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mw. dr. S. (Sanneke) Stigter

Faculteit der Geesteswetenschappen
Capaciteitsgroep Conservering en Restauratie
Fotograaf: Eduard ter Schiphorst

Bezoekadres
  • Johannes Vermeerplein 1
  • Kamernummer: 2.02
Postadres
  • Postbus 94552
    1090 GN Amsterdam
Contactgegevens
  • Profile

    Short biography

    Sanneke Stigter is Assistant Professor in Conservation and Restoration of Cultural Heritage at the University of Amsterdam. In 2007 she set up the specialisation in Contemporary Art and has directed it ever since. She obtained a master's degree in Art History from the University of Amsterdam in 1996 and graduated cum laude in 2003 from the five-year postgraduate training programme in the Conservation of Paintings and Painted Objects, specialisation Modern Art, at the SRAL. She went on to work at the paintings conservation departments of the Stedelijk Museum Amsterdam, the Frans Hals Museum De Hallen and the Cultural Heritage Agency of the Netherlands, before becoming Head Conservator for Contemporary Art and Modern Sculpture at the Kröller-Müller Museum in 2004. She worked there for nearly eight years, also curating several exhibitions on conservation. In 2016 she gained her PhD, Between Concept and Material. Working with Conceptual Art: A Conservator's Testimony, combining museum experience and theoretical insight. During her career, she has been project partner of many international research projects devoted to the conservation of contemporary art, both for the museum (Artist Interviews, Inside Installations and PRACTICs) and the university (New Strategies, NeCCAR, and NACCA). As principal investigator she has recently concluded the NWO research project DIAL for Complex Artworks: Digital Index of an Artwork’s Life and is currently leading the NWO research projects Interviews in Conservation Research and Media Art Conservation Module as Comenius Teaching Fellow. In addition, Stigter has been on the board of several artist estates, does editorial work, amongst others for kM, and is part of the SBMK and INCCA steering committees. She was Assistant Coordinator of ICOM-CC Modern Materials and Contemporary Art Working Group and is Chair of the Board of the ICOM-CC Fund. Her research interests lie in conservation theory, museum practice, oral history and artist participation, with a special focus on conceptual art, photoworks and installation art. She has lectured and published widely on these topics.

  • Publicaties

    2019

    • Mol, T., Stigter, S., Cattersel, V., De Vis, K., van Halem, L., & van Duin, P. H. J. C. (Accepted/In press). Preserving a unique chest of drawers decorated with grease crayon drawings: Alessandro Mendini’s Nigritella Nigra. In T. Bechtold (Ed.), Future Talks 017: The Silver Edition. Visions: Innovation in Technology and Conservation of the Modern München: Die Neue Sammlung – The Design Museum.

    2017

    • Stigter, S. (2017). A behaviour index for complex artworks: A conceptual tool for contemporary art conservation. In J. Bridgland (Ed.), ICOM-CC 18th Triennial Conference Preprints: Copenhagen, 4–8 September 2017 [0910] Paris: ICOM-CC. [details]

    2016

    • Stigter, S. (2016). Autoethnography as a New Approach in Conservation. Studies in Conservation, 61(sup2), 227-232. https://doi.org/10.1080/00393630.2016.1183104 [details]
    • Stigter, S. (2016). Through the conservator's lens: from analogue photowork to digital printout: How is authenticity served? In E. Hermens, & F. Robertson (Eds.), Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation (pp. 169-178). London: Archetype Publications. [details]

    2015

    • Stigter, S. (2015). Co-Producing Conceptual Art: A Conservator’s Testimony. Revista de História da Arte - Série W, 4, 103-114. [details]

    2014

    • Stigter, S. (2014). Co-produrre arte concettuale: della conservazione di un’installazione variabile di Jan Dibbets. In P. Martore (Ed.), Tra memoria e oblio: percorsi nella conservazione dell'arte contemporanea (pp. 118-141, 281-286). (I timoni). Roma: Castelvecchi. [details]
    • van Basten, N., Stigter, S., Kensche, S., & Peschar, R. (2014). Retouching Monochrome Painted Metal Outdoor Sculptures: Tests for Claes Oldenburg’s Trowel. In L. Beerkens, & T. Learner (Eds.), Conserving Outdoor Painted Sculpture: Proceedings from the Interim Meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, the Netherlands, June 4-5, 2013 (pp. 73-80). Los Angeles: The Getty Conservation Institute. [details]

    2011

    • Stigter, S. (2011). How material is conceptual art? From certificate to materialization: installation practices of Joseph Kosuth's 'Glass (one and three)'. In T. Scholte, & G. Wharton (Eds.), Inside installations: theory and practice in the care of complex artworks (pp. 69-80). Amsterdam: Amsterdam University Press. [details]
    • van de Vall, R., Hölling, H., Scholte, T., & Stigter, S. (2011). Reflections on a biographical approach to contemporary art conservation. In J. Bridgland (Ed.), ICOM-CC: 16th Triennial Conference, Lisbon, 19-23 September 2011: preprints [cd-rom] Almada: Critério. [details]

    2008

    • Stigter, S., Beerkens, L., Schellen, H. L., & Kuperholc, S. (2008). Joep van Lieshout's Mobile Home for Kröller-Müller: outdoor polyester sculpture in transit. In J. Bridgland (Ed.), 15th triennial conference New Delhi, 22-26 September 2008: ICOM Committee for Conservation: preprints. - Vol. 1 (pp. 489-496). New Delhi: Allied Publishers. [details]

    2005

    • Stigter, S. (2005). To replace or not to replace? Photographic material in site-specific conceptual art. In I. Verger (Ed.), ICOM Committee for Conservation: 14th Triennial Meeting The Hague, 12-16 September 2005. - I (pp. 365-370). London: James & James.

    2004

    2002

    • van Haaften, C. C., & Stigter, S. (2002). The Training Program in the Conservation of Modern Art at the Stichting Restauratie Atelier Limburg - SRAL, Limburg Conservation Institute. In Y. Shashoua, T. van Oosten, & F. Waentig (Eds.), Plastics in Art. History, Technology, Preservation (Vol. 15, pp. 45-51). München: Siegl.

    2019

    • Stigter, S. (2019). Towards Process-Based Research in Conservation: DIAL for Complex Artworks. In L. Guisti, & N. Ricciardi (Eds.), Museums at the Post-Digital Turn (pp. 288-295). Milan: Mousse Publishing.
    • Stigter, S. (2019). Verso una ricerca fondata sul processo nella conservazione: DIAL per le opere d’arte complesse. In L. Guisti, & N. Ricciardi (Eds.), Museums at the Post-Digital Turn (pp. 296-302). Milan: Mousse Publishing.

    2017

    • Wei, W. B., & Stigter, S. (2017). Surface Roughness, Appearance and Identification of AGFA-Gevaert Photograph Samples. Topics in Photographic Preservation, 17, 11-24.

    2014

    • Stigter, S. (2014). Dynamic art technological sources for contemporary works: the artist interview and the installation process. In H. Dubois, J. H. Townsend, J. Nadolny, S. Eyb-Green, S. Kroustallis, & S. Neven (Eds.), Making and Transforming Art: Technology and Interpretation: proceedings of the fifth symposium of the ICOM-CC Working Group for Art Technology Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22-23 November 2012 (pp. 147-148). London: Archetype Publications. [details]

    2012

    • Beerkens, L., 't Hoen, P., Hummelen, IJ., van Saaze, V., Scholte, T., & Stigter, S. (2012). The artist interview: for conservation and presentation of contemporary art: guidelines and practice. Heijningen: Jap Sam Books. [details]

    2011

    • Stigter, S. (Author). (2011). Tent Project Cornelius Rogge. Exhibition, Otterlo: Kröller-Müller Museum.

    2009

    • Kuperholc, S. Z., & Stigter, S. (2009). Le Mobile Home for Kröller-Müller de Joep van Lieshout: procédés artistiques, recherche en conservation-restauration et entretien du polyester renforcé de fibres de verre. In Art d'aujourd'hui, patrimoine de demain: conservation et restauration des oeuvres contemporaines: 13es journées d'études de la SFIIC (Section française de l'institut international de conservation), Paris, Institut national du patrimoine, 24-26 juin 2009 (pp. 348-349). Champs-sur-Marne: SFIIC.
    • Stigter, S. (2009). Between concept and material: decision-making in retrospect: conservation treatment of a site-specific conceptual photographic sculpture by Ger van Elk. In Art d'aujourd'hui, patrimoine de demain: conservation et restauration des oeuvres contemporaines: 13es journées d'études de la SFIIC (Section française de l'institut international de conservation), Paris, Institut national du patrimoine, 24-26 juin 2009 (pp. 74-81). Champs-sur-Marne: SFIIC. [details]
    • Stigter, S. (Author). (2009). To Clean or Not to Clean. Exhibition, Otterlo: Kröller-Müller Museum.

    2008

    • Beerkens, L., Stigter, S., van Oosten, T., & van Keulen, H. (2008). Go with the flow: conservation of a floating sculpture from 1961 made from glass fibre-reinforced polyester resin. In B. Keneghan, & L. Egan (Eds.), Plastics: looking at the future and learning from the past: papers from the conference held at the Victoria and Albert Museum, London, 23-25 May 2007 (pp. 45-51). London: Archetype. [details]

    2007

    • Stigter, S. (2007). Franz West: Clamp, 1995. In T. Scholte, & P. 't Hoen (Eds.), Inside installations: preservation and presentation of installation art (pp. 36-37). Amsterdam / 's-Hertogenbosch: ICN / SBMK. [details]
    • Stigter, S. (2007). Ger van Elk: The wider the flatter, 1972. In T. Scholte, & P. 't Hoen (Eds.), Inside installations: preservation and presentation of installation art (pp. 12-13). Amsterdam / 's-Hertogenbosch: ICN / SBMK. [details]
    • Stigter, S. (2007). Joseph Kosuth: Glass (one and three), 1965. In T. Scholte, & P. 't Hoen (Eds.), Inside installations: preservation and presentation of installation art (pp. 20-21). Amsterdam / 's-Hertogenbosch: ICN / SBMK. [details]
    • Stigter, S. (Author). (2007). Inside Installations (part II). Exhibition, Otterlo: Kröller-Müller Museum.

    2006

    2019

    • Stigter, S. (2019). Fellowship Corner: Meet IIC Fellows Julia Nagle and Sanneke Stigter. News in Conservation, 71(April 2019), 30.
    • Stigter, S. (2019). Introducing the ICOM-CC Fund and its new Board. On Board ICOM-CC Directory Board Newsletter, 17(July 2019), 25-26.
    • Stigter, S. (2019). Residenties voor restauratoren? Graag! KM : vakinformatie voor beeldende kunstenaars en restauratoren, 110, 32-34.

    2018

    • Stigter, S. (2018). Aan de knoppen van een kunstwerk: Hoe restaureer je een tuin van Pierre Huyghe? KM : vakinformatie voor beeldende kunstenaars en restauratoren, 105, 10-11. [details]
    • Stigter, S. (2018). Comenius Teaching Fellows grant awarded to the University of Amsterdam Conservation and Restoration Department. Modern Materials - Contemporary Art Triennium 2017-2020 newsletter, 1, 19.
    • Stigter, S. (2018). The Materiality of Photographs. Modern Materials - Contemporary Art Triennium 2017-2020 newsletter, 1, 8. [details]

    2017

    • Stigter, S. (2017). Retoucheren met gekleurd licht: Van restauratietechniek naar onderzoeksinstrument. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 103, 20–21. [details]

    2016

    • Stigter, S. (2016). Bethany De Forest - Ode: To pinhole photography = aan de pinhole-fotografie. In B. de Forest, & S. Stigter (Eds.), Bethany de Forest. Funky Landscapes (pp. [8-17]). (Limited Art Books). Amsterdam: KochxBos Publishers. [details]
    • Stigter, S. (2016). [Review of: H. Hiiop (2012) Contemporary Art in the Museum: How to Preserve the Ephemeral? The Preservation Strategy and Methods of the Contemporary Art Collection of the Art Museum of Estonia]. Beiträge zur Erhaltung von Kunst- und Kulturgut, 2016(2), 123–124. [details]
    • Stigter, S., & Barragán, P. (2016). Interview with Sanneke Stigter: "Conservation is about the way the artwork can be perceived and not only about how it is presented.". Artpulse, 7(27), 68-71.
    • Stigter, S., & de Forest, B. (2016). Bethany de Forest. Funky Landscapes. (Limited Art Books). Amsterdam: KochxBos Publishers. [details]

    2014

    • Wagenaar, M., & Stigter, S. (2014). In het licht van James Turrell. Conserveren en documenteren van ruimtevullende lichtinstallaties. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 90, 5-7. [details]

    2013

    • Stigter, S. (2013). Research in New Strategies in Conservation of Contemporary Art. ICOM-CC MMCA Working Group Newsletter, 3, 8-9. [details]

    2012

    • Stigter, S. (2012). Reflections on the artist interview and the conservator's point of view by example of Ger van Elk. In L. Beerkens, P. 't Hoen, IJ. Hummelen, V. van Saaze, T. Scholte, & S. Stigter (Eds.), The artist interview: for conservation and presentation of contemporary art: guidelines and practice (pp. 102-111). Heijningen: Jap Sam Books. [details]
    • Stigter, S. (2012). The artist interview as a conservation tool for process-based art by Sjoerd Buisman. In L. Beerkens, P. 't Hoen, IJ. Hummelen, V. van Saaze, T. Scholte, & S. Stigter (Eds.), The artist interview: for conservation and presentation of contemporary art: guidelines and practice (pp. 68-77). Heijningen: Jap Sam Books. [details]

    2010

    • Stigter, S. (2010). Restauratie-ethiek: Boekbespreking: Conservation: Principles, Dilemmas and Uncomfortable Truths. KM : vakinformatie voor beeldende kunstenaars en restauratoren, (73), 34.

    2007

    • Stigter, S. (2007). Mini groot maken. Pinholefotografie van Bethany de Forest. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 60, 22-25. [details]

    2006

    • Stigter, S. (2006). Jardin d’email: Een kunstmatige tuin van Jean Dubuffet. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 58, 40-42.

    2005

    • Stigter, S. (2005). Lijmen & Geheimen: het VAR-symposium: verslag. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 53, 31-33.
    • Stigter, S. (2005). Vintage prints. De link tussen patina en authenticiteit. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 55, 32-34.
    • Stigter, S. (2005). Wat is patina? Over natuurlijk en kunstmatig patina, authenticiteit en intentie. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 55, 4-6.

    2004

    • Stigter, S. (2004). Fascinatie voor beton. Waterwerken van Ruud Kuijer. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 52, 5-7.
    • Stigter, S. (2004). Gieten met was: De techniek van Medardo Rosso. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 51, 37-39.
    • Stigter, S. (2004). Verkleurde kleurenfoto’s: Restauratieproblematiek in het werk van Ger van Elk. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 50, 54-56.

    2002

    • Stigter, S. (2002). 'De perfectie van de imperfectie': Over de schildertechniek van Hans van Hoek. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 41, 44-45.

    2001

    • Stigter, S. (2001). De houdbaarheid van kleurenkopieën. KM : vakinformatie voor beeldende kunstenaars en restauratoren, 39, 31-33.

    1998

    • Stigter, S. (1998). Hetty Heyster - Sculptures. Dieren verbeeld. [Amsterdam]: Hetty Heyster.
    • Stigter, S. (1998). Dorien Melis, een futuristische herinnering? Kunstbeeld, 22(5), 60.
    • Stigter, S. (1998). Max Papart, het leven als een soort collage. Kunstbeeld, 22(4), 61.
    • Stigter, S. (1998). Suzanne Glerum, een zee van olieverf. Kunstbeeld, 22(12), 62.
    • Stigter, S. (1998). ‘BerlinTokyo’; ‘Doll-Furler-Lutz-Von Hellerman-Vater’; ‘Rachel de Boer’; ‘Fantastic Planet’; ‘Hai Uno’; ‘IK RED!’. In S. Bronwasser (Ed.), Niet de Kunstvlaai Amsterdam: Niet de Kunstvlaai.

    1997

    • Stigter, S. (1997). De raadselachtige schilderijen van Ulrike Hogrebe. Kunstbeeld, 21(9), 63.
    • Stigter, S. (1997). Geleende beelden in het werk van Edwin Emmens. Kunstbeeld, 21(7-8), 69.
    • Stigter, S. (1997). Henri Plaat: tussen absurditeit en schoonheid. Kunstbeeld, 21(9), 30-31.
    • Stigter, S. (1997). Otto Hetterscheid: 70 en tijdloos. Kunstbeeld, 21(11), 42-43.
    • Stigter, S. (1997). Yong-Chang Chung en Erik Oldenhof schrijven met verf. Kunstbeeld, 21(2), 62.
    • Stigter, S. (1997). [inleiding]. In S. Stigter (Ed.), Otto Hetterscheid: 70 Amsterdam: Otto Hetterscheid.

    1996

    • Stigter, S. (1996). Bruno Ceccobelli en René van den Broek: de verbeelding van het geestelijke. Kunstbeeld, 20(5), 61. [details]
    • Stigter, S. (1996). Hoe ziet de een en ander: De portretten van Ayer en Thies. Kunstbeeld, 20(3), 59. [details]
    • Stigter, S. (1996). Sapere’s Poets Room. In Horacio Sapere: poet's room (pp. 9-10). Amsterdam: Galerie BMB.

    1995

    • Stigter, S. (1995). Hans Thomann en Christian Caburet: een spannende combinatie. Kunstbeeld, 19(10), 59. [details]

    2019

    • Watkins, A. S., Stigter, S., Kensche, S., Waagen, J., & Lanjouw, T. (2019). Photogrammetry and painted outdoor sculpture: Assessing Jean Dubuffet’s ‘Jardin d’émail’. Abstract from Future Talks 019, München, Germany.
    • Watkins, A. S., Stigter, S., Waagen, J., Kensche, S., & Lanjouw, T. (2019). Using Photogrammetry in Outdoor Sculpture Conservation: Assessing Jean Dubuffet’s Jardin d’email. 57. Abstract from Icon Conference 2019, Dublin, Ireland.

    2018

    • Snijders, E., Stigter, S., & Jansen, E. M. (2018). Training in Time-Based Arts Conservation at the University of Amsterdam: Abstract. Abstract from It's About Time! Building a New Discipline, New York, United States.
    • Stigter, S. (2018). An interview-informed growing sculpture? Reflections on interviewing in conservation research. Abstract from Technical Art History Colloquium, Amsterdam, Netherlands.
    • Stigter, S. (2018). Stimulating Reflection when Using Artworks from the Collection: DIAL for Complex Artworks. 89-89. Abstract from SBMK Summit on (Inter)national Collaboration
      , Amersfoort and Amsterdam, Netherlands.

    2017

    • Mol, T., Stigter, S., van Duin, P. H. J. C., van Halem, L., Cattersel, V., & De Vis, K. (2017). Investigating the colourful world of Alessandro Mendini: Conserving Nigritella Nigra, a unique chest of drawers . Abstract from Future Talks 017 The Silver Edition: Visions, München, Germany.
    • Stigter, S. (2017). Picturing Peter Struycken’s Blue Waves: Collecting Memories as a Form of Conservation. Abstract from Material Futures, Glasgow, United Kingdom.
    • Stigter, S. (2017). The Artist Interview in Conservation Research: The Role of the Conservator. Paper presented at Media Art Preservation Symposium, Budapest, Hungary.
    • Stigter, S. (2017). Towards process-based research in Contemporary Art Conservation. Abstract from Museums at the 'Post-Digital' Turn, Turin, Italy.

    2016

    • Stigter, S. (2016). Reinterpretation as a Conservation Strategy: Danger or Relief?. Abstract from UNFOLD #3: Reinterpreting the digital, LIMA, Amsterdam, .
    • Wei, W. B., & Stigter, S. (2016). Surface Roughness, Appearance, and Identification of AGFA-Gevaert Photograph Samples. 104-105. Abstract from American Institute for Conservation of Historic and Artistic Works (AIC) 44th Annual Meeting & Canadian Association for Conservation's (CAC)'s 42nd CAC-ACCR Conference, Montreal, Canada.

    2014

    • van Basten, N., Stigter, S., Kensche, S., & Peschar, R. (2014). Retouching Monochrome Painted Outdoor Metal Sculptures. Tests for Claes Oldenburg's Trowel. Poster session presented at Master Thesis Poster Presentations at the University of Amsterdam, .

    2012

    • Stigter, S. (2012). The Artist Interview and Installation Practices as Art Technological Sources for Contemporary Art. Poster session presented at ICOM-CC Interim Meeting Art Technological Source Research Working Group, Brussels, Belgium.

    2005

    • Stigter, S. (2005). Atelier van Lieshout's Mobile Home for Kroeller-Moeller: Homespun ideals cracking up. 28-35. Paper presented at AXA Art Conservation Project in cooperation with the Vitra Design Museum, Weil am Rhein, Germany.

    2004

    2001

    • Stigter, S., & van Haaften, C. (2001). The Training Programme in Conservation of Modern Art at the Limburg Conservation Institute. 12. Abstract from ICOM-CC Interim Meeting Modern Materials Working Group, Cologne, Germany.

    Prijs

    • Stigter, S. (2019). NWO KIEM Project: Interviews in Conservation Research.
    • Stigter, S. (2018). IIC Fellowship of The International Institute for Conservation of Historic and Artistic Works.
    • Stigter, S. (2018). NWO NRO Comenius Teaching Fellow: Media Art Conservation Track.
    • Stigter, S. (2017). Cutting Edge Research Fund Research Grant - Consolidate: Oral History in Conservation | Conservation in Oral History.
    • Stigter, S. (2017). NWO KIEM project: DIAL for Complex Artworks: Digital Index of an Artwork’s Life.

    Lidmaatschap

    • Stigter, S. (2019-2024). Board Chair, AUV Alumni Network Conservation and Restoration.
    • Stigter, S. (2019-2024). Board Chair, ICOM Committee for Conservation Fund.
    • Stigter, S. (2018-2019). Comenius Teaching Fellow 2018, KNAW Comenius Netwerk.
    • Stigter, S. (2018-2030). Steering Committee, International Network for the Conservation of Contemporary Art: INCCA.
    • Stigter, S. (2017-2019). Assistant Coordinator, ICOM-CC Modern Materials and Contemporary Art Working Group.
    • Stigter, S. (2017-2018). Board, Artist Estate André Volten | Bestuurder, Stichting André Volten.
    • Stigter, S. (2014-2040). IIC Fellow of the International Institute for Conservation of Historic and Artistic Works, International Institute for Conservation of Historic and Artistic Works: IIC.
    • Stigter, S. (2012-2013). Board, Foundation for Visual Arts | Bestuurder, Stichting Beeldende Kunst: SBK.
    • Stigter, S. (2006-2007). Commissie Toelating Restauratoren Nederland | Admission Committee Dutch Conservator's Association, Restauratoren Nederland.
    • Stigter, S. (2004-2030). Steering Committee, Foundation for the Conservation of Contemporary Art (SBMK) | Stuurgroep, Stichting Behoud Moderne Kunst.
    • Stigter, S. (2002-2050). International Council of Museums Committee for Conservation: ICOM-CC.
    • Stigter, S. (2000-2030). International Network for the Conservation of Contemporary Art: INCCA.
    • Stigter, S. (1993-2018). Board, Artist Estate Otto Hetterscheid Foundation | Bestuurder, Stichting Otto Hetterscheid.

    Mediaoptreden

    • Stigter, S. (01-10-2016). Dialogues for a New Millenium [Print] Artpulse. Interview with Sanneke Stigter by Paco Barragán.
    • Stigter, S. (01-10-2016). Blog by Emmanuel Lara for IIC [Web] Blog by Emmanuel Lara for IIC. Autoethnography as a new approach in conservation.
    • Stigter, S. (15-05-2011). Swammerdam [Radio] Amsterdam FM. Waarneming.
    • van de Vall, R. & Stigter, S. (01-01-2010). Ideas of Nature 2.0: interview door Sandra Genet [Print] Experiment NL 3, NWO Quest. Ideas of Nature 2.0: interview door Sandra Genet.
    • Stigter, S. (15-11-2007). Artisjok [Television] AT5. Het Ateliergebouw.
    • Stigter, S. & van Oosten, T. (09-03-2007). Soms is kunst een doodzieke patient [Print] NRC. Soms is kunst een doodzieke patiënt: interview door Rosan Hollak.
    • Stigter, S., van Straaten, E. & de Koomen, A. R. (07-04-2006). Overgelaten aan pulkend publiek [Print] NRC. Overgelaten aan pulkend publiek: interviews door Viola Lindner & Hedi de Vree.

    Tijdschriftredactie

    • Stigter, S. (reviewer) (2018). Aesthetic Investigations (Journal).
    • Stigter, S. (reviewer) (2017-2021). CeROArt (Journal).
    • Stigter, S. (member of editorial board) (2017-2022). KM : vakinformatie voor beeldende kunstenaars en restauratoren (Journal).
    • Stigter, S. (reviewer) (2016). Archetype Publications (Publisher).
    • Stigter, S. (member of editorial board) (2004-2007). KM : vakinformatie voor beeldende kunstenaars en restauratoren (Journal).

    Spreker

    • Stigter, S. (invited speaker) (24-3-2019). Round table discussion on The Future of Training, NACCA | MACCH Conference 2019: Bridging the Gap, Maastricht, Netherlands.
    • Stigter, S. (invited speaker) (30-1-2019). OSK PhD Progress Reports: Thijs Hagendijk, Marijke Goeting, Sumihiro Oki and Annemarie Kok, Dutch Postgraduate School for Art History ( landelijke Onderzoekschool Kunstgeschiedenis).
    • Stigter, S. (speaker) (15-11-2018). Stimulating Reflection when Using Artworks from the Collection: DIAL for Complex Artworks, Acting in Contemporary Art Conservation, Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (9-10-2018). Rondetafelbijeenkomst kunstenaarsnalatenschappen in Nederland, Mondriaan Fund.
    • Stigter, S. (invited speaker) (4-10-2018). An interview-informed growing sculpture? Reflections on interviewing in conservation research, Oral History in Conservation and (Technical) Art History, Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (28-11-2017). Contemporary Art through the lens of Conservation, Research Master Art Studies (Arts and Culture), Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (17-11-2017). DIAL, Digital Index of an Artwork’s Life: een bewustwordingstool voor de database, SBMK-dag 2017, Eindhoven, Netherlands.
    • Stigter, S. (invited speaker) (3-11-2017). Towards process-based research in Contemporary Art Conservation, Museums at the 'Post-Digital' Turn, Turin, Italy.
    • Stigter, S. (keynote speaker) (22-10-2017). Inleiding bij filmvertoning 'Adieu à G.', Filmvertoning Adieu à G, Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (28-9-2017). A behaviour index for complex artworks – a conceptual tool for contemporary art conservation, NICAS colloquium, biweekly, Amsterdam.
    • Stigter, S. (speaker) (4-9-2017). Behaviour Index of Complex Artworks: A Conceptual Tool for Contemporary Art Conservation, ICOM-CC 18th Triennial Conference Copenhagen, Copenhagen, Denmark.
    • Stigter, S. (invited speaker) (16-3-2017). Autoethnography as a New Approach in Conservation, Institute for Conservation–Restoration at the Academy of Fine Arts Vienna.
    • Stigter, S. (invited speaker) (9-2-2017). The Interview as a Tool for Art Conservation, Course Oral History and Life Stories 2017, Amsterdam, Netherlands.
    • Hendriks, E. (invited speaker) & Stigter, S. (invited speaker) (18-1-2017). Exhibiting Conservation, New Approaches in the Conservation of Contemporary Art: Winter School 2017, London, United Kingdom.
    • Stigter, S. (invited speaker) (16-12-2016). Paneldiscussie presentatie jubileumnummer kM 100, Presentatie jubileumnummer kM 100, Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (1-12-2016). Reinterpretation as a Conservation Strategy: Danger or Relief?, UNFOLD #3: Reinterpreting the digital, LIMA, Amsterdam.
    • Stigter, S. (invited speaker) (16-11-2016). Contemporary Art through the Lens of Conservation, Art Studies Within and Across the Humanities, Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (13-10-2016). Van oppervlak tot uiterlijk: Over perceptie, verschijning en betekenis van fotografische afdrukken, Kleurhistorisch Platform, Rijksdienst voor Cultureel Erfgoed, Amersfoort.
    • Stigter, S. (speaker) (16-9-2016). Autoethnography as a new approach in conservation, IIC Congress. Saving the Now: Crossing Boundaries to Conserve Contemporary Works, Los Angeles.
    • Stigter, S. (invited speaker) (12-7-2016). The Artist Interview for Research and Conservation of Contemporary Art, New Approaches in the Conservation of Contemporary Art: Summer School 2016, Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (4-6-2016). Opening Bethany de Forest: Funky Landscapes, KochxBos Gallery, Amsterdam.
    • Wei, W. (speaker) & Stigter, S. (speaker) (13-5-2016). Surface roughness, appearance, and identification of AGFA-Gevaert photograph samples, American Institute for Conservation of Historic and Artistic Works (AIC) 44th Annual Meeting & Canadian Association for Conservation's (CAC)'s 42nd CAC-ACCR Conference, Montreal, Canada.
    • Stigter, S. (invited speaker) (25-2-2016). The Artist Interview: Artwork's Life Stories, Course Oral History and Life Stories 2016, Huizinga Institute, Amsterdam.
    • Stigter, S. (speaker) (2-12-2014). Through the conservator’s lens: from analogue photowork to digital printout., Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation, Glasgow.
    • Stigter, S. (invited speaker) (18-10-2014). Opening Fiona Zondervan: 25 jaar beelden & 25 collega’s, Galerie Petit, Amsterdam.
    • Stigter, S. (speaker) (17-10-2014). Retoucheren met Licht, SBMK dag, Eye, Amsterdam.
    • Stigter, S. (invited speaker) (20-6-2014). Het kunstenaarsinterview voor conservering en restauratie, Studiemiddag Narratieve bronnen in wetenschappelijk onderzoek, Den Haag.
    • Stigter, S. (invited speaker) (13-6-2014). The Artist Interview - Levensgeschiedenissen in de wereld van de kunst, Werkgroep Oral History – Levensgeschiedenissen in de wereld van de kunst, Amsterdam.
    • Stigter, S. (invited speaker) (12-6-2014). Paneldiscussie: De rol van de conservator in de 21ste eeuw, De rol van de conservator in de 21ste eeuw, Amsterdam.
    • Stigter, S. (speaker) (21-6-2013). Co-producing conceptual art - A conservator’s testimony on working with Jan Dibbets, Performing Documentation, Lisbon.
    • Stigter, S. (invited speaker) (8-10-2012). Research Methodologies in Contemporary Art Conservation: Between Material and Concept, University College Utrecht.
    • Stigter, S. (speaker) (9-5-2012). Round table discussion Challenges / Trends in Plastics Conservation, Preservation of Plastic ARTefacts in museum collections, The POPART project., Paris.
    • Stigter, S. (speaker) (3-5-2012). Conservation research tools for Conceptual Art, The role of science in contemporary art conservation, Postgraduaat Tentoonstelling en Beheer van Actuele Kunst, KASK / School of Arts van Hogeschool Gent, Ghent.
    • Stigter, S. (invited speaker) (12-10-2011). Research Methodologies in Contemporary Art Conservation: Between Material and Concept, University College Utrecht.
    • Stigter, S. (invited speaker) (29-9-2011). New strategies in Conservation of Contemporary Art: Between Material and Concept, Tripartite Lecture Series, Amsterdam, Netherlands.
    • Stigter, S. (invited speaker) (24-9-2011). Exhibiting - A Conservation Tool for Conceptual Art, Exposing Exhibition, Lisbon.
    • van de Vall, R. (speaker), Scholte, T. (speaker), Stigter, S. (speaker) & Hölling, H. (speaker) (19-9-2011). Reflections on a biographical approach to contemporary art conservation, ICOM-CC 16th Triennial Conference Lisbon.
    • Stigter, S. (invited speaker) (14-5-2011). Panel discussion Erhaltung moderner und zeitgenössischer Kunst – Projekte und Perspektiven, Erhaltung moderner und zeitgenössischer Kunst – Projekte und Perspektiven, Cologne, Germany.
    • Stigter, S. (invited speaker) (10-3-2011). Access to conservation in museum practice at the Kröller-Müller Museum, Access2CA: Access to Contemporary Art Conservation, Porto, Portugal.
    • Stigter, S. (invited speaker) (12-6-2010). Overview of INCCA Education session at Contemporary Art: Who Cares?, ICOM-CC Joint Interim Meeting of the Education and Training and Modern Materials and Contemporary Art Working Groups, Maastricht, Netherlands.
    • Stigter, S. (keynote speaker) (9-6-2010). Rethinking Education in Contemporary Art Conservation, Contemporary Art: Who Cares?, Amsterdam, Netherlands.
    • Stigter, S. (speaker) (24-6-2009). Between concept and material. Decision-making in retrospect: Conservation treatment of a site-specific conceptual photographic sculpture by Ger van Elk, Art today - Cultural property of tomorrow, Paris, France.
    • Stigter, S. (invited speaker) (21-4-2009). Onderzoek en restauratie van een installatie van Franz West, Studiedag BRK: Restauratie van moderne & hedendaagse kunst: meer dan het materiaal, Oostende, Belgium.
    • Stigter, S. (invited speaker) (11-11-2008). Joep van Lieshout’s Mobile Home for Kröller-Müller: outdoor polyester sculpture in transit, RN-Thema avond sectie Educatie Restauratoren Nederland, Amsterdam, Netherlands.
    • Stigter, S. (speaker) (22-9-2008). Joep van Lieshout's Mobile Home for Kröller-Müller: Outdoor polyester sculpture in transit, ICOM-CC 15th Triennial Conference New Delhi, New Delhi, India.
    • Stigter, S. (speaker) (4-9-2008). Conservation of Modern and Contemporary Art, Oranienbaum Colloquium, Oranienbaum, Germany.
    • Stigter, S. (invited speaker) (2-10-2007). Maintenance of outdoor sculptures in the Kröller-Müller Museum: two case studies on glass fiber reinforced polyester resin sculptures, Occupying the Public Space, Sevilla, Spain.
    • Stigter, S. (invited speaker) (26-9-2007). Joseph Kosuth's 'Glass (one and three)', a case study from the Inside Installations project, VU Amsterdam.
    • Stigter, S. (keynote speaker) (24-9-2007). Glasvezel versterkt polyester in de beeldentuin van het Kröller-Müller Museum: case studies, Symposium Buitenstaanders, Otterlo, Netherlands.
    • Stigter, S. (speaker) (12-9-2007). The Notion of Authenticity in Modern Art Installations: case studies from the Inside Installations Project, Art, conservation and authenticities: material, concept, context.
    • Stigter, S. (invited speaker) (24-5-2007). Drie case studies Kröller-Müller Museum: Franz West, Clamp, 1995; Ger van Elk, Hoe hoeker hoe platter (The wider the flatter), 1972; Joseph Kosuth: Glass (one and three), 1965, Inside Installations: in reprise?, Otterlo, Netherlands.
    • Beerkens, L. (speaker), Stigter, S. (speaker), van Oosten, T. (speaker) & van Keulen, H. (speaker) (23-5-2007). Go with the flow: conservation of a floating sculpture from 1961 made from glass fibre-reinforced polyester resin, Plastics: Looking at the Future and Learning from the Past, London, United Kingdom.
    • Stigter, S. (invited speaker) (26-4-2007). Inside: Inside Installations Case Studies, Inside en Outside, Otterlo, Netherlands.
    • Stigter, S. (invited speaker) (13-2-2007). Besluitvorming rond restauratie vraagstukken in moderne kunst: problematiek van kleurenfotografie in het werk van Ger van Elk, RN-Thema avond sectie Educatie van Restauratoren Nederland, Amsterdam, Netherlands.
    • Stigter, S. (speaker) (1-6-2006). Joep van Lieshout: Mobile Home for Kröller-Müller, 1995, SBMK Studiedag Kunststoffen: GPR dag 1, Amsterdam, Netherlands.
    • Stigter, S. (speaker) (12-9-2005). To replace or not to replace? Photographic material in site-specific conceptual art, ICOM-CC 14th Triennial Meeting The Hague, The Hague, Netherlands.
    • Stigter, S. (invited speaker) (29-6-2005). Atelier van Lieshout's Mobile Home for Kröller-Müller: Homespun ideals cracking up, AXA Art Conservation Project in cooperation with the Vitra Design Museum, Weil am Rhein, Germany.
    • Stigter, S. (invited speaker) (6-6-2003). Ethische problemen bij de conservering van kleurenfotografie in het werk van Ger van Elk, Restauratie en Conservering van Moderne Kunst, Eindhoven, Netherlands.

    Andere

    • Stigter, S. (advisor) (25-3-2019). Mentor for the INCCA Mentoring Programme, International Network for the Conservation of Contemporary Art: INCCA (consultancy).
    • Stigter, S. (member of programme committee) (15-11-2018 - 16-11-2018). SBMK Summit on (Inter)national Collaboration: Acting in Contemporary Art Conservation, Amersfoort/Amsterdam, Netherlands. International symposium on contemporary art conservation (organising a conference, workshop, ...).
    • Stigter, S. (participant) (13-9-2018 - 14-9-2018). NICAS Expert meeting for NWO Cross-over call (other).
    • Stigter, S. (visiting lecturer) (3-9-2018 - 7-9-2018). University of Pisa, Department of Chemistry (visiting an external institution).
    • Stigter, S. (chair) (18-5-2018). DIAL Expert Meeting, Otterlo, Netherlands. Bespreking onderzoeksresultaten van het NWO KIEM project: 'DIAL for Complex Artworks: A Digital Index of an Artwork’s Life' om wensen en (…) (organising a conference, workshop, ...).
    • Stigter, S. (advisor) (8-3-2018 - 9-3-2018). Revisiting the Decision Making Model for Contemporary Art Conservation, Cologne Institute for Science and Conservation (consultancy).
    • Stigter, S. (advisor) (24-2-2018 - 2030). Advisor Artist Estate André Volten, Stichting André Volten (consultancy).
    • Stigter, S. (consultant) (14-12-2017). Focusgroep competenties Masters Conservatie-Restauratie en Erfgoedstudies, University of Antwerp (consultancy).
    • Stigter, S. (advisor) (17-8-2017). Een Rietveldinterieur voor een DC-4. In opdracht van de Flying Dutchman Foundation, 31 Oktober 2017, Ludo van Halem and Patricia van Ulzen (consultancy).
    • Stigter, S. (participant) (17-6-2017). Expertmeeting NWA-route Levend Verleden, Amsterdam, Netherlands (participating in a conference, workshop, ...).
    • Stigter, S. (advisor) (13-6-2017 - 2020). Book Advisor for Beyond Materiality: Issues in the Conservation of Contemporary Art, Getty Conservation Institute (consultancy).
    • Stigter, S. (visiting lecturer) (15-3-2017 - 17-3-2017). Institute for Conservation–Restoration at the Academy of Fine Arts Vienna (visiting an external institution).
    • Stigter, S. (advisor) (25-1-2017). Expert meeting restauratie Jardin d'email van Jean Dubuffet, Kröller-Müller Museum (consultancy).
    • Stigter, S. (consultant) (22-1-2017). CORES: PhD Programme in the Conservation and Restoration of Cultural Heritage, Universidade Nova de Lisboa (consultancy).
    • Stigter, S. (visiting lecturer) (6-12-2016 - 9-12-2016). Estonian Academy of Arts (visiting an external institution).
    • Noordegraaf, J. J. (organiser) & Stigter, S. (organiser) (11-7-2016 - 15-7-2016). New Approaches in the Conservation of Contemporary Art: Summer School 2016, Amsterdam, Netherlands. The NACCA Summer School 2016 is the second training event of the Marie-Curie ITN New Approaches in the Conservation of Contemporary Art, a (…) (organising a conference, workshop, ...).
    • Stigter, S. (advisor) (26-5-2016 - 24-9-2017). Adieu à G., Arte et Cetera (consultancy).
    • Stigter, S. (participant) (26-9-2013). Nationale Onderzoeksraad Erfgoed (other).
    • Stigter, S. (advisor) (1-6-2012 - 30-11-2016). Science4Arts Programme: Photographs and Preservation. How to save photographic works of art for the future?, University of Leiden (consultancy).
    • Portsteffen, H. (examiner) & Stigter, S. (examiner) (2009). MA thesis of Susanne Kensche: WD–Spiral Part One CINEMA, 2001 von Hermann Maier Neustadt. Untersuchung und Konzeptentwicklung zur Behandlung einer begehbaren Außenskulptur aus glasfaserverstärktem Polyester und Metall (examination).
    • Stigter, S. (participant) (21-2-2002 - 1-1-2004). Research Project Artist Interviews/Artist Archives (other).

    2016

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  • Nevenwerkzaamheden
    • Stichting ICOM-CC Fund
      Voorzitter Bestuur
    • INCCA
      Coordinator INCCA Educatie
    • INCCA
      Steering Committee
    • kM
      Redactie
    • Stichting Behoud Moderne Kunst
      Stuurgroep