Voor de beste ervaring schakelt u JavaScript in en gebruikt u een moderne browser!
Je gebruikt een niet-ondersteunde browser. Deze site kan er anders uitzien dan je verwacht.

Prof. dr. G. (Giovanna) Fossati

Filmerfgoed en digitale filmcultuur (leerstoel in samenwerking met EYE Filmmuseum)
Faculteit der Geesteswetenschappen
Departement Mediastudies
Fotograaf: Jeroen Oerlemans

Bezoekadres
  • Turfdraagsterpad 9
Postadres
  • Postbus 94550
    1090 GN Amsterdam
Contactgegevens
  • Publicaties

    2021

    • Fossati, G. (2021). Dai grani ai pixel: Il restauro del film nella transizione dall’analogico al digitale. Casa Editrice Persiani.

    2020

    • Fossati, G., & van den Oever, A. (2020). The 21st-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice in Transition - A Dialogue. In D. Chateau, & J. Moure (Eds.), Post-Cinema: Cinema in the Post-art Era (pp. 129-141). (The Key Debates: Mutations and Appropriations in European Film Studies). Amsterdam University Press. https://doi.org/10.5117/9789463727235 [details]
    • Masson, E., Olesen, C. G., van Noord, N., & Fossati, G. (2020). Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction. Digital Humanities Quarterly, 14(4). http://digitalhumanities.org/dhq/vol/14/4/000497/000497.html [details]

    2019

    • Fossati, G. (2019). Del grano al píxel. Cine y archivios en transición. Imago Mundi.

    2018

    • Fossati, G. (2018). From Grain to Pixel: The Archival Life of Film in Transition. (3rd ed.) (Framing Film). Amsterdam: Amsterdam University Press. [details]
    • Fossati, G., Jackson, V., Lameris, B., Rongen-Kaynakçi, E., Street, S., & Yumibe, J. (Eds.) (2018). The Colour Fantastic: Chromatic Worlds of Silent Cinema. (Framing Film). Amsterdam: Amsterdam University Press. https://doi.org/10.5117/9789462983014 [details]
    • Verstraten, P., & Fossati, G. (2018). Between Nostalgia and Utopia: A Conversation on the Legibility of Film Archives. In P. Hesselberth, J. Houwen, E. Peeren, & R. de Vos (Eds.), Legibility in the Age of Signs and Machines (pp. 199-211). (Thamyris/Intersecting: Place, Sex and Race). Leiden: Brill Rodopi. https://doi.org/10.1163/9789004376175_014 [details]

    2016

    • Fossati, G., & van den Oever, A. (2016). Introduction: Exposing the Film Apparatus. In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as a Research laboratory (pp. 13-42). (Framing Film). Amsterdam: Amsterdam University Press. [details]
    • Fossati, G., & van den Oever, A. (Eds.) (2016). Exposing the Film Apparatus: The Film Archive as a Research Laboratory. (Framing Film). Amsterdam: Amsterdam University Press. [details]
    • Olesen, C. G., Masson, E., van Gorp, J., Fossati, G., & Noordegraaf, J. (2016). Data-Driven Research for Film History: Exploring the Jean Desmet Collection. The moving image, 16(1), 82-105. https://doi.org/10.5749/movingimage.16.1.0082 [details]

    2015

    • Fossati, G. (2015). The Archival Life of Early Color Films: Restoration and Presentation. In T. Gunning, J. Yumibe, G. Fossati, & J. Rosen (Eds.), Fantasia of Color in Early Cinema (pp. 41-54). (Framing Film). Amsterdam: Amsterdam University Press. [details]
    • Gunning, T., Yumibe, J., Fossati, G., & Rosen, J. (Eds.) (2015). Fantasia of Color in Early Cinema. Amsterdam: Amsterdam University Press. [details]

    2013

    • Fossati, G. (2013). Obsolescence and Film Restoration: The case of Colored Silent Films. Techné, 37, 103-106. [details]

    2012

    • Fossati, G. (2012). Multiple Originals: the (Digital) Restoration and Exhibition of Early Films. In A. Gaudreault, N. Dulac, & S. Hidalgo (Eds.), A Companion to Early Cinema (pp. 550-567). Wiley-Blackwell. https://doi.org/10.1002/9781118274453.ch28 [details]

    2009

    2018

    • Masson, E., & Fossati, G. (2018). Interdisciplinary, Specialization, Conceptualization: Archival Education Responding to Changing Professional Demands. Synoptique: An Online Journal of Film and Moving Image Studies, 6(1), 26-30. [details]

    2012

    • Fossati, G. (2012). Found Footage: Filmmaking, Film Archiving and New Participatory Platforms. In M. Bloemheuvel, G. Fossati, & J. Guldemond (Eds.), Found Footage: Cinema Exposed (pp. 177-184). Amsterdam: Amsterdam University Press. [details]
    • Fossati, G., Bloemheuvel, M., & Guldemond, J. (Eds.) (2012). Found Footage: Cinema Exposed. Amsterdam University Press.

    2019

    • Fossati, G. (2019). Collection Policy Eye Filmmuseum (2019).

    2017

    • Fossati, G. (2017). Film Heritage Beyond the Digital Turn. (Oratiereeks; No. 572). Amsterdam: University of Amsterdam. [details]

    2013

    • Fossati, G. (2013). The Restoration of Beyond the Rocks. In K. Parth, O. Hanley, & T. Ballhausen (Eds.), Work/s in Progress: Digital Film Restoration Within Archives (pp. 111-120). Wien: Synema. [details]

    2019

    • Fossati, G., Masson, E. L., & Olesen, C. G. (2019). The Sensory Moving Image Archive Project. Paper presented at Association of the Moving Image Archivists (AMIA) Conference, Portland, United States.

    2018

    • Fossati, G., & Gant, A. (2018). Restoring the Dutch and British Mutoscope and Biograph 68mm Collections (1897-1902). Paper presented at Association of Moving Image Archivists (AMIA) Conference, Portland, United States.
    • Masson, E. L., Fossati, G., & Olesen, C. G. (2018). Visual Analysis as a Means of Tactical Subversion in the Exploration of Digitized Moving Image Collections. Paper presented at Media tactics and engagements. , Amsterdam, Netherlands.
    • Olesen, C. G., Masson, E. L., & Fossati, G. (2018). Feature Extraction in the Sensory Moving Image Archive (SEMIA) project. Paper presented at Digital Humanities Benelux Conference 2018, Amsterdam, Netherlands.

    2017

    • Noordegraaf, J. J., Woodfin, L., Olesen, C. G., Masson, E. L., Fossati, G., & van Gorp, J. (2017). Mapping Desmet: Testing a New Cinema History Tool on Film Distribution in the Netherlands and Belgium, 1914-1918. Paper presented at HoMER conference Circuits of Cinema: Histories of Movie & Media Distribution. , Toronto, Canada.

    2016

    • Olesen, C. G., van Gorp, J., Masson, E. L., Noordegraaf, J. J., & Fossati, G. (2016). A New Cinema History Research Tool: The Case of Mapping Desmet. Paper presented at Creativity & the City, 1600-2000, Amsterdam, Netherlands.

    Prijs

    • Fossati, G. (2020). Narratives from the long tail: transforming access to audiovisual archives.
    • Fossati, G. & Masson, E. (2017). Creative Industries: Smart Culture – Arts and Culture research grant.
    • Fossati, G. (2014). NWO KIEM - Data-Driven Film History: a demonstrator of EYE’s Jean Desmet collection.

    Lidmaatschap

    • Fossati, G. (2021). Academy of Motion Picture Arts and Sciences.
    • Fossati, G. (2020). Member of the Advisory Board of Ludwig Boltzmann Institute for Digital History (Vienna), Ludwig Boltzmann Institute for Digital History.
    • Fossati, G. (2017-2020). member of the Scientific Advisory Council, Koninklijk Nederlands Instituut te Rome.

    Mediaoptreden

    Tijdschriftredactie

    • Fossati, G. (member of editorial board) (2009-). Amsterdam University Press (Publisher).

    Spreker

    • Fossati, G. (speaker) (3-3-2020). Theorizing Film Archival Practice in the Digital Turn - public lecture, Filmoteca Española.
    • Fossati, G. (speaker) (3-3-2020). Theorizing Film Archival Practice in the Digital Turn, Filmoteca Española.
    • Fossati, G. (speaker) (1-2-2020). Restoring and Presenting Silent Colour Films and the Digital Turn in Film Archiving - public lecture, Reel to Reel.
    • Fossati, G. (speaker) (20-12-2019). Il patrimonio cinematografico dopo la svolta digitale: nuovi indirizzi di ricerca e nuove pratiche da sperimentare [Film Heritage After the Digital Turn: New Research Directions and New Experimental Practices] – public lecture, Universita' degli Studi di Udine, Udine, Italy.
    • Fossati, G. (speaker) (19-12-2019). Accesso e riutilizzo dei film d’archivio non-theatrical [Access and Re-Use of Non-Theatrical Archival Films] – keynote lecture, Non-theatrical film e non-broadcast video: etiche e politiche di conservazione e trasmissione, Udine.
    • Fossati, G. (speaker) (22-11-2019). Cineteca Nazionale e Eye Filmmuseum: progetti di restauro in collaborazione [Cineteca Nazionale and Eye Filmmuseum: Collaborative Restoration Projects] - invited lecture, Cineteca Nazionale.
    • Fossati, G. (speaker) & Olesen, C. (speaker) (6-11-2019). The Sensory Moving Image Archive, NWO Smart Culture Conference, Leiden.
    • Fossati, G. (speaker) (25-10-2019). Fantasia of Color in Early Cinema and the Resolution of 68mm Mutoscope & Biograph Films - Invited lecture, The Attraction of the Moving Image: A Celebration of Tom Gunning, Chicago.
    • Fossati, G. (speaker) (19-8-2019). From Grain to Pixel: Film Materiality and the Digital Turn – masterclass, Universidad Nacional de San Martín.
    • Fossati, G. (speaker) (20-6-2019). Bits and Pieces. The Fascination with Film Fragments between Theoretical Reflection and Practice - key note lecture, From Waste to Asset. Making sense of Italian Film and Television Production in the Digital Era, Bologna.
    • Fossati, G. (speaker) & Gant, A. (speaker) (25-5-2019). 68mm Mutoscope and Biograph Collection (1897-1902), 5th Eye International Conference / 10th Women and the Silent Screen Conference: Sisters.
    • Fossati, G. (speaker) (5-5-2019). Eye Filmmuseum 2012-2019. Collection, Research, Online Curation, Dissemination - invited lecture, Filmoteka Narodowa (FINA).
    • Fossati, G. (speaker) (11-2-2019). The 2018 Restoration of ‘Ladri di biciclette’ (1948) - public lecture, EYE Filmmuseum.
    • Fossati, G. (speaker) (18-11-2018). World Film Heritage – Who Decides? - panel discussion, IDFA Industry Talks, Amsterdam.
    • Fossati, G. (speaker) (26-6-2018). Datafication and Public Value - panel discussion, MiT@UU: Media in Transition, Utrecht.
    • Fossati, G. (speaker) (11-6-2018). What is Film Heritage Today? - invited lecture, PIONEERING FILMKULTUR, Frankfurt.
    • Fossati, G. (speaker) (28-5-2018). Pedagogy Against the Grain - panel discussion, 4th Eye International Conference. Activating the Archive, Amsterdam.
    • Fossati, G. (speaker) (18-3-2018). The Colour Fantastic. Two Decades of Research into the Colours of Silent Cinema – keynote lecture, Third International Conference Colour in Film, London.
    • Fossati, G. (speaker) (27-11-2017). Film Heritage Beyond the Digital Turn - invited lecture, Columbia University, New York..
    • Fossati, G. (speaker) (15-6-2017). New Directions in the preservation, presentation and research of Film Heritage - special lecture.
    • Fossati, G. (speaker) (11-6-2017). What is Film Heritage Today? Reflections and Practices Beyond the Digital Turn - keynote, Balkan Cinema on the Crossroads: From Nitrate to Digital, Belgrade.
    • Fossati, G. (speaker) (23-3-2017). De-materialized Evidence: Film Archival Holdings and the Transition to Digital Technology - workshop, Society of Cinema and Media Studies, Chicago.
    • Fossati, G. (speaker) (20-3-2017). Exposing Film Heritage - public lecture, Reel Heritage public talks series at TIFF, Toronto, Toronto.
    • Fossati, G. (speaker) (30-6-2016). Heritage of the past, present and future, high-tech ways to preserve and present, Conference Digitalisation Cultural Heritage, Ministry of Education, Culture and Science, Amsterdam.
    • Fossati, G. (speaker) (26-6-2016). Early Color Films in the Film Archive, REMI: Handmade Emulsion Primitive Colour Symposium, Rotterdam.
    • Fossati, G. (speaker) (23-6-2016). Q&A with Giovanna Fossati moderated by Peter Verstraten, European Summer School for Cultural Studies.
    • Fossati, G. (speaker) (11-10-2014). Repatriating Film Heritage. Building a World-Wide Film Collection, Association of Moving Image Archivists (AMIA) Conference, Savannah (GA), USA, October 8-11, 2014, Savannah (GA), USA.
    • Fossati, G. (invited speaker) (5-6-2014). Theorizing Film Archiving in the Digital Turn., DIASTOR Conference, University of Zurich, Zurich.
    • Fossati, G. (invited speaker) (10-4-2014). The Color Fantastic and the Appreciation of the Single Film Frame, XII MAGIS – International Film Studies Spring School, University of Udine, Gorizia.
    • Fossati, G. (speaker) (31-3-2014). Restoring the Colors of Early Cinema, 9th Orphan Film Symposium, EYE, New York University and University of Amsterdam, Amsterdam.
    • Fossati, G. (invited speaker) (30-3-2014). Why The Future of Obsolescence?, 9th Orphan Film Symposium, EYE, New York University and University of Amsterdam, Amsterdam.
    • Fossati, G. (invited speaker) (17-8-2013). Alternative Archival Practices, Visible Evidence XX - International Conference on Documentary Film and Media, Stockholm University and Swedish Film Institute, Stockholm, SE, 15-18 August, 2013, Stockholm.

    Andere

    • Fossati, G. (member of programme committee) (5-2020). 6th Eye International Conference (online event) (participating in a conference, workshop, ...).
    • Fossati, G. (visiting lecturer) (16-12-2019 - 20-12-2019). Universita' degli Studi di Udine, Udine, Italy (visiting an external institution).
    • Fossati, G. (organiser) (25-5-2019 - 29-5-2019). 5th Eye International Conference / 10th Women and the Silent Screen Conference: Sisters (organising a conference, workshop, ...).
    • Fossati, G. (organiser) (3-2019 - 5-2019). This is Film! Film Heritage in Practice, Amsterdam. Series of Public Lecture and Screening (organising a conference, workshop, ...).
    • Fossati, G. (organiser), Masson, E. (organiser) & Olesen, C. (organiser) (25-2-2019 - 26-2-2019). The Sensory Moving Image Archives Symposium, Amsterdam (organising a conference, workshop, ...).
    • Fossati, G. (examiner) (1-6-2018 - 12-9-2018). Perfectly Boring? The Public Afterlife of Private Film (examination).
    • Fossati, G. (organiser) (26-5-2018 - 29-5-2018). 4th Eye International Conference. Activating the Archive, Amsterdam (participating in a conference, workshop, ...).
    • Fossati, G. (member of programme committee), Gant, A. (member of programme committee), Masson, E. (member of programme committee), Pisters, P. (member of programme committee), Smit, G. (member of programme committee) & Verbruggen, E. (member of programme committee) (26-5-2018 - 29-5-2018). 4th Eye International Conference. Activating the Archive, Amsterdam (organising a conference, workshop, ...).
    • Olesen, C. G. (organiser), Masson, E. (organiser) & Fossati, G. (organiser) (7-2-2018). SEMIA workshop 1, Amsterdam (organising a conference, workshop, ...).
    • Fossati, G. (organiser) (27-5-2017 - 30-5-2017). The Reel Thing, Amsterdam (organising a conference, workshop, ...).
    • Fossati, G. (organiser) (11-3-2016). Exposing the Film Apparatus, Amsterdam (organising a conference, workshop, ...).
    • Fossati, G. (organiser) (30-3-2014 - 2-4-2014). The 9th Orphan Film Symposium - The Future of Obsolescence, Amsterdam (organising a conference, workshop, ...).
    • Fossati, G. (organiser) & de Valck, M. (organiser) (30-3-2014 - 2-4-2014). Orphans Symposium 9: The Future of Obsolescene, Amsterdam. Orphans Symposium 9 (organising a conference, workshop, ...).
    • Masson, E. (member of programme committee), Streible, D. (member of programme committee), Fossati, G. (member of programme committee) & de Valck, M. (member of programme committee) (30-3-2014 - 2-4-2014). The 9th Orphan Film Symposium - The Future of Obsolescence, Amsterdam (organising a conference, workshop, ...).
    • Fossati, G. (other) (2009 - 2015). Chief Curator, EYE Film Institute Netherlands (other).
    This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list.
  • Nevenwerkzaamheden
    • EYE Film Instituut Nederlands
      hoofdconservator / chief curator