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Ferente, S. (2020). Stato, stato regionale e storia d'Italia. In F. Benigno, & E. I. Mineo (Eds.), L'Italia come storia: primato, decadenza, eccezione (pp. 85-104). Viella.
Ferente, S., & Sato, H. (2020). 一揆/盟約ーー中世日本とヨーロッパにおける共同体の言語と表象. In 江川温/マルク・スミス/田邊めぐみ/ハンノ・ウェイスマン編『東西中世のさまざまな地平--フランスと日本の交差するまなざし (pp. 191-218). Chisen Shokan.
2018
Ferente, S. (2018). Parties, quotas and elections in late medieval Genoa. In S. Ferente, L. Kuncevic, & M. Pattenden (Eds.), Cultures of Voting in Pre-Modern Europe (pp. 187-204). Routledge.
Ferente, S., Kuncevic, L., & Pattenden, M. (2018). Cultures of Voting in Pre-modern Europe. Routledge.
2017
Ferente, S. (2017). Women and Men. In M. Azzolini, & I. lazzarini (Eds.), Italian Renaissance Diplomacy: A Sourcesbook (pp. 128-148). University of Toronto Press.
2016
Ferente, S. (2016). Popolo and Law. Late Medieval Sovereignty in Marsilius and the Jurists. In R. Bourke, & Q. Skinner (Eds.), Popular Sovereignty in Historical Perspective (pp. 96-114). Cambridge University Press.
2015
Ferente, S. (2015). Diplomacy and Political Writing in Renaissance Italy: macro and micro. In L. Tanzini (Ed.), Il laboratorio del Rinascimento: Studi di storia e cultura per Riccardo Fubini (pp. 71-88). Le Lettere.
Ferente, S. (2015). Metaphor, Emotion and the Languages of Politics in Late Medieval Italy. In F. Ricciardelli, & A. Zorzi (Eds.), Emotions, Passion and Power in Renaissance Italy (pp. 111-128). Amsterdam University Press.
2013
Ferente, S. (2013). Gli ultimi guelfi: Linguaggi e identità politiche in Italia nella seconda metà del Quattrocento. Viella.
Ferente, S. (2013). Joanna II of Anjou-Durazzo: 'Glorious Queen'. In M. Israëls, & L. A. Waldman (Eds.), Renaissance Studies in Honor of Joseph Connors (pp. 24-29). Harvard University Press.
Ferente, S. (2013). The liberty of Italian city-states. In Q. Skinner, & M. van Gelderen (Eds.), Freedom and the Construction of Europe: Religious Freedom and Civil Liberty (Vol. 1, pp. 157-175). Cambridge University Press.
2012
Ferente, S. (2012). Women and the State. In A. Gamberini, & I. Lazzarini (Eds.), The Italian Renaissance State (pp. 345-367). Cambridge University Press.
2010
Ferente, S. (2010). La civiltà dei maestri. In S. Luzzato, G. Pedullà, & A. De Vincentiis (Eds.), Atlante storico della letteratura italiana: Dalle origini al Rinascimento (Vol. 1, pp. 427-432). Einaudi.
Ferente, S. (2010). La duchessa ha qualcosa da dire. Mantova, 1459. In S. Luzzato, G. Pedullà, & A. De Vincentiis (Eds.), Atlante storico della letteratura italiana: Dalle origini al Rinascimento (Vol. 1, pp. 421-426). Einaudi.
Ferente, S. (2010). Latino lingua materna. Firenze 1435. In S. Luzzato, G. Pedullà, & A. De Vincentiis (Eds.), Atlante storico della letteratura italiana: Dalle origini al Rinascimento (Vol. 1, pp. 335-340). Einaudi.
Ferente, S. (2010). Visita guidata alle rovine di Roma. Roma, 1471. In S. Luzzato, G. Pedullà, & A. De Vincentiis (Eds.), Atlante storico della letteratura italiana: Dalle origini al Rinascimento (Vol. 1, pp. 514-519). Einaudi.
2009
Ferente, S. (2009). Storici ed emozioni. Storica, 15, 371-392.
2007
Ferente, S. (2007). Guelphs! Factions, Liberty and Sovereignty: Inquiries about the Quattrocento. History of Political Thought, 28, 571-598.
2005
Ferente, S. (2005). La sfortuna di Jacopo Piccinino: Storia dei bracceschi in Italia (1423 -1465). (Accademia toscana di scienze e lettere «La Colombaria». Studi.; Vol. 229). Leo S. Olschki.
Membership
Ferente, S. (2009-2047). Royal Historical Society.
Others
van der Velden, H. (chair), Ferente, S. (organiser), Brüggen Israëls, M. (organiser), Damen, M. (organiser) & Koopmans, J. (organiser) (17-12-2021). Reflection - POSTPONED, Amsterdam. This event has been postponed to spring 2022, due to the present Covid situation!The law of reflection states that the angle of incidence equals the (…) (organising a conference, workshop, ...).
van der Velden, H. (chair), Ferente, S. (organiser), Brüggen Israëls, M. (organiser), Damen, M. (organiser) & Koopmans, J. (organiser) (17-12-2021). Reflection Online: Totentanz. Totentanz is an animation opera produced by the Dutch stage director Wim Trompert, based on Bernt Notke’s Dance of Death, formerly in Lübeck, painted (…) (organising a conference, workshop, ...).
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