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NL

dr. O.K. (Olga) Sooudi

Faculty of Social and Behavioural Sciences
Programme group: Moving Matters: People, Goods, Power and Ideas
Photographer: onbekend

Visiting address
  • Nieuwe Achtergracht 166
  • Room number: B5.04
Postal address
  • Postbus 15509
    1001 NA Amsterdam
Contact details
  • Profile

    Biography

    Olga Sooudi is Assistant Professor in the Department of Anthropology at the University of Amsterdam.  She is a member of the AISSR Moving Matters Research Group. Olga is also a member of the International Institute for Asian Studies (IIAS) Academic Committee.

    In 2011-2013, she was a Postdoctoral Researcher at the Amsterdam Centre for Globalisation Studies. She received her PhD in Anthropology from Yale University, and her BA from Duke University.

    Research

    Olga's research interests include migration, cities, art worlds, artists, and cultural translation, and draw upon ethnographic fieldwork conducted in Tokyo, New York City, and most recently, Mumbai.

    Her first book, Japanese New York: Migrant Artists and Self-Reinvention on the World Stage (University of Hawai'i Press, 2014), is an ethnography of Japanese migrant artists to New York City, and returnees to Japan. Based on over two years of fieldwork in New York and Tokyo, it follows Japanese migrants as they seek to fashion themselves into successful artists--be it painter, fashion designer, or musician--in New York City.  It examines mobility as creative practice through realms of everyday work and activity, artistic production, and media and narrative.      

    Her latest research is a project on the contemporary art scene in Mumbai, extending her longstanding interests in how art worlds and creative production are shaped through globalization and urban life.

    Teaching

    I teach in Anthropology, ASW (Interdisciplinary Social Sciences, BA), and the Masters program in Contemporary Asian Studies. I also supervise masters students in CAS, Anthropology MA, and the RMSS program. Current and past courses taught include:

    • East and Central Asia, MA Contemporary Asian Studies
    • Anthropology of Modern Asia 
    • Youth Cultures in Transnational Context (ASW)
    • Age, City, Work (ASW)
    • BA Thesis class (ASW)
    • Urban Anthropology 
    • Asian Cities
    • Introduction to East Asia: Powerhouse and Politics

     

    Japanese New York: Migrant Artists and Self-Reinvention on the World Stage

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  • Publications

    2018

    2016

    • Sooudi, O. K. (2016). Making Mumbai's Emerging Art World Through Makeshift Practices. South Asia: journal of South Asian studies, 39(1), 149-166. DOI: 10.1080/00856401.2016.1141480 [details]

    2015

    • Sooudi, O. K. (2015). Morality and exchange in the Mumbai contemporary art world. In O. Velthuis, & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 264-284). Oxford: Oxford University Press. DOI: 10.1093/acprof:oso/9780198717744.003.0012 [details]

    2014

    • Sooudi, O. K. (2014). Japanese New York: Migrant Artists and Self-Reinvention on the World-Stage. Honolulu: University of Hawai'i Press. [details]

    2012

    • Sooudi, O. K. (2012). Art patron as 'taste scapegoat'? Complicity and disavowal in Mumbai's contemporary art world. Etnofoor, 24(2), 123-143. [details]

    2011

    • Sooudi, O. K. (2011). Constructing the authentic modern: Japanese migrant artists in New York City. Inter-Asia Cultural Studies, 12(1), 77-94. DOI: 10.1080/14649373.2011.532949 [details]

    2010

    • Sooudi, O. K. (2010). Connoisseurs of urban life: aesthetic practices and the everyday among Japanese migrants in New York City. In R. G. Davis, D. Fischer-Nornung, & J. C. Kardux (Eds.), Aesthetic practices and politics in media, music, and art: performing migration (pp. 212-226). (Routledge research in cultural and media studies; No. 26). New York: Routledge. [details]

    2018

    • Sooudi, O. K. (2018). The New Infrastructure for Art and the Rise of Neoliberal Economies in the Gulf: Auction Houses, Galleries, Fairs and the Art Market in the Middle East and Beyond. In The Global Circulation of Art and the New Markets: Abu Dhabi Art Talks: Talks Booklet (pp. 36-39). Department of Culture and Tourism, for Abu Dhabi Art.

    2017

    • Sooudi, O. K. (2017). Remaking Japan through Transnational Encounters, Difference, and Struggles for Social Equality: [Review of: J.D. Hankins (2014) Working skin : making leather, making a multicultural Japan; I.-A. Laemmerhirt (2013) Embracing differences : transnational cultural flows between Japan and the United States; D.J. Milly (2014) New policies for new residents : immigrants, advocacy, and governance in Japan and beyond; K. Tsuchiya (2014) Reinventing citizenship : Black Los Angeles, Korean Kawasaki, and community participation]. The Journal of Asian Studies, 76(3), 802-812. DOI: 10.1017/S0021911817000651 [details]

    Membership

    • Sooudi, O. (2016-). Member of Academic Committee, International Institute for Asian Studies, Leiden.

    Talk / presentation

    • Sooudi, O. (speaker) (14-11-2018). Navigating the system: how artists relate to galleries and alternative art spaces in Mumbai, Abu Dhabi Art Talks, Abu Dhabi Art , United Arab Emirates.

    Others

    • Sooudi, O. (participant) (2018 - 2019). Judge for ICAS Book Prize, Social Sciences Reading Committee, ICAS (other).
    • Nooteboom, G. (organiser), Sooudi, O. K. (organiser) & Baas, M. (participant) (12-6-2018 - 13-6-2018). Movement as Interregnum: People, Technologies, Goods, and Ideas, Singapore, Singapore (organising a conference, workshop, ...).

    2017

    • Lertchavalitsakul, B. (2017). Living with four polities: States and cross-border flows in the Myanmar-Thailand borderland [details]
    This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list.
  • Ancillary activities
    • No ancillary activities