Fotograaf: Eduard ter Schiphorst

mw. dr. S. (Sanneke) Stigter


  • Faculteit der Geesteswetenschappen
    Capaciteitsgroep Conservering en Restauratie
  • Bezoekadres
    Conservering en restauratie erfgoed
    Johannes Vermeerplein 1  Kamernummer: 2.01
  • Postadres:
    Johannes Vermeerplein  1
    1071 DV  Amsterdam
  • S.Stigter@uva.nl

Short biography

Sanneke Stigter is Assistant Professor in Conservation and Restoration of Cultural Heritage at the University of Amsterdam, directing the specialisation Contemporary Art since 2007. After receiving her graduate degree in Art History at the University of Amsterdam in 1996, she went on to complete the five-year postgraduate training program in the Conservation of Paintings and Painted Objects, with a specialisation in Modern Art at the SRAL with honours in 2003. She then worked as contemporary art conservator at various collections and museums in the Netherlands and headed the Conservation Department of Contemporary Art and Modern Sculpture at the Kröller-Müller Museum for nearly eight years, where she also curated several exhibitions on art conservation. She takes part in various advisory boards and has been involved in many research projects devoted to the conservation of contemporary art. In 2016 she was awarded a PhD on her dissertation 'Between Concept and Material. Working with Conceptual Art: A Conservator's Testimony'. Her research interests lie in conservation theory, museum practice, oral history and artist interviews, with a special focus on installation art, photoworks, and conceptual art. She has lectured and published widely on these topics. 

2017

Stigter, S. DIAL, Digital Index of an Artwork’s Life: een bewustwordingstool voor de database. SBMK-dag 2017, Van Abbemuseum, Eindhoven, Netherlands, 17 November 2017.

Stigter, S. Towards Process Based Research in Contemporary Art Conservation. AMACIMuseums at the "Post-Digital" Turn, OGR, Turin, Italy, 3–4 November 2017.

S. Stigter. Inleiding filmvertoning Adieu à G. Over beeldend kunstenaar Ger van Elk (2010-2016). Het 4e Gymnasium, Amsterdam, Netherlands, 22 October 2017.

Mol, T. and S. Stigter. Investigating the colourful world of Alessandro Mendini: Conserving Nigritella Nigra, a unique chest of drawers. Future Talks 017, Die Neue Sammlung, München, Germany, 11–13 October 2017.

Stigter, S. A behaviour index for complex artworks – a conceptual tool for contemporary art conservationNICAS Colloquium, Ateliergebouw, Amsterdam, Netherlands, 28 September 2017.

Stigter, S. Behaviour Index of Complex Artworks: A Conceptual Tool for Contemporary Art ConservationICOM-CC 18th Triennial Conference, Copenhagen, Denmark, 4–8 September 2017.

Stigter, S. Picturing Peter Struycken’s Blue Waves: Collecting Memories as a Form of Conservation. NACCA Glasgow Conference: Material Futures: Matter, Memory and Loss in Contemporary Art Production and Preservation. Centre for Contemporary Arts, Glasgow, UK, 29–30 June 2017 

Stigter, S. The Artist Interview in Conservation Research. Media Art Preservation Symposium: What is the Role of the Conservator, Budapest, Hungary, 23–24 March 2017.

Stigter, S. Autoethnography as a New Approach in ConservationInstitute for Conservation–Restoration at the Academy of Fine Arts Vienna, Vienna, Austria, 16 March 2017.

Stigter, S. Artist Interview Workshop. Institute for Conservation–Restoration at the Academy of Fine Arts Vienna, Vienna, Austria, 15–17 March 2017.

Stigter, S. The Interview as a Tool for Art ConservationCourse Oral History and Life Stories 2017, Huizinga Institute. University of Amsterdam, Netherlands, 9 February 2017.

Hendriks, E. and Stigter, S. Exhibiting ConservationNew Approaches in the Conservation of Contemporary Art: Winter School 2017: Professional Skills for Museums and Heritage Sector. Tate Modern, London, UK, 16–20 January 2017.

 

2016

Paneldiscussie presentatie jubileumnummer kM 100. Arti et Amicitiae, Amsterdam, Netherlands, 16 December 2016.

Stigter, S. Artist Interview Workshop. Estonian Academy of Arts and Kumu Art Museum of Estonia, Tallinn, Estonia, 6–9 December 2016.

Stigter, S. Reinterpretation as a Conservation Strategy: Danger or Relief? UNFOLD #3 Reinterpreting the Digital. LIMA media art platform, Amsterdam, The Netherlands, 1 December 2016.

Stigter, S. Contemporary Art through the Lens of ConservationArt Studies Within and Across the Humanities, University of Amsterdam, Amsterdam, Netherlands, 16 November 2016.

Stigter, S. Van oppervlak tot uiterlijk: Over perceptie, verschijning en betekenis van fotografische afdrukken. Kleurhistorisch Platform, Rijksdienst voor Cultureel Erfgoed, Amersfoort, Netherlands, 13 October 2016.

Stigter, S. Autoethnography as a New Approach in ConservationIIC Congress: Saving the Now: Crossing Boundaries to Conserve Contemporary Works, Los Angeles, USA, 12–16 September 2016.

Noordegraaf, J.J. and Stigter, S. New Approaches in the Conservation of Contemporary Art: Summer School 2016: Specific Research Methods and Skills, University of Amsterdam, Amsterdam, Netherlands, 11–15 July 2016.

Stigter, S. & Wei, W. Surface roughness, appearance, and identification of AGFA-Gevaert photograph samples. Montreal, QC, Canada, AIC and CAC-ACCR's Joint 44th Annual Meeting and 42nd Annual Conference, 11–18 May 2016.

Stigter, S. The Artist Interview: Artwork's Life Stories. Course Oral History and Life Stories 2016, Huizinga Institute. University of Amsterdam, Amsterdam, Netherlands, 25 February 2016.

 

2014

Stigter, S. 'Through the conservator’s lens: from analogue photowork to digital printout.' Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation, Glasgow School of Arts, Glasgow, UK, 1–2 December 2014.

Stigter, S. 'Retoucheren met licht’, SBMK-dag 2014, Eye, Amsterdam, Netherlands 17 October 2014.

Stigter, S. 'Het kunstenaarsinterview voor conservering en restauratie’, Studiemiddag Narratieve bronnen in wetenschappelijk onderzoek, DANS, NWO, The Hague, Netherlands 20 June 2014.

Stigter, S. 'The Artist Interview',  Levensgeschiedenissen in de wereld van de kunst, Oral History Werkgroep, Amsterdam, Netherlands, 13 June 2014.

Paneldiscussie: De rol van de conservator van de 21e eeuw. OSK / NMV, Van Goghmuseum, Amsterdam, Netherlands, 12 June 2014.

 

2013

Stigter, S. 'Co-Producing Conceptual Art: A Conservator's Testimony - Working with Jan Dibbets', Performing Documentation in the Conservation of Contemporary Art, Lisbon, 20–21 June 2013. See Tate website: A talk by Sanneke Stigter: ‘Co-producing conceptual art – A conservator’s testimony on working with Jan Dibbets’.

 

2012 

Stigter, S. 'The Artist Interview and Installation Practice as Art Technological Sources for Contemporary Art', poster presentation, International symposium of the ICOM-CC working group on Art Technological Source Research, Brussels, Belgium, 22–23 November 2012.

Stigter, S. 'Research Methodologies in Contemporary Art Conservation: Between Material and Concept', Academic Skills and Practice, University College Utrecht, Utrecht, Netherlands, 8 October 2012.

Stigter, S. 'Conservation research tools for Conceptual Art', The role of science in contemporary art conservation, Postgraduaat Tentoonstelling en Beheer van Actuele Kunst, KASK / School of Arts van Hogeschool Gent, Ghent, Belgium, 3 May 2012.

Round table discussion, 'Challenges / trends in plastics conservation', Preservation of Plastic ARTefacts in museum collections. The POPART project, Paris, France, 7–9 March 2012.

 

2011

Stigter, S. 'Research Methodologies in Contemporary Art Conservation: Between Material and Concept', Academic Skills and Practice, University College Utrecht, Netherlands, 12 October 2011.

Stigter, S. 'New strategies in Conservation of Contemporary Art: Between Material and Concept', Tripartite lecture, University of Amsterdam, Amsterdam, Netherlands, 29 September  2011.

Stigter, S. 'Exhibiting - A Conservation Research Rool for Conceptual Art', Exposing Exhibition, Catholic University of Lisbon, Lisbon, Portugal, 24 September  2011.

Panel discussion, Erhaltung moderner und zeitgenössischer Kunst - Projekte und Perspektiven, Cologne Institute of Conservation Sciences - CICS, Cologne, Germany, 14 May 2011.

Stigter, S. 'Access to conservation at the Kröller-Müller Museum', Access2CA: Access to Contemporary Art Conservation (part II), Museu de Serralves, Porto, Portugal, 10 March  2011.

 

2010

Stigter, S. 'Overview of INCCA Education session at Contemporary Art: Who Cares?', Training Needs for the Conservation of Modern and Contemporary Art, joint interim meeting between the Education and Training and Modern Materials and Contemporary Art (MMCA) working groups of ICOM-CC, Bonnefantenmuseum Maastricht, Netherlands, 12–13 June 2010.

'Rethinking Education in Contemporary Art Conservation', parallel session during Contemporary Art: Who Cares?, Royal Tropical Institute, Amsterdam, Netherlands, 9–11 June 2010.

 

2009

Stigter, S. 'Between concept and material. Decision-making in retrospect: conservation treatment ofa site-specific conceptual photographic sculpture by Ger van Elk', Art today - Cultural property of tomorrow: The conservation and restoration of contemporary artworks, Colloque SFIIC, INP, Paris, France, 24–26 June 2009.

Stigter, S. 'Onderzoek en restauratie van een installatie van Franz West', Studiedag BRK: Restauratie van moderne & hedendaagse kunst: meer dan het materiaal, MuZEE, Oostend, Belgium, 21 April 2009.

 

2008

Stigter, S. 'Joep van Lieshout's Mobile Home for Kröller-Müller: Outdoor polyester sculpture in transit', RN-Thema avond sectie Educatie Restauratoren Nederland, Reinwardt Academie, Amsterdam, Netherlands, 11 November 2008.

Stigter, S. 'Joep van Lieshout's Mobile Home for Kröller-Müller: Outdoor polyester sculpture in transit', ICOM-CC 15th Triennial Conference New Delhi, New Delhi, India, 22–26 September 2008.

Stigter, S. 'Conservation of Contemporary Art', Oranienbaum Colloquium, The state of the art of a young discipline. Towards cooperation of PhD programs in conservation and restoration science in Europe, Oraniebaum Castle, Dessau/Wörlitz, Germany, 4–7 September 2008.

 

2007

Stigter, S. 'Besluitvorming rondrestauratie vraagstukken in moderne kunst: problematiek van kleurenfotografie in het werk van Ger van Elk', Thema avond werkgroep Educatie van Restauratoren Nederland, Boekmanstichting, Amsterdam, 13 October 2007.

Stigter, S. 'Maintenance of outdoor sculptures in the Kröller-Müller Museum: two case studies on glass fiber reinforced polyester resinsculptures', Seminar Occupying the Public Space - Conservation Strategies, Centro Andaluz de Arte Contemporáneo, Sevilla, 2–4 October 2007.

Stigter, S. 'Joseph Kosuth's Glass (one and three), a case study from the Inside Installations project', guest lecture in a MA course Conceptual art from the collection of the Kröller-Müller Museum, VU, Amsterdam, 26 September 2007.

Stigter, S. 'Glasvezel versterkt polyester in de beeldentuin van het Kröller-Müller Museum: case studies', Symposium Buitenstaanders, Erfgoedinspectie en Kröller-Müller Museum, Otterlo, 24 September 2007.

Stigter, S. 'The Notion of Authenticity in Modern Art Installations: case studies from the Inside Installations Project', poster presentation Symposium Art, Conservation and Authenticities: Material, Concept, Context, University of Glasgow, Scotland, 12–14 September 2007.

Stigter, S. 'Case studies van het Kröller-Müller Museum voor Inside Installations', Inside Installations In Reprise? SBMK Seminar, Kröller-Müller Museum, Otterlo, 24 May 2007.

Stigter, S. 'Inside Installations Case Studies', Inside en outside: behoud en restauratie van kunst in en om het Kröller-Müller Museum, NMV-dag, Kröller-Müller Museum, Otterlo, 26 April 2007.

 

2006

Stigter, S. 'Joep van Lieshout: Mobile Home for Kröller-Müller', SBMK & ICN Studiedag Kunststoffen: GPR I, Instituut Collectie Nederland, Amsterdam, 1 June 2006.

 

2005

Stigter, S. 'Atelier van Lieshout's Mobile Home for Kröller-Müller: homespun ideals cracking up', 5th Symposium on conservation of synthetic materials - Theory and Practice - Perspectives on polyester, polyurethane and polyethylene, AXA Art Conservation Project, Vitra Design Museum, Weil am Rhein, 29–30 June 2005 (unpublished postprints: 28-35).

Stigter, S. 'To replace or not to replace? Photographic material in site-specific conceptual art', ICOM-CC 14th Triennial Meeting, Den Haag, 12–16 September 2005.

 

2004

Stigter, S. 'Retouching with light', From Setback to Success, 3rd Symposium of the working group Modern Art Modern Cultural Heritage, VDR,KMMK, Museum Ludwig, Köln, 4–5 December 2004.

Stigter, S. 'Kröller-Müller Museum case-studies for Inside Installations', Inside Installations Seminar, Montevideo/TBA and Instituut Collectie Nederland, Amsterdam, 26 November 2004.

'Living artist, living artwork? Ethical problems and a solution in the conservation of faded colour photographs in the work of Ger van Elk' ICOM-CC: Photographic Records Working Group Interim Meeting, Van Gogh Museum, Amsterdam, 4–5 October 2004.

Stigter, S. 'Living artist, living artwork? Ethical problems in the conservation of colour photographs in the work of Ger van Elk', IIC Conference Modern Art, Modern Museums, Bilbao, Spain, 13–17 September 2004.

 

2003

Stigter, S. 'Ethische problemen bij de conservering van kleurenfotografie in het werk van Ger van Elk', Seminar Restauratie en Conservering van Moderne Kunst van Onderzoeksschool Kunstgeschiedenis, Van Abbemuseum, Eindhoven, Netherlands, 6 June 2003.

 

2001

Stigter, S. 'The Conservation of Modern Art at the Limburg Conservation Institute' with Claartje van Haaften, Victoria & Albert Museum, London, UK.

Haaften, C. van and Stigter, S. 'The Training Program in the Conservation of Modern Art at the Limburg Conservation Institute', ICOM-CC Modern Materials Working Group Interim Meeting , Cologne, Germany, 12–14 March 2001.

2017

  • Stigter, S. (2017). A behaviour index for complex artworks: A conceptual tool for contemporary art conservation. In J. Bridgland (Ed.), ICOM-CC 18th Triennial Conference Preprints, Copenhagen: 4–8 September 2017 [0910] Paris: ICOM-CC.

2016

  • Stigter, S. (2016). Autoethnography as a New Approach in Conservation. Studies in Conservation, 61(sup2), 227-232. DOI: 10.1080/00393630.2016.1183104  [details] 
  • Stigter, S. (2016). Through the conservator's lens: from analogue photowork to digital printout: How is authenticity served? In E. Hermens, & F. Robertson (Eds.), Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation (pp. 169-178). London: Archetype Publications. [details] 

2015

  • Stigter, S. (2015). Co-Producing Conceptual Art: A Conservator’s Testimony. Revista de História da Arte - Série W, 4, 103-114. [details] 

2014

  • Stigter, S. (2014). Co-produrre arte concettuale: della conservazione di un’installazione variabile di Jan Dibbets. In P. Martore (Ed.), Tra memoria e oblio: percorsi nella conservazione dell'arte contemporanea (pp. 118-141, 281-286). (I timoni). Roma: Castelvecchi. [details] 
  • van Basten, N., Stigter, S., Kensche, S., & Peschar, R. (2014). Retouching Monochrome Painted Metal Outdoor Sculptures: Tests for Claes Oldenburg’s Trowel. In L. Beerkens, & T. Learner (Eds.), Conserving Outdoor Painted Sculpture: Proceedings from the Interim Meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, the Netherlands, June 4-5, 2013 (pp. 73-80). Los Angeles: The Getty Conservation Institute. [details] 

2011

  • Stigter, S. (2011). How material is conceptual art? From certificate to materialization: installation practices of Joseph Kosuth's 'Glass (one and three)'. In T. Scholte, & G. Wharton (Eds.), Inside installations: theory and practice in the care of complex artworks (pp. 69-80). Amsterdam: Amsterdam University Press. [details] 
  • van de Vall, R., Hölling, H., Scholte, T., & Stigter, S. (2011). Reflections on a biographical approach to contemporary art conservation. In J. Bridgland (Ed.), ICOM-CC: 16th Triennial Conference, Lisbon, 19-23 September 2011: preprints [cd-rom] Almada: Critério. [details] 

2008

  • Stigter, S., Beerkens, L., Schellen, H. L., & Kuperholc, S. (2008). Joep van Lieshout's Mobile Home for Kröller-Müller: outdoor polyester sculpture in transit. In J. Bridgland (Ed.), 15th triennial conference New Delhi, 22-26 September 2008: ICOM Committee for Conservation: preprints. - Vol. 1 (pp. 489-496). New Delhi: Allied Publishers. [details] 

2005

  • Stigter, S. (2005). To replace or not to replace? Photographic material in site-specific conceptual art. In I. Verger (Ed.), ICOM Committee for Conservation: 14th Triennial Meeting The Hague, 12-16 September 2005. - I (pp. 365-370). London: James & James.

2004

  • Stigter, S. (2004). Living artist, living artwork? The problem of faded colour photographs in the work of Ger van Elk. Studies in Conservation, 49(S2), 105-108. DOI: 10.1179/sic.2004.49.s2.023 

2002

  • van Haaften, C. C., & Stigter, S. (2002). The Training Program in the Conservation of Modern Art at the Stichting Restauratie Atelier Limburg - SRAL, Limburg Conservation Institute. In Y. Shashoua, T. van Oosten, & F. Waentig (Eds.), Plastics in Art. History, Technology, Preservation (Vol. 15, pp. 45-51). München: Siegl.

2014

  • Stigter, S. (2014). Dynamic art technological sources for contemporary works: the artist interview and the installation process. In H. Dubois, J. H. Townsend, J. Nadolny, S. Eyb-Green, S. Kroustallis, & S. Neven (Eds.), Making and Transforming Art: Technology and Interpretation: proceedings of the fifth symposium of the ICOM-CC Working Group for Art Technology Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22-23 November 2012 (pp. 147-148). London: Archetype Publications. [details] 

2009

  • Stigter, S. (2009). Between concept and material: decision-making in retrospect: conservation treatment of a site-specific conceptual photographic sculpture by Ger van Elk. In Art d'aujourd'hui, patrimoine de demain: conservation et restauration des oeuvres contemporaines: 13es journées d'études de la SFIIC (Section française de l'institut international de conservation), Paris, Institut national du patrimoine, 24-26 juin 2009 (pp. 74-81). Champs-sur-Marne: SFIIC. [details] 
  • Kuperholc, S. Z., & Stigter, S. (2009). Le Mobile Home for Kröller-Müller de Joep van Lieshout: procédés artistiques, recherche en conservation-restauration et entretien du polyester renforcé de fibres de verre. In Art d'aujourd'hui, patrimoine de demain: conservation et restauration des oeuvres contemporaines: 13es journées d'études de la SFIIC (Section française de l'institut international de conservation), Paris, Institut national du patrimoine, 24-26 juin 2009. (pp. 348-349). Champs-sur-Marne: SFIIC.

2008

  • Beerkens, L., Stigter, S., van Oosten, T., & van Keulen, H. (2008). Go with the flow: conservation of a floating sculpture from 1961 made from glass fibre-reinforced polyester resin. In B. Keneghan, & L. Egan (Eds.), Plastics: looking at the future and learning from the past: papers from the conference held at the Victoria and Albert Museum, London, 23-25 May 2007 (pp. 45-51). London: Archetype. [details] 

2007

  • Stigter, S. (2007). Franz West: Clamp, 1995. In T. Scholte, & P. 't Hoen (Eds.), Inside installations: preservation and presentation of installation art (pp. 36-37). Amsterdam / 's-Hertogenbosch: ICN / SBMK. [details] 
  • Stigter, S. (2007). Ger van Elk: The wider the flatter, 1972. In T. Scholte, & P. 't Hoen (Eds.), Inside installations: preservation and presentation of installation art (pp. 12-13). Amsterdam / 's-Hertogenbosch: ICN / SBMK. [details] 
  • Stigter, S. (2007). Joseph Kosuth: Glass (one and three), 1965. In T. Scholte, & P. 't Hoen (Eds.), Inside installations: preservation and presentation of installation art (pp. 20-21). Amsterdam / 's-Hertogenbosch: ICN / SBMK. [details] 

2017

  • Stigter, S. (2017). Retoucheren met gekleurd licht: Van restauratietechniek naar onderzoeksinstrument. KM : vakinformatie voor beeldende kunstenaars en restauratoren, (103), 20–21.

2016

  • Stigter, S. (2016). [Review of: H. Hiiop (2012) Contemporary Art in the Museum: How to Preserve the Ephemeral? The Preservation Strategy and Methods of the Contemporary Art Collection of the Art Museum of Estonia]. Beiträge zur Erhaltung von Kunst- und Kulturgut, 2016(2), 123–124. [details] 
  • Stigter, S., & Barragán, P. (2016). Interview with Sanneke Stigter: "Conservation is about the way the artwork can be perceived and not only about how it is presented.". Artpulse Magazine, 7(27), 68-71.
  • Stigter, S. (2016). Bethany De Forest - Ode: to pinhole photography = aan de pinhole-fotografie. In B. De Forest, S. Stigter, & H. Bos (Eds.), Bethany de Forest: Funky Landscapes (pp. [8-17]). (Limited Art Books). Amsterdam: KochxBos Publishers. [details] 

2014

  • Wagenaar, M., & Stigter, S. (2014). In het licht van James Turrell. Conserveren en documenteren van ruimtevullende lichtinstallaties. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 90, 5-7. [details] 

2013

  • Stigter, S. (2013). Research in New Strategies in Conservation of Contemporary Art. ICOM-CC MMCA Working Group Newsletter, 3, 8-9. [details] 

2012

  • Stigter, S. (2012). Reflections on the artist interview and the conservator's point of view by example of Ger van Elk. In L. Beerkens, P. 't Hoen, I. J. Hummelen, V. van Saaze, T. Scholte, & S. Stigter (Eds.), The artist interview: for conservation and presentation of contemporary art: guidelines and practice (pp. 102-111). Heijningen: Jap Sam Books. [details] 
  • Stigter, S. (2012). The artist interview as a conservation tool for process-based art by Sjoerd Buisman. In L. Beerkens, P. 't Hoen, I. J. Hummelen, V. van Saaze, T. Scholte, & S. Stigter (Eds.), The artist interview: for conservation and presentation of contemporary art: guidelines and practice (pp. 68-77). Heijningen: Jap Sam Books. [details] 

2007

  • Stigter, S. (2007). Mini groot maken. Pinholefotografie van Bethany de Forest. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 60, 22-25. [details] 

2006

  • Stigter, S. (2006). Jardin d’email. Een kunstmatige tuin van Jean Dubuffet. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 58, 40-42.

2005

  • Stigter, S. (2005). Lijmen & Geheimen: het VAR-symposium: verslag. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 53, 31-33.
  • Stigter, S. (2005). Vintage prints. De link tussen patina en authenticiteit. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 55, 32-34.
  • Stigter, S. (2005). Wat is patina? Over natuurlijk en kunstmatig patina, authenticiteit en intentie. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 55, 4-6.

2004

  • Stigter, S. (2004). Fascinatie voor beton. Waterwerken van Ruud Kuijer. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 52, 5-7.
  • Stigter, S. (2004). Gieten met was: De techniek van Medardo Rosso. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 51, 37-39.
  • Stigter, S. (2004). Verkleurde kleurenfoto’s: Restauratieproblematiek in het werk van Ger van Elk. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 50, 54-56.

2002

  • Stigter, S. (2002). 'De perfectie van de imperfectie': Over de schildertechniek van Hans van Hoek. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 41, 44-45.

2001

  • Stigter, S. (2001). De houdbaarheid van kleurenkopieën. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 39, 31-33.

1998

  • Stigter, S. (1998). Hetty Heyster - Sculptures. Dieren verbeeld. [Amsterdam]: Hetty Heyster.
  • Stigter, S. (1998). Dorien Melis, een futuristische herinnering? Kunstbeeld, 22(5), 60.
  • Stigter, S. (1998). Max Papart, het leven als een soort collage. Kunstbeeld, 22(4), 61.
  • Stigter, S. (1998). Suzanne Glerum, een zee van olieverf. Kunstbeeld, 22(12), 62.
  • Stigter, S. (1998). ‘BerlinTokyo’; ‘Doll-Furler-Lutz-Von Hellerman-Vater’; ‘Rachel de Boer’; ‘Fantastic Planet’; ‘Hai Uno’; ‘IK RED!’. In S. Bronwasser (Ed.), Niet de Kunstvlaai. Amsterdam: Niet de Kunstvlaai.

1997

  • Stigter, S. (1997). De raadselachtige schilderijen van Ulrike Hogrebe. Kunstbeeld, 21(9), 63.
  • Stigter, S. (1997). Geleende beelden in het werk van Edwin Emmens. Kunstbeeld, 21(7-8), 69.
  • Stigter, S. (1997). Henri Plaat: tussen absurditeit en schoonheid. Kunstbeeld, 21(9), 30-31.
  • Stigter, S. (1997). Otto Hetterscheid: 70 en tijdloos. Kunstbeeld, 21(11), 42-43.
  • Stigter, S. (1997). Yong-Chang Chung en Erik Oldenhof schrijven met verf. Kunstbeeld, 21(2), 62.
  • Stigter, S. (1997). [inleiding]. In S. Stigter (Ed.), Otto Hetterscheid: 70 Amsterdam: Otto Hetterscheid.

1996

  • Stigter, S. (1996). Bruno Ceccobelli en René van den Broek: de verbeelding van het geestelijke. Kunstbeeld, 20(5), 61. [details] 
  • Stigter, S. (1996). Hoe ziet de een en ander: De portretten van Ayer en Thies. Kunstbeeld, 20(3), 59. [details] 
  • Stigter, S. (1996). Sapere’s Poets Room. In Horacio Sapere: poet's room (pp. 9-10). Amsterdam: Galerie BMB.

1995

  • Stigter, S. (1995). Hans Thomann en Christian Caburet: een spannende combinatie. Kunstbeeld, 19(10), 59. [details] 

2014

  • van Basten, N., Stigter, S., Kensche, S., & Peschar, R. (2014). Retouching Monochrome Painted Outdoor Metal Sculptures. Tests for Claes Oldenburg's Trowel. Poster session presented at Master Thesis Poster Presentations at the University of Amsterdam, .

Mediaoptreden

  • Stigter, Sanneke (15-05-2011): Waarneming [Radio] Amsterdam, Amsterdam FM. Waarneming.
  • van de Vall, R. & Stigter, Sanneke (01-01-2010): Ideas of Nature 2.0: interview door Sandra Genet [Print] Experiment NL 3, NWO Quest. Ideas of Nature 2.0: interview door Sandra Genet.
  • Stigter, Sanneke (15-11-2007): Het Ateliergebouw [Television] Amsterdam, AT5. Het Ateliergebouw.

Boekredactie

  • De Forest, B., Stigter, S., & Bos, H. (2016). Bethany de Forest: Funky Landscapes. (Limited Art Books). Amsterdam: KochxBos Publishers.
  • Beerkens, L., 't Hoen, P., Hummelen, I. J., van Saaze, V., Scholte, T., & Stigter, S. (2012). The artist interview: for conservation and presentation of contemporary art: guidelines and practice. Heijningen: Jap Sam Books. [details] 

Tijdschriftredactie

  • Stigter, Sanneke (reviewer) (2017-): CeROArt (Journal).
  • Stigter, Sanneke (member of editorial board) (2017-): KM : vakinformatie voor beeldende kunstenaars en restauratoren (Journal).
  • Stigter, Sanneke (member of editorial board) (2004-2007): KM : vakinformatie voor beeldende kunstenaars en restauratoren (Journal).

Spreker

  • Stigter, Sanneke (invited speaker) (17-11-2017): DIAL, Digital Index of an Artwork’s Life: een bewustwordingstool voor de database, SBMK-dag 2017, Eindhoven, Netherlands.
  • Stigter, Sanneke (invited speaker) (3-11-2017): Towards process-based research in Contemporary Art Conservation, Museums at the 'Post-Digital' Turn, Turin, Italy.
  • Stigter, Sanneke (keynote speaker) (22-10-2017): Inleiding bij filmvertoning 'Adieu à G.', Filmvertoning Adieu à G, Amsterdam, Netherlands.
  • Mol, Tirza (speaker) & Stigter, Sanneke (speaker) (11-10-2017): Investigating the colourful world of Alessandro Mendini: Conserving Nigritella Nigra, a unique chest of drawers, Future Talks 017 The Silver Edition: Visions, München, Germany.
  • Stigter, Sanneke (invited speaker) (28-9-2017): A behaviour index for complex artworks – a conceptual tool for contemporary art conservation, NICAS colloquium, biweekly, Amsterdam.
  • Stigter, Sanneke (invited speaker) (29-6-2017): Picturing Peter Struycken’s Blue Waves: Collecting Memories as a Form of Conservation, Material Futures, Glasgow, United Kingdom.
  • Stigter, Sanneke (invited speaker) (23-3-2017): What is the role of the conservator in the artist interview?, Media Art Preservation Symposium, Budapest, Hungary.
  • Stigter, Sanneke (invited speaker) (9-2-2017): The Interview as a Tool for Art Conservation, Course Oral History and Life Stories 2017, Amsterdam, Netherlands.
  • Hendriks, Ella (invited speaker) & Stigter, S. (invited speaker) (18-1-2017): Exhibiting Conservation, New Approaches in the Conservation of Contemporary Art: Winter School 2017, London, United Kingdom.
  • Stigter, Sanneke (invited speaker) (16-12-2016): Paneldiscussie presentatie jubileumnummer kM 100, Presentatie jubileumnummer kM 100, Amsterdam, Netherlands.
  • Stigter, Sanneke (invited speaker) (16-11-2016): Contemporary Art through the Lens of Conservation, Art Studies Within and Across the Humanities, Amsterdam, Netherlands.
  • Stigter, Sanneke (invited speaker) (12-7-2016): The Artist Interview for Research and Conservation of Contemporary Art, New Approaches in the Conservation of Contemporary Art: Summer School 2016, Amsterdam, Netherlands.
  • Stigter, S. (invited speaker) (4-6-2016): Opening Bethany de Forest: Funky Landscapes, KochxBos Gallery, Amsterdam.
  • Stigter, S. (speaker) & Wei, W. (speaker) (15-5-2016): Surface roughness, appearance, and identification of AGFA-Gevaert photograph samples, AIC and CAC-ACCR's Joint 44th Annual Meeting and 42nd Annual Conference, Montreal, QC, Canada.
  • Stigter, S. (invited speaker) (25-2-2016): The Artist Interview: Artwork's Life Stories, Course Oral History and Life Stories 2016, Huizinga Institute, Amsterdam.
  • Stigter, S. (speaker) (2-12-2014): Through the conservator’s lens: from analogue photowork to digital printout., Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation, Glasgow.
  • Stigter, S. (invited speaker) (18-10-2014): Opening Fiona Zondervan: 25 jaar beelden & 25 collega’s, Galerie Petit, Amsterdam.
  • Stigter, S. (speaker) (17-10-2014): Retoucheren met Licht, SBMK dag, Eye, Amsterdam.
  • Stigter, S. (invited speaker) (20-6-2014): Het kunstenaarsinterview voor conservering en restauratie, Studiemiddag Narratieve bronnen in wetenschappelijk onderzoek, Den Haag.
  • Stigter, S. (invited speaker) (13-6-2014): The Artist Interview - Levensgeschiedenissen in de wereld van de kunst, Werkgroep Oral History – Levensgeschiedenissen in de wereld van de kunst, Amsterdam.
  • Stigter, S. (speaker) (21-6-2013): Co-producing conceptual art - A conservator’s testimony on working with Jan Dibbets, Performing Documentation, Lisbon.
  • Stigter, S. (speaker) (9-5-2012): Round table discussion Challenges / Trends in Plastics Conservation, Preservation of Plastic ARTefacts in museum collections, The POPART project., Paris.
  • Stigter, S. (speaker) (3-5-2012): Conservation research tools for Conceptual Art, The role of science in contemporary art conservation, Postgraduaat Tentoonstelling en Beheer van Actuele Kunst, KASK / School of Arts van Hogeschool Gent, Ghent.
  • Stigter, S. (invited speaker) (24-9-2011): Exhibiting - A Conservation Tool for Conceptual Art, Exposing Exhibition, Lisbon.

Andere

  • Stigter, Sanneke (consultant) (17-8-2017): Een Rietveldinterieur voor een DC-4, Ludo van Halem and Patricia van Ulzen (consultancy).
  • Stigter, Sanneke (visiting lecturer) (16-3-2017): Institute for Conservation–Restoration at the Academy of Fine Arts Vienna (visiting an external institution).
  • Stigter, Sanneke (visiting lecturer) (15-3-2017 - 17-3-2017): Institute for Conservation–Restoration at the Academy of Fine Arts Vienna (visiting an external institution).
  • Stigter, Sanneke (consultant) (22-1-2017): CORES: PhD Programme in the Conservation and Restoration of Cultural Heritage, Universidade Nova de Lisboa (consultancy).
  • Stigter, Sanneke (visiting lecturer) (6-12-2016 - 9-12-2016): Estonian Academy of Arts (visiting an external institution).
  • Noordegraaf, J.J. (organiser) & Stigter, Sanneke (organiser) (11-7-2016 - 15-7-2016): New Approaches in the Conservation of Contemporary Art: Summer School 2016 (organising a conference, workshop, ...).
  • Stigter, Sanneke (consultant) (26-5-2016 - 24-9-2017): Adieu à G., Arte et Cetera (consultancy).
  • Stigter, S. (participant) (12-6-2014): De rol van de conservator in de 21ste eeuw, Amsterdam (participating in a conference, workshop, ...).
  • Stigter, Sanneke (consultant) (1-6-2012 - 30-11-2016): Science4Arts Programme: Photographs and Preservation. How to save photographic works of art for the future?, University of Leiden (consultancy).

2016

This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library  or the Pure staff  of your faculty / institute. Log in to Pure  to edit your publications.
  • Kröller-Müller museum
    Restaurator Moderne kunst & Sculptuur
  • International Network for the Conservat.
    Coordinator INCCA Educatie
  • Stichting Behoud Moderne Kunst
    stuurgroep lid

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