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Smeets, J., Scholtes, J. C., Rasterhoff, C., & Schavemaker, M. (2016). SMTP: Stedelijk Museum Text Mining Project. In W. Eder, & J. Rybicki (Eds.), Digital Humanities 2016: Concerence abstracts : Jagiellonian University & Pedagogical University, Kraków, 11-16 July 2016 (pp. 683-685). Kraków: European Association for Digital Humanities [etc.]. [details]
Folkerts, H., Lindner, C., & Schavemaker, M. (2015). A Change in Direction: An Introducing Facing Forward: Art & Theory From a Future Perspective. In H. Folkerts, C. Lindner, & M. Schavemaker (Eds.), Facing Forward: Art and Theory from a Future Perspective (pp. 7-16). Amsterdam: Amsterdam University Press. [details]
Esner, R., & Schavemaker, M. (2010). Vincent everywhere: Van Gogh's (inter)national identities. Amsterdam: Amsterdam University Press. [details]
Esner, R., & Schavemaker, M. (Eds.) (2010). Overal Vincent: de (inter)nationale identiteiten van Van Gogh. Amsterdam: Amsterdam University Press. [details]
2015
Folkerts, H., Lindner, C., & Schavemaker, M. (Eds.) (2015). Facing Forward: Art and Theory from a Future Perspective. Amsterdam: Amsterdam University Press. [details]
Langfeld, G., Schavemaker, M., & Soeting, M. (2015). Het Stedelijk in de oorlog. Amsterdam: Bas Lubberhuizen/Stedelijk Museum Amsterdam. [details]
Langfeld, G., Schavemaker, M., & Soeting, M. (2015). The Stedelijk Museum and the Second World War. Amsterdam: Bas Lubberhuizen/Stedelijk Museum Amsterdam. [details]
2010
Esner, R., & Schavemaker, M. (2010). Epilogue. In R. Esner, & M. Schavemaker (Eds.), Vincent everywhere: Van Gogh's (inter)national identities (pp. 163-165, 183). Amsterdam: Amsterdam University Press. [details]
Esner, R., & Schavemaker, M. (2010). Inleiding. In R. Esner, & M. Schavemaker (Eds.), Overal Vincent: de (inter)nationale identiteiten van Van Gogh (pp. 7-11, 175). Amsterdam: Amsterdam University Press. [details]
Esner, R., & Schavemaker, M. (2010). Introduction. In R. Esner, & M. Schavemaker (Eds.), Vincent everywhere: Van Gogh's (inter)national identities (pp. 7-11, 167). Amsterdam: Amsterdam University Press. [details]
Esner, R., & Schavemaker, M. (2010). Nawoord. In R. Esner, & M. Schavemaker (Eds.), Overal Vincent: de (inter)nationale identiteiten van Van Gogh (pp. 171-173, 191). Amsterdam: Amsterdam University Press. [details]
1999
Schavemaker, M. (1999). Magritte écrit/Baudelaire peint. (On)originele taal-beeld relaties in de jaren zestig. Kunstlicht, 20(2), 4-10. [details]
2020
Schavemaker, M. (2020). Gekleurde verhalen: Media en kunst in de museale praktijk. (Oratiereeks; No. 615). Amsterdam: Universiteit van Amsterdam. [details]
Bergvelt, E. S., Grosfeld, E. A., Schavemaker, M., & Tibbe, L. (2003). Concept & Image. The Fifth Conference of the History of Concepts Group in Amsterdam, 19-22 June 2002. The History of Concepts Newsletter, 6, 31-32. [details]
Schavemaker, M. (2003). Eenzame Beelden: over vormen van taal in de kunst. De Witte Raaf, 104, 4-5. [details]
Schavemaker, M. (2003). [Review of: R. Perrée (2002) Cover to Cover. Het kunstenaarsboek in perspectief.]. De Witte Raaf, 101, 47. [details]
2000
Schavemaker, M. (2000). Kunstenaarsbiografieën (engels & duitstalig). In P. J. Alderse Baas-Budwilowitz, & W. J. H. Alderse Baas (Eds.), Unfinished Past Coming to Terms with the Second World War in the Visual Arts of Germany and the Netherlands (pp. 127-144). Amsterdam: Stichting Kunst en Samenleving. [details]
2003
Schavemaker, M. (2003). [Review of: A. Alberro. Conceptual Art and the Politics of Publicitiy.]. De Witte Raaf, 103, 41. [details]
Talk / presentation
Smeets, J. (speaker), Scholtes, J. (speaker), Rasterhoff, C. (speaker) & Schavemaker, M. (speaker) (9-6-2016). SMTP: Stedelijk Museum Text Mining Project, DHBenelux, Luxembourg, Esch-sur-Alzette. http://www.dhbenelux.org/
Schavemaker, M. (speaker) (3-10-2003). Dutch Art in the 20th and 21st Century: From Anachronism to Topicality., Conferentie: Dutch Art in a European Context., Amsterdam.
Schavemaker, M. (speaker) (30-1-2003). Incorporating the Paratext: Artists' Books of the 1960s', Conferentie: Pas op voor de paratext!, Amsterdam.
Schavemaker, M. (speaker) (16-10-2002). Het idee, de taal en het beeld in de conceptuele kunst, capita selecta `Het idee in de kunst?, Nijmegen.
Schavemaker, M. (speaker) (14-10-2002). Het idee, de taal en het beeld in de conceptuele kunst, capita selecta `Het idee in de kunst?, Amsterdam.
Schavemaker, M. (speaker) (24-5-2002). De betekenis van taal en beeld in de conceptuele kunst, Symposium conceptuele kunst 1965-1975 (Stedelijk Museum te Amsterdam), Amsterdam.
Schavemaker, M. (speaker) (18-5-2002). Language in the visual arts of the 1960s: the method of begriffsgeschichte versus visual culture, conference: History of Concepts, Amsterdam.
Schavemaker, M. (speaker) (17-5-2002). Intermedia in the 1960s: art beyond paragone?, Conferentie Paragone and Beyond. Past and present thinking on the relationships between the arts, Utrecht.
Schavemaker, M. (speaker) (20-3-1999). Primal-seeing and metapictures: an opposition in highmodernist art theory and philosophy?, IAWIS-congres, Claremont.
Schavemaker, M. (speaker) (16-4-1998). Het gebruik van taal in de beeldende kunst van de jaren zestig: de problematisering van de visuele perceptie?, Perceptie-atelier, Huizinga Instituut, 16-17 april 1998, Barchem.
2007
Schavemaker, M. (2007). Lonely images : language in the visual arts of the 1960s. Amsterdam: in eigen beheer. [details]
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