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dhr. dr. M.J. (meLê) Yamomo

Faculteit der Geesteswetenschappen
Theaterwetenschap

Postadres
  • Nieuwe Doelenstraat 16-18
    1012 CP Amsterdam
Contactgegevens
  • Profile

    meLê yamomo is an Assistant Professor of Theatre, Performance, and Sound Studies at the University of Amsterdam. He was a recent fellow at the “Interweaving Performance Cultures” Center (Berlin) and the Global Theatre Histories Center (Munich). meLê is a current laureate of the »Veni Innovation Grant« by the Dutch Organization for Scientific Research (NWO) for his project »Sonic Entanglements: Listening to Modernities in Southeast Asian Sound Recordings«. He holds a PhD in Theatre Studies and Musicology from the Ludwig-Maximilians- Universität Munich. meLê is also a theatre director and composer.

     

    [www.meleyamomo.com]

  • Teaching

    BA

    Presence and Aesthetic Experience in Performance, Film and the Arts

    I hear you. Theatre, Film, Media and Sonic Art in Sound Culture

    Composing Theatre, Staging Music. Practices and Concepts in Music Theatre

     

    MA

    Music Theatre as Laboratory (jointly offered by the Theatre Studies and the Musicology Departments)

     

  • Publications

    Book

    Sounding Modernities: Theatre and Music in Manila and the Asia Pacific, 1869-1946. Palgrave-Macmillan, 2018.

     

    Academic Journals

    “Brokering Sonic Modernities: migrant Manila musicians in the Asia Pacific, 1881-1948” in Popular Entertainment Journal 6.2 (2015)

    “Panay Creation Myth as World Picture in {The Alunsina Network}”in Musika Jornal, 5 (2009) 

     

    Book Chapters

     

    “Medializing Race: Uncle Tom’s Cabin in Colonial Southeast Asia.” In Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book, edited by Tracy C. Davis and Stefka Mihaylova. University of Michigan Press, 2018.

    "Echoing Musical Modernities: Filipino migrant musicians from the 19th century to the Present." In Saysay Himig: History of Philippine Music, 1880-1941, edited by Arwin Tan. The University of the Philippines Press, 2018.

    "Making Sense of an Unfinished Business." In Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre, edited by C. Rajendran, K. Takiguchi, & C. Nge. Kuala Lumpur: Epigram Books, 2018

    meLê yamomo and Steve Villaruz. “Manila and the World Dance Space: Nationalism and Globalization in Cold War Philippines and Southeast Asia” in Theatre, Globalization and the Cold War, edited by Christopher Balme. Palgrave- Macmillan, 2017. 

  • Projects

    Research Projects

     

    Sonic Entanglements: Listening to Modernities in Southeast Asian Sound Recordings, 1890-1950

    Funded by the Dutch Research Organization (NWO), 2017-2021
    More information

     

    Globalization in Cylinders: Recording Asian Sounds on the European Stage, 1890-1910

    International Research Center »Interweaving Performance Cultures« (2016-2017)
    Freie Universität Berlin
    More information

     

    Media

     

    Global Theatre Histories ScienceCast

    Directed and Produced the »Global Theatre Histories« ScienceCast Video for Ludwig Maxmilians Universität Munich, ©2014.
    Download the video from iTunes

     

    Workshop and Conferences

     

    Acoustic Histories/Historiographies in the Asia Pacific

    Workshop funded by the Transregional Studies Forum-Berlin and Max Weber Foundation
    11-12 January 2018,  Transregional Studies Forum - Berlin
    More information

     

    The Boat is Sinking? Open Encounter Addressing the Urgency of Artistic Cross-Cultural Dialogues

    co-organized with Dancing on the Edge in cooperation with Dutch Culture and the Amsterdam School of Globalisation Studies
    University Theater, 5 November 2015, 15:00-18:00
    More information

     

    Transformation: Lecture and Open Masterclass by Pierre Audi

    Stage Director, "Sorella, que dici?.... Prenderò quel brunettino", from Mozart’s Così fan tutte (1790)
    University Theatre, Amsterdam, 6 October 2015, 10:00

     

    Troubled Love (Opera Masterclass with Pierre Audi)

    Co-organizer together with Kasper van Kooten and Prof. Kati Röttger Organized under through the Theatre Studies Amsterdam, and the Pierre Audi Honorary Fellowship Programme
    University Theater, Amsterdam, 13 May 2015

     

    Localizing the International: Visions of Curatorship in Theatre and Performance,Master class with Frie Leysen;

    Organizer and convener
    Organized on the occassion of Frie Leysen’s winning the Erasmus Prize and the Jubileaum of the Theatre Studies, University of Amsterdam; Funded through the Praemium Erasmianum,
    University Theater, Amsterdam, 24 October 2014
    More information

     

    Globalizing Opera Workshop

    Organizer and co-convener together with Prof. dr. Kati Röttger
    International Workshop funded through the Amsterdam School of Globalization Studies; and organized through the Netherlands Institute of Cultural Analysis
    University Theater Amsterdam, 19 June 2014
    More infomation

     

    Cross-Culturality in/as Music Theatre (Practice-as-Research Workshop)

    Workshop; Organized through Theatre Studies Amsterdam and the Netherlands Institute of Cultural Analysis
    University Theater, Amsterdam, 14-15 May 2014
    More information

     

  • Publicaties

    2019

    • Yamomo, M. J. (2019). Book Review: Popular Music in Southeast Asia: Banal Beats, Muted Histories, by Henk Schulte Nordholt, Bart Barendregt, and Peter Keppy. Bijdragen tot de Taal-, Land- en Volkenkunde, 175(1), 127-128.

    2018

    • yamomo, M. (2018). Theatre and Music in Manila and the Asia Pacific, 1869-1946: Sounding Modernities. Palgrave Macmillian.
    • yamomo, M. (2018). Echoing Musical Modernities: Filipino migrant musicians from the 19th century to the Present. In Saysay Himig: History of Philippine Music, 1880-1941 The University of the Philippines Press.
    • yamomo, M. (2018). Making Sense of an Unfinished Business. In C. Rajendran, K. Takiguchi, & C. Nge (Eds.), Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre Kuala Lumpur: Five Art Centre Sdn. Bhd. and Epigram Books Pte Limited.
    • yamomo, M. (2018). Medializing Race: Uncle Tom’s Cabin in Colonial Southeast Asia. In T. C. Davis, & S. Mihaylova (Eds.), Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book (pp. 258-281). The University of Michigan Press. https://doi.org/10.3998/mpub.8057139 [details]

    2017

    • Yamomo, M., & Villaruz, B. E. (2017). Manila and the World Dance Space: Nationalism and Globalization in Cold War Philippines and South East Asia. In C. B. Balme, & B. Szymanski-Düll (Eds.), Theatre, Globalization and the Cold War (pp. 307-323). (Transnational Theatre Histories). Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-48084-8_18 [details]
    • yamomo, M. (2017). Global Currents, Musical Streams: European Opera in Colonial Southeast Asia. Nineteenth Century Theatre and Film, 44(1), 54-74. https://doi.org/10.1177/1748372717741440 [details]

    2015

    • Yamomo, M. (2015). Brokering Sonic Modernities: migrant Manila musicians in the Asia Pacific, 1881-1948. Popular Entertainment Studies, 6(2), 22-37. [details]

    2010

    • yamomo, M. (2010). Panay Creation Myth as World Picture in {The Alunsina Network}. Musika Jornal, 6(1), 68-83.

    2018

    • yamomo, M. (2018). Echoing Musical Modernities: Filipino Migrant Musicians from the nineteenth century to the Present. In Saysay Himig (pp. 265-270). The University of the Philippines Press.

    Prijs

    • yamomo, m. (2017). NWO Innovational Research Incentives Scheme Veni.
    • yamomo, m. (2016). Fellowship: International Research Center »Interweaving Performance Cultures«.
    • yamomo, m. (2014). Fellowship: SIAS Summer Institute »Cultural Encounters«.
    • yamomo, m. (2013). Fellowship: SIAS Summer Institute »Cultural Encounters«.

    Mediaoptreden

    • Yamomo, m. (08-01-2018). Acoustic Histories/Historiographies in the Asia Pacific. An Interview with meLê yamomo [Web]. Acoustic Histories/Historiographies in the Asia Pacific. An Interview with meLê yamomo.

    Andere

    • Titus, B. (participant), Yamomo, M. J. (participant), Aryandari, C. (participant) & Seibt, F. O. (organiser) (19-10-2018). International Association for the Study of Popular Music (IASPM-DACH) Conference, Bern, Switzerland. Participation in the Panel Asia as Method in Popular Music Studies (participating in a conference, workshop, ...).
    • Yamomo, m. (organiser) (2018). Acoustic Histories/Historiographies in the Asia Pacific, Berlin, Germany. The Workshop aims to bring together scholars, historians, artists, and archivists working on sound histories/iographies in the Asia Pacific for an (…) (organising a conference, workshop, ...).
    • yamomo, m. (organiser) (2015). The Boat is Sinking? Open Encounter Addressing the Urgency of Artistic Cross-Cultural Dialogues, Amsterdam, Netherlands (organising a conference, workshop, ...).
    • Yamomo, m. (organiser) (2014). Localizing the International: Visions of Curatorship in Theatre and Performance,Master class with Frie Leysen, Amsterdam, Netherlands (organising a conference, workshop, ...).

    2016

    • Yamomo, M. J. (2016). Sounding Modernities: Theatre and Music in Manila and the Asia Pacific, 1869-1946.
    This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list.
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