M.A. (Moorea) Hall Aquitania
Faculty of Humanities
Capaciteitsgroep Kunstgeschiedenis
Visiting address
- Johannes Vermeerplein 1
Postal address
- Postbus 94551
1090 GN Amsterdam
Contact details
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Publications
2021
Domínguez-Delmás, M., Bossema, F. G., Dorscheid, J., Coban, S. B., Hall-Aquitania, M., Batenburg, K. J., & Hermens, E. (2021). X-ray computed tomography for non-invasive dendrochronology reveals a concealed double panelling on a painting from Rubens’ studio. PLoS ONE, 16(8), [e0255792]. https://doi.org/10.1371/journal.pone.0255792 [details]
2020
- Hall-Aquitania, M., & d'Hont, L. (2020). Troubleshooting coloured grounds: developing a methodology for studying Netherlandish ground colours. In A. Haack Christensen, A. Jager, & J. H. Townsend (Eds.), Ground Layers in European Painting 1550-1750: CATS Proceedings, V, 2019 (pp. 1-9). Archetype Publications. https://www.smk.dk/wp-content/uploads/2020/12/Ground-Layers-in-European-Painting.pdf [details]
2019
- Hall-Aquitania, M. (2019). Efficienza e Unione: Practical Considerations for Using Coloured Grounds in 16th-century Italy. In A. Haack Christensen, & A. Jager (Eds.), Trading Paintings and Painters’ Materials 1550–1800: CATS Proceedings, IV, 2018 (pp. 121-129). (CATS proceedings; Vol. 4). Archetype Publications. [details]
2019
- Stols-Witlox, M. J. N. (Author), Groves, R. (Author), Kolfin, E. E. P. (Author), Hendriks, E. (Author), Hermens, H. H. M. (Author), Anisimov, A. (Author), Vandivere, A. L. S. (Author), d' Hont, L. S. (Author), Hall Aquitania, M. A. (Author), & Maria, M. (Author). (2019). Down to the Ground: a historical, visual and scientific analysis of coloured grounds in Netherlandish paintings, 1550-1650. Web publication/site https://www.smk.dk/wp-content/uploads/2019/08/Stols-Witlox-et-al_Down-to-the-Ground.pdf
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Ancillary activities
No ancillary activities
Domínguez-Delmás, M., Bossema, F. G., Dorscheid, J., Coban, S. B., Hall-Aquitania, M., Batenburg, K. J., & Hermens, E. (2021). X-ray computed tomography for non-invasive dendrochronology reveals a concealed double panelling on a painting from Rubens’ studio. PLoS ONE, 16(8), [e0255792].