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Luijnenburg, L. (2022). [Review of: K. Pinkus (2020) Clocking Out: The Machinery of Life in 1960s Italian Cinema]. Journal of Italian Cinema and Media Studies, 10(1), 135-137. https://doi.org/10.1386/jicms_00112_5[details]
Burdett, C., Ferrini, A., Giuliani, G., Griffini, M., Luijnenburg, L., & Mancosu, G. (2019). Roundtable on Visuality, Race and Nationhood in Italy. Journal of Visual Culture, 18(1), 53-80. https://doi.org/10.1177/1470412918822669[details]
2018
Luijnenburg, L. M. E. (2018). The Transnational Writers of the Somali Diaspora in the Netherlands. In D. Comberiati, & X. Luffin (Eds.), Italy and the Literaturesfrom the Horn of Africa: Ethiopia, Eritrea, Somalia, Djibouti (pp. 139-160). Aracne.
2015
Luijnenburg, L. M. E., & Comberiati, D. (2015). New Postcolonial Art Forms: Timira as Multi-Genre Object Between Cinema and Literature. In Destination Italy: Representing Migration in Contemporary Media and Narrative (pp. 271-285). (Italian Modernity). Oxford: Peter Lang.
2014
Luijnenburg, L. M. E. (2014). The grotesque as a tool: Deconstructing the imperial narrative in two commedie all'italiana by Ettore Scola. Incontri: rivista europea di studi italiani, 2(2014), 43-54.
2013
Luijnenburg, L. M. E. (2013). The Other in Italian Postcolonial Cinema. Pasolini and Fellini. Two Case Studies . Incontri: rivista europea di studi italiani, 28(1).
Luijnenburg, L. M. E. (2013). Voices on Italy’s Recent History: Aulò: Roma postcoloniale and La quarta via. Incontri: Rivista europea di studi italiani, 28(1), 101-103.
Luijnenburg, L. M. E. (2017). La Piccola Roma: The Female Characteristics of Unoccupied Spaces in 'Totò Films'. In City and Migration: Unfolding Asmara’s Architecture (pp. 316-325). Insbruck: DOM Publishers.
Prize / grant
Luijnenburg, L. (2015). Postgraduate Award in Teaching and Learning in Higher Education.
Others
Luijnenburg, L. (examiner) & Baldi, E. (examiner) (11-2015). The Short Story Cycle. Circling Around a Genre? (examination). https://twitter.com/warwickssc
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