place, sex, and race; No. 23). Amsterdam [etc.]: Rodopi. [details] [PDF]

2010

  • Pisters, P. (2010). Filming the times of Tangier: nostalgia, postcolonial agency, and preposterous history. In D. Iordanova, D. Martin-Jones, & B. Vidal (Eds.), Cinema at the periphery (pp. 175-189). (Contemporary approaches to film and television series). Detroit, MI: Wayne State University Press. [details] [PDF]
  • Pisters, P. (2010). Logistics of perception 2.0: multiple screen aesthetics in Iraq War films. Film-Philosophy, 14(1), 232-252. [details] [PDF]
  • Pisters, P. (2010). Numbers and fractals: neuroaesthetics and the scientific subject. In P. Gaffney (Ed.), The force of the virtual: Deleuze, science, and philosophy (pp. 229-251). Minneapolis, MN: University of Minnesota Press. [details] [PDF]
  • Pisters, P. (2010). Violence and laughter: paradoxes of nomadic thought in postcolonial cinema. In S. Bignall, & P. Patton (Eds.), Deleuze and the postcolonial (pp. 201-219). (Deleuze connections). Edinburgh: Edinburgh University Press. [details] [PDF]

2009

  • Pisters, P. (2009). Homi K. Bhabha. In F. Colman (Ed.), Film, theory and philosophy: the key thinkers (pp. 296-307). London: Acumen. [details]
  • Pisters, P. (2009). Illusionary perception and cinema: experimental thoughts on film theory and neuroscience. In M. Poster, & D. Savat (Eds.), Deleuze and new technology (pp. 224-240). (Deleuze connections). Edinburgh: Edinburgh University Press. [details]
  • Pisters, P. (2009). Micropolitiek. In E. Romein, M. Schuilenburg, & S. van Tuinen (Eds.), Deleuze compendium (pp. 224-236). Amsterdam: Boom. [details]

2008

  • Pisters, P. (2008). Delirium cinema or machines of the invisible? In I. Buchanan, & P. MacCormack (Eds.), Deleuze and the schizoanalysis of cinema (pp. 102-115). London [etc.]: Continuum. [details]
  • Pisters, P. (2008). Lili and Rachel: Hollywood, history and women in Fassbinder and Verhoeven. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 177-187). Amsterdam: Amsterdam University Press. [details] [PDF]
  • Pisters, P. (2008). Sınır kent: Tanca. In M. Öztürk (Ed.), Sinematografik kentler: mekânlar, hatıralar, arzular (pp. 380-397). (Sinema; No. 26). İstanbul: Agora Kitaplığı. [details]

2007

  • Pisters, P. P. R. W. (2007). La Ville- Frontiere. In L. Creton, & K. Feigelson (Eds.), Theoreme 10 < Ville cinematographiques : Cine - Lieux.>. (pp. 191-197). Parijs: la sorbonne nouvelle. [details]
  • Pisters, P. P. R. W. (2007). The Refusal of Reproduction : Paradoxes of Becoming - Woman in Transnational Moroccan Filmmaking. In K. Marciniak, A. Imre, & A. O'healy (Eds.), Transnational Feminism in Film and Media. (pp. 71-92). NewYork: Palgrave Macmillan. [details]
  • Pisters, P. (2007). Het scherm en de werkelijkheid : het 'tussen'-denken en de status van het beeld. In H. Oosterling, H. Slager, & R. van de Vall (Eds.), Intermediale reflecties: kruisbestuivingen en dwarsverbanden in de hedendaagse kunst. (pp. 74-82). (DAF cahiers; No. 1). Rotterdam: Dutch Aesthetics Federation. [details]

2006

  • Pisters, P. P. R. W. (2006). The Spiritual Dimension of the Brain as Screen: Zigzagging from Cosmos to Earth (and Back). In M. Punt, & R. Pepperel (Eds.), Screen Consciousness: Cinema, Mind and World. (pp. 123-137). New York, Amsterdam: Rodopi. [details]
  • Pisters, P. (2006). Arresting the flux of images and sounds: free indirect discourse and the dialectics of political cinema. In I. Buchanan, & A. Parr (Eds.), Deleuze and the contemporary world (pp. 175-193). (Deleuze connections). Edinburgh: Edinburgh University Press. [details]

2005

  • Pisters, P. P. R. W. (2005). Micropolitics of the Migrant Family in Accented Cinema: Love and Creativity in Empire. In P. Pisters, & W. Staat (Eds.), Shooting the Family: Transnational Media and Intercultural Values. (pp. 197-212). Amsterdam: Amsterdam University Press. [details]
  • Staat, W., & Pisters, P. P. R. W. (2005). Introduction. In Shooting the Family. Transnational Media and Intercultural Values. (pp. 7-21). Amsterdam: Amsterdam University Press. [details]

2002

  • Pisters, P. P. R. W. (2002). Lessen van Hitchcock. Een inleiding in mediatheorie. Amsterdam: Amsterdam University Press. [details]
  • Pisters, P. P. R. W. (2002). Quiet and Dark: Aesthetic and Conceptual Translation Degree Zero. In Translation and Transformation. (pp. 202-212). Budapest: University of Budapest. [details]

2001

  • Pisters, P. P. R. W. (2001). Verlos ons van ons lijden, boekbespreking van Inez van der Spek [Review of: (1999) Eindeloze Lichamen]. Tijdschrift voor Genderstudies, 4(2), 62-63. [details]

2013

  • Pisters, P. (2013). Madness, Miracles, Machines: Living in a Delirious World without Walls. In A. De Boever, & W. Neidich (Eds.), Psychopathologies of cognitive capitalism. Part One (pp. 157-184). Berlin: Archive Books. [details] [PDF]
  • Prak, M., Ansenk, E., Brown, K., de Jonge, K., Meijers, D., Pisters, P., ... van de Velden, H. (2013). Verschilzicht: beweging in het kunsthistorisch onderzoek in Nederland. Amsterdam: Koninklijke Nederlandse Akademie van Wetenschappen. [details] [PDF]

2011

  • Pisters, P. (2011). The Neuro-Image: Alain Resnais's Digital Cinema without the Digits. Zeitschrift für Medien- und Kulturforschung, 2011(2), 23-38. [details]

2009

  • Pisters, P. (2009). Logistics of perception 2.0: multiple screen aesthetics in Iraq War films. Regards, 11, 65-80. [details]
  • Pisters, P. (2009). Une temporalité de Tanger: histoire, mémoire et le temps postcolonial dans l'archive audiovisuelle. In A. Kaddouri, & I. van der Poel (Eds.), Villes d'échange(s): Maghreb - Europe: actes de colloque, Amsterdam 2008 (pp. 101-110). Casablanca: Faculté des Lettres et des Sciences Humaines Ben Msik. [details]

2008

  • Kooijman, J., Pisters, P., & Strauven, W. (2008). Mind the screen: media concepts according to Thomas Elsaesser. Amsterdam: Amsterdam University Press. [details]
  • Kooijman, J., Pisters, P., & Strauven, W. (2008). A looking glass for old and new screens. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 9-15). Amsterdam: Amsterdam University Press. [details] [PDF]
  • Pisters, P. (2008). Manifesto for a schizo-analysis of media culture. Masters of Media, 25-5-2008[details]
  • Pisters, P. (2008). Media en migratie: verbeelding van gemende gevoelens. In M. de Jong, M. Kommer, A. van Kooyk, M. Kristalijn, N. Spanjersberg, S. Zouridis, & R. Sluijs (Eds.), Denkwerk (pp. 111-117). (Cahier EAJ). Den Haag: Ministerie van Justitie. [details]

2007

  • Pisters, P. P. R. W. (2007). Si Gak Moon Hwa Ui Matrix (The Matrix of Visual Culture). Seoul: Cheol- hak gwa hyun sil sa. [details]
  • Pisters, P. (2007). Lessen van Hitchcock: een inleiding in mediatheorie. Amsterdam: Amsterdam University Press. [details]

2005

  • Pisters, P. P. R. W. (2005). Micropolitics of the Migrant Family in Accented Cinema: Love and Creativity in Empire. In P. P. R. W. Pisters, & W. Staat (Eds.), Shooting the Family: Transnational Media and Intercultural Values. (pp. 197-212). Amsterdam: Amsterdam University Press. [details]
  • Pisters, P. P. R. W., & Staat, W. (2005). Introduction. In P. P. R. W. Pisters, & W. Staat (Eds.), Shooting the Family: Transnational Media and Intercultural Values. (pp. 7-21). Amsterdam: Amsterdam University Press. [details]

2004

  • Pisters, P. P. R. W. (2004). 'Touched by a Cardboard Sword: Aesthtetic Creation and Non-Personal Subjectivity in Dancer in the Dark and Moulin Rouge. Faux Titre, 151-169. [details]
  • Pisters, P. P. R. W. (2004). Madonna's girls in the mix: performance of femininity beyond the beautiful. In S. Fouz-Hernández, & F. Jarman-Ivens (Eds.), Madonna's drowned worlds : new approaches to her subcultural transformations. (pp. 22-35). Aldershot: Ashgate. [details]
  • Pisters, P. P. R. W. (2004). Migrantenfilm als performance van identiteit: 'In het huis van mijn vader' en 'Onmacht'. Cultuur en migratie in Nederland, 2, 189-202. [details]

2003

  • Pisters, P. P. R. W. (2003). 'Wan pipel', zwarte tulpen en boeroes. In T. Boerman, P. P. R. W. Pisters, & J. Segal (Eds.), Beeldritsen: visuele cultuur en etnische diversiteit in Nederland.. (pp. 28-39). Amsterdam: De Balie. [details]
  • Pisters, P. P. R. W. (2003). The Matrix of Visual Culture: Working with Deleuze in Film Theory. Stanford: Stanford University Press. [details]
  • Pisters, P. P. R. W. (2003). The matrix of visual culture : working with Deleuze in film theory. Stanford, Cal.: Stanford University Press. [details]
  • Pisters, P. P. R. W. (2003). Material Aspects of Subjectivity in Cinema. New Review of Film and Television Studies, 1(1), 77-99. [details]

2001

  • Pisters, P. P. R. W. (2001). Experimenting with the sensible [Review of: G. Deleuze. Pure immanence: essays on a life]. Leonardo Reviews[details]
  • Pisters, P. P. R. W. (2001). Glamour and glycerine: surplus and residual of the network society. From 'Glamorama' to 'Fight club'. In P. P. R. W. Pisters (Ed.), Micropolitics of media culture: reading the rhizomes of Deleuze and Guattari.. (pp. 125-141). Amsterdam: Amsterdam University Press. [details]

2015

  • Pisters, P. (2015). Facing Backwards: Images from the Future. In H. Folkerts, C. Lindner, & M. Schavemakers (Eds.), Facing Forward: Art and Theory from a Future Perspective (pp. 152-155). Amsterdam: Amsterdam University Press. [details] [PDF]
  • Pisters, P. (2015). Oog voor vrijheid: Spinoza en Terstal in Amsterdam. In V. Mamadouh, & A. van Wageningen (Eds.), EU@Amsterdam: Een Stedelijke Raad (pp. 309-316). Amsterdam: Amsterdam University Press. [details]

2014

  • Pisters, P. (2014). Hersenen en beeldschermen: cinema, neuro-beeld en digitale cultuur (voor)bij Deleuze. Wijsgerig Perspectief op Maatschappij en Wetenschap, 54(2), 30-37. [details] [PDF]

2012

  • Pisters, P. (2012). Het neuro-beeld: confrontatie met de waanzin. Parmentier, 21(1), 31-38. [details] [PDF]

2008

  • Pisters, P. (2008). De openbaring: Pisters leest Morin. Nieuwsbrief Faculteit der Geesteswetenschappen, Universiteit van Amsterdam, 107, 6-7. [details] [PDF]

2005

  • Pisters, P. P. R. W. (2005). Opereren in de werkelijkheid. Politieke cinema en de vrije indirecte rede. Amsterdam: Vossius Pers. [details] [PDF]

2017

  • Onaran, G. (2017). Escaping entrapment: Gothic heroines in contemporary film [details / files]

2016

  • Andrade da Silva Albuquerque, P. A. (2016). The webcam as an emerging cinematic medium [details] [PDF]
  • Kleinherenbrink, A. V. (2016). The politics of plasticity: Sex and gender in the 21st century brain [details / files]
  • Vudka, A. (2016). The human chameleon: Hybrid Jews in cinema [details] [PDF]

2015

  • Breuer, R. L. A. (2015). Fashion beyond identity: The three ecologies of dress [details / files]
  • Joret, B. (2015). Today, Icarus: On the persistence of André Bazin’s myth of total cinema [details / files]
  • Kolonias, N. (2015). The mindful gamer: Diagrammatical strategies on the bio-political plane of digital gaming culture [details] [PDF]
  • Yaczo, T. F. (2015). Brains with character: Reading and writing neuronarrative [details / files]

2014

  • Dahraoui, A. (2014). Amazigh culture and media: Migration and identity in songs, films and websites [details / files]
  • Meuzelaar, A. (2014). Seeing through the archival prism: A history of the representation of Muslims on Dutch television [details / files]

2013

  • Martens, E. S. (2013). Welcome to Paradise Island: The rise of Jamaica’s cine-tourist image, 1891-1951 [details / files]
  • Wilkinson, M. C. (2013). Wonder girls: Undercurrents of resistance in the representation of teenage girls in 1980s American cinema [details / files]

2012

  • Fournier, A. (2012). The urban veil: image politics in media culture and contemporary art Eigen Beheer [details / files]
  • Hetrick, J. M. (2012). Cine-aesthetics: a critique of judgment after Deleuze and Michaux [details / files]
  • Yılmazok, L. (2012). Eurimages and Turkish cinema: history, identity, culture [details / files]
  • el Houri, W. (2012). The meaning of resistance: Hezbollah’s media strategies and the articulation of a people Amsterdam: Rozenberg Publishers [details / files]

2009

  • Copier, L. T. (2009). Preposterous revelations: Visions of Apocalypse and martyrdom in Hollywood cinema 1980-2000 [details / files]
  • van der Pol, G. W. (2009). De auteur zij met ons : cognitief psychologische studie naar de ervaring van de toeschouwer bij het waarnemen van een auteursfilm Amsterdam [details / files]

2006

  • Leurs, R. H. (2006). Onbegrijpelijk kwaad : Marc Dutroux als 'ster van het kwaad' en als sublieme media-ervaring Amsterdam: Vossiuspers UvA [details] [PDF]

Prijs

  • Pisters, Patricia (2016): Louis Hartlooper Prize for Best Film Publication 2016.

Andere

  • Besser, S. (organiser), Keestra, Machiel (organiser), Kiverstein, J.D. (organiser), Lysen, F.C. (organiser) & Pisters, P.P.R.W. (organiser) (17-3-2016 - 19-3-2016): Worlding the Brain: Patterns and Rhythms in Neuroscience and the Humanities, Amsterdam (organising a conference, workshop, ...).
  • Besser, Stephan (organiser), Keestra, M. (organiser), Pisters, P.P.R.W. (organiser) & Kiverstein, J.D. (organiser) (16-11-2016): Predictive Processing as an Interdisciplinary Concept (organising a conference, workshop, ...).

Tijdschriftredactie

  • Lysen, F. (editor) & Pisters, P. (editor) (2012): Deleuze Studies (Journal).

Boekredactie

  • van den Oever, A., Kessler, F., Meers, P., Pisters, P., & Willemsen, S. (2016). Sleutelteksten film- en mediatheorie. - Deel 2: Klassieke en Moderne Filmtheorie. Nijmegen: Roelants / In de Walvis. [details]
  • van den Oever, A., Kessler, F., Pisters, P., & Willemsen, S. (2015). Sleutelteksten film- en mediatheorie. - Deel 1: De beginjaren van de film en de tijd van de avant-garde 1896-1931. Nijmegen: In de Walvis. [details]
  • Braidotti, R., & Pisters, P. (2012). Revisiting normativity with Deleuze. (Continuum studies in continental philosophy). London, New Delhi, New York & Sydney: Bloomsbury. [details]
  • Pisters, P., & Staat, W. (2005). Shooting the family: transnational media and intercultural values. Amsterdam: Amsterdam University Press. [details]
  • Boerman, T., Pisters, P., & Segal, J. (2003). Beeldritsen: visuele cultuur en etnische diversiteit in Nederland. Amsterdam: De Balie. [details]
  • Pisters, P. P. R. W. (2001). Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari. Amsterdam: Amsterdam University Press. [details]
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications.
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