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mw. dr. S.Y. (Sophie) Berrebi

Faculteit der Geesteswetenschappen
Capaciteitsgroep Kunstgeschiedenis
Fotograaf: onbekend

Bezoekadres
  • Turfdraagsterpad 15
  • Kamernummer: 2.04
Postadres
  • Postbus 94551
    1090 GN Amsterdam
Contactgegevens
  • Profile

    SOPHIE BERREBI

    Sophie Berrebi is a writer, art historian and occasional curator. Her writing has appeared in frieze, Afterall, Metropolis M, and Art and Research, among other publications. She received her PhD from the Courtauld Insitute of Art, University of London in 2003, and is based at the University of Amsterdam where she teaches the history and theory of photography and contemporary art. She is a member of ASCA, the Amsterdam School for Cultural Analysis.

    For all information concerning her research, publications and exhibition curating, please go to  www.sophieberrebi.net

     

    TEACHING AND THESIS SUPERVISION

    Sophie Berrebi welcomes all B.A and M.A students wishing to write their final thesis in English on 20th century art. while a generalist, her specialty areas include:  art and photography, contemporary art, globalisation,  Art and Cinema,  contemporary art and aesthetics, Art of the post-war period in Europe and the United States, exhibition history, the politics of the museum.

    sophieberrebi.net

  • Publicaties

    2016

    • Berrebi, S. (2016). Documents, Monuments and Photographs: Jean-Luc Moulene. In C. M. Soussloff (Ed.), Foucault on the arts and letters: Perspectives for the 21st century (pp. 45-62). London: Rowman & Littlefield. [details]
    • Berrebi, S. (2016). Landscape Undone: Jean Dubuffet and the Prehistory of the Picture. In R. Bouvier (Ed.), Jean Dubuffet: Metamorphoses of Landscape (pp. 107-113). Basel: Fondation Beyeler. [details]
    • Berrebi, S. Y. (2018). Moulene/Boiffard/ qu'est-ce qu'un document?. Unpublished In C. Chéroux (Ed.), Boiffard Paris: Centre Georges Pompidou.
    • Berrebi, S., & Folkerts, H. (2016). The Place of Performance. Stedelijk Studies, 3. [details]

    2015

    2014

    • Berrebi, S. (2014). The Shape of Evidence: Contemporary Art and the Document. Amsterdam: Valiz. [details]

    2013

    • Berrebi, S. (2013). Metromania or The Undersides of Painting. In C. Lindner, & A. Hussey (Eds.), Paris-Amsterdam underground: essays on cultural resistance, subversion, and diversion (pp. 23-36). (Cities and cultures). Amsterdam: Amsterdam University Press. [details]

    2011

    2009

    2008

    • Berrebi, S. (2008). Everything you wanted to know about Jacques Rancière but were afraid to ask... Art & Research, 2(1). [details]
    • Berrebi, S. (2008). Jacques Rancière: aesthetics is politics. Art & Research, 2(1). [details]

    2007

    • Berrebi, S. (2007). Dubuffet as model. In R. Leeman (Ed.), Histoire et historiographie: l'art du second XXe siècle (pp. 113-122). (20/21. siècles; No. 5/6). Nanterre: Centre Pierre Francastel. [details]
    • Berrebi, S. (2007). Jean-Luc Moulène’s Dialectical Documents. Papers of Surrealism, 7(7). [details]

    2019

    • Berrebi, S. Y. (2019). La Machine a penser le monde. In Fiona Tan, L'Archive des ombres. (pp. 55). Hornu: Musee des beaux arts contemporains du Grand Hornu.
    • Berrebi, S. Y. (Accepted/In press). The Writer. In Mario Garcia Torres Köln: Verlag der Buchhandlung Walther König.

    2018

    • Berrebi, S. (2018). Dubuffet and the City: People, Place and Urban Space. Zürich: Hauser & Wirth Publishers. [details]
    • Berrebi, S. (2018). Sailor Shirts and Photographs: A Research Diary. REsearch Centre for Material Culture . [details]

    2017

    • Berrebi, S. (2017). Reconsidering the Shape of Evidence: Visual Documents in and Beyond Contemporary Art . Das Wissen der Kunst, 7. [details]
    • Berrebi, S. Y. (2017). L'épingle à nourice: Dubuffet, Image, Habit. In A. Lacoste, & S. Webel (Eds.), Dubuffet et la Photographie (pp. 243-252). [2] Arles: Editions Photosynthèses.
    • Berrebi, S. Y. (2017). The Princess's shoes: Notes on Dubuffet in the Netherlands. In L. van Halem (Ed.), Jean Dubuffet in het Rijksmuseum Amsterdam: Rijksmuseum Amsterdam.

    2016

    • Berrebi, S. (2016). Hubert Damisch / Jean Dubuffet - Entrée en matière: correspondance 1961-1985, textes 1961-2014: édition établie, présentée et annotée. (Lectures maison rouge; No. 6). Zürich: JRP Ringier Kunstverlag. [details]

    2013

    • Berrebi, S. (2013). Not-So-Transparent Things. In D. Roelstraete (Ed.), The Way of the Shovel: on the archaeological imaginary in art (pp. 266-277). Chicago: University of Chicago Press. [details]
    • Berrebi, S. Y. (Accepted/In press). Jean-Luc Moulène: Fotografi som övningsmanual. Stockholm: Co-op editions.

    2012

    • Berrebi, S. (2012). Die Nahtstellen der Bilder sichtbar machen. In E. Schmidt, & I. Rüttinger (Eds.), Lieber Aby Warburg - was tun mit den Bildern? Vom Umgang mit fotografischem Material = Dear Aby Warburg, what can be done with images? Dealing with photographic material (pp. 203-205). Heidelberg: Kehrer Verlag. [details]
    • Berrebi, S. (2012). Exposing the Seams of Pictures. In E. Schmidt, & I. Rüttinger (Eds.), Lieber Aby Warburg - was tun mit den Bildern? Vom Umgang mit fotografischem Material = Dear Aby Warburg, what can be done with images? Dealing with photographic material (pp. 205-207). Heidelberg: Kehrer Verlag. [details]
    • Berrebi, S. (2012). Neither fish nor fowl, but real bodies: the films of Sven Augustijnen. Afterall, 31, 86-93. [details]

    2011

    • Berrebi, S. (2011). 'Med ett positivt sinne och en pocketkamera’: Konstnären som dokumentarist. OEI, 53-54, 333-338. [details]
    • Berrebi, S. (2011). Jean-Luc Moulènes dialektiska dokument. OEI, 53-54, 301-309. [details]

    2010

    • Berrebi, S. (2010). 'The story of Muriel cannot be told': Alain Resnais, Wendelien van Oldenborgh and How to decolonise the document. Simulacrum, 18(2/3), 98-101. [details]
    • Berrebi, S. (2010). Goats, lamb, veal, breast: strategies of organisation in Zoe Leonard's 'Analogue'. Afterall, 25, 30-37. https://doi.org/10.1086/657460 [details]

    2009

    • Berrebi, S. (2009). Over fotograferen, bouwen en borduren: een gesprek met Berend Strik = On photographing, building and stitching: a conversation with Berend Strik. In B. Strik (Ed.), Thixotropy: bewerkte, bestikte foto's = transfixed, stitched photographs (pp. 6-23). Amsterdam: Valiz. [details]

    2007

    • Berrebi, S. Y. (2007). Documentary evidence. In M. Schavemaker, & M. Rakier (Eds.), Right about now: art & theory since the 1990s (pp. ??). Amsterdam: Valiz.

    2015

    2013

    • Berrebi, S. (2013). Il faut que le masque ait dansé = Het masker moet gedanst hebben. Maastricht: Marres Centrum voor Contemporaine Cultuur. [details]
    • Berrebi, S. (2013). Il faut que le masque ait dansé = The mask needs to have danced. Maastricht: Marres Centre for Contemporary Culture. [details]

    2011

    • Berrebi, S. (2011). De wereld in 18 lessen: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 2011(2), 36-45. [details]
    • Berrebi, S. (2011). The world in eighteen lessons: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 2011(2), 115-117. [details]

    2008

    • Berrebi, S. (2008). [Review of: C.A. Jones (2005) Eyesight alone: Clement Greenberg's modernism and the bureaucratization of the senses; A.G. Marquis (2006) Art Czar: the rise and fall of Clement Greenberg : a biography]. Journal of Visual Culture, 7(1), 123-126. https://doi.org/10.1177/1470412907087204 [details]

    Spreker

    • Berrebi, S. Y. (speaker) (2007). The historiography of art since 1945, part 2, Paper given in research seminar at the INHA (Institut National d'Histoire de l'Art), Paris.
    This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list.
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