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Theatre, Performance and Dramaturgy is a selective programme and research-led, combining core modules, electives and practice-based components. You will be introduced to key concepts and methodologies and engage with themes such as cultural translation, cultural policy and curation, archiving the performing arts, art and activism, and theatre and globalisation in seminars and projects. You will also have the opportunity to gain practical experience by doing an internship.

Programme structure

The Dual Master's programme Theatre, Performance and Dramaturgy comprises 90 ECTS credits. There are two specialisations.

Specialisation: Theatre and Performance Studies

COURSES SEM 1 SEM 2 SEMESTER 1 SEMESTER 2 EC
  • Research seminar: Theatre and Performance Studies
    Period 1
    6
  • Research seminar: Fieldwork
    Period 2
    6
  • Restricted-choice electives
    Period 1
    Period 2
    12

    You can choose two of the following courses: 'Decolonising the Archives in the Arts', 'Performance and the Planetary', 'Music Theatre as a Laboratory' and 'Spectatorship and Education: Researching Audiences'.

  • Humanities Now
    Period 3
    6

    You can choose either 'Perspective and Practices' or 'Curating Dialogues'.

  • Free-choice electives
    Period 1
    Period 2
    Period 3
    Period 4
    Period 5
    Period 6
    12
  • Master's thesis
    Period 4
    Period 5
    Period 6
    18

    The Master’s thesis is an individually supervised research project. It allows you to develop a focused research question and demonstrate how you can work critically and independently with theatre and performance materials, methods and debates. The thesis can be closely connected to your specialisation, fieldwork or professional interests.

COURSES SEM 1 SEM 2 SEMESTER 1 SEMESTER 2 EC
  • Internship: Research and Field Practice
    Period 1
    Period 2
    Period 3
    30
Compulsory course
Elective

Specialisation: International Dramaturgy

COURSES SEM 1 SEM 2 SEMESTER 1 SEMESTER 2 EC
  • Research seminar: Theatre and Performance Studies
    Period 1
    6
  • Research seminar: Dramaturgy & Practical Exercises
    Period 2
    6
  • Restricted-choice electives
    Period 2
    Period 3
    12

    You can choose two of the following courses: 'Decolonising the Archives in the Arts', 'Performance and the Planetary', 'Music Theatre as a Laboratory' and 'Spectatorship and Education: Researching Audiences'.

  • Humanities Now
    Period 3
    6

    You can choose either 'Perspective and Practices' or 'Curating Dialogues'.

  • Free-choice electives
    Period 1
    Period 2
    Period 3
    Period 4
    Period 5
    Period 6
    12
  • Master's thesis
    Period 4
    Period 5
    Period 6
    18

    The Master’s thesis is an individually supervised research project. It allows you to develop a focused research question and demonstrate how you can work critically and independently with theatre and performance materials, methods and debates. The thesis can be closely connected to your specialisation, fieldwork or professional interests.

COURSES SEM 1 SEM 2 SEMESTER 1 SEMESTER 2 EC
  • Internship
    Period 1
    Period 2
    Period 3
    30
Compulsory course
Elective
Copyright: Ricarda Franzen
This is the only academic education for dramaturgs in the Netherlands and is unique in its dialogue with an international network of academics and cultural professionals. You will benefit from our partnerships with leading universities and professional organisations in different cities within and outside Europe. Ricarda Franzen MA
  • Internships

    The internship is an integral part of the dual Master’s programme and carries 30 ECTS. You gain field experience in the Netherlands or abroad, applying and testing your knowledge and skills in an artistic, cultural or research setting. Internship and thesis supervision are integrated into the learning trajectory, and opportunities draw on the programme’s extensive network of theatre, performance and cultural partners.

    Students taking a Dual Master's programme may in some cases be eligible for reimbursement of internship-related costs or fees, subject to the applicable regulations.

    Students who take part in an exchange can use the programme’s international collaborations to explore internship opportunities abroad. Exchange arrangements and available placements vary, so students should discuss their plans with the programme team.

    Overview of internships

    Internship opportunities are subject to change. In the past, students have worked with:

    • Het Nationale Theater/ HNT Jong
    • Urland
    • Dancing on the Edge
    • De Nationale Opera
    • Het Cultuurfonds
    • Nederlands Theater Festival
    • Toneelschuur Producties
    • Stichting Nanoek
    • Amsterdams Fonds voor de Kunsten
    • Theater aan de Rijn
    • Theater Bellevue
    • Frascati
    • De Brakke Grond
    • Het Zuidelijk Toneel
    • Stichting TiN/ Allard Pierson
    • De Warme Winkel
    • Anoek Nuyens/ Bureau Vergezicht
    • Theater Oostpool
    • BOG
    • De Toneelmakerij
    • FC Bergman
    • ICK Amsterdam
    • Internationaal Theater Amsterdam
    • Bijlmerpark Theater
    • Opera Forward Festival
    • Theater Rotterdam
    • Theater na de Dam
    • Young Gangsters
    • Rotterdams Wijktheater
    • Studio Julian Hetzel
    • Dries Verhoeven
    • Theaterfestival Boulevard
    • NT Gent
    • Vooruit Gent
    • KASKO Zwolle
  • Partner universities

    Cultural exchange on an academic as well as practical artistic level is a crucial component of the programme's curriculum. The programme cooperates with diverse universities in- and outside of Europe to make this exchange possible. These cooperations ensure that the exchange is flexible, occurring in 3 to 6-month timeframes, and meets the individual needs and plans of our students. The resulting options concern both studying and doing your internship abroad. The following cooperation partners are currently involved in the programme:

  • Project example: I've Been Here

    I’ve Been Here is a piece that was created by students of the Master’s programmes Theatre Studies and International Dramaturgy as a shared practical project. The piece features the voices of students who frequent the University Theatre in Amsterdam, focusing on their experiences of it. The participants were invited to share their memories of the performances, events, lectures, discussion, or anything else they had experienced within the walls of the theatre. Each person describes the space in a different way, yet they all touch upon the rich history of everything that has occurred over the lifetime of the theatre. In listening, you might be able to sense something of this history yourself from these reflections, and upon entering the theatre you are invited to continue filling the space with new memories, creating the history that is yet to come.