Fossati, G., & van den Oever, A. (2020). The 21st-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice in Transition - A Dialogue. In D. Chateau, & J. Moure (Eds.), Post-Cinema: Cinema in the Post-art Era (pp. 129-141). (The Key Debates: Mutations and Appropriations in European Film Studies). Amsterdam University Press. https://doi.org/10.5117/9789463727235[details]
Masson, E., Olesen, C. G., van Noord, N., & Fossati, G. (2020). Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction. Digital Humanities Quarterly, 14(4). http://digitalhumanities.org/dhq/vol/14/4/000497/000497.html[details]
Fossati, G. (2019). Del grano al píxel. Cine y archivios en transición. Imago Mundi.
2018
Fossati, G. (2018). From Grain to Pixel: The Archival Life of Film in Transition. (3rd ed.) (Framing Film). Amsterdam University Press. [details]
Fossati, G., Jackson, V., Lameris, B., Rongen-Kaynakçi, E., Street, S., & Yumibe, J. (Eds.) (2018). The Colour Fantastic: Chromatic Worlds of Silent Cinema. (Framing Film). Amsterdam University Press. https://doi.org/10.5117/9789462983014[details]
Verstraten, P., & Fossati, G. (2018). Between Nostalgia and Utopia: A Conversation on the Legibility of Film Archives. In P. Hesselberth, J. Houwen, E. Peeren, & R. de Vos (Eds.), Legibility in the Age of Signs and Machines (pp. 199-211). (Thamyris/Intersecting: Place, Sex and Race). Brill Rodopi. https://doi.org/10.1163/9789004376175_014[details]
Fossati, G., & van den Oever, A. (2016). Introduction: Exposing the Film Apparatus. In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as a Research laboratory (pp. 13-42; 356-374). (Framing Film). Amsterdam University Press. [details]
Olesen, C. G., Masson, E., van Gorp, J., Fossati, G., & Noordegraaf, J. (2016). Data-Driven Research for Film History: Exploring the Jean Desmet Collection. The moving image, 16(1), 82-105. https://doi.org/10.5749/movingimage.16.1.0082[details]
Fossati, G. (2015). The Archival Life of Early Color Films: Restoration and Presentation. In T. Gunning, J. Yumibe, G. Fossati, & J. Rosen (Eds.), Fantasia of Color in Early Cinema (pp. 41-54). (Framing Film). Amsterdam University Press. [details]
Gunning, T., Yumibe, J., Fossati, G., & Rosen, J. (Eds.) (2015). Fantasia of Color in Early Cinema. Amsterdam University Press. [details]
2013
Fossati, G. (2013). Obsolescence and Film Restoration: The case of Colored Silent Films. Techné, 37, 103-106. [details]
2012
Fossati, G. (2012). Multiple Originals: the (Digital) Restoration and Exhibition of Early Films. In A. Gaudreault, N. Dulac, & S. Hidalgo (Eds.), A Companion to Early Cinema (pp. 550-567). Wiley-Blackwell. https://doi.org/10.1002/9781118274453.ch28[details]
Fossati, G. (2021). For a global approach to audiovisual heritage: A plea for North/South exchange in research and practice. NECSUS, 10(2), 127-133. https://doi.org/10.25969/mediarep/17281[details]
Fossati, G. (2013). The Restoration of Beyond the Rocks. In K. Parth, O. Hanley, & T. Ballhausen (Eds.), Work/s in Progress: Digital Film Restoration Within Archives (pp. 111-120). Synema. [details]
2019
Fossati, G., Masson, E. L., & Olesen, C. G. (2019). The Sensory Moving Image Archive Project. Paper presented at Association of the Moving Image Archivists (AMIA) Conference, Portland, United States.
2018
Fossati, G., & Gant, A. (2018). Restoring the Dutch and British Mutoscope and Biograph 68mm Collections (1897-1902). Paper presented at Association of Moving Image Archivists (AMIA) Conference, Portland, Oregon, United States.
Masson, E. L., Fossati, G., & Olesen, C. G. (2018). Visual Analysis as a Means of Tactical Subversion in the Exploration of Digitized Moving Image Collections. Paper presented at Media tactics and engagements. , Amsterdam, Netherlands.
Olesen, C. G., Masson, E. L., & Fossati, G. (2018). Feature Extraction in the Sensory Moving Image Archive (SEMIA) project. Paper presented at Digital Humanities Benelux Conference 2018, Amsterdam, Netherlands.
2017
Noordegraaf, J. J., Woodfin, L., Olesen, C. G., Masson, E. L., Fossati, G., & van Gorp, J. (2017). Mapping Desmet: Testing a New Cinema History Tool on Film Distribution in the Netherlands and Belgium, 1914-1918. Paper presented at HoMER conference Circuits of Cinema: Histories of Movie & Media Distribution. , Toronto, Canada.
Olesen, C. G., & Fossati, G. (2017). The Sensory Moving Image Archive (SEMIA) Boosting Creative Reuse for Artistic Practice and Research. Paper presented at NWO Smart Culture Conference "Exploring Integrated Arts & Culture Research", Amsterdam, Netherlands.
2016
Olesen, C. G., van Gorp, J., Masson, E. L., Noordegraaf, J. J., & Fossati, G. (2016). A New Cinema History Research Tool: The Case of Mapping Desmet. Paper presented at Creativity & the City, 1600-2000, Amsterdam, Netherlands.
Masson, E. L., Olesen, C. G., Noordegraaf, J. J., Van Gorp, J., & Fossati, G. (2015). Reconstructing Colour Palettes in Early Dutch Film Distribution: The Case of Eye’s Jean Desmet Collection: The Case of EYE’s Jean Desmet Collection. Paper presented at What is Cinema History? A HOMER Network Conference, University of Glasgow, Glasgow.
2014
Olesen, C. G., Masson, E. L., Van Gorp, J., Fossati, G., & Noordegraaf, J. J. (2014). Digital Tools for Archives: Linking Eye's Jean Desmet Collection. Paper presented at FIAT/IFTA World Conference, Amsterdam, Netherlands.
Olesen, C. G., Van Gorp, J., Fossati, G., & Noordegraaf, J. J. (2014). Emerging Cinema/Emerging Methods: Developing a Tool for Eye's Jean Desmet Collection. Paper presented at Digital Humanities 2014.
Prijs
Fossati, G. (2021). The celluloid ceiling in the Dutch film world. Women from the feminist film collective Cinemien: an oral history pilot study.
Fossati, G. (2020). Narratives from the long tail: transforming access to audiovisual archives.
Fossati, G. & Masson, E. (2017). Creative Industries: Smart Culture – Arts and Culture research grant.
Fossati, G. (2014). NWO KIEM - Data-Driven Film History: a demonstrator of EYE’s Jean Desmet collection.
Lidmaatschap
Fossati, G. (2021). Academy of Motion Picture Arts and Sciences.
Fossati, G. (2020). Member of the Advisory Board of Ludwig Boltzmann Institute for Digital History (Vienna), Ludwig Boltzmann Institute for Digital History.
Fossati, G. (2017-2023). member of the Scientific Advisory Council, Koninklijk Nederlands Instituut te Rome.
Fossati, G. (31-03-2016). ilmhistorie is geen zaak van uitvinders en visionairs [Print] De Filmkrant. Filmhistorie is geen zaak van uitvinders en visionairs (interview). http://filmkrant.nl/nieuws_2016/13580/-/p_cnt_nieuws/2
Fossati, G. (10-03-2016). Es ist meine Ambition, das filmische Erbe sichtbar zu machen [Print] Die Wochenzeitung. Es ist meine Ambition, das filmische Erbe sichtbar zu machen (interview). https://www.woz.ch/-690a
Fossati, G. (01-01-2016). Interview with Giovanna Fossati Feminist Media Histories, Vol. 2 No. 1, Winter 2016; (pp. 108-119). Interview with Giovanna Fossati, EYE Film Institute. http://fmh.ucpress.edu/content/2/1/108
Fossati, G. (31-12-2014). De analoge film in een digitale storm: Interview door Aron Brouwer [Print] Faculteit der Geesteswetenschappen, UvA, Nieuwsbrief Faculteit der Geesteswetenschappen. De analoge film in een digitale storm: Interview door Aron Brouwer.
Fossati, G. (28-03-2014). Dit werk geeft historische context. Orphan Film Symposium: aandacht voor verweesde film [Print] Volkskrant. Dit werk geeft historische context. Orphan Film Symposium: aandacht voor verweesde film.
Fossati, G. (member of editorial board) (2009-). Amsterdam University Press (Publisher).
Spreker
Fossati, G. (speaker) (18-11-2021). A Plea for a Global Approach to Audiovisual Heritage - keynote lecture, Association of Moving Image Archivists (AMIA) Conference.
Fossati, G. (speaker) (28-10-2021). Colors que meravellen. Sessió de films dels orígens acolorits procedents del fons de l’Eye Film Institute – invited lecture, Filmoteca de Catalunya, Barcelona.
Fossati, G. (speaker) (28-10-2021). Eye Filmmuseum and University of Amsterdam: an exemplary collaboration - invited lecture, Filmoteca de Catalunya, Barcelona.
Fossati, G. (speaker) (28-9-2021). Transnational Cooperation and Decolonial Strategies in Film Culture Institutions - panel discussion, After the Archive Symposium, Berlin.
Fossati, G. (speaker) (2021). Masterclass: Global Audiovisual Archiving - round table, EYE Filmmuseum.
Fossati, G. (speaker) (2021). This is Film! Film Heritage in Practice - online lecture series, EYE Filmmuseum.
Fossati, G. (speaker) (2021). Innovation in Film Archiving: Restoration, Digitization, Research and Access - online lecture, EYE Filmmuseum.
Fossati, G. (speaker) (3-3-2020). Theorizing Film Archival Practice in the Digital Turn - public lecture, Filmoteca Española.
Fossati, G. (speaker) (3-3-2020). Theorizing Film Archival Practice in the Digital Turn, Filmoteca Española.
Fossati, G. (speaker) (1-2-2020). Restoring and Presenting Silent Colour Films and the Digital Turn in Film Archiving - public lecture, Reel to Reel.
Fossati, G. (speaker) (20-12-2019). Il patrimonio cinematografico dopo la svolta digitale: nuovi indirizzi di ricerca e nuove pratiche da sperimentare [Film Heritage After the Digital Turn: New Research Directions and New Experimental Practices] – public lecture, Universita' degli Studi di Udine, Udine, Italy.
Fossati, G. (speaker) (19-12-2019). Accesso e riutilizzo dei film d’archivio non-theatrical [Access and Re-Use of Non-Theatrical Archival Films] – keynote lecture, Non-theatrical film e non-broadcast video: etiche e politiche di conservazione e trasmissione, Udine.
Fossati, G. (speaker) (22-11-2019). Cineteca Nazionale e Eye Filmmuseum: progetti di restauro in collaborazione [Cineteca Nazionale and Eye Filmmuseum: Collaborative Restoration Projects] - invited lecture, Cineteca Nazionale.
Fossati, G. (speaker) & Olesen, C. (speaker) (6-11-2019). The Sensory Moving Image Archive, NWO Smart Culture Conference, Leiden.
Fossati, G. (speaker) (25-10-2019). Fantasia of Color in Early Cinema and the Resolution of 68mm Mutoscope & Biograph Films - Invited lecture, The Attraction of the Moving Image: A Celebration of Tom Gunning, Chicago.
Fossati, G. (speaker) (19-8-2019). From Grain to Pixel: Film Materiality and the Digital Turn – masterclass, Universidad Nacional de San Martín.
Fossati, G. (speaker) (20-6-2019). Bits and Pieces. The Fascination with Film Fragments between Theoretical Reflection and Practice - key note lecture, From Waste to Asset. Making sense of Italian Film and Television Production in the Digital Era, Bologna.
Fossati, G. (speaker) & Gant, A. (speaker) (25-5-2019). 68mm Mutoscope and Biograph Collection (1897-1902), 5th Eye International Conference / 10th Women and the Silent Screen Conference: Sisters.
Fossati, G. (speaker) (11-2-2019). The 2018 Restoration of ‘Ladri di biciclette’ (1948) - public lecture, EYE Filmmuseum.
Fossati, G. (speaker) (18-11-2018). World Film Heritage – Who Decides? - panel discussion, IDFA Industry Talks, Amsterdam.
Fossati, G. (speaker) (26-6-2018). Datafication and Public Value - panel discussion, MiT@UU: Media in Transition, Utrecht.
Fossati, G. (speaker) (11-6-2018). What is Film Heritage Today? - invited lecture, PIONEERING FILMKULTUR, Frankfurt.
Fossati, G. (speaker) (28-5-2018). Pedagogy Against the Grain - panel discussion, 4th Eye International Conference. Activating the Archive, Amsterdam.
Fossati, G. (speaker) (18-3-2018). The Colour Fantastic. Two Decades of Research into the Colours of Silent Cinema – keynote lecture, Third International Conference Colour in Film, London.
Fossati, G. (speaker) (27-11-2017). Film Heritage Beyond the Digital Turn - invited lecture, Columbia University, New York..
Fossati, G. (speaker) (15-6-2017). New Directions in the preservation, presentation and research of Film Heritage - special lecture.
Fossati, G. (speaker) (11-6-2017). What is Film Heritage Today? Reflections and Practices Beyond the Digital Turn - keynote, Balkan Cinema on the Crossroads: From Nitrate to Digital, Belgrade.
Fossati, G. (speaker) (23-3-2017). De-materialized Evidence: Film Archival Holdings and the Transition to Digital Technology - workshop, Society of Cinema and Media Studies, Chicago.
Fossati, G. (speaker) (20-3-2017). Exposing Film Heritage - public lecture, Reel Heritage public talks series at TIFF, Toronto, Toronto.
Fossati, G. (speaker) (30-6-2016). Heritage of the past, present and future, high-tech ways to preserve and present, Conference Digitalisation Cultural Heritage, Ministry of Education, Culture and Science, Amsterdam.
Fossati, G. (speaker) (26-6-2016). Early Color Films in the Film Archive, REMI: Handmade Emulsion Primitive Colour Symposium, Rotterdam.
Fossati, G. (speaker) (23-6-2016). Q&A with Giovanna Fossati moderated by Peter Verstraten, European Summer School for Cultural Studies.
Fossati, G. (speaker) (11-10-2014). Repatriating Film Heritage. Building a World-Wide Film Collection, Association of Moving Image Archivists (AMIA) Conference, Savannah (GA), USA, October 8-11, 2014, Savannah (GA), USA.
Fossati, G. (invited speaker) (5-6-2014). Theorizing Film Archiving in the Digital Turn., DIASTOR Conference, University of Zurich, Zurich.
Fossati, G. (invited speaker) (10-4-2014). The Color Fantastic and the Appreciation of the Single Film Frame, XII MAGIS – International Film Studies Spring School, University of Udine, Gorizia.
Fossati, G. (speaker) (31-3-2014). Restoring the Colors of Early Cinema, 9th Orphan Film Symposium, EYE, New York University and University of Amsterdam, Amsterdam.
Fossati, G. (invited speaker) (30-3-2014). Why The Future of Obsolescence?, 9th Orphan Film Symposium, EYE, New York University and University of Amsterdam, Amsterdam.
Fossati, G. (invited speaker) (17-8-2013). Alternative Archival Practices, Visible Evidence XX - International Conference on Documentary Film and Media, Stockholm University and Swedish Film Institute, Stockholm, SE, 15-18 August, 2013, Stockholm.
Andere
Fossati, G. (examiner) (30-6-2021). Doctoral Committee (examination).
Fossati, G. (visiting lecturer) (12-4-2021 - 15-4-2021). Elías Querejeta Zine Eskola (visiting an external institution).
Fossati, G. (member of programme committee) (2021). Colour Photography and Film. Sharing Knowledge of Analysis, Preservation, Conservation, Migration of Analogue and Digital Materials Conference (organising a conference, workshop, ...).
Fossati, G. (member of programme committee) (5-2020). 6th Eye International Conference (online event) (participating in a conference, workshop, ...).
Fossati, G. (visiting lecturer) (16-12-2019 - 20-12-2019). Universita' degli Studi di Udine, Udine, Italy (visiting an external institution).
Fossati, G. (organiser) (25-5-2019 - 29-5-2019). 5th Eye International Conference / 10th Women and the Silent Screen Conference: Sisters (organising a conference, workshop, ...).
Fossati, G. (organiser) (3-2019 - 5-2019). This is Film! Film Heritage in Practice, Amsterdam. Series of Public Lecture and Screening (organising a conference, workshop, ...).
Fossati, G. (organiser), Masson, E. (organiser) & Olesen, C. (organiser) (25-2-2019 - 26-2-2019). The Sensory Moving Image Archives Symposium, Amsterdam (organising a conference, workshop, ...).
Fossati, G. (examiner) (1-6-2018 - 12-9-2018). Perfectly Boring? The Public Afterlife of Private Film (examination).
Fossati, G. (organiser) (26-5-2018 - 29-5-2018). 4th Eye International Conference. Activating the Archive, Amsterdam (participating in a conference, workshop, ...).
Fossati, G. (member of programme committee), Gant, A. (member of programme committee), Masson, E. (member of programme committee), Pisters, P. (member of programme committee), Smit, G. (member of programme committee) & Verbruggen, E. (member of programme committee) (26-5-2018 - 29-5-2018). 4th Eye International Conference. Activating the Archive, Amsterdam (organising a conference, workshop, ...).
Olesen, C. G. (organiser), Masson, E. (organiser) & Fossati, G. (organiser) (7-2-2018). SEMIA workshop 1, Amsterdam (organising a conference, workshop, ...).
Fossati, G. (organiser) (27-5-2017 - 30-5-2017). The Reel Thing, Amsterdam (organising a conference, workshop, ...).
Fossati, G. (organiser) (11-3-2016). Exposing the Film Apparatus, Amsterdam (organising a conference, workshop, ...).
Fossati, G. (organiser) (30-3-2014 - 2-4-2014). The 9th Orphan Film Symposium - The Future of Obsolescence, Amsterdam (organising a conference, workshop, ...).
Fossati, G. (organiser) & de Valck, M. (organiser) (30-3-2014 - 2-4-2014). Orphans Symposium 9: The Future of Obsolescene, Amsterdam. Orphans Symposium 9 (organising a conference, workshop, ...).
Masson, E. (member of programme committee), Streible, D. (member of programme committee), Fossati, G. (member of programme committee) & de Valck, M. (member of programme committee) (30-3-2014 - 2-4-2014). The 9th Orphan Film Symposium - The Future of Obsolescence, Amsterdam (organising a conference, workshop, ...).
Fossati, G. (other) (2009 - 2015). Chief Curator, EYE Film Institute Netherlands (other).
2014
Campanini, S. (2014). Film sound in preservation and presentation. [details]
De UvA maakt gebruik van cookies en daarmee vergelijkbare technieken voor het functioneren, meten en optimaliseren van de website. Ook worden er cookies geplaatst om bijv. YouTube filmpjes te kunnen tonen en voor marketingdoeleinden. Deze laatste categorie betreffen de tracking cookies. Uw internetgedrag kan worden gevolgd door middel van deze tracking cookies. Door op “Accepteer alle cookies” te klikken gaat u hiermee akkoord. Lees ook het UvA Privacy statement
Noodzakelijk
Cookies noodzakelijk voor het basisfunctioneren van de website. Deze cookies worden bijvoorbeeld ingezet om het inloggen voor studenten en medewerkers mogelijk te maken.
Noodzakelijk & Optimalisatie
Cookies die worden geplaatst om anoniem gegevens te verzamelen over het gebruik van de website om deze te verbeteren.
Noodzakelijk & Optimalisatie & Marketing
Cookies die in staat stellen bezoekers te volgen en van gepersonaliseerde advertenties te voorzien. Externe advertentienetwerken verzamelen individuele gegevens over internetgedrag. Selecteer deze categorie om YouTube video's te kunnen kijken.