Goudsmit, I. (2024). How can a global icon become a local icon? A qualitative case study of the Taipei Performing Arts Centre. Archnet-IJAR. Advance online publication. https://doi.org/10.1108/ARCH-06-2024-0269
Goudsmit, I., & 国安冯 (2024). 台北表演艺术中心: 大隐于市的剧场机器. In C. Xue, & S. Cong (Eds.), 大剧院 城市主义 (pp. 218-231). 中国建筑工业出版社.
Goudsmit, I., Kaika, M., & Verloo, N. (2024). A performing arts centre for whom? Rethinking the architect as negotiator of urban imaginaries. Urban Studies, 61(2), 350-369. https://doi.org/10.1177/00420980231183154[details]
Goudsmit, I., Nel, D., & Lin, S. (2023). Evaluating the quality of life in Hong Kong's new towns in relation to accessibility and the distribution of community and cultural facilities: A case study of Tung Chung. Journal of Urban Management, 12(3), 295-309. https://doi.org/10.1016/j.jum.2023.06.002[details]
Goudsmit, I. (2024). An Icon for the Public. The Taipei Performing Arts Center, from design to post-occupancy (2008-2023). In M. Davids, E. Berkers, A. Heylen, & T. Riswick (Eds.), Since 1624 Taiwanese Dutch Connections (pp. 107-111). Foundation of the History of Technology .
Goudsmit, I. (2024). 為大眾設置的地標:臺北表演藝術中心,從設計到進駐使用之後. In M. Davids, A. Heylen, T. Riswick, & E. Berkers (Eds.), 自1624年以來:臺灣與荷蘭的連結 (pp. 107-111). Foundation of the History of Technology .
2023
Goudsmit, I. (2023). Architecture as a lived process: How cultural flagship buildings impact local neighbourhoods. In F. Rossini (Ed.), Reflections: Architecture and urbanism (Vol. 01, pp. 36-43). School of Architecture, The Chinese University of Hong Kong.
2025
Goudsmit, I. (2025). Bridging the Gap: Transforming a Global Icon into a Local Icon - The Case of Taipei Performing Arts Centre.
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