Dhr. dr. W. (Wim) Staat
Faculteit der Geesteswetenschappen
Capaciteitsgroep Media & Cultuur
Bezoekadres
- Turfdraagsterpad 9
Postadres
- Postbus 94550
1090 GN Amsterdam
Contactgegevens
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Profiel
Onderwijs- en onderzoeksinteresse
Filmethiek, audiovisuele en politieke representatie.
Recente publicaties
- "The Other's Intrusion: Claire Denis' L'intrus ." In: Murat Aydemir en Alex Rotas (red.) Migratory Settings . Amsterdam/New York: Rodopi ( Thamyris 19), 2008: 195-208.
- (met Sudeep Dasgupta) "Of Surfaces and Depths: The Afterlives of 'Tales of Sound and Fury'." In: Jaap Kooijman, Patricia Pisters en Wanda Strauven (red.) Mind the Screen: Media Concepts According to Thomas Elsaesser . Amsterdam: Amsterdam University Press, 2008: 43-59.
- "Everydayness in Film Ethics: Stanley Cavell, Heddy Honigmann, P®ivé ." New Review of Film and Television Studies , Vol. 5, No. 2, August 2007: 231-248.
- " Dogville Characterized by The Grapes of Wrath : European Identity Construction through American GenreConventions." Framework: The Journal of Cinema & Media , 48, No. 1, Spring 2007: 79-96.
- "Transgression of Everydayness in Heddy Honigmann's P®ivé : A Dutch Case Study in Stanley Cavell's Film Ethics." In: Sam Durrant en Catherine M. Lord (red.) Essays in Migratory Aesthetics: Cultural Practices Between Migration and Art-making. Amsterdam/New York: Rodopi ( Thamyris 17), 2007: 161-176.
- "Unlikely Candidates for Paradigmatic Cases of Intercultural Communication." Nederlands Tijdschrift voor Rechtsfilosofie & Rechtstheorie , jaargang 35, nr. 3 (2006): 295-305.
- "De dunne rode lijn van de oorlog. The Thin Red Line en Why We Fight ( Band of Brothers ) als moreel ijkpunt." In: Piet Mooren en Helma van Lierop-Debrauwer (red.) De Tweede Wereldoorlog als moreel ijkpunt . Leidschendam: Biblion Uitgeverij, 2005: 28-45.
- (met Patricia Pisters) "Introduction." In: Patricia Pisters en Wim Staat (red.) Shooting the Family: Transnational Media and Intercultural Values . Amsterdam: Amsterdam University Press, 2005: 7-21.
- "Unfamiliar Film: Sisters Unsettling Family Habits." In: Patricia Pisters en Wim Staat (red.) Shooting the Family: Transnational Media and Intercultural Values . Amsterdam: Amsterdam University Press, 2005: 181-195.
- "Ethiek van de Beeldcultuur." In: Hans van Driel (red.) Beeldcultuur . Amsterdam: Boom, 2004: 168-184.
- "Gewoontes in American Beauty ." In: Hans van Driel (red.) Beeldcultuu r. Amsterdam: Boom, 2004: 185-190.
- "Addressing Culturally Different Cinema." In: Leo Bankersen et al. (red.) Culture Shocks. Pitfalls and Challenges for the Exploring Film Critic . Amsterdam: KNF, 2001: 8-16.
- " Big Brother : reality-tv of documentaire?" In: Irene Costera Meijer en Maarten Reesink (red.) Reality Soap! Big Brother en het multimediaconcept . Amsterdam: Boom, 2000: 89-101.
- "Herwaardering van de verborgen camera: reality-tv en film." In: Thomas Elsaesser en Pepita Hesselberth (red.) Hollywood op Straat . Amsterdam: Vossiuspers AUP, 2000: 132-147.
Shooting the Family. Amsterdam University Press.Met Patricia Pisters:
- Shooting the Family: Transnational Media and Intercultural Values . Patricia Pisters en Wim Staat (red.) Amsterdam University Press: Amsterdam, 2005.
Online publicaties:
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Publicaties
2019
Staat, W. (2019). Todd Haynes’ Melodramas of the Unknown Woman: Far From Heaven, Mildred Pierce, and Carol, and Stanley Cavell’s Film Ethics. Quarterly Review of Film and Video, 36(6), 520-538. https://doi.org/10.1080/10509208.2019.1593018 [details]
2016
- Staat, W. (2016). Christian Petzold’s melodramas: From unknown woman to reciprocal unknownness in Phoenix, Wolfsburg, and Barbara. Studies in European Cinema, 13(3), 185-199. https://doi.org/10.1080/17411548.2016.1222739 [details]
- Staat, W. (2016). ‘The Right Stuff’: From Western to melodrama and comedy. NECSUS, 5(1), 77-93. https://doi.org/10.25969/mediarep/3348 [details]
2014
- Staat, W. (2014). The Representation of Law on Film: Mr. Deeds and Adam's Rib Go to Court. In A. Wagner, & R. K. Sherwin (Eds.), Law, culture and visual studies (pp. 775-790). Dordrecht: Springer. https://doi.org/10.1007/978-90-481-9322-6_34 [details]
2007
- Staat, W. (2007). ''Dogville'' Characterized by '' The Grapes of Wrath'': European Identity Construction through American Genre Conventions. Framework: The Journal of Cinema & Media, 48(1), 79-96.
- Staat, W. (2007). Everydayness in film ethics: Stanley Cavell, Heddy Honigmann, P®ivé. New Review of Film and Television Studies, 5(2), 231-248. https://doi.org/10.1080/17400300701432944
- Staat, W. (2007). Transgression of Everydayness in Heddy Honigmann's Prive: A Dutch Case Study in Stanley Cavell's Film Ethics. In S. Durrant, & C. M. Lord (Eds.), Essays in Migratory Aesthetics: Cultural Practices Between Migration and Art- Making (pp. 161-176). (Thamyris 17). Amsterdam / New York: Rodopi.
2008
- Dasgupta, S., & Staat, W. (2008). Of surfaces and depths: the afterlives of ''Tales of sound and fury''. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 43-59). Amsterdam: Amsterdam University Press. [details]
- Staat, W. (2008). The Other's intrusion: Claire Denis' 'L'intrus'. In M. Aydemir, & A. Rotas (Eds.), Migratory settings (pp. 195-207). (Thamyris/Intersecting: place, sex and race; No. 19). Amsterdam [etc.]: Rodopi. [details]
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Nevenwerkzaamheden
- Geen nevenwerkzaamheden
Staat, W. (2019). Todd Haynes’ Melodramas of the Unknown Woman: Far From Heaven, Mildred Pierce, and Carol, and Stanley Cavell’s Film Ethics. Quarterly Review of Film and Video, 36(6), 520-538.