Dr. R.M. (Rutger) Helmers
Faculteit der Geesteswetenschappen
Capaciteitsgroep Muziekwetenschap
Bezoekadres
- Nieuwe Doelenstraat 16-18
- Kamernummer: 1.07
Postadres
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Postbus 93058
1090 BB Amsterdam
Contactgegevens
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Profiel
Rutger Helmers (1980) is universitair docent bij de capaciteitsgroep Muziekwetenschap, gespecialiseerd in negentiende-eeuwse muziekgeschiedenis, Russische muziek, opera en nationalisme. Hij is in 2012 aan de Universiteit Utrecht gepromoveerd bij Emile Wennekes en Marina Frolova-Walker (Clare College, Cambridge); sindsdien is hij behalve aan de UvA als docent verbonden geweest aan de opleiding Muziekwetenschap aan de Universiteit Utrecht en Algemene Cultuurwetenschappen aan de Radboud Universiteit Nijmegen. He is sinds 2015 actief als redacteur van het tijdschrift De Moderne Tijd. De Lage Landen, 1780-1940, en is van 2016 to 2019 bestuurlid geweest bij de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (KVNM). Zijn huidige onderzoek richt zich onder meer op het reizen van negentiende-eeuwse musici, en representaties van Oekraïne in de muziek van het negentiende-eeuwse Russische Keizerrijk. In het kader van het laatste onderzoek zal hij in 2021/22 als gastonderzoeker (HURI Research Fellow) verbonden zijn aan het Harvard Ukrainian Research Institute.
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Publicaties
- refereed (8)
- wetenschappelijk (14)
- vakpublicatie (7)
- congresbijdragen (4)
- erkenning (11)
- proefschrift (1)
- datasets (1)
2023
Alexander, T., & Helmers, R. (2023). Introduction: Tsarist Russia and the Musical World. Nineteenth-Century Music Review, 20(2), 253-260. https://doi.org/10.1017/S1479409822000271 [details]- Helmers, R. (2023). Navigating the Local Elites: Travelling Musicians and their Encounters with the Russian Court and Aristocracy in the Mid-Nineteenth Century. Nineteenth-Century Music Review, 20(2), 305-333. https://doi.org/10.1017/S147940982200012X [details]
- Helmers, R. M. (2023). "Closer to the Serbian?": Ukrainian Song and the Mental Mappings of Music in the Russian Empire. Manuscript submitted for publication.
2020
- Helmers, R. (2020). National and international canons of opera in Tsarist Russia. In C. Newark, & W. Weber (Eds.), The Oxford Handbook of the Operatic Canon (pp. 317-335). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190224202.013.21 [details]
- Weber, W., & Helmers, R. (2020). Introduction to chapters 13 and 14: TensionS Between the National and the Cosmopolitan Canons in England and Russia. In C. Newark, & W. Weber (Eds.), The Oxford Handbook of the Operatic Canon (pp. 293-294). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190224202.001.0001 [details]
- van Nieuwkerk, M. M., Salters, L., Helmers, R. M., Kisjes, I., & van Oort, T. (Guest ed.) (2020). Operatic Productions in the Netherlands, 1886–1995: from Printed Annals to Searchable Performance Data. Research Data Journal for the Humanities and Social Sciences, 5(2), 79-90. https://doi.org/10.1163/24523666-00502007 [details]
2014
- Helmers, R. (2014). Not Russian Enough? Nationalism and Cosmopolitanism in Nineteenth-Century Russian Opera. (Eastman Studies in Music; No. 119). University of Rochester Press. http://www.urpress.com/store/viewItem.asp?idProduct=14600 [details]
2010
- Helmers, R. M. (2010). ‘It Just Reeks of Italianism': Traces of Italian Opera in 'A Life for the Tsar'. Music & Letters, 91(3), 376-405. https://doi.org/10.1093/ml/gcq058
2023
- Helmers, R. (2023). The dynamics of national music: Opera and classical music in the nineteenth and early twentieth centuries. In C. Carmichael, M. D'Auria, & A. Roshwald (Eds.), The Cambridge History of Nationhood and Nationalism. - Volume II: Nationalism's Fields of Interaction (pp. 749-767). Cambridge University Press. https://doi.org/10.1017/9781108551458.037 [details]
2022
- Helmers, R. (2022). Mixed Messages: Nation and Empire in Tchaikovsky’s ‘Ukrainian’ Works. In L. Braun, C. Flamm, S. Keym, & P. R. Bullock (Eds.), Čajkovskij-Analysen: Neue Strategien, Methoden und Perspektiven: Internationale Tagung, Tübingen, 7. bis 9. Juni 2018 (pp. 331-349). (Čajkovskij-Studien ; Vol. 18). Schott. [details]
2018
- Helmers, R. (2018). Borodin, Aleksandr Porfir'evič. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 1, pp. 246-247). Amsterdam University Press. http://romanticnationalism.net/ [details]
- Helmers, R. (2018). Glinka, Mihail Ivanovič. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 1, pp. 312-313). Amsterdam University Press. http://romanticnationalism.net/ [details]
- Helmers, R. (2018). Musorgskij, Modest Petrovič. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 1, pp. 455). Amsterdam University Press. http://romanticnationalism.net/ [details]
- Helmers, R. (2018). Rimskij-Korsakov, Nikolaj Andreevič. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 1, pp. 509-510). Amsterdam University Press. http://romanticnationalism.net/ [details]
- Helmers, R. (2018). Russian. 3: Sight and sound: Musical and visual culture. §5: National-classical music. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 2, pp. 1301-1303). Amsterdam University Press. http://show.ernie.uva.nl/rus-5 [details]
- Helmers, R. (2018). The travelling musician as cosmopolitan: Western performers and composers in mid-nineteenth-century St Petersburg and Moscow. In E. Kelly, M. Mantere, & D. Scott (Eds.), Confronting the National in the Musical Past (pp. 64-77). Routledge. https://doi.org/10.4324/9781315268279, https://doi.org/10.4324/9781315268279-5 [details]
- Helmers, R. (2018). Ukraine. 3: Sight and sound: Musical and visual culture. §4: National-classical music. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 2, pp. 1455-1456). Amsterdam University Press. http://ernie.uva.nl/viewer.p/21/56/object/122-160681 [details]
- Helmers, R. (2018). Čaikovskij, Pëtr Il'ič. In J. Leerssen (Ed.), Encyclopedia of Romantic Nationalism in Europe (Vol. 1, pp. 256). Amsterdam University Press. http://romanticnationalism.net/ [details]
2017
- Helmers, R. (2017). [Review of: P. du Quenoy (2016) Alexander Serov and the Birth of the Russian Modern]. Music & Letters, 98(3), 485-487. https://doi.org/10.1093/ml/gcx070 [details]
2014
- Helmers, R., & Westbroek, P. (2014). Conflict en compassie: 200 jaar Richard Wagner. Nationale Opera & Ballet. [details]
2010
- Helmers, R. M. (2010). N. A. Rimskij-Korsakov, 'Tsarskaja nevesta' i sud'ba muzyki v XX veke. In L. Ader, & J. Powell (Eds.), N. A. Rimskij-Korsakov i ego nasledie v istoričeskoj perspektive: materialy meždunarodnoj muzykovedečnoj konferencii (pp. 90-97). GMTiMI.
- Helmers, R. M. (2010). Rimsky-Korsakov, 'The Tsar’s Bride', and the Fate of Music in the 20th Century. In L. Ader, & J. Powell (Eds.), N. A. Rimskij-Korsakov i ego nasledie v istoričeskoj perspektive: materialy meždunarodnoj muzykovedečnoj konferencii (pp. 335-341). GMTTiMI.
2016
- Helmers, R. (2016). [Review of: N. Rimsky-Korsakov. The Legend of the Invisible City of Kitezh (2014) Netherlands Philharmonic Orchestra conducted by M. Albrecht, geregiseerd door Dmitri Tscherniakov. DVD]. Nineteenth-Century Music Review, 13(2), 387-389. https://doi.org/10.1017/S1479409815000774 [details]
2015
- Helmers, R. (2015). [Review of: M. Ritzarev (2014) Tchaikovsky’s ‘Pathétique’ and Russian Culture]. Music & Letters, 96(2), 287-289. https://doi.org/10.1093/ml/gcv027 [details]
2014
- Helmers, R. (2014). Preface. In Gioacchino Rossini. Overture to Matilde di Shabran (Repertoire Explorer. Study Score; No. 1239). Musikproduktion Höflich. https://repertoire-explorer.musikmph.de/en/product/rossini-gioacchino-4/ [details]
- Helmers, R. (2014). Preface. In Sergey Vasil'yevich Rakhmaninov. Aleko (Opera Explorer. Study Score; No. 2028). Musikproduktion Höflich. https://repertoire-explorer.musikmph.de/en/product/rachmaninoff-sergey-5/ [details]
2013
- Helmers, R. (2013). Preface. In Alexander Borodin. Das Meer: orchestriert von Nicolai Rimsky-Korsakow (Repertoire Explorer. Study Score; No. 1367). Musikproduktion Höflich. http://www.musikmph.de/musical_scores/vorworte/1367.html [details]
2010
- Helmers, R. M. (2010). [Bespreking van: C. Levine (2007) Provoking Democracy: Why We Need the Arts]. Nexus, 54, 155-158.
- Helmers, R. M. (2010). [Bespreking van: M. Steinberg, L. Rothe (2006) For the Love of Music: Invitations to Listening; T. Blanning (2008) The Triumph of Music: The Rise of Composers, Musicians and Their Art; P. Kivy (2009) Antithetical Arts: On the Ancient Quarrel Between Literature and Music]. Nexus, 57, 201-205.
2024
- Helmers, R. M. (2024). The Politics of Dikanka Operas in the Late Russian Empire. Paper presented at Annual Conference of the BASEES Slavonic and East European Music Study Group (SEEM), Durham, United Kingdom.
2019
- Helmers, R. M. (2019). Mixed messages: Reading portrayals of Ukraine in nineteenth-century Russian music. Paper presented at Institute for Russian Music Studies (IRMS) Annual Conference, Vipiteno, Italy.
2018
- Helmers, R. M. (2018). The Nation and the Empire: Re-Examining Čajkovskij's "Ukrainian" Music. Paper presented at 25. Internationale Tagung der Tschaikowsky-Gesellschaft, Tübingen, Germany.
- Helmers, R. M. (2018). ‘The flattering souvenirs of St Petersburg’: Italian operatic performers in Russia, 1843–1885. Paper presented at Institute for Russian Music Studies Annual Conference, Vipiteno, Italy.
Lidmaatschap / relevante positie
- Helmers, R. (2016-2020). KVNM (Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis).
Tijdschriftredactie
- Helmers, R. (member of editorial board) (2017-2021). De Moderne Tijd. De Lage Landen, 1780-1940 (Journal).
Spreker
- Helmers, R. (speaker) (29-9-2017). Rethinking Russian musical nationalism through César Cui, Rethinking the Dynamics of Musical Nationalism, Amsterdam.
- Helmers, R. (speaker) & van Nieuwkerk, M. M. (speaker) (28-9-2017). Exploring the Dutch Opera Repertoire, CREATE Salon.
Andere
- Helmers, R. (organiser) & Batstone, L. (organiser) (19-5-2023 - 21-5-2023). Ukraine in Music History, Vienna. Ukraine is a country rich in musical traditions yet its role in music history has attracted limited attention beyond its borders. The recent Russian (…) (organising a conference, workshop, ...). https://ukrainemusichistory.org/
- Helmers, R. (visiting researcher) (1-2-2022 - 31-5-2022). Harvard Ukrainian Research Institute (HURI) (visiting an external institution).
- Helmers, R. (organiser), Kamp, M. (organiser), Noorduin, M. (organiser) & Bonnet, N. (organiser) (29-6-2019). RMA-KVNM International Research Postgraduate Symposium in Musicology, Amsterdam. Postgraduate research is a vital part of the musicological discipline, and holds the potential to change engagements with music in new and important (…) (organising a conference, workshop, ...).
- Titus, B. (participant), Seibt, F. O. (organiser) & Helmers, R. M. (organiser) (1-12-2018). Elvis lives in Amsterdam, Amsterdam. Moderating Panel Six: Real Musicians? (participating in a conference, workshop, ...).
- Helmers, R. (organiser) & Seibt, F. O. (organiser) (29-11-2018). Madonna to Marsyas, Amsterdam. NICA Masterclass | Thursday 29 November, 9:30-11:30 | Universiteitsbibliotheek Amsterdam, Singel 425, VondelzaalWith Lydia Goehr (Columbia (…) (organising a conference, workshop, ...).
- Helmers, R. (organiser) & Seibt, F. O. (organiser) (29-11-2018 - 1-12-2018). Elvis lives in Amsterdam, Amsterdam. From Marvel’s Kiss comics of the late 1970s to Cate Blanchett and Heath Ledger acting out different facets of Bob Dylan’s public persona in Todd (…) (organising a conference, workshop, ...).
- Helmers, R. (organiser) & Alexander, T. (organiser) (16-12-2016). Russia and the Musical World, London. Co-organizer (organising a conference, workshop, ...).
2012
- Helmers, R. M. (2012). Not Russian Enough: The Negotiation of Nationalionalism in Nineteenth-Century Russian Opera.
2018
- van Nieuwkerk, M., Salters, L., Helmers, R., Kisjes, I. & van Oort, T. (2018). The operatic productions in the Netherlands database. EASY. https://doi.org/10.17026/dans-zcy-g3pt
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Nevenwerkzaamheden
- Geen nevenwerkzaamheden
Alexander, T., & Helmers, R. (2023). Introduction: Tsarist Russia and the Musical World. Nineteenth-Century Music Review, 20(2), 253-260.